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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD7941 it is the complementary color #5286BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD7941. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD7941 shade: #B2793C, #C38B4F, #D49D62, #E5AF75 and #F6C188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD7941. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD7941 shade: #AD7941, #9C672E, #8B551B, #7A4308 and #693100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD7941 shade: #AD7941, #AD5C41 and #AD4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD7941 shade: #AD7941, #AD9641, #A7AD41, #8AAD41 and #6DAD41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD7941 shade matches the following richer shades: #AD7941, #C17A2E, #D47B1B and #E77B07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD7941 shade: #AD7941, #9A7955, #867868, #73777C and #60768F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD7941 shade: #AD4143, #AD5C41, #AD7941, #AD9641 and #A8AD41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD7941 shade: #714F2B, #8F6436, #AD7941, #C08E58 and #CBA276

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD7941 shade: #AD7941, #60AD41 and #4E41AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD7941 shade: #AD7941, #41AD79 and #7941AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD7941 shade: #AD7941, #60AD41, #4176AD and #8F41AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD7941 shade: #AD7941, #41AD43, #4176AD and #AD41AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 62 / 32

HEX #AD7941

RGB 173 121 65

HSL 31.11, 0.45%, 0.47%

LAB 55.01, 14.38, 38.28

 

Complementary color

CMYK 57 / 29 / 0 / 25

HEX #5286BE

RGB 82 134 190

HSL 211.11, 0.45%, 0.53%

LAB 54.62, -0.69, -34.52

 

CMYK 0 / 32 / 66 / 30

HEX #B2793C

RGB 178 121 60

HSL 31.02, 0.5%, 0.47%

LAB 55.55, 16.23, 41.62

 

CMYK 0 / 29 / 59 / 24

HEX #C38B4F

RGB 195 139 79

HSL 31.03, 0.49%, 0.54%

LAB 62.2, 14.9, 40.11

 

CMYK 0 / 26 / 54 / 17

HEX #D49D62

RGB 212 157 98

HSL 31.05, 0.57%, 0.61%

LAB 68.75, 13.77, 38.63

 

CMYK 0 / 24 / 49 / 10

HEX #E5AF75

RGB 229 175 117

HSL 31.07, 0.68%, 0.68%

LAB 75.2, 12.79, 37.23

 

CMYK 0 / 22 / 45 / 4

HEX #F6C188

RGB 246 193 136

HSL 31.09, 0.86%, 0.75%

LAB 81.57, 11.94, 35.9

 

CMYK 0 / 30 / 62 / 32

HEX #AD7941

RGB 173 121 65

HSL 31.11, 0.45%, 0.47%

LAB 55.01, 14.38, 38.28

 

CMYK 0 / 34 / 71 / 39

HEX #9C672E

RGB 156 103 46

HSL 31.09, 0.54%, 0.4%

LAB 48.22, 15.83, 39.8

 

CMYK 0 / 39 / 81 / 45

HEX #8B551B

RGB 139 85 27

HSL 31.07, 0.67%, 0.33%

LAB 41.32, 17.58, 41.07

 

CMYK 0 / 45 / 93 / 52

HEX #7A4308

RGB 122 67 8

HSL 31.05, 0.88%, 0.25%

LAB 34.33, 19.69, 41.36

 

CMYK 0 / 53 / 100 / 59

HEX #693100

RGB 105 49 0

HSL 28, 1%, 0.21%

LAB 27.3, 22.2, 37.93

 

CMYK 0 / 30 / 62 / 32

HEX #AD7941

RGB 173 121 65

HSL 31.11, 0.45%, 0.47%

LAB 55.01, 14.38, 38.28

 

CMYK 0 / 47 / 62 / 32

HEX #AD5C41

RGB 173 92 65

HSL 15, 0.45%, 0.47%

LAB 48.16, 30.52, 30.09

 

