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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD952E it is the complementary color #526AD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD952E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD952E shade: #B29529, #C3A73C, #D4B94F, #E5CB62 and #F6DD75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD952E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD952E shade: #AD952E, #9C831B, #8B7108, #7A5F00 and #694D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD952E shade: #AD952E, #AD722E, #AD502E, #AD2E2E and #AD2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD952E shade: #AD952E, #A2AD2E, #80AD2E, #5EAD2E and #3CAD2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD952E shade matches the following richer shades: #AD952E, #BEA01C and #D0AB0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD952E shade: #AD952E, #9B8A3F, #897F51, #787463 and #666975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD952E shade: #AD4F2E, #AD712E, #AD932E, #A4AD2E and #82AD2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD952E shade: #6C5D1C, #8C7925, #AD952E, #CAAF39 and #D3BC5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD952E shade: #AD952E, #2EAD2E and #602EAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD952E shade: #AD952E, #2EAD93 and #932EAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD952E shade: #AD952E, #2EAD2E, #2E47AD and #AD2EAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD952E shade: #AD952E, #2EAD54, #2E47AD and #AD2E87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 73 / 32

HEX #AD952E

RGB 173 149 46

HSL 48.66, 0.58%, 0.43%

LAB 62.15, -2.29, 54.67

 

Complementary color

CMYK 61 / 49 / 0 / 18

HEX #526AD1

RGB 82 106 209

HSL 228.66, 0.58%, 0.57%

LAB 47.89, 22.73, -56.05

 

CMYK 0 / 16 / 77 / 30

HEX #B29529

RGB 178 149 41

HSL 47.3, 0.63%, 0.43%

LAB 62.61, -0.27, 57.17

 

CMYK 0 / 14 / 69 / 24

HEX #C3A73C

RGB 195 167 60

HSL 47.56, 0.53%, 0.5%

LAB 69.16, -1.52, 56.73

 

CMYK 0 / 13 / 63 / 17

HEX #D4B94F

RGB 212 185 79

HSL 47.82, 0.61%, 0.57%

LAB 75.61, -2.57, 55.85

 

CMYK 0 / 11 / 57 / 10

HEX #E5CB62

RGB 229 203 98

HSL 48.09, 0.72%, 0.64%

LAB 81.97, -3.45, 54.78

 

CMYK 0 / 10 / 52 / 4

HEX #F6DD75

RGB 246 221 117

HSL 48.37, 0.88%, 0.71%

LAB 88.25, -4.21, 53.62

 

CMYK 0 / 14 / 73 / 32

HEX #AD952E

RGB 173 149 46

HSL 48.66, 0.58%, 0.43%

LAB 62.15, -2.29, 54.67

 

CMYK 0 / 16 / 83 / 39

HEX #9C831B

RGB 156 131 27

HSL 48.37, 0.7%, 0.36%

LAB 55.46, -0.91, 54.64

 

CMYK 0 / 19 / 94 / 45

HEX #8B7108

RGB 139 113 8

HSL 48.09, 0.89%, 0.29%

LAB 48.66, 0.77, 53.17

 

CMYK 0 / 22 / 100 / 52

HEX #7A5F00

RGB 122 95 0

HSL 46.72, 1%, 0.24%

LAB 41.72, 2.85, 49.15

 

CMYK 0 / 27 / 100 / 59

HEX #694D00

RGB 105 77 0

HSL 44, 1%, 0.21%

LAB 34.62, 5.22, 43.31

 

CMYK 0 / 14 / 73 / 32

HEX #AD952E

RGB 173 149 46

HSL 48.66, 0.58%, 0.43%

LAB 62.15, -2.29, 54.67

 

CMYK 0 / 34 / 73 / 32

HEX #AD722E

RGB 173 114 46

HSL 32.13, 0.58%, 0.43%

LAB 53.08, 17.16, 45.57

 

CMYK 0 / 54 / 73 / 32

HEX #AD502E

RGB 173 80 46

HSL 16.06, 0.58%, 0.43%

LAB 45.39, 35.73, 37.41

 

