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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD7414 it is the complementary color #528BEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD7414. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD7414 shade: #B2740F, #C38622, #D49835, #E5AA48 and #F6BC5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD7414. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD7414 shade: #AD7414, #9C6201, #8B5000, #7A3E00 and #692C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD7414 shade: #AD7414, #AD4B14, #AD2114 and #AD1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD7414 shade: #AD7414, #AD9D14, #93AD14, #6AAD14 and #41AD14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD7414 shade matches the following richer shades: #AD7414 and #BD7804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD7414 shade: #AD7414, #9D7024, #8E6C33, #7E6843 and #6E6453

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD7414 shade: #AD2114, #AD4914, #AD7214, #AD9B14 and #96AD14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD7414 shade: #63420B, #885B10, #AD7414, #D28D18 and #E6A12D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD7414 shade: #AD7414, #30AD14 and #3514AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD7414 shade: #AD7414, #14AD72 and #7214AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD7414 shade: #AD7414, #30AD14, #144FAD and #9114AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD7414 shade: #AD7414, #14AD26, #144FAD and #AD149B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

Complementary color

CMYK 65 / 41 / 0 / 8

HEX #528BEB

RGB 82 139 235

HSL 217.65, 0.79%, 0.62%

LAB 58.28, 11.36, -54.04

 

CMYK 0 / 35 / 92 / 30

HEX #B2740F

RGB 178 116 15

HSL 37.18, 0.84%, 0.38%

LAB 54.02, 17.24, 57.77

 

CMYK 0 / 31 / 83 / 24

HEX #C38622

RGB 195 134 34

HSL 37.27, 0.7%, 0.45%

LAB 60.58, 15.28, 58.48

 

CMYK 0 / 28 / 75 / 17

HEX #D49835

RGB 212 152 53

HSL 37.36, 0.65%, 0.52%

LAB 67.06, 13.6, 58.07

 

CMYK 0 / 26 / 69 / 10

HEX #E5AA48

RGB 229 170 72

HSL 37.45, 0.75%, 0.59%

LAB 73.46, 12.15, 57.14

 

CMYK 0 / 24 / 63 / 4

HEX #F6BC5B

RGB 246 188 91

HSL 37.55, 0.9%, 0.66%

LAB 79.79, 10.9, 55.97

 

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

CMYK 0 / 37 / 99 / 39

HEX #9C6201

RGB 156 98 1

HSL 37.55, 0.99%, 0.31%

LAB 46.72, 17.24, 54.28

 

CMYK 0 / 42 / 100 / 45

HEX #8B5000

RGB 139 80 0

HSL 34.53, 1%, 0.27%

LAB 39.96, 19.78, 49.03

 

CMYK 0 / 49 / 100 / 52

HEX #7A3E00

RGB 122 62 0

HSL 30.49, 1%, 0.24%

LAB 33.1, 22.42, 43.48

 

CMYK 0 / 58 / 100 / 59

HEX #692C00

RGB 105 44 0

HSL 25.14, 1%, 0.21%

LAB 26.17, 25.05, 36.93

 

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

CMYK 0 / 57 / 88 / 32

HEX #AD4B14

RGB 173 75 20

HSL 21.57, 0.79%, 0.38%

LAB 44.19, 37.36, 48.4

 

CMYK 0 / 81 / 88 / 32

HEX #AD2114

RGB 173 33 20

HSL 5.1, 0.79%, 0.38%

LAB 37.88, 54.37, 43.38

 

CMYK 0 / 88 / 88 / 32

HEX #AD1414

RGB 173 20 20

HSL 0, 0.79%, 0.38%

LAB 36.81, 57.42, 42.53

 

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

CMYK 0 / 9 / 88 / 32

HEX #AD9D14

RGB 173 157 20

HSL 53.73, 0.79%, 0.38%

LAB 64.2, -7.48, 64.39

 

CMYK 15 / 0 / 88 / 32

HEX #93AD14

RGB 147 173 20

HSL 70.2, 0.79%, 0.38%

LAB 66.63, -27.05, 65.48

 

CMYK 39 / 0 / 88 / 32

HEX #6AAD14

RGB 106 173 20

HSL 86.27, 0.79%, 0.38%

LAB 64.16, -43.19, 62.43

 

CMYK 62 / 0 / 88 / 32

HEX #41AD14

RGB 65 173 20

HSL 102.35, 0.79%, 0.38%

LAB 62.56, -55.53, 60.42

 

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

CMYK 0 / 37 / 98 / 26

HEX #BD7804

RGB 189 120 4

HSL 37.62, 0.96%, 0.38%

LAB 56.35, 19.75, 62.15

 

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

CMYK 0 / 29 / 77 / 38

HEX #9D7024

RGB 157 112 36

HSL 37.69, 0.63%, 0.38%

LAB 50.55, 10.62, 46.85

 

