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Color name
HEX #AD7F32

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD7F32 it is the complementary color #5280CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD7F32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD7F32 shade: #B27F2D, #C39140, #D4A353, #E5B566 and #F6C779

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD7F32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD7F32 shade: #AD7F32, #9C6D1F, #8B5B0C, #7A4900 and #693700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD7F32 shade: #AD7F32, #AD5E32, #AD3D32 and #AD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD7F32 shade: #AD7F32, #ADA132, #99AD32, #78AD32 and #56AD32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD7F32 shade matches the following richer shades: #AD7F32, #C08420 and #D2880E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD7F32 shade: #AD7F32, #9B7B44, #897656, #777268 and #656D7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD7F32 shade: #AD3C32, #AD5D32, #AD7E32, #AD9F32 and #9BAD32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD7F32 shade: #6D501F, #8D6829, #AD7F32, #C89541 and #D1A761

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD7F32 shade: #AD7F32, #49AD32 and #4D32AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD7F32 shade: #AD7F32, #32AD7E and #7E32AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD7F32 shade: #AD7F32, #49AD32, #3261AD and #9732AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD7F32 shade: #AD7F32, #32AD40, #3261AD and #AD329F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 71 / 32

HEX #AD7F32

RGB 173 127 50

HSL 37.56, 0.55%, 0.44%

LAB 56.38, 10.07, 47.16

 

Complementary color

CMYK 60 / 38 / 0 / 20

HEX #5280CD

RGB 82 128 205

HSL 217.56, 0.55%, 0.56%

LAB 53.64, 7.82, -44.59

 

CMYK 0 / 29 / 75 / 30

HEX #B27F2D

RGB 178 127 45

HSL 36.99, 0.6%, 0.44%

LAB 56.91, 12.05, 50.1

 

CMYK 0 / 26 / 67 / 24

HEX #C39140

RGB 195 145 64

HSL 37.1, 0.52%, 0.51%

LAB 63.53, 10.6, 49.03

 

CMYK 0 / 23 / 61 / 17

HEX #D4A353

RGB 212 163 83

HSL 37.21, 0.6%, 0.58%

LAB 70.05, 9.37, 47.75

 

CMYK 0 / 21 / 55 / 10

HEX #E5B566

RGB 229 181 102

HSL 37.32, 0.71%, 0.65%

LAB 76.48, 8.32, 46.42

 

CMYK 0 / 19 / 51 / 4

HEX #F6C779

RGB 246 199 121

HSL 37.44, 0.87%, 0.72%

LAB 82.82, 7.42, 45.1

 

CMYK 0 / 27 / 71 / 32

HEX #AD7F32

RGB 173 127 50

HSL 37.56, 0.55%, 0.44%

LAB 56.38, 10.07, 47.16

 

CMYK 0 / 30 / 80 / 39

HEX #9C6D1F

RGB 156 109 31

HSL 37.44, 0.67%, 0.37%

LAB 49.62, 11.67, 47.97

 

CMYK 0 / 35 / 91 / 45

HEX #8B5B0C

RGB 139 91 12

HSL 37.32, 0.84%, 0.3%

LAB 42.76, 13.61, 47.72

 

CMYK 0 / 40 / 100 / 52

HEX #7A4900

RGB 122 73 0

HSL 35.9, 1%, 0.24%

LAB 35.8, 15.96, 45.17

 

CMYK 0 / 48 / 100 / 59

HEX #693700

RGB 105 55 0

HSL 31.43, 1%, 0.21%

LAB 28.74, 18.66, 39.13

 

CMYK 0 / 27 / 71 / 32

HEX #AD7F32

RGB 173 127 50

HSL 37.56, 0.55%, 0.44%

LAB 56.38, 10.07, 47.16

 

CMYK 0 / 46 / 71 / 32

HEX #AD5E32

RGB 173 94 50

HSL 21.46, 0.55%, 0.44%

LAB 48.41, 28.49, 38.62

 