CMYK 0 / 73 / 73 / 32

HEX #AD2E2E

RGB 173 46 46

HSL 0, 0.58%, 0.43%

LAB 39.64, 51, 30.98

 

CMYK 0 / 73 / 73 / 32

HEX #AD2E2E

RGB 173 46 46

HSL 0, 0.58%, 0.43%

LAB 39.64, 51, 30.98

 

CMYK 0 / 14 / 73 / 32

HEX #AD952E

RGB 173 149 46

HSL 48.66, 0.58%, 0.43%

LAB 62.15, -2.29, 54.67

 

CMYK 6 / 0 / 73 / 32

HEX #A2AD2E

RGB 162 173 46

HSL 65.2, 0.58%, 0.43%

LAB 67.85, -19.71, 59.85

 

CMYK 26 / 0 / 73 / 32

HEX #80AD2E

RGB 128 173 46

HSL 81.26, 0.58%, 0.43%

LAB 65.49, -33.76, 56.76

 

CMYK 46 / 0 / 73 / 32

HEX #5EAD2E

RGB 94 173 46

HSL 97.32, 0.58%, 0.43%

LAB 63.72, -45.98, 54.41

 

CMYK 65 / 0 / 73 / 32

HEX #3CAD2E

RGB 60 173 46

HSL 113.39, 0.58%, 0.43%

LAB 62.55, -55.2, 52.84

 

CMYK 0 / 14 / 73 / 32

HEX #AD952E

RGB 173 149 46

HSL 48.66, 0.58%, 0.43%

LAB 62.15, -2.29, 54.67

 

CMYK 0 / 16 / 85 / 25

HEX #BEA01C

RGB 190 160 28

HSL 48.89, 0.74%, 0.43%

LAB 66.65, -1.27, 65.2

 

CMYK 0 / 18 / 95 / 18

HEX #D0AB0A

RGB 208 171 10

HSL 48.79, 0.91%, 0.43%

LAB 71.25, 0.56, 72.84

 

CMYK 0 / 14 / 73 / 32

HEX #AD952E

RGB 173 149 46

HSL 48.66, 0.58%, 0.43%

LAB 62.15, -2.29, 54.67

 

CMYK 0 / 11 / 59 / 39

HEX #9B8A3F

RGB 155 138 63

HSL 48.91, 0.42%, 0.43%

LAB 57.56, -3.25, 41.74

 

CMYK 0 / 7 / 41 / 46

HEX #897F51

RGB 137 127 81

HSL 49.29, 0.26%, 0.43%

LAB 53.05, -3.28, 26.37

 

CMYK 0 / 3 / 18 / 53

HEX #787463

RGB 120 116 99

HSL 48.57, 0.1%, 0.43%

LAB 48.74, -1.59, 9.95

 

CMYK 13 / 10 / 0 / 54

HEX #666975

RGB 102 105 117

HSL 228, 0.07%, 0.43%

LAB 44.54, 1.5, -7.09

 

CMYK 0 / 54 / 73 / 32

HEX #AD4F2E

RGB 173 79 46

HSL 15.59, 0.58%, 0.43%

LAB 45.18, 36.24, 37.19

 

CMYK 0 / 35 / 73 / 32

HEX #AD712E

RGB 173 113 46

HSL 31.65, 0.58%, 0.43%

LAB 52.83, 17.72, 45.32

 

CMYK 0 / 15 / 73 / 32

HEX #AD932E

RGB 173 147 46

HSL 47.72, 0.58%, 0.43%

LAB 61.61, -1.2, 54.15

 

CMYK 5 / 0 / 73 / 32

HEX #A4AD2E

RGB 164 173 46

HSL 64.25, 0.58%, 0.43%

LAB 68, -18.85, 60.05

 

CMYK 25 / 0 / 73 / 32

HEX #82AD2E

RGB 130 173 46

HSL 80.31, 0.58%, 0.43%

LAB 65.62, -32.97, 56.92

 

