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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD6240 it is the complementary color #529DBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD6240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD6240 shade: #B2623B, #C3744E, #D48661, #E59874 and #F6AA87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD6240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD6240 shade: #AD6240, #9C502D, #8B3E1A, #7A2C07 and #691A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD6240 shade: #AB613F, #AB433F and #AB3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD6240 shade: #AB613F, #AB7E3F, #AB9B3F, #9EAB3F and #81AB3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD6240 shade matches the following richer shades: #AB613F, #BE592C, #D15219 and #E44B06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD6240 shade: #AB613F, #986852, #856F65, #727678 and #5F7D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD6240 shade: #AB3F58, #AB423F, #AB5F3F, #AB7C3F and #AB993F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD6240 shade: #6F3E29, #8D4F34, #AB613F, #BF7554 and #CA8D72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD6240 shade: #AD6240, #75AB3F and #3F4AAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD6240 shade: #AD6240, #3FAB5F and #5F3FAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD6240 shade: #AD6240, #75AB3F, #3F8AAB and #753FAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD6240 shade: #AD6240, #54AB3F, #3F8AAB and #953FAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 63 / 32

HEX #AD6240

RGB 173 98 64

HSL 18.72, 0.46%, 0.46%

LAB 49.48, 27.17, 32.27

 

Complementary color

CMYK 57 / 18 / 0 / 25

HEX #529DBF

RGB 82 157 191

HSL 198.72, 0.46%, 0.54%

LAB 61.37, -13.38, -24.63

 

CMYK 0 / 45 / 67 / 30

HEX #B2623B

RGB 178 98 59

HSL 19.66, 0.5%, 0.46%

LAB 50.12, 28.91, 35.94

 

CMYK 0 / 41 / 60 / 24

HEX #C3744E

RGB 195 116 78

HSL 19.49, 0.49%, 0.54%

LAB 56.73, 27.44, 34.04

 

CMYK 0 / 37 / 54 / 17

HEX #D48661

RGB 212 134 97

HSL 19.3, 0.57%, 0.61%

LAB 63.27, 26.13, 32.3

 

CMYK 0 / 34 / 49 / 10

HEX #E59874

RGB 229 152 116

HSL 19.12, 0.68%, 0.68%

LAB 69.74, 24.97, 30.72

 

CMYK 0 / 31 / 45 / 4

HEX #F6AA87

RGB 246 170 135

HSL 18.92, 0.86%, 0.75%

LAB 76.13, 23.95, 29.28

 

CMYK 0 / 43 / 63 / 32

HEX #AD6240

RGB 173 98 64

HSL 18.72, 0.46%, 0.46%

LAB 49.48, 27.17, 32.27

 

CMYK 0 / 49 / 71 / 39

HEX #9C502D

RGB 156 80 45

HSL 18.92, 0.55%, 0.39%

LAB 42.76, 28.75, 34.31

 

CMYK 0 / 55 / 81 / 45

HEX #8B3E1A

RGB 139 62 26

HSL 19.12, 0.68%, 0.32%

LAB 36, 30.51, 36.41

 

CMYK 0 / 64 / 94 / 52

HEX #7A2C07

RGB 122 44 7

HSL 19.3, 0.89%, 0.25%

LAB 29.3, 32.36, 37.96

 

CMYK 0 / 75 / 100 / 59

HEX #691A00

RGB 105 26 0

HSL 14.86, 1%, 0.21%

LAB 22.8, 33.98, 33.65

 

CMYK 0 / 43 / 63 / 33

HEX #AB613F

RGB 171 97 63

HSL 18.89, 0.46%, 0.46%

LAB 48.97, 26.81, 32.14

 

CMYK 0 / 61 / 63 / 33

HEX #AB433F

RGB 171 67 63

HSL 2.22, 0.46%, 0.46%

LAB 42.81, 42.4, 24.54

 

