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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD62CA it is the complementary color #529D35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD62CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD62CA shade: #B262C5, #C374D8, #D486EB, #E598FE and #F6AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD62CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD62CA shade: #AD62CA, #9C50B7, #8B3EA4, #7A2C91 and #691A7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD62CA shade: #AD62CA, #C962CA, #CA62AF, #CA6293 and #CA6277

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD62CA shade: #AD62CA, #9162CA, #7562CA and #6262CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD62CA shade matches the following richer shades: #AD62CA, #B551DB, #BC40EC and #C42FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD62CA shade: #AD62CA, #A673B9, #9E84A8, #979497 and #8FA587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD62CA shade: #7562CA, #9162CA, #AD62CA, #C862CA and #CA62B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD62CA shade: #8536A3, #9D43C0, #AD62CA, #BD81D5 and #CDA0DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD62CA shade: #AD62CA, #CA626A and #62CA83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD62CA shade: #AD62CA, #CAAD62 and #62CAAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD62CA shade: #AD62CA, #CA626A, #7FCA62 and #62CAC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD62CA shade: #AD62CA, #CA7862, #7FCA62 and #62B4CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 51 / 0 / 21

HEX #AD62CA

RGB 173 98 202

HSL 283.27, 0.5%, 0.59%

LAB 53.9, 47.47, -41.98

 

Complementary color

CMYK 48 / 0 / 66 / 38

HEX #529D35

RGB 82 157 53

HSL 103.27, 0.5%, 0.41%

LAB 58.19, -42.69, 45.7

 

CMYK 10 / 50 / 0 / 23

HEX #B262C5

RGB 178 98 197

HSL 288.48, 0.46%, 0.58%

LAB 54.27, 47.84, -38.49

 

CMYK 10 / 46 / 0 / 15

HEX #C374D8

RGB 195 116 216

HSL 287.4, 0.56%, 0.65%

LAB 60.83, 47.09, -38.83

 

CMYK 10 / 43 / 0 / 8

HEX #D486EB

RGB 212 134 235

HSL 286.34, 0.72%, 0.72%

LAB 67.31, 46.33, -39.12

 

CMYK 10 / 40 / 0 / 0

HEX #E598FE

RGB 229 152 254

HSL 285.29, 0.98%, 0.8%

LAB 73.72, 45.57, -39.36

 

CMYK 4 / 33 / 0 / 0

HEX #F6AAFF

RGB 246 170 255

HSL 293.65, 1%, 0.83%

LAB 79.36, 41.41, -31.03

 

CMYK 14 / 51 / 0 / 21

HEX #AD62CA

RGB 173 98 202

HSL 283.27, 0.5%, 0.59%

LAB 53.9, 47.47, -41.98

 

CMYK 15 / 56 / 0 / 28

HEX #9C50B7

RGB 156 80 183

HSL 284.27, 0.42%, 0.52%

LAB 47.27, 48.19, -41.65

 

CMYK 15 / 62 / 0 / 36

HEX #8B3EA4

RGB 139 62 164

HSL 285.29, 0.45%, 0.44%

LAB 40.6, 48.77, -41.17

 

CMYK 16 / 70 / 0 / 43

HEX #7A2C91

RGB 122 44 145

HSL 286.34, 0.53%, 0.37%

LAB 33.95, 49, -40.44

 

CMYK 17 / 79 / 0 / 51

HEX #691A7E

RGB 105 26 126

HSL 287.4, 0.66%, 0.3%

LAB 27.43, 48.53, -39.24

 

CMYK 14 / 51 / 0 / 21

HEX #AD62CA

RGB 173 98 202

HSL 283.27, 0.5%, 0.59%

LAB 53.9, 47.47, -41.98

 

CMYK 0 / 51 / 0 / 21

HEX #C962CA

RGB 201 98 202

HSL 299.42, 0.5%, 0.59%

LAB 57.48, 55.19, -36.11

 