CMYK 0 / 24 / 64 / 44

HEX #8E6C33

RGB 142 108 51

HSL 37.58, 0.47%, 0.38%

LAB 47.9, 6.92, 36.44

 

CMYK 0 / 17 / 47 / 51

HEX #7E6843

RGB 126 104 67

HSL 37.63, 0.31%, 0.38%

LAB 45.28, 3.45, 24.08

 

CMYK 0 / 9 / 25 / 57

HEX #6E6453

RGB 110 100 83

HSL 37.78, 0.14%, 0.38%

LAB 42.84, 0.96, 11.09

 

CMYK 0 / 81 / 88 / 32

HEX #AD2114

RGB 173 33 20

HSL 5.1, 0.79%, 0.38%

LAB 37.88, 54.37, 43.38

 

CMYK 0 / 58 / 88 / 32

HEX #AD4914

RGB 173 73 20

HSL 20.78, 0.79%, 0.38%

LAB 43.8, 38.36, 48.09

 

CMYK 0 / 34 / 88 / 32

HEX #AD7214

RGB 173 114 20

HSL 36.86, 0.79%, 0.38%

LAB 52.92, 16.22, 55.37

 

CMYK 0 / 10 / 88 / 32

HEX #AD9B14

RGB 173 155 20

HSL 52.94, 0.79%, 0.38%

LAB 63.65, -6.41, 63.95

 

CMYK 13 / 0 / 88 / 32

HEX #96AD14

RGB 150 173 20

HSL 69.02, 0.79%, 0.38%

LAB 66.84, -25.78, 65.74

 

CMYK 0 / 33 / 89 / 61

HEX #63420B

RGB 99 66 11

HSL 37.5, 0.8%, 0.22%

LAB 30.81, 9.32, 36.11

 

CMYK 0 / 33 / 88 / 47

HEX #885B10

RGB 136 91 16

HSL 37.5, 0.79%, 0.3%

LAB 42.39, 12.3, 46.08

 

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

CMYK 0 / 33 / 89 / 18

HEX #D28D18

RGB 210 141 24

HSL 37.74, 0.79%, 0.46%

LAB 64.01, 17.78, 64.99

 

CMYK 0 / 30 / 80 / 10

HEX #E6A12D

RGB 230 161 45

HSL 37.62, 0.79%, 0.54%

LAB 71.22, 16.21, 65.67

 

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

CMYK 72 / 0 / 88 / 32

HEX #30AD14

RGB 48 173 20

HSL 109.02, 0.79%, 0.38%

LAB 62.14, -59.08, 59.89

 

CMYK 69 / 88 / 0 / 32

HEX #3514AD

RGB 53 20 173

HSL 252.94, 0.79%, 0.38%

LAB 24.56, 55.26, -73.16

 

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

CMYK 88 / 0 / 34 / 32

HEX #14AD72

RGB 20 173 114

HSL 156.86, 0.79%, 0.38%

LAB 62.72, -50.75, 20.19

 

CMYK 34 / 88 / 0 / 32

HEX #7214AD

RGB 114 20 173

HSL 276.86, 0.79%, 0.38%

LAB 32.02, 61.59, -60.6

 

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

CMYK 72 / 0 / 88 / 32

HEX #30AD14

RGB 48 173 20

HSL 109.02, 0.79%, 0.38%

LAB 62.14, -59.08, 59.89

 

CMYK 88 / 54 / 0 / 32

HEX #144FAD

RGB 20 79 173

HSL 216.86, 0.79%, 0.38%

LAB 35.51, 18.84, -55.21

 

CMYK 16 / 88 / 0 / 32

HEX #9114AD

RGB 145 20 173

HSL 289.02, 0.79%, 0.38%

LAB 37, 66.3, -52.28

 

CMYK 0 / 33 / 88 / 32

HEX #AD7414

RGB 173 116 20

HSL 37.65, 0.79%, 0.38%

LAB 53.41, 15.1, 55.76

 

CMYK 88 / 0 / 78 / 32

HEX #14AD26

RGB 20 173 38

HSL 127.06, 0.79%, 0.38%

LAB 61.81, -61.72, 54.65

 

CMYK 88 / 54 / 0 / 32

HEX #144FAD

RGB 20 79 173

HSL 216.86, 0.79%, 0.38%

LAB 35.51, 18.84, -55.21

 

CMYK 0 / 88 / 10 / 32

HEX #AD149B

RGB 173 20 155

HSL 307.06, 0.79%, 0.38%

LAB 40.82, 68.47, -35.07

 

Description

Color code: HEX #AD7414 | qconv.com Color code: HEX #AD7414 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 116 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 116 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 88 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 88% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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