CMYK 0 / 65 / 71 / 32

HEX #AD3D32

RGB 173 61 50

HSL 5.37, 0.55%, 0.44%

LAB 41.93, 45.11, 31.27

 

CMYK 0 / 71 / 71 / 32

HEX #AD3232

RGB 173 50 50

HSL 0, 0.55%, 0.44%

LAB 40.24, 49.69, 29.29

 

CMYK 0 / 27 / 71 / 32

HEX #AD7F32

RGB 173 127 50

HSL 37.56, 0.55%, 0.44%

LAB 56.38, 10.07, 47.16

 

CMYK 0 / 7 / 71 / 32

HEX #ADA132

RGB 173 161 50

HSL 54.15, 0.55%, 0.44%

LAB 65.44, -8.52, 56.34

 

CMYK 12 / 0 / 71 / 32

HEX #99AD32

RGB 153 173 50

HSL 69.76, 0.55%, 0.44%

LAB 67.19, -23.32, 57.54

 

CMYK 31 / 0 / 71 / 32

HEX #78AD32

RGB 120 173 50

HSL 85.85, 0.55%, 0.44%

LAB 65.05, -36.58, 54.68

 

CMYK 50 / 0 / 71 / 32

HEX #56AD32

RGB 86 173 50

HSL 102.44, 0.55%, 0.44%

LAB 63.42, -48.16, 52.5

 

CMYK 0 / 27 / 71 / 32

HEX #AD7F32

RGB 173 127 50

HSL 37.56, 0.55%, 0.44%

LAB 56.38, 10.07, 47.16

 

CMYK 0 / 31 / 83 / 25

HEX #C08420

RGB 192 132 32

HSL 37.5, 0.71%, 0.44%

LAB 59.72, 15, 58.27

 

CMYK 0 / 35 / 93 / 18

HEX #D2880E

RGB 210 136 14

HSL 37.35, 0.88%, 0.44%

LAB 62.8, 20.32, 66.22

 

CMYK 0 / 27 / 71 / 32

HEX #AD7F32

RGB 173 127 50

HSL 37.56, 0.55%, 0.44%

LAB 56.38, 10.07, 47.16

 

CMYK 0 / 21 / 56 / 39

HEX #9B7B44

RGB 155 123 68

HSL 37.93, 0.39%, 0.44%

LAB 53.55, 5.55, 34.47

 

CMYK 0 / 14 / 37 / 46

HEX #897656

RGB 137 118 86

HSL 37.65, 0.23%, 0.44%

LAB 50.63, 2.46, 20.37

 

CMYK 0 / 4 / 13 / 53

HEX #777268

RGB 119 114 104

HSL 40, 0.07%, 0.44%

LAB 48.2, 0.04, 6.22

 

CMYK 18 / 11 / 0 / 52

HEX #656D7B

RGB 101 109 123

HSL 218.18, 0.1%, 0.44%

LAB 45.82, 0.16, -8.79

 

CMYK 0 / 65 / 71 / 32

HEX #AD3C32

RGB 173 60 50

HSL 4.88, 0.55%, 0.44%

LAB 41.76, 45.55, 31.08

 

CMYK 0 / 46 / 71 / 32

HEX #AD5D32

RGB 173 93 50

HSL 20.98, 0.55%, 0.44%

LAB 48.19, 29.03, 38.37

 

CMYK 0 / 27 / 71 / 32

HEX #AD7E32

RGB 173 126 50

HSL 37.07, 0.55%, 0.44%

LAB 56.12, 10.63, 46.89

 

CMYK 0 / 8 / 71 / 32

HEX #AD9F32

RGB 173 159 50

HSL 53.17, 0.55%, 0.44%

LAB 64.89, -7.46, 55.8

 

CMYK 10 / 0 / 71 / 32

HEX #9BAD32

RGB 155 173 50

HSL 68.78, 0.55%, 0.44%

LAB 67.34, -22.48, 57.73

 

