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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD90CF it is the complementary color #526F30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD90CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD90CF shade: #B290CA, #C3A2DD, #D4B4F0, #E5C6FF and #F6D8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD90CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD90CF shade: #AD90CF, #9C7EBC, #8B6CA9, #7A5A96 and #694883

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD90CF shade: #AD90CF, #BE90CF, #CF90CF, #CF90BE and #CF90AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD90CF shade: #AD90CF, #9C90CF and #9090CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD90CF shade matches the following richer shades: #AD90CF, #AC83DC, #AB76E9 and #AA69F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD90CF shade: #AD90CF, #AE9DC2, #AFA9B5, #B0B6A9 and #B1C39C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD90CF shade: #9095CF, #9B90CF, #AC90CF, #BD90CF and #CE90CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD90CF shade: #8256B6, #9873C3, #AD90CF, #C2ADDB and #D8CAE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD90CF shade: #AD90CF, #CF90A6 and #90CF93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD90CF shade: #AD90CF, #CFAC90 and #90CFAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD90CF shade: #AD90CF, #CF90A6, #B3CF90 and #90CFB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD90CF shade: #AD90CF, #CF9093, #B3CF90 and #90CFCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 30 / 0 / 19

HEX #AD90CF

RGB 173 144 207

HSL 267.62, 0.4%, 0.69%

LAB 64.43, 23.16, -28.37

 

Complementary color

CMYK 26 / 0 / 57 / 56

HEX #526F30

RGB 82 111 48

HSL 87.62, 0.4%, 0.31%

LAB 43.32, -22.07, 31.3

 

CMYK 12 / 29 / 0 / 21

HEX #B290CA

RGB 178 144 202

HSL 275.17, 0.35%, 0.68%

LAB 64.7, 23.66, -25.12

 

CMYK 12 / 27 / 0 / 13

HEX #C3A2DD

RGB 195 162 221

HSL 273.56, 0.46%, 0.75%

LAB 71.33, 23.08, -25.35

 

CMYK 12 / 25 / 0 / 6

HEX #D4B4F0

RGB 212 180 240

HSL 272, 0.67%, 0.82%

LAB 77.83, 22.55, -25.59

 

CMYK 10 / 22 / 0 / 0

HEX #E5C6FF

RGB 229 198 255

HSL 272.63, 1%, 0.89%

LAB 84.1, 21.24, -23.92

 

CMYK 4 / 15 / 0 / 0

HEX #F6D8FF

RGB 246 216 255

HSL 286.15, 1%, 0.92%

LAB 89.82, 17.15, -15.15

 

CMYK 16 / 30 / 0 / 19

HEX #AD90CF

RGB 173 144 207

HSL 267.62, 0.4%, 0.69%

LAB 64.43, 23.16, -28.37

 

CMYK 17 / 33 / 0 / 26

HEX #9C7EBC

RGB 156 126 188

HSL 269.03, 0.32%, 0.62%

LAB 57.68, 23.8, -28.22

 

CMYK 18 / 36 / 0 / 34

HEX #8B6CA9

RGB 139 108 169

HSL 270.49, 0.26%, 0.54%

LAB 50.78, 24.51, -28.1

 

CMYK 19 / 40 / 0 / 41

HEX #7A5A96

RGB 122 90 150

HSL 272, 0.25%, 0.47%

LAB 43.73, 25.29, -28

 

CMYK 20 / 45 / 0 / 49

HEX #694883

RGB 105 72 131

HSL 273.56, 0.29%, 0.4%

LAB 36.51, 26.15, -27.91

 

CMYK 16 / 30 / 0 / 19

HEX #AD90CF

RGB 173 144 207

HSL 267.62, 0.4%, 0.69%

LAB 64.43, 23.16, -28.37

 

CMYK 8 / 30 / 0 / 19

HEX #BE90CF

RGB 190 144 207

HSL 283.81, 0.4%, 0.69%

LAB 66.06, 28.56, -25.73

 

CMYK 0 / 30 / 0 / 19

HEX #CF90CF

RGB 207 144 207

HSL 300, 0.4%, 0.69%

LAB 67.81, 34.04, -22.89

 

CMYK 0 / 30 / 8 / 19

HEX #CF90BE

RGB 207 144 190

HSL 316.19, 0.4%, 0.69%

LAB 67.22, 30.97, -14.3

 

CMYK 0 / 30 / 16 / 19

HEX #CF90AD

RGB 207 144 173

HSL 332.38, 0.4%, 0.69%

LAB 66.69, 28.13, -5.56

 

CMYK 16 / 30 / 0 / 19

HEX #AD90CF

RGB 173 144 207

HSL 267.62, 0.4%, 0.69%

LAB 64.43, 23.16, -28.37

 