CMYK 0 / 51 / 13 / 21

HEX #CA62AF

RGB 202 98 175

HSL 315.58, 0.5%, 0.59%

LAB 56.47, 50.92, -22.17

 

CMYK 0 / 51 / 27 / 21

HEX #CA6293

RGB 202 98 147

HSL 331.73, 0.5%, 0.59%

LAB 55.48, 46.8, -7.37

 

CMYK 0 / 51 / 41 / 21

HEX #CA6277

RGB 202 98 119

HSL 347.88, 0.5%, 0.59%

LAB 54.68, 43.37, 7.93

 

CMYK 14 / 51 / 0 / 21

HEX #AD62CA

RGB 173 98 202

HSL 283.27, 0.5%, 0.59%

LAB 53.9, 47.47, -41.98

 

CMYK 28 / 51 / 0 / 21

HEX #9162CA

RGB 145 98 202

HSL 267.12, 0.5%, 0.59%

LAB 50.71, 39.94, -47.24

 

CMYK 42 / 51 / 0 / 21

HEX #7562CA

RGB 117 98 202

HSL 250.96, 0.5%, 0.59%

LAB 47.98, 32.89, -51.75

 

CMYK 51 / 51 / 0 / 21

HEX #6262CA

RGB 98 98 202

HSL 240, 0.5%, 0.59%

LAB 46.44, 28.58, -54.31

 

CMYK 14 / 51 / 0 / 21

HEX #AD62CA

RGB 173 98 202

HSL 283.27, 0.5%, 0.59%

LAB 53.9, 47.47, -41.98

 

CMYK 17 / 63 / 0 / 14

HEX #B551DB

RGB 181 81 219

HSL 283.48, 0.66%, 0.59%

LAB 52.76, 61.29, -53.41

 

CMYK 20 / 73 / 0 / 7

HEX #BC40EC

RGB 188 64 236

HSL 283.26, 0.82%, 0.59%

LAB 52.3, 73, -63.69

 

CMYK 23 / 81 / 0 / 1

HEX #C42FFD

RGB 196 47 253

HSL 283.4, 0.98%, 0.59%

LAB 52.8, 82.82, -72.34

 

CMYK 14 / 51 / 0 / 21

HEX #AD62CA

RGB 173 98 202

HSL 283.27, 0.5%, 0.59%

LAB 53.9, 47.47, -41.98

 

CMYK 10 / 38 / 0 / 27

HEX #A673B9

RGB 166 115 185

HSL 283.71, 0.33%, 0.59%

LAB 55.96, 32.57, -29.09

 

CMYK 6 / 21 / 0 / 34

HEX #9E84A8

RGB 158 132 168

HSL 283.33, 0.17%, 0.59%

LAB 58.6, 16.67, -15.36

 

CMYK 0 / 2 / 0 / 41

HEX #979497

RGB 151 148 151

HSL 300, 0.01%, 0.59%

LAB 61.65, 1.68, -1.2

 

CMYK 13 / 0 / 18 / 35

HEX #8FA587

RGB 143 165 135

HSL 104, 0.14%, 0.59%

LAB 65.36, -13.47, 13.02

 

CMYK 42 / 51 / 0 / 21

HEX #7562CA

RGB 117 98 202

HSL 250.96, 0.5%, 0.59%

LAB 47.98, 32.89, -51.75

 

CMYK 28 / 51 / 0 / 21

HEX #9162CA

RGB 145 98 202

HSL 267.12, 0.5%, 0.59%

LAB 50.71, 39.94, -47.24

 

CMYK 14 / 51 / 0 / 21

HEX #AD62CA

RGB 173 98 202

HSL 283.27, 0.5%, 0.59%

LAB 53.9, 47.47, -41.98

 

CMYK 1 / 51 / 0 / 21

HEX #C862CA

RGB 200 98 202

HSL 298.85, 0.5%, 0.59%

LAB 57.35, 54.91, -36.32

 

CMYK 0 / 51 / 13 / 21

HEX #CA62B0

RGB 202 98 176

HSL 315, 0.5%, 0.59%

LAB 56.51, 51.08, -22.69

 