CMYK 0 / 63 / 63 / 33

HEX #AB3F3F

RGB 171 63 63

HSL 0, 0.46%, 0.46%

LAB 42.11, 44.26, 23.65

 

CMYK 0 / 43 / 63 / 33

HEX #AB613F

RGB 171 97 63

HSL 18.89, 0.46%, 0.46%

LAB 48.97, 26.81, 32.14

 

CMYK 0 / 26 / 63 / 33

HEX #AB7E3F

RGB 171 126 63

HSL 35, 0.46%, 0.46%

LAB 56.03, 10.55, 40.42

 

CMYK 0 / 9 / 63 / 33

HEX #AB9B3F

RGB 171 155 63

HSL 51.11, 0.46%, 0.46%

LAB 63.72, -5.43, 49

 

CMYK 8 / 0 / 63 / 33

HEX #9EAB3F

RGB 158 171 63

HSL 67.22, 0.46%, 0.46%

LAB 67.09, -19.39, 52.31

 

CMYK 25 / 0 / 63 / 33

HEX #81AB3F

RGB 129 171 63

HSL 83.33, 0.46%, 0.46%

LAB 65.08, -31.23, 49.55

 

CMYK 0 / 43 / 63 / 33

HEX #AB613F

RGB 171 97 63

HSL 18.89, 0.46%, 0.46%

LAB 48.97, 26.81, 32.14

 

CMYK 0 / 53 / 77 / 25

HEX #BE592C

RGB 190 89 44

HSL 18.49, 0.62%, 0.46%

LAB 49.83, 37.74, 43.95

 

CMYK 0 / 61 / 88 / 18

HEX #D15219

RGB 209 82 25

HSL 18.59, 0.79%, 0.46%

LAB 51.45, 47.75, 54.83

 

CMYK 0 / 67 / 97 / 11

HEX #E44B06

RGB 228 75 6

HSL 18.65, 0.95%, 0.46%

LAB 53.53, 57.1, 62.97

 

CMYK 0 / 43 / 63 / 33

HEX #AB613F

RGB 171 97 63

HSL 18.89, 0.46%, 0.46%

LAB 48.97, 26.81, 32.14

 

CMYK 0 / 32 / 46 / 40

HEX #986852

RGB 152 104 82

HSL 18.86, 0.3%, 0.46%

LAB 48.49, 16.52, 20.14

 

CMYK 0 / 17 / 24 / 48

HEX #856F65

RGB 133 111 101

HSL 18.75, 0.14%, 0.46%

LAB 48.63, 6.99, 8.79

 

CMYK 5 / 2 / 0 / 53

HEX #727678

RGB 114 118 120

HSL 200, 0.03%, 0.46%

LAB 49.36, -1.09, -1.63

 

CMYK 32 / 10 / 0 / 45

HEX #5F7D8B

RGB 95 125 139

HSL 199.09, 0.19%, 0.46%

LAB 50.65, -7.14, -11.06

 

CMYK 0 / 63 / 49 / 33

HEX #AB3F58

RGB 171 63 88

HSL 346.11, 0.46%, 0.46%

LAB 42.64, 46.29, 8.94

 

CMYK 0 / 61 / 63 / 33

HEX #AB423F

RGB 171 66 63

HSL 1.67, 0.46%, 0.46%

LAB 42.63, 42.87, 24.31

 

CMYK 0 / 44 / 63 / 33

HEX #AB5F3F

RGB 171 95 63

HSL 17.78, 0.46%, 0.46%

LAB 48.51, 27.92, 31.59

 

CMYK 0 / 27 / 63 / 33

HEX #AB7C3F

RGB 171 124 63

HSL 33.89, 0.46%, 0.46%

LAB 55.51, 11.68, 39.84

 

CMYK 0 / 11 / 63 / 33

HEX #AB993F

RGB 171 153 63

HSL 50, 0.46%, 0.46%

LAB 63.18, -4.35, 48.41

 