CMYK 25 / 30 / 0 / 19

HEX #9C90CF

RGB 156 144 207

HSL 251.43, 0.4%, 0.69%

LAB 62.94, 17.92, -30.79

 

CMYK 30 / 30 / 0 / 19

HEX #9090CF

RGB 144 144 207

HSL 240, 0.4%, 0.69%

LAB 61.98, 14.36, -32.36

 

CMYK 16 / 30 / 0 / 19

HEX #AD90CF

RGB 173 144 207

HSL 267.62, 0.4%, 0.69%

LAB 64.43, 23.16, -28.37

 

CMYK 22 / 40 / 0 / 14

HEX #AC83DC

RGB 172 131 220

HSL 267.64, 0.56%, 0.69%

LAB 61.8, 33.15, -39.72

 

CMYK 27 / 49 / 0 / 9

HEX #AB76E9

RGB 171 118 233

HSL 267.65, 0.72%, 0.69%

LAB 59.43, 43.14, -50.71

 

CMYK 31 / 57 / 0 / 4

HEX #AA69F5

RGB 170 105 245

HSL 267.86, 0.88%, 0.69%

LAB 57.31, 52.71, -60.78

 

CMYK 16 / 30 / 0 / 19

HEX #AD90CF

RGB 173 144 207

HSL 267.62, 0.4%, 0.69%

LAB 64.43, 23.16, -28.37

 

CMYK 10 / 19 / 0 / 24

HEX #AE9DC2

RGB 174 157 194

HSL 267.57, 0.23%, 0.69%

LAB 67.28, 13.36, -16.76

 

CMYK 3 / 7 / 0 / 29

HEX #AFA9B5

RGB 175 169 181

HSL 270, 0.08%, 0.69%

LAB 70.05, 4.42, -5.39

 

CMYK 3 / 0 / 7 / 29

HEX #B0B6A9

RGB 176 182 169

HSL 87.69, 0.08%, 0.69%

LAB 73.25, -4.5, 5.88

 

CMYK 9 / 0 / 20 / 24

HEX #B1C39C

RGB 177 195 156

HSL 87.69, 0.25%, 0.69%

LAB 76.54, -13.14, 17.58

 

CMYK 30 / 28 / 0 / 19

HEX #9095CF

RGB 144 149 207

HSL 235.24, 0.4%, 0.69%

LAB 63.28, 11.49, -30.34

 

CMYK 25 / 30 / 0 / 19

HEX #9B90CF

RGB 155 144 207

HSL 250.48, 0.4%, 0.69%

LAB 62.86, 17.62, -30.92

 

CMYK 17 / 30 / 0 / 19

HEX #AC90CF

RGB 172 144 207

HSL 266.67, 0.4%, 0.69%

LAB 64.34, 22.85, -28.52

 

CMYK 9 / 30 / 0 / 19

HEX #BD90CF

RGB 189 144 207

HSL 282.86, 0.4%, 0.69%

LAB 65.96, 28.24, -25.89

 

CMYK 0 / 30 / 0 / 19

HEX #CE90CF

RGB 206 144 207

HSL 299.05, 0.4%, 0.69%

LAB 67.7, 33.72, -23.06

 

CMYK 29 / 53 / 0 / 29

HEX #8256B6

RGB 130 86 182

HSL 267.5, 0.4%, 0.53%

LAB 45.33, 37.81, -44.33

 

CMYK 22 / 41 / 0 / 24

HEX #9873C3

RGB 152 115 195

HSL 267.75, 0.4%, 0.61%

LAB 54.95, 30.54, -36.5

 

CMYK 16 / 30 / 0 / 19

HEX #AD90CF

RGB 173 144 207

HSL 267.62, 0.4%, 0.69%

LAB 64.43, 23.16, -28.37

 

CMYK 11 / 21 / 0 / 14

HEX #C2ADDB

RGB 194 173 219

HSL 267.39, 0.39%, 0.77%

LAB 73.85, 16.28, -20.41

 

CMYK 7 / 13 / 0 / 9

HEX #D8CAE8

RGB 216 202 232

HSL 268, 0.39%, 0.85%

LAB 83.27, 10.38, -13.05

 

CMYK 16 / 30 / 0 / 19

HEX #AD90CF

RGB 173 144 207

HSL 267.62, 0.4%, 0.69%

LAB 64.43, 23.16, -28.37

 

CMYK 0 / 30 / 20 / 19

HEX #CF90A6

RGB 207 144 166

HSL 339.05, 0.4%, 0.69%

LAB 66.49, 27.03, -1.93

 

CMYK 30 / 0 / 29 / 19

HEX #90CF93

RGB 144 207 147

HSL 122.86, 0.4%, 0.69%

LAB 77.67, -31.97, 23.59

 

CMYK 16 / 30 / 0 / 19

HEX #AD90CF

RGB 173 144 207

