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Color name
HEX #AD7A68

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD7A68 it is the complementary color #528597. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD7A68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD7A68 shade: #B27A63, #C38C76, #D49E89, #E5B09C and #F6C2AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD7A68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD7A68 shade: #AD7A68, #9C6855, #8B5642, #7A442F and #69321C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD7A68 shade: #AC7866 and #AC6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD7A68 shade: #AC7866, #AC8B66, #AC9E66, #A7AC66 and #94AC66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD7A68 shade matches the following richer shades: #AC7866, #BF6F53, #D26640, #E55D2D and #F8541A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD7A68 shade: #AC7866, #998179, #868B8C, #73949F and #609DB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD7A68 shade: #AC667A, #AC6667, #AC7866, #AC8A66 and #AC9D66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD7A68 shade: #7D5243, #986451, #AC7866, #BB9081 and #C9A89C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD7A68 shade: #AD7A68, #8DAC66 and #6671AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD7A68 shade: #AD7A68, #66AC78 and #7866AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD7A68 shade: #AD7A68, #8DAC66, #669BAC and #8666AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD7A68 shade: #AD7A68, #78AC66, #669BAC and #9B66AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 40 / 32

HEX #AD7A68

RGB 173 122 104

HSL 15.65, 0.3%, 0.54%

LAB 55.89, 17.56, 17.79

 

Complementary color

CMYK 46 / 12 / 0 / 41

HEX #528597

RGB 82 133 151

HSL 195.65, 0.3%, 0.46%

LAB 52.73, -12.07, -14.98

 

CMYK 0 / 31 / 44 / 30

HEX #B27A63

RGB 178 122 99

HSL 17.47, 0.34%, 0.54%

LAB 56.37, 19.04, 21.4

 

CMYK 0 / 28 / 39 / 24

HEX #C38C76

RGB 195 140 118

HSL 17.14, 0.39%, 0.61%

LAB 63.07, 18.1, 20.04

 

CMYK 0 / 25 / 35 / 17

HEX #D49E89

RGB 212 158 137

HSL 16.8, 0.47%, 0.68%

LAB 69.65, 17.29, 18.81

 

CMYK 0 / 23 / 32 / 10

HEX #E5B09C

RGB 229 176 156

HSL 16.44, 0.58%, 0.75%

LAB 76.14, 16.57, 17.69

 

CMYK 0 / 21 / 29 / 4

HEX #F6C2AF

RGB 246 194 175

HSL 16.06, 0.8%, 0.83%

LAB 82.52, 15.92, 16.65

 

CMYK 0 / 29 / 40 / 32

HEX #AD7A68

RGB 173 122 104

HSL 15.65, 0.3%, 0.54%

LAB 55.89, 17.56, 17.79

 

CMYK 0 / 33 / 46 / 39

HEX #9C6855

RGB 156 104 85

HSL 16.06, 0.29%, 0.47%

LAB 49.04, 18.54, 19.19

 

CMYK 0 / 38 / 53 / 45

HEX #8B5642

RGB 139 86 66

HSL 16.44, 0.36%, 0.4%

LAB 42.06, 19.7, 20.81

 

CMYK 0 / 44 / 61 / 52

HEX #7A442F

RGB 122 68 47

HSL 16.8, 0.44%, 0.33%

LAB 34.96, 21.08, 22.69

 

CMYK 0 / 52 / 73 / 59

HEX #69321C

RGB 105 50 28

HSL 17.14, 0.58%, 0.26%

LAB 27.76, 22.71, 24.91

 

CMYK 0 / 30 / 41 / 33

HEX #AC7866

RGB 172 120 102

HSL 15.43, 0.3%, 0.54%

LAB 55.24, 18.04, 18.03

 

CMYK 0 / 41 / 41 / 33

HEX #AC6666

RGB 172 102 102

HSL 0, 0.3%, 0.54%

LAB 50.96, 28.13, 12.13

 

