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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD619E it is the complementary color #529E61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD619E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD619E shade: #B26199, #C373AC, #D485BF, #E597D2 and #F6A9E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD619E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD619E shade: #AD619E, #9C4F8B, #8B3D78, #7A2B65 and #691952

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD619E shade: #AD609E, #AD6089, #AD6074 and #AD6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD619E shade: #AD609E, #A760AD, #9360AD, #7E60AD and #6960AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD619E shade matches the following richer shades: #AD609E, #C04DAA, #D43AB5, #E726C1 and #FB13CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD619E shade: #AD609E, #9A7492, #868786, #739A7B and #5FAE6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD619E shade: #9260AD, #A760AD, #AD609F, #AD608A and #AD6076

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD619E shade: #7B3F70, #974D88, #AD609E, #BB7CAE and #C997BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD619E shade: #AD619E, #AD7E60 and #60AD9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD619E shade: #AD619E, #9FAD60 and #609FAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD619E shade: #AD619E, #AD7E60, #60AD6E and #6090AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD619E shade: #AD619E, #AD9560, #60AD6E and #6079AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 9 / 32

HEX #AD619E

RGB 173 97 158

HSL 311.84, 0.32%, 0.53%

LAB 51.73, 39.5, -19.88

 

Complementary color

CMYK 48 / 0 / 39 / 38

HEX #529E61

RGB 82 158 97

HSL 131.84, 0.32%, 0.47%

LAB 59.08, -37.2, 24.79

 

CMYK 0 / 46 / 14 / 30

HEX #B26199

RGB 178 97 153

HSL 318.52, 0.34%, 0.54%

LAB 52.19, 40.28, -16.18

 

CMYK 0 / 41 / 12 / 24

HEX #C373AC

RGB 195 115 172

HSL 317.25, 0.4%, 0.61%

LAB 58.83, 39.51, -16.93

 

CMYK 0 / 37 / 10 / 17

HEX #D485BF

RGB 212 133 191

HSL 315.95, 0.48%, 0.68%

LAB 65.38, 38.74, -17.59

 

CMYK 0 / 34 / 8 / 10

HEX #E597D2

RGB 229 151 210

HSL 314.62, 0.6%, 0.75%

LAB 71.86, 38, -18.18

 

CMYK 0 / 31 / 7 / 4

HEX #F6A9E5

RGB 246 169 229

HSL 313.25, 0.81%, 0.81%

LAB 78.24, 37.3, -18.72

 

CMYK 0 / 44 / 9 / 32

HEX #AD619E

RGB 173 97 158

HSL 311.84, 0.32%, 0.53%

LAB 51.73, 39.5, -19.88

 

CMYK 0 / 49 / 11 / 39

HEX #9C4F8B

RGB 156 79 139

HSL 313.25, 0.33%, 0.46%

LAB 44.98, 40.24, -19.13

 

CMYK 0 / 56 / 14 / 45

HEX #8B3D78

RGB 139 61 120

HSL 314.62, 0.39%, 0.39%

LAB 38.17, 40.89, -18.19

 

CMYK 0 / 65 / 17 / 52

HEX #7A2B65

RGB 122 43 101

HSL 315.95, 0.48%, 0.32%

LAB 31.36, 41.28, -16.91

 

CMYK 0 / 76 / 22 / 59

HEX #691952

RGB 105 25 82

HSL 317.25, 0.62%, 0.25%

LAB 24.66, 41.04, -15.06

 

CMYK 0 / 45 / 9 / 32

HEX #AD609E

RGB 173 96 158

HSL 311.69, 0.32%, 0.53%

LAB 51.52, 40.03, -20.2

 

CMYK 0 / 45 / 21 / 32

HEX #AD6089

RGB 173 96 137

HSL 328.05, 0.32%, 0.53%

LAB 50.75, 36.56, -8.95

 

CMYK 0 / 45 / 33 / 32

HEX #AD6074

RGB 173 96 116

HSL 344.42, 0.32%, 0.53%

LAB 50.11, 33.55, 2.61

 

