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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD7742 it is the complementary color #5288BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD7742. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD7742 shade: #B2773D, #C38950, #D49B63, #E5AD76 and #F6BF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD7742. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD7742 shade: #AD7742, #9C652F, #8B531C, #7A4109 and #692F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD7742 shade: #AD7741, #AD5A41 and #AD4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD7742 shade: #AD7741, #AD9441, #AAAD41, #8CAD41 and #6FAD41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD7742 shade matches the following richer shades: #AD7741, #C1772E, #D4761B and #E77607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD7742 shade: #AD7741, #9A7755, #867768, #73777C and #60788F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD7742 shade: #AD4147, #AD5941, #AD7641, #AD9241 and #ABAD41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD7742 shade: #714E2B, #8F6236, #AD7741, #C08B58 and #CBA076

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD7742 shade: #AD7742, #64AD41 and #4A41AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD7742 shade: #AD7742, #41AD76 and #7641AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD7742 shade: #AD7742, #64AD41, #4179AD and #8B41AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD7742 shade: #AD7742, #43AD41, #4179AD and #AB41AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 62 / 32

HEX #AD7742

RGB 173 119 66

HSL 29.72, 0.45%, 0.47%

LAB 54.52, 15.58, 37.19

 

Complementary color

CMYK 57 / 28 / 0 / 26

HEX #5288BD

RGB 82 136 189

HSL 209.72, 0.45%, 0.53%

LAB 55.15, -2.18, -33.12

 

CMYK 0 / 33 / 66 / 30

HEX #B2773D

RGB 178 119 61

HSL 29.74, 0.49%, 0.47%

LAB 55.07, 17.41, 40.57

 

CMYK 0 / 30 / 59 / 24

HEX #C38950

RGB 195 137 80

HSL 29.74, 0.49%, 0.54%

LAB 61.72, 16.08, 39.02

 

CMYK 0 / 27 / 53 / 17

HEX #D49B63

RGB 212 155 99

HSL 29.73, 0.57%, 0.61%

LAB 68.27, 14.94, 37.52

 

CMYK 0 / 24 / 48 / 10

HEX #E5AD76

RGB 229 173 118

HSL 29.73, 0.68%, 0.68%

LAB 74.73, 13.95, 36.11

 

CMYK 0 / 22 / 44 / 4

HEX #F6BF89

RGB 246 191 137

HSL 29.72, 0.86%, 0.75%

LAB 81.1, 13.09, 34.77

 

CMYK 0 / 31 / 62 / 32

HEX #AD7742

RGB 173 119 66

HSL 29.72, 0.45%, 0.47%

LAB 54.52, 15.58, 37.19

 

CMYK 0 / 35 / 70 / 39

HEX #9C652F

RGB 156 101 47

HSL 29.72, 0.54%, 0.4%

LAB 47.73, 17.04, 38.76

 

CMYK 0 / 40 / 80 / 45

HEX #8B531C

RGB 139 83 28

HSL 29.73, 0.66%, 0.33%

LAB 40.83, 18.78, 40.15

 

CMYK 0 / 47 / 93 / 52

HEX #7A4109

RGB 122 65 9

HSL 29.73, 0.86%, 0.26%

LAB 33.85, 20.89, 40.65

 

CMYK 0 / 55 / 100 / 59

HEX #692F00

RGB 105 47 0

HSL 26.86, 1%, 0.21%

LAB 26.84, 23.35, 37.53

 

CMYK 0 / 31 / 62 / 32

HEX #AD7741

RGB 173 119 65

HSL 30, 0.45%, 0.47%

LAB 54.51, 15.51, 37.7

 

CMYK 0 / 48 / 62 / 32

HEX #AD5A41

RGB 173 90 65

HSL 13.89, 0.45%, 0.47%

LAB 47.72, 31.59, 29.56

 

CMYK 0 / 62 / 62 / 32

HEX #AD4141

RGB 173 65 65

HSL 0, 0.45%, 0.47%

LAB 42.83, 44.19, 23.43

 

CMYK 0 / 31 / 62 / 32

HEX #AD7741

RGB 173 119 65

HSL 30, 0.45%, 0.47%

LAB 54.51, 15.51, 37.7

 

CMYK 0 / 14 / 62 / 32

HEX #AD9441

RGB 173 148 65

HSL 46.11, 0.45%, 0.47%

LAB 62.04, -0.62, 46.28

 

CMYK 2 / 0 / 62 / 32

HEX #AAAD41

RGB 170 173 65

HSL 61.67, 0.45%, 0.47%

LAB 68.62, -15.18, 53.36

 

CMYK 19 / 0 / 62 / 32

HEX #8CAD41

RGB 140 173 65

HSL 78.33, 0.45%, 0.47%

LAB 66.4, -27.66, 50.32

 

CMYK 36 / 0 / 62 / 32

HEX #6FAD41

RGB 111 173 65

HSL 94.44, 0.45%, 0.47%

LAB 64.68, -38.68, 47.94

 

CMYK 0 / 31 / 62 / 32

HEX #AD7741

RGB 173 119 65

HSL 30, 0.45%, 0.47%

LAB 54.51, 15.51, 37.7

 

CMYK 0 / 38 / 76 / 24

HEX #C1772E

RGB 193 119 46

HSL 29.8, 0.62%, 0.47%

LAB 56.81, 23.09, 50.17

 

CMYK 0 / 44 / 87 / 17

HEX #D4761B

RGB 212 118 27

HSL 29.51, 0.77%, 0.47%

LAB 59, 31.04, 60.31

 

CMYK 0 / 49 / 97 / 9

HEX #E77607

RGB 231 118 7

HSL 29.73, 0.94%, 0.47%

LAB 61.62, 38.47, 67.88

 