CMYK 0 / 62 / 62 / 32

HEX #AD4141

RGB 173 65 65

HSL 0, 0.45%, 0.47%

LAB 42.83, 44.19, 23.43

 

CMYK 0 / 30 / 62 / 32

HEX #AD7941

RGB 173 121 65

HSL 31.11, 0.45%, 0.47%

LAB 55.01, 14.38, 38.28

 

CMYK 0 / 13 / 62 / 32

HEX #AD9641

RGB 173 150 65

HSL 47.22, 0.45%, 0.47%

LAB 62.57, -1.71, 46.87

 

CMYK 3 / 0 / 62 / 32

HEX #A7AD41

RGB 167 173 65

HSL 63.33, 0.45%, 0.47%

LAB 68.38, -16.46, 53.03

 

CMYK 20 / 0 / 62 / 32

HEX #8AAD41

RGB 138 173 65

HSL 79.44, 0.45%, 0.47%

LAB 66.27, -28.46, 50.14

 

CMYK 37 / 0 / 62 / 32

HEX #6DAD41

RGB 109 173 65

HSL 95.56, 0.45%, 0.47%

LAB 64.58, -39.38, 47.8

 

CMYK 0 / 30 / 62 / 32

HEX #AD7941

RGB 173 121 65

HSL 31.11, 0.45%, 0.47%

LAB 55.01, 14.38, 38.28

 

CMYK 0 / 37 / 76 / 24

HEX #C17A2E

RGB 193 122 46

HSL 31.02, 0.62%, 0.47%

LAB 57.51, 21.45, 50.87

 

CMYK 0 / 42 / 87 / 17

HEX #D47B1B

RGB 212 123 27

HSL 31.14, 0.77%, 0.47%

LAB 60.11, 28.39, 61.19

 

CMYK 0 / 47 / 97 / 9

HEX #E77B07

RGB 231 123 7

HSL 31.07, 0.94%, 0.47%

LAB 62.65, 35.92, 68.54

 

CMYK 0 / 30 / 62 / 32

HEX #AD7941

RGB 173 121 65

HSL 31.11, 0.45%, 0.47%

LAB 55.01, 14.38, 38.28

 

CMYK 0 / 21 / 45 / 40

HEX #9A7955

RGB 154 121 85

HSL 31.3, 0.29%, 0.47%

LAB 53.17, 7.94, 24.62

 

CMYK 0 / 10 / 22 / 47

HEX #867868

RGB 134 120 104

HSL 32, 0.13%, 0.47%

LAB 51.27, 2.64, 10.76

 

CMYK 7 / 4 / 0 / 51

HEX #73777C

RGB 115 119 124

HSL 213.33, 0.04%, 0.47%

LAB 49.85, -0.45, -3.27

 

CMYK 33 / 17 / 0 / 44

HEX #60768F

RGB 96 118 143

HSL 211.91, 0.2%, 0.47%

LAB 48.79, -1.72, -16.21

 

CMYK 0 / 62 / 61 / 32

HEX #AD4143

RGB 173 65 67

HSL 358.89, 0.45%, 0.47%

LAB 42.87, 44.33, 22.26

 

CMYK 0 / 47 / 62 / 32

HEX #AD5C41

RGB 173 92 65

HSL 15, 0.45%, 0.47%

LAB 48.16, 30.52, 30.09

 

CMYK 0 / 30 / 62 / 32

HEX #AD7941

RGB 173 121 65

HSL 31.11, 0.45%, 0.47%

LAB 55.01, 14.38, 38.28

 

CMYK 0 / 13 / 62 / 32

HEX #AD9641

RGB 173 150 65

HSL 47.22, 0.45%, 0.47%

LAB 62.57, -1.71, 46.87

 

CMYK 3 / 0 / 62 / 32

HEX #A8AD41

RGB 168 173 65

HSL 62.78, 0.45%, 0.47%

LAB 68.46, -16.03, 53.14

 