CMYK 18 / 67 / 0 / 36

HEX #8536A3

RGB 133 54 163

HSL 283.49, 0.5%, 0.43%

LAB 38.32, 50.86, -44.26

 

CMYK 18 / 65 / 0 / 25

HEX #9D43C0

RGB 157 67 192

HSL 283.2, 0.5%, 0.51%

LAB 45.62, 56.57, -49.51

 

CMYK 14 / 51 / 0 / 21

HEX #AD62CA

RGB 173 98 202

HSL 283.27, 0.5%, 0.59%

LAB 53.9, 47.47, -41.98

 

CMYK 11 / 39 / 0 / 16

HEX #BD81D5

RGB 189 129 213

HSL 282.86, 0.5%, 0.67%

LAB 62.78, 37.75, -34.15

 

CMYK 8 / 28 / 0 / 13

HEX #CDA0DF

RGB 205 160 223

HSL 282.86, 0.5%, 0.75%

LAB 71.86, 27.78, -25.55

 

CMYK 14 / 51 / 0 / 21

HEX #AD62CA

RGB 173 98 202

HSL 283.27, 0.5%, 0.59%

LAB 53.9, 47.47, -41.98

 

CMYK 0 / 51 / 48 / 21

HEX #CA626A

RGB 202 98 106

HSL 355.38, 0.5%, 0.59%

LAB 54.38, 42.02, 15.16

 

CMYK 51 / 0 / 35 / 21

HEX #62CA83

RGB 98 202 131

HSL 139.04, 0.5%, 0.59%

LAB 73.85, -45.91, 26.46

 

CMYK 14 / 51 / 0 / 21

HEX #AD62CA

RGB 173 98 202

HSL 283.27, 0.5%, 0.59%

LAB 53.9, 47.47, -41.98

 

CMYK 0 / 14 / 51 / 21

HEX #CAAD62

RGB 202 173 98

HSL 43.27, 0.5%, 0.59%

LAB 71.78, 0.99, 42.12

 

CMYK 51 / 0 / 14 / 21

HEX #62CAAD

RGB 98 202 173

HSL 163.27, 0.5%, 0.59%

LAB 74.73, -37.2, 5.29

 

CMYK 14 / 51 / 0 / 21

HEX #AD62CA

RGB 173 98 202

HSL 283.27, 0.5%, 0.59%

LAB 53.9, 47.47, -41.98

 

CMYK 0 / 51 / 48 / 21

HEX #CA626A

RGB 202 98 106

HSL 355.38, 0.5%, 0.59%

LAB 54.38, 42.02, 15.16

 

CMYK 37 / 0 / 51 / 21

HEX #7FCA62

RGB 127 202 98

HSL 103.27, 0.5%, 0.59%

LAB 74.59, -42.38, 44.32

 

CMYK 51 / 0 / 4 / 21

HEX #62CAC2

RGB 98 202 194

HSL 175.38, 0.5%, 0.59%

LAB 75.28, -32.06, -5.25

 

CMYK 14 / 51 / 0 / 21

HEX #AD62CA

RGB 173 98 202

HSL 283.27, 0.5%, 0.59%

LAB 53.9, 47.47, -41.98

 

CMYK 0 / 41 / 51 / 21

HEX #CA7862

RGB 202 120 98

HSL 12.69, 0.5%, 0.59%

LAB 58.86, 29.76, 25.79

 

CMYK 37 / 0 / 51 / 21

HEX #7FCA62

RGB 127 202 98

HSL 103.27, 0.5%, 0.59%

LAB 74.59, -42.38, 44.32

 

CMYK 51 / 11 / 0 / 21

HEX #62B4CA

RGB 98 180 202

HSL 192.69, 0.5%, 0.59%

LAB 69.11, -18.97, -18.86

 

Description

Color code: HEX #AD62CA | qconv.com Color code: HEX #AD62CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 98 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 98 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 51 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 51% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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