CMYK 0 / 44 / 63 / 56

HEX #6F3E29

RGB 111 62 41

HSL 18, 0.46%, 0.3%

LAB 31.77, 19.23, 22.04

 

CMYK 0 / 44 / 63 / 45

HEX #8D4F34

RGB 141 79 52

HSL 18.2, 0.46%, 0.38%

LAB 40.41, 23.39, 27.06

 

CMYK 0 / 43 / 63 / 33

HEX #AB613F

RGB 171 97 63

HSL 18.89, 0.46%, 0.46%

LAB 48.97, 26.81, 32.14

 

CMYK 0 / 39 / 56 / 25

HEX #BF7554

RGB 191 117 84

HSL 18.5, 0.46%, 0.54%

LAB 56.52, 25.72, 30.36

 

CMYK 0 / 30 / 44 / 21

HEX #CA8D72

RGB 202 141 114

HSL 18.41, 0.45%, 0.62%

LAB 64.02, 19.92, 23.69

 

CMYK 0 / 43 / 63 / 32

HEX #AD6240

RGB 173 98 64

HSL 18.72, 0.46%, 0.46%

LAB 49.48, 27.17, 32.27

 

CMYK 32 / 0 / 63 / 33

HEX #75AB3F

RGB 117 171 63

HSL 90, 0.46%, 0.46%

LAB 64.38, -35.79, 48.58

 

CMYK 63 / 57 / 0 / 33

HEX #3F4AAB

RGB 63 74 171

HSL 233.89, 0.46%, 0.46%

LAB 35.78, 26.59, -53.51

 

CMYK 0 / 43 / 63 / 32

HEX #AD6240

RGB 173 98 64

HSL 18.72, 0.46%, 0.46%

LAB 49.48, 27.17, 32.27

 

CMYK 63 / 0 / 44 / 33

HEX #3FAB5F

RGB 63 171 95

HSL 137.78, 0.46%, 0.46%

LAB 62.52, -47.73, 30.21

 

CMYK 44 / 63 / 0 / 33

HEX #5F3FAB

RGB 95 63 171

HSL 257.78, 0.46%, 0.46%

LAB 35.85, 39.62, -53.28

 

CMYK 0 / 43 / 63 / 32

HEX #AD6240

RGB 173 98 64

HSL 18.72, 0.46%, 0.46%

LAB 49.48, 27.17, 32.27

 

CMYK 32 / 0 / 63 / 33

HEX #75AB3F

RGB 117 171 63

HSL 90, 0.46%, 0.46%

LAB 64.38, -35.79, 48.58

 

CMYK 63 / 19 / 0 / 33

HEX #3F8AAB

RGB 63 138 171

HSL 198.33, 0.46%, 0.46%

LAB 54.21, -12.93, -24.34

 

CMYK 32 / 63 / 0 / 33

HEX #753FAB

RGB 117 63 171

HSL 270, 0.46%, 0.46%

LAB 38.34, 44.52, -49.13

 

CMYK 0 / 43 / 63 / 32

HEX #AD6240

RGB 173 98 64

HSL 18.72, 0.46%, 0.46%

LAB 49.48, 27.17, 32.27

 

CMYK 51 / 0 / 63 / 33

HEX #54AB3F

RGB 84 171 63

HSL 108.33, 0.46%, 0.46%

LAB 62.82, -46.79, 46.42

 

CMYK 63 / 19 / 0 / 33

HEX #3F8AAB

RGB 63 138 171

HSL 198.33, 0.46%, 0.46%

LAB 54.21, -12.93, -24.34

 

CMYK 13 / 63 / 0 / 33

HEX #953FAB

RGB 149 63 171

HSL 287.78, 0.46%, 0.46%

LAB 42.59, 52.22, -42.08

 

Description

Color code: HEX #AD6240 | qconv.com Color code: HEX #AD6240 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 98 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 98 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 63 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 63% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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