CMYK 0 / 27 / 72 / 57

HEX #6D501F

RGB 109 80 31

HSL 37.69, 0.56%, 0.27%

LAB 36.15, 6.62, 32.67

 

CMYK 0 / 26 / 71 / 45

HEX #8D6829

RGB 141 104 41

HSL 37.8, 0.55%, 0.36%

LAB 46.61, 8.12, 39.99

 

CMYK 0 / 27 / 71 / 32

HEX #AD7F32

RGB 173 127 50

HSL 37.56, 0.55%, 0.44%

LAB 56.38, 10.07, 47.16

 

CMYK 0 / 26 / 68 / 22

HEX #C89541

RGB 200 149 65

HSL 37.33, 0.55%, 0.52%

LAB 65.09, 10.64, 50.41

 

CMYK 0 / 20 / 54 / 18

HEX #D1A761

RGB 209 167 97

HSL 37.5, 0.55%, 0.6%

LAB 70.91, 7.05, 41.73

 

CMYK 0 / 27 / 71 / 32

HEX #AD7F32

RGB 173 127 50

HSL 37.56, 0.55%, 0.44%

LAB 56.38, 10.07, 47.16

 

CMYK 58 / 0 / 71 / 32

HEX #49AD32

RGB 73 173 50

HSL 108.78, 0.55%, 0.44%

LAB 62.96, -51.78, 51.87

 

CMYK 55 / 71 / 0 / 32

HEX #4D32AD

RGB 77 50 173

HSL 253.17, 0.55%, 0.44%

LAB 31.52, 44.19, -61.59

 

CMYK 0 / 27 / 71 / 32

HEX #AD7F32

RGB 173 127 50

HSL 37.56, 0.55%, 0.44%

LAB 56.38, 10.07, 47.16

 

CMYK 71 / 0 / 27 / 32

HEX #32AD7E

RGB 50 173 126

HSL 157.07, 0.55%, 0.44%

LAB 63.4, -44.73, 14.64

 

CMYK 27 / 71 / 0 / 32

HEX #7E32AD

RGB 126 50 173

HSL 277.07, 0.55%, 0.44%

LAB 37.36, 53.29, -51.84

 

CMYK 0 / 27 / 71 / 32

HEX #AD7F32

RGB 173 127 50

HSL 37.56, 0.55%, 0.44%

LAB 56.38, 10.07, 47.16

 

CMYK 58 / 0 / 71 / 32

HEX #49AD32

RGB 73 173 50

HSL 108.78, 0.55%, 0.44%

LAB 62.96, -51.78, 51.87

 

CMYK 71 / 44 / 0 / 32

HEX #3261AD

RGB 50 97 173

HSL 217.07, 0.55%, 0.44%

LAB 41.6, 10.2, -45.35

 

CMYK 13 / 71 / 0 / 32

HEX #9732AD

RGB 151 50 173

HSL 289.27, 0.55%, 0.44%

LAB 41.02, 58.62, -45.76

 

CMYK 0 / 27 / 71 / 32

HEX #AD7F32

RGB 173 127 50

HSL 37.56, 0.55%, 0.44%

LAB 56.38, 10.07, 47.16

 

CMYK 71 / 0 / 63 / 32

HEX #32AD40

RGB 50 173 64

HSL 126.83, 0.55%, 0.44%

LAB 62.45, -55.43, 45.28

 

CMYK 71 / 44 / 0 / 32

HEX #3261AD

RGB 50 97 173

HSL 217.07, 0.55%, 0.44%

LAB 41.6, 10.2, -45.35

 

CMYK 0 / 71 / 8 / 32

HEX #AD329F

RGB 173 50 159

HSL 306.83, 0.55%, 0.44%

LAB 43.75, 61.22, -32.85

 

Description

Color code: HEX #AD7F32 | qconv.com Color code: HEX #AD7F32 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 127 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 127 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 71 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 71% 32% C M Y K

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Provide designers and agencies with accurate color values.

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