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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD7080 it is the complementary color #528F7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD7080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD7080 shade: #B2707B, #C3828E, #D494A1, #E5A6B4 and #F6B8C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD7080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD7080 shade: #AD7080, #9C5E6D, #8B4C5A, #7A3A47 and #692834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD7080 shade: #AD7080 and #AD7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD7080 shade: #AD7080, #AD7090, #AD70A1, #A870AD and #9870AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD7080 shade matches the following richer shades: #AD7080, #BF5E77, #D14C6F, #E33A66 and #F5275D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD7080 shade: #AD7080, #9A8289, #889491, #76A69A and #64B9A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD7080 shade: #AD70A0, #AD7090, #AD7080, #AD7070 and #AD8070

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD7080 shade: #804A58, #9B596A, #AD7080, #BC8A97 and #CBA4AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD7080 shade: #AD7080, #ADA970 and #7098AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD7080 shade: #AD7080, #80AD70 and #7080AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD7080 shade: #AD7080, #ADA970, #70AD9C and #7074AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD7080 shade: #AD7080, #9EAD70, #70AD9C and #7E70AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 26 / 32

HEX #AD7080

RGB 173 112 128

HSL 344.26, 0.27%, 0.56%

LAB 54.06, 26.39, 1.24

 

Complementary color

CMYK 43 / 0 / 11 / 44

HEX #528F7F

RGB 82 143 127

HSL 164.26, 0.27%, 0.44%

LAB 55.04, -23.77, 2.33

 

CMYK 0 / 37 / 31 / 30

HEX #B2707B

RGB 178 112 123

HSL 350, 0.3%, 0.57%

LAB 54.54, 27.58, 4.94

 

CMYK 0 / 33 / 27 / 24

HEX #C3828E

RGB 195 130 142

HSL 348.92, 0.35%, 0.64%

LAB 61.24, 26.72, 3.86

 

CMYK 0 / 30 / 24 / 17

HEX #D494A1

RGB 212 148 161

HSL 347.81, 0.43%, 0.71%

LAB 67.84, 25.94, 2.9

 

CMYK 0 / 28 / 21 / 10

HEX #E5A6B4

RGB 229 166 180

HSL 346.67, 0.55%, 0.77%

LAB 74.33, 25.22, 2.03

 

CMYK 0 / 25 / 19 / 4

HEX #F6B8C7

RGB 246 184 199

HSL 345.48, 0.78%, 0.84%

LAB 80.74, 24.57, 1.22

 

CMYK 0 / 35 / 26 / 32

HEX #AD7080

RGB 173 112 128

HSL 344.26, 0.27%, 0.56%

LAB 54.06, 26.39, 1.24

 

CMYK 0 / 40 / 30 / 39

HEX #9C5E6D

RGB 156 94 109

HSL 345.48, 0.25%, 0.49%

LAB 47.21, 27.28, 2.32

 

CMYK 0 / 45 / 35 / 45

HEX #8B4C5A

RGB 139 76 90

HSL 346.67, 0.29%, 0.42%

LAB 40.24, 28.25, 3.6

 

CMYK 0 / 52 / 42 / 52

HEX #7A3A47

RGB 122 58 71

HSL 347.81, 0.36%, 0.35%

LAB 33.18, 29.29, 5.17

 

CMYK 0 / 62 / 50 / 59

HEX #692834

RGB 105 40 52

HSL 348.92, 0.45%, 0.28%

LAB 26.07, 30.29, 7.23

 

CMYK 0 / 35 / 26 / 32

HEX #AD7080

RGB 173 112 128

HSL 344.26, 0.27%, 0.56%

LAB 54.06, 26.39, 1.24

 

CMYK 0 / 35 / 35 / 32

HEX #AD7070

RGB 173 112 112

HSL 0, 0.27%, 0.56%

LAB 53.65, 24.18, 10.03

 