CMYK 0 / 30 / 41 / 33

HEX #AC7866

RGB 172 120 102

HSL 15.43, 0.3%, 0.54%

LAB 55.24, 18.04, 18.03

 

CMYK 0 / 19 / 41 / 33

HEX #AC8B66

RGB 172 139 102

HSL 31.71, 0.3%, 0.54%

LAB 60.06, 7.36, 24.51

 

CMYK 0 / 8 / 41 / 33

HEX #AC9E66

RGB 172 158 102

HSL 48, 0.3%, 0.54%

LAB 65.11, -3.08, 31.1

 

CMYK 3 / 0 / 41 / 33

HEX #A7AC66

RGB 167 172 102

HSL 64.29, 0.3%, 0.54%

LAB 68.52, -12.57, 35.36

 

CMYK 14 / 0 / 41 / 33

HEX #94AC66

RGB 148 172 102

HSL 80.57, 0.3%, 0.54%

LAB 67.1, -20.17, 33.26

 

CMYK 0 / 30 / 41 / 33

HEX #AC7866

RGB 172 120 102

HSL 15.43, 0.3%, 0.54%

LAB 55.24, 18.04, 18.03

 

CMYK 0 / 42 / 57 / 25

HEX #BF6F53

RGB 191 111 83

HSL 15.56, 0.46%, 0.54%

LAB 55.14, 28.91, 29.17

 

CMYK 0 / 51 / 70 / 18

HEX #D26640

RGB 210 102 64

HSL 15.62, 0.62%, 0.54%

LAB 55.66, 39.88, 40.84

 

CMYK 0 / 59 / 80 / 10

HEX #E55D2D

RGB 229 93 45

HSL 15.65, 0.78%, 0.54%

LAB 56.76, 50.48, 52.37

 

CMYK 0 / 66 / 90 / 3

HEX #F8541A

RGB 248 84 26

HSL 15.68, 0.94%, 0.54%

LAB 58.39, 60.41, 62.61

 

CMYK 0 / 30 / 41 / 33

HEX #AC7866

RGB 172 120 102

HSL 15.43, 0.3%, 0.54%

LAB 55.24, 18.04, 18.03

 

CMYK 0 / 16 / 21 / 40

HEX #998179

RGB 153 129 121

HSL 15, 0.14%, 0.54%

LAB 55.94, 7.85, 7.74

 

CMYK 4 / 1 / 0 / 45

HEX #868B8C

RGB 134 139 140

HSL 190, 0.03%, 0.54%

LAB 57.49, -1.62, -1.18

 

CMYK 28 / 7 / 0 / 38

HEX #73949F

RGB 115 148 159

HSL 195, 0.19%, 0.54%

LAB 59.28, -8.8, -9.55

 

CMYK 46 / 12 / 0 / 30

HEX #609DB2

RGB 96 157 178

HSL 195.37, 0.35%, 0.54%

LAB 61.49, -14.02, -17.07

 

CMYK 0 / 41 / 29 / 33

HEX #AC667A

RGB 172 102 122

HSL 342.86, 0.3%, 0.54%

LAB 51.47, 30.71, 1

 

CMYK 0 / 41 / 40 / 33

HEX #AC6667

RGB 172 102 103

HSL 359.14, 0.3%, 0.54%

LAB 50.98, 28.25, 11.57

 

CMYK 0 / 30 / 41 / 33

HEX #AC7866

RGB 172 120 102

HSL 15.43, 0.3%, 0.54%

LAB 55.24, 18.04, 18.03

 

CMYK 0 / 20 / 41 / 33

HEX #AC8A66

RGB 172 138 102

HSL 30.86, 0.3%, 0.54%

LAB 59.8, 7.92, 24.17

 

CMYK 0 / 9 / 41 / 33

HEX #AC9D66

RGB 172 157 102

HSL 47.14, 0.3%, 0.54%

LAB 64.84, -2.54, 30.75

 