CMYK 0 / 31 / 62 / 32

HEX #AD7741

RGB 173 119 65

HSL 30, 0.45%, 0.47%

LAB 54.51, 15.51, 37.7

 

CMYK 0 / 23 / 45 / 40

HEX #9A7755

RGB 154 119 85

HSL 29.57, 0.29%, 0.47%

LAB 52.64, 9.08, 23.93

 

CMYK 0 / 11 / 22 / 47

HEX #867768

RGB 134 119 104

HSL 30, 0.13%, 0.47%

LAB 50.99, 3.22, 10.37

 

CMYK 7 / 4 / 0 / 51

HEX #73777C

RGB 115 119 124

HSL 213.33, 0.04%, 0.47%

LAB 49.85, -0.45, -3.27

 

CMYK 33 / 16 / 0 / 44

HEX #60788F

RGB 96 120 143

HSL 209.36, 0.2%, 0.47%

LAB 49.38, -2.89, -15.32

 

CMYK 0 / 62 / 59 / 32

HEX #AD4147

RGB 173 65 71

HSL 356.67, 0.45%, 0.47%

LAB 42.94, 44.62, 19.91

 

CMYK 0 / 49 / 62 / 32

HEX #AD5941

RGB 173 89 65

HSL 13.33, 0.45%, 0.47%

LAB 47.51, 32.13, 29.29

 

CMYK 0 / 32 / 62 / 32

HEX #AD7641

RGB 173 118 65

HSL 29.44, 0.45%, 0.47%

LAB 54.26, 16.07, 37.41

 

CMYK 0 / 16 / 62 / 32

HEX #AD9241

RGB 173 146 65

HSL 45, 0.45%, 0.47%

LAB 61.5, 0.47, 45.68

 

CMYK 1 / 0 / 62 / 32

HEX #ABAD41

RGB 171 173 65

HSL 61.11, 0.45%, 0.47%

LAB 68.7, -14.75, 53.48

 

CMYK 0 / 31 / 62 / 56

HEX #714E2B

RGB 113 78 43

HSL 30, 0.45%, 0.31%

LAB 36.24, 10.63, 26.34

 

CMYK 0 / 31 / 62 / 44

HEX #8F6236

RGB 143 98 54

HSL 29.66, 0.45%, 0.39%

LAB 45.42, 13.41, 31.99

 

CMYK 0 / 31 / 62 / 32

HEX #AD7741

RGB 173 119 65

HSL 30, 0.45%, 0.47%

LAB 54.51, 15.51, 37.7

 

CMYK 0 / 28 / 54 / 25

HEX #C08B58

RGB 192 139 88

HSL 29.42, 0.45%, 0.55%

LAB 61.98, 14.36, 35.03

 

CMYK 0 / 21 / 42 / 20

HEX #CBA076

RGB 203 160 118

HSL 29.65, 0.45%, 0.63%

LAB 68.86, 10.39, 27.95

 

CMYK 0 / 31 / 62 / 32

HEX #AD7742

RGB 173 119 66

HSL 29.72, 0.45%, 0.47%

LAB 54.52, 15.58, 37.19

 

CMYK 42 / 0 / 62 / 32

HEX #64AD41

RGB 100 173 65

HSL 100.56, 0.45%, 0.47%

LAB 64.14, -42.44, 47.19

 

CMYK 57 / 62 / 0 / 32

HEX #4A41AD

RGB 74 65 173

HSL 245, 0.45%, 0.47%

LAB 34.51, 34.92, -56.73

 

CMYK 0 / 31 / 62 / 32

HEX #AD7742

RGB 173 119 66

HSL 29.72, 0.45%, 0.47%

LAB 54.52, 15.58, 37.19

 

CMYK 62 / 0 / 32 / 32

HEX #41AD76

RGB 65 173 118

HSL 149.44, 0.45%, 0.47%

LAB 63.61, -43.79, 19.36

 

CMYK 32 / 62 / 0 / 32

HEX #7641AD

RGB 118 65 173

HSL 269.44, 0.45%, 0.47%

LAB 38.98, 44.19, -49.27

 

CMYK 0 / 31 / 62 / 32

HEX #AD7742

RGB 173 119 66

HSL 29.72, 0.45%, 0.47%

LAB 54.52, 15.58, 37.19

 

CMYK 42 / 0 / 62 / 32

HEX #64AD41

RGB 100 173 65

HSL 100.56, 0.45%, 0.47%

LAB 64.14, -42.44, 47.19

 

CMYK 62 / 30 / 0 / 32

HEX #4179AD

RGB 65 121 173

HSL 208.89, 0.45%, 0.47%

LAB 49.27, -2.08, -33.17

 

CMYK 20 / 62 / 0 / 32

HEX #8B41AD

RGB 139 65 173

HSL 281.11, 0.45%, 0.47%

LAB 41.67, 49.22, -44.82

 

CMYK 0 / 31 / 62 / 32

HEX #AD7742

RGB 173 119 66

HSL 29.72, 0.45%, 0.47%

LAB 54.52, 15.58, 37.19

 

CMYK 61 / 0 / 62 / 32

HEX #43AD41

RGB 67 173 65

HSL 118.89, 0.45%, 0.47%

LAB 62.9, -51.81, 45.45

 

CMYK 62 / 30 / 0 / 32

HEX #4179AD

RGB 65 121 173

HSL 208.89, 0.45%, 0.47%

LAB 49.27, -2.08, -33.17

 

CMYK 1 / 62 / 0 / 32

HEX #AB41AD

RGB 171 65 173

HSL 298.89, 0.45%, 0.47%

LAB 46.25, 57.19, -37.25

 

Description

Color code: HEX #AD7742 | qconv.com Color code: HEX #AD7742 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 119 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 119 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 62 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 62% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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