CMYK 0 / 35 / 26 / 32

HEX #AD7080

RGB 173 112 128

HSL 344.26, 0.27%, 0.56%

LAB 54.06, 26.39, 1.24

 

CMYK 0 / 35 / 17 / 32

HEX #AD7090

RGB 173 112 144

HSL 328.52, 0.27%, 0.56%

LAB 54.54, 28.89, -7.42

 

CMYK 0 / 35 / 7 / 32

HEX #AD70A1

RGB 173 112 161

HSL 311.8, 0.27%, 0.56%

LAB 55.12, 31.83, -16.46

 

CMYK 3 / 35 / 0 / 32

HEX #A870AD

RGB 168 112 173

HSL 295.08, 0.27%, 0.56%

LAB 55, 32.44, -23.64

 

CMYK 12 / 35 / 0 / 32

HEX #9870AD

RGB 152 112 173

HSL 279.34, 0.27%, 0.56%

LAB 53.26, 27.25, -26.48

 

CMYK 0 / 35 / 26 / 32

HEX #AD7080

RGB 173 112 128

HSL 344.26, 0.27%, 0.56%

LAB 54.06, 26.39, 1.24

 

CMYK 0 / 51 / 38 / 25

HEX #BF5E77

RGB 191 94 119

HSL 344.54, 0.43%, 0.56%

LAB 52.3, 41.5, 4.31

 

CMYK 0 / 64 / 47 / 18

HEX #D14C6F

RGB 209 76 111

HSL 344.21, 0.59%, 0.56%

LAB 51.69, 55.14, 8.59

 

CMYK 0 / 74 / 55 / 11

HEX #E33A66

RGB 227 58 102

HSL 344.38, 0.75%, 0.56%

LAB 52.19, 66.45, 15.17

 

CMYK 0 / 84 / 62 / 4

HEX #F5275D

RGB 245 39 93

HSL 344.27, 0.91%, 0.56%

LAB 53.66, 75.56, 23.13

 

CMYK 0 / 35 / 26 / 32

HEX #AD7080

RGB 173 112 128

HSL 344.26, 0.27%, 0.56%

LAB 54.06, 26.39, 1.24

 

CMYK 0 / 16 / 11 / 40

HEX #9A8289

RGB 154 130 137

HSL 342.5, 0.11%, 0.56%

LAB 56.72, 10.38, -0.36

 

CMYK 8 / 0 / 2 / 42

HEX #889491

RGB 136 148 145

HSL 165, 0.05%, 0.56%

LAB 60.3, -4.92, 0.1

 

CMYK 29 / 0 / 7 / 35

HEX #76A69A

RGB 118 166 154

HSL 165, 0.21%, 0.56%

LAB 64.53, -18.67, 1.05

 

CMYK 46 / 0 / 12 / 27

HEX #64B9A2

RGB 100 185 162

HSL 163.76, 0.38%, 0.56%

LAB 69.48, -31.36, 3.7

 

CMYK 0 / 35 / 8 / 32

HEX #AD70A0

RGB 173 112 160

HSL 312.79, 0.27%, 0.56%

LAB 55.08, 31.65, -15.93

 

CMYK 0 / 35 / 17 / 32

HEX #AD7090

RGB 173 112 144

HSL 328.52, 0.27%, 0.56%

LAB 54.54, 28.89, -7.42

 

CMYK 0 / 35 / 26 / 32

HEX #AD7080

RGB 173 112 128

HSL 344.26, 0.27%, 0.56%

LAB 54.06, 26.39, 1.24

 

CMYK 0 / 35 / 35 / 32

HEX #AD7070

RGB 173 112 112

HSL 0, 0.27%, 0.56%

LAB 53.65, 24.18, 10.03

 

CMYK 0 / 26 / 35 / 32

HEX #AD8070

RGB 173 128 112

HSL 15.74, 0.27%, 0.56%

LAB 57.55, 15.17, 15.48

 