CMYK 0 / 45 / 45 / 32

HEX #AD6060

RGB 173 96 96

HSL 0, 0.32%, 0.53%

LAB 49.61, 31.14, 13.84

 

CMYK 0 / 45 / 9 / 32

HEX #AD609E

RGB 173 96 158

HSL 311.69, 0.32%, 0.53%

LAB 51.52, 40.03, -20.2

 

CMYK 3 / 45 / 0 / 32

HEX #A760AD

RGB 167 96 173

HSL 295.32, 0.32%, 0.53%

LAB 51.38, 40.92, -29.25

 

CMYK 15 / 45 / 0 / 32

HEX #9360AD

RGB 147 96 173

HSL 279.74, 0.32%, 0.53%

LAB 48.99, 34.84, -33.16

 

CMYK 27 / 45 / 0 / 32

HEX #7E60AD

RGB 126 96 173

HSL 263.38, 0.32%, 0.53%

LAB 46.74, 28.61, -36.86

 

CMYK 39 / 45 / 0 / 32

HEX #6960AD

RGB 105 96 173

HSL 247.01, 0.32%, 0.53%

LAB 44.78, 22.74, -40.08

 

CMYK 0 / 45 / 9 / 32

HEX #AD609E

RGB 173 96 158

HSL 311.69, 0.32%, 0.53%

LAB 51.52, 40.03, -20.2

 

CMYK 0 / 60 / 11 / 25

HEX #C04DAA

RGB 192 77 170

HSL 311.48, 0.48%, 0.53%

LAB 51.17, 57.02, -27.56

 

CMYK 0 / 73 / 15 / 17

HEX #D43AB5

RGB 212 58 181

HSL 312.08, 0.64%, 0.53%

LAB 52.24, 70.96, -32.08

 

CMYK 0 / 84 / 16 / 9

HEX #E726C1

RGB 231 38 193

HSL 311.81, 0.8%, 0.53%

LAB 54.27, 81.78, -35.64

 

CMYK 0 / 92 / 18 / 2

HEX #FB13CD

RGB 251 19 205

HSL 311.9, 0.97%, 0.53%

LAB 57.45, 89.82, -37.31

 

CMYK 0 / 45 / 9 / 32

HEX #AD609E

RGB 173 96 158

HSL 311.69, 0.32%, 0.53%

LAB 51.52, 40.03, -20.2

 

CMYK 0 / 25 / 5 / 40

HEX #9A7492

RGB 154 116 146

HSL 312.63, 0.16%, 0.53%

LAB 53.42, 20.09, -10.48

 

CMYK 1 / 0 / 1 / 47

HEX #868786

RGB 134 135 134

HSL 120, 0%, 0.53%

LAB 56.21, -0.56, 0.4

 

CMYK 25 / 0 / 20 / 40

HEX #739A7B

RGB 115 154 123

HSL 132.31, 0.16%, 0.53%

LAB 60.06, -19.9, 12

 

CMYK 45 / 0 / 36 / 32

HEX #5FAE6F

RGB 95 174 111

HSL 132.15, 0.33%, 0.53%

LAB 64.85, -38.14, 24.99

 

CMYK 16 / 45 / 0 / 32

HEX #9260AD

RGB 146 96 173

HSL 278.96, 0.32%, 0.53%

LAB 48.88, 34.53, -33.35

 

CMYK 3 / 45 / 0 / 32

HEX #A760AD

RGB 167 96 173

HSL 295.32, 0.32%, 0.53%

LAB 51.38, 40.92, -29.25

 

CMYK 0 / 45 / 8 / 32

HEX #AD609F

RGB 173 96 159

HSL 310.91, 0.32%, 0.53%

LAB 51.56, 40.2, -20.73

 

CMYK 0 / 45 / 20 / 32

HEX #AD608A

RGB 173 96 138

HSL 327.27, 0.32%, 0.53%

LAB 50.79, 36.72, -9.5

 