CMYK 0 / 34 / 46 / 51

HEX #7D5243

RGB 125 82 67

HSL 15.52, 0.3%, 0.38%

LAB 39.24, 16.08, 16.14

 

CMYK 0 / 34 / 47 / 40

HEX #986451

RGB 152 100 81

HSL 16.06, 0.3%, 0.46%

LAB 47.47, 18.71, 19.37

 

CMYK 0 / 30 / 41 / 33

HEX #AC7866

RGB 172 120 102

HSL 15.43, 0.3%, 0.54%

LAB 55.24, 18.04, 18.03

 

CMYK 0 / 23 / 31 / 27

HEX #BB9081

RGB 187 144 129

HSL 15.52, 0.3%, 0.62%

LAB 63.42, 14.09, 14.22

 

CMYK 0 / 16 / 22 / 21

HEX #C9A89C

RGB 201 168 156

HSL 16, 0.29%, 0.7%

LAB 71.43, 10.18, 10.69

 

CMYK 0 / 29 / 40 / 32

HEX #AD7A68

RGB 173 122 104

HSL 15.65, 0.3%, 0.54%

LAB 55.89, 17.56, 17.79

 

CMYK 18 / 0 / 41 / 33

HEX #8DAC66

RGB 141 172 102

HSL 86.57, 0.3%, 0.54%

LAB 66.62, -22.88, 32.55

 

CMYK 41 / 34 / 0 / 33

HEX #6671AC

RGB 102 113 172

HSL 230.57, 0.3%, 0.54%

LAB 49.02, 11.21, -32.82

 

CMYK 0 / 29 / 40 / 32

HEX #AD7A68

RGB 173 122 104

HSL 15.65, 0.3%, 0.54%

LAB 55.89, 17.56, 17.79

 

CMYK 41 / 0 / 30 / 33

HEX #66AC78

RGB 102 172 120

HSL 135.43, 0.3%, 0.54%

LAB 64.71, -33.54, 20

 

CMYK 30 / 41 / 0 / 33

HEX #7866AC

RGB 120 102 172

HSL 255.43, 0.3%, 0.54%

LAB 47.59, 23.02, -34.97

 

CMYK 0 / 29 / 40 / 32

HEX #AD7A68

RGB 173 122 104

HSL 15.65, 0.3%, 0.54%

LAB 55.89, 17.56, 17.79

 

CMYK 18 / 0 / 41 / 33

HEX #8DAC66

RGB 141 172 102

HSL 86.57, 0.3%, 0.54%

LAB 66.62, -22.88, 32.55

 

CMYK 41 / 10 / 0 / 33

HEX #669BAC

RGB 102 155 172

HSL 194.57, 0.3%, 0.54%

LAB 61, -13.04, -14.41

 

CMYK 22 / 41 / 0 / 33

HEX #8666AC

RGB 134 102 172

HSL 267.43, 0.3%, 0.54%

LAB 48.95, 27.19, -32.75

 

CMYK 0 / 29 / 40 / 32

HEX #AD7A68

RGB 173 122 104

HSL 15.65, 0.3%, 0.54%

LAB 55.89, 17.56, 17.79

 

CMYK 30 / 0 / 41 / 33

HEX #78AC66

RGB 120 172 102

HSL 104.57, 0.3%, 0.54%

LAB 65.32, -30.62, 30.63

 

CMYK 41 / 10 / 0 / 33

HEX #669BAC

RGB 102 155 172

HSL 194.57, 0.3%, 0.54%

LAB 61, -13.04, -14.41

 

CMYK 10 / 41 / 0 / 33

HEX #9B66AC

RGB 155 102 172

HSL 285.43, 0.3%, 0.54%

LAB 51.21, 33.69, -29.05

 

Description

Color code: HEX #AD7A68 | qconv.com Color code: HEX #AD7A68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 122 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 122 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 40 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 40% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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