CMYK 0 / 30 / 62 / 56

HEX #714F2B

RGB 113 79 43

HSL 30.86, 0.45%, 0.31%

LAB 36.51, 10.03, 26.66

 

CMYK 0 / 30 / 62 / 44

HEX #8F6436

RGB 143 100 54

HSL 31.01, 0.45%, 0.39%

LAB 45.93, 12.25, 32.6

 

CMYK 0 / 30 / 62 / 32

HEX #AD7941

RGB 173 121 65

HSL 31.11, 0.45%, 0.47%

LAB 55.01, 14.38, 38.28

 

CMYK 0 / 26 / 54 / 25

HEX #C08E58

RGB 192 142 88

HSL 31.15, 0.45%, 0.55%

LAB 62.72, 12.71, 35.96

 

CMYK 0 / 20 / 42 / 20

HEX #CBA276

RGB 203 162 118

HSL 31.06, 0.45%, 0.63%

LAB 69.36, 9.31, 28.62

 

CMYK 0 / 30 / 62 / 32

HEX #AD7941

RGB 173 121 65

HSL 31.11, 0.45%, 0.47%

LAB 55.01, 14.38, 38.28

 

CMYK 45 / 0 / 62 / 32

HEX #60AD41

RGB 96 173 65

HSL 102.78, 0.45%, 0.47%

LAB 63.96, -43.74, 46.94

 

CMYK 55 / 62 / 0 / 32

HEX #4E41AD

RGB 78 65 173

HSL 247.22, 0.45%, 0.47%

LAB 34.84, 35.65, -56.18

 

CMYK 0 / 30 / 62 / 32

HEX #AD7941

RGB 173 121 65

HSL 31.11, 0.45%, 0.47%

LAB 55.01, 14.38, 38.28

 

CMYK 62 / 0 / 30 / 32

HEX #41AD79

RGB 65 173 121

HSL 151.11, 0.45%, 0.47%

LAB 63.67, -43.17, 17.8

 

CMYK 30 / 62 / 0 / 32

HEX #7941AD

RGB 121 65 173

HSL 271.11, 0.45%, 0.47%

LAB 39.35, 44.89, -48.66

 

CMYK 0 / 30 / 62 / 32

HEX #AD7941

RGB 173 121 65

HSL 31.11, 0.45%, 0.47%

LAB 55.01, 14.38, 38.28

 

CMYK 45 / 0 / 62 / 32

HEX #60AD41

RGB 96 173 65

HSL 102.78, 0.45%, 0.47%

LAB 63.96, -43.74, 46.94

 

CMYK 62 / 32 / 0 / 32

HEX #4176AD

RGB 65 118 173

HSL 210.56, 0.45%, 0.47%

LAB 48.38, -0.28, -34.56

 

CMYK 17 / 62 / 0 / 32

HEX #8F41AD

RGB 143 65 173

HSL 283.33, 0.45%, 0.47%

LAB 42.21, 50.21, -43.92

 

CMYK 0 / 30 / 62 / 32

HEX #AD7941

RGB 173 121 65

HSL 31.11, 0.45%, 0.47%

LAB 55.01, 14.38, 38.28

 

CMYK 62 / 0 / 61 / 32

HEX #41AD43

RGB 65 173 67

HSL 121.11, 0.45%, 0.47%

LAB 62.86, -52.05, 44.48

 

CMYK 62 / 32 / 0 / 32

HEX #4176AD

RGB 65 118 173

HSL 210.56, 0.45%, 0.47%

LAB 48.38, -0.28, -34.56

 

CMYK 0 / 62 / 1 / 32

HEX #AD41AB

RGB 173 65 171

HSL 301.11, 0.45%, 0.47%

LAB 46.45, 57.35, -35.74

 

Description

Color code: HEX #AD7941 | qconv.com Color code: HEX #AD7941 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 121 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 121 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 62 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 62% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Heritage Park Baptis...
Link: http://heritagepark.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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