CMYK 0 / 42 / 31 / 50

HEX #804A58

RGB 128 74 88

HSL 344.44, 0.27%, 0.4%

LAB 38.18, 24.8, 1.68

 

CMYK 0 / 43 / 32 / 39

HEX #9B596A

RGB 155 89 106

HSL 344.55, 0.27%, 0.48%

LAB 45.84, 29.29, 2.15

 

CMYK 0 / 35 / 26 / 32

HEX #AD7080

RGB 173 112 128

HSL 344.26, 0.27%, 0.56%

LAB 54.06, 26.39, 1.24

 

CMYK 0 / 27 / 20 / 26

HEX #BC8A97

RGB 188 138 151

HSL 344.4, 0.27%, 0.64%

LAB 62.59, 21.02, 0.6

 

CMYK 0 / 19 / 14 / 20

HEX #CBA4AE

RGB 203 164 174

HSL 344.62, 0.27%, 0.72%

LAB 71.08, 15.92, 0.27

 

CMYK 0 / 35 / 26 / 32

HEX #AD7080

RGB 173 112 128

HSL 344.26, 0.27%, 0.56%

LAB 54.06, 26.39, 1.24

 

CMYK 0 / 2 / 35 / 32

HEX #ADA970

RGB 173 169 112

HSL 56.07, 0.27%, 0.56%

LAB 68.34, -7.38, 29.97

 

CMYK 35 / 12 / 0 / 32

HEX #7098AD

RGB 112 152 173

HSL 200.66, 0.27%, 0.56%

LAB 60.71, -8.36, -15.35

 

CMYK 0 / 35 / 26 / 32

HEX #AD7080

RGB 173 112 128

HSL 344.26, 0.27%, 0.56%

LAB 54.06, 26.39, 1.24

 

CMYK 26 / 0 / 35 / 32

HEX #80AD70

RGB 128 173 112

HSL 104.26, 0.27%, 0.56%

LAB 66.25, -26.77, 26.63

 

CMYK 35 / 26 / 0 / 32

HEX #7080AD

RGB 112 128 173

HSL 224.26, 0.27%, 0.56%

LAB 53.92, 5.35, -25.73

 

CMYK 0 / 35 / 26 / 32

HEX #AD7080

RGB 173 112 128

HSL 344.26, 0.27%, 0.56%

LAB 54.06, 26.39, 1.24

 

CMYK 0 / 2 / 35 / 32

HEX #ADA970

RGB 173 169 112

HSL 56.07, 0.27%, 0.56%

LAB 68.34, -7.38, 29.97

 

CMYK 35 / 0 / 10 / 32

HEX #70AD9C

RGB 112 173 156

HSL 163.28, 0.27%, 0.56%

LAB 66.31, -23.6, 2.49

 

CMYK 35 / 33 / 0 / 32

HEX #7074AD

RGB 112 116 173

HSL 236.07, 0.27%, 0.56%

LAB 50.63, 12.5, -30.84

 

CMYK 0 / 35 / 26 / 32

HEX #AD7080

RGB 173 112 128

HSL 344.26, 0.27%, 0.56%

LAB 54.06, 26.39, 1.24

 

CMYK 9 / 0 / 35 / 32

HEX #9EAD70

RGB 158 173 112

HSL 74.75, 0.27%, 0.56%

LAB 68.26, -15.47, 29.65

 

CMYK 35 / 0 / 10 / 32

HEX #70AD9C

RGB 112 173 156

HSL 163.28, 0.27%, 0.56%

LAB 66.31, -23.6, 2.49

 

CMYK 27 / 35 / 0 / 32

HEX #7E70AD

RGB 126 112 173

HSL 253.77, 0.27%, 0.56%

LAB 50.74, 19.07, -30.59

 

Description

Color code: HEX #AD7080 | qconv.com Color code: HEX #AD7080 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 112 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 112 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 26 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 26% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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