CMYK 0 / 45 / 32 / 32

HEX #AD6076

RGB 173 96 118

HSL 342.86, 0.32%, 0.53%

LAB 50.17, 33.82, 1.5

 

CMYK 0 / 49 / 9 / 52

HEX #7B3F70

RGB 123 63 112

HSL 311, 0.32%, 0.36%

LAB 35.86, 33.22, -16.94

 

CMYK 0 / 49 / 10 / 41

HEX #974D88

RGB 151 77 136

HSL 312.16, 0.32%, 0.45%

LAB 43.75, 39.17, -19.26

 

CMYK 0 / 45 / 9 / 32

HEX #AD609E

RGB 173 96 158

HSL 311.69, 0.32%, 0.53%

LAB 51.52, 40.03, -20.2

 

CMYK 0 / 34 / 7 / 27

HEX #BB7CAE

RGB 187 124 174

HSL 312.38, 0.32%, 0.61%

LAB 59.92, 32.3, -16.51

 

CMYK 0 / 25 / 5 / 21

HEX #C997BF

RGB 201 151 191

HSL 312, 0.32%, 0.69%

LAB 68.25, 25.27, -13.38

 

CMYK 0 / 44 / 9 / 32

HEX #AD619E

RGB 173 97 158

HSL 311.84, 0.32%, 0.53%

LAB 51.73, 39.5, -19.88

 

CMYK 0 / 27 / 45 / 32

HEX #AD7E60

RGB 173 126 96

HSL 23.38, 0.32%, 0.53%

LAB 56.73, 14.39, 23.48

 

CMYK 45 / 0 / 10 / 32

HEX #60AD9C

RGB 96 173 156

HSL 166.75, 0.32%, 0.53%

LAB 65.57, -28, 1.32

 

CMYK 0 / 44 / 9 / 32

HEX #AD619E

RGB 173 97 158

HSL 311.84, 0.32%, 0.53%

LAB 51.73, 39.5, -19.88

 

CMYK 8 / 0 / 45 / 32

HEX #9FAD60

RGB 159 173 96

HSL 70.91, 0.32%, 0.53%

LAB 68.1, -17.01, 37.79

 

CMYK 45 / 8 / 0 / 32

HEX #609FAD

RGB 96 159 173

HSL 190.91, 0.32%, 0.53%

LAB 61.91, -16.48, -13.62

 

CMYK 0 / 44 / 9 / 32

HEX #AD619E

RGB 173 97 158

HSL 311.84, 0.32%, 0.53%

LAB 51.73, 39.5, -19.88

 

CMYK 0 / 27 / 45 / 32

HEX #AD7E60

RGB 173 126 96

HSL 23.38, 0.32%, 0.53%

LAB 56.73, 14.39, 23.48

 

CMYK 45 / 0 / 36 / 32

HEX #60AD6E

RGB 96 173 110

HSL 130.91, 0.32%, 0.53%

LAB 64.56, -37.58, 25.16

 

CMYK 45 / 17 / 0 / 32

HEX #6090AD

RGB 96 144 173

HSL 202.6, 0.32%, 0.53%

LAB 57.51, -8.29, -20.3

 

CMYK 0 / 44 / 9 / 32

HEX #AD619E

RGB 173 97 158

HSL 311.84, 0.32%, 0.53%

LAB 51.73, 39.5, -19.88

 

CMYK 0 / 14 / 45 / 32

HEX #AD9560

RGB 173 149 96

HSL 41.3, 0.32%, 0.53%

LAB 62.7, 1.57, 31.24

 

CMYK 45 / 0 / 36 / 32

HEX #60AD6E

RGB 96 173 110

HSL 130.91, 0.32%, 0.53%

LAB 64.56, -37.58, 25.16

 

CMYK 45 / 30 / 0 / 32

HEX #6079AD

RGB 96 121 173

HSL 220.52, 0.32%, 0.53%

LAB 50.9, 5.05, -30.51

 

Description

Color code: HEX #AD619E | qconv.com Color code: HEX #AD619E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 97 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 97 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 9 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 9% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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