CMYK 0 / 14 / 74 / 58

HEX #6C5D1C

RGB 108 93 28

HSL 48.75, 0.59%, 0.27%

LAB 39.75, -1.86, 37.81

 

CMYK 0 / 14 / 74 / 45

HEX #8C7925

RGB 140 121 37

HSL 48.93, 0.58%, 0.35%

LAB 51.13, -2.31, 46.38

 

CMYK 0 / 14 / 73 / 32

HEX #AD952E

RGB 173 149 46

HSL 48.66, 0.58%, 0.43%

LAB 62.15, -2.29, 54.67

 

CMYK 0 / 13 / 72 / 21

HEX #CAAF39

RGB 202 175 57

HSL 48.83, 0.58%, 0.51%

LAB 71.9, -2.87, 60.9

 

CMYK 0 / 11 / 57 / 17

HEX #D3BC5A

RGB 211 188 90

HSL 48.6, 0.58%, 0.59%

LAB 76.41, -3.79, 51.69

 

CMYK 0 / 14 / 73 / 32

HEX #AD952E

RGB 173 149 46

HSL 48.66, 0.58%, 0.43%

LAB 62.15, -2.29, 54.67

 

CMYK 73 / 0 / 73 / 32

HEX #2EAD2E

RGB 46 173 46

HSL 120, 0.58%, 0.43%

LAB 62.22, -57.89, 52.41

 

CMYK 45 / 73 / 0 / 32

HEX #602EAD

RGB 96 46 173

HSL 263.62, 0.58%, 0.43%

LAB 32.83, 49.4, -59.38

 

CMYK 0 / 14 / 73 / 32

HEX #AD952E

RGB 173 149 46

HSL 48.66, 0.58%, 0.43%

LAB 62.15, -2.29, 54.67

 

CMYK 73 / 0 / 15 / 32

HEX #2EAD93

RGB 46 173 147

HSL 167.72, 0.58%, 0.43%

LAB 63.81, -40.15, 3.59

 

CMYK 15 / 73 / 0 / 32

HEX #932EAD

RGB 147 46 173

HSL 287.72, 0.58%, 0.43%

LAB 39.87, 59.28, -47.63

 

CMYK 0 / 14 / 73 / 32

HEX #AD952E

RGB 173 149 46

HSL 48.66, 0.58%, 0.43%

LAB 62.15, -2.29, 54.67

 

CMYK 73 / 0 / 73 / 32

HEX #2EAD2E

RGB 46 173 46

HSL 120, 0.58%, 0.43%

LAB 62.22, -57.89, 52.41

 

CMYK 73 / 59 / 0 / 32

HEX #2E47AD

RGB 46 71 173

HSL 228.19, 0.58%, 0.43%

LAB 34.2, 26.71, -57.31

 

CMYK 0 / 73 / 0 / 32

HEX #AD2EAD

RGB 173 46 173

HSL 300, 0.58%, 0.43%

LAB 44.02, 64.82, -40.76

 

CMYK 0 / 14 / 73 / 32

HEX #AD952E

RGB 173 149 46

HSL 48.66, 0.58%, 0.43%

LAB 62.15, -2.29, 54.67

 

CMYK 73 / 0 / 51 / 32

HEX #2EAD54

RGB 46 173 84

HSL 137.95, 0.58%, 0.43%

LAB 62.6, -53.42, 35.88

 

CMYK 73 / 59 / 0 / 32

HEX #2E47AD

RGB 46 71 173

HSL 228.19, 0.58%, 0.43%

LAB 34.2, 26.71, -57.31

 

CMYK 0 / 73 / 22 / 32

HEX #AD2E87

RGB 173 46 135

HSL 317.95, 0.58%, 0.43%

LAB 42.14, 59.1, -20.85

 

Description

Color code: HEX #AD952E | qconv.com Color code: HEX #AD952E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 149 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 149 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 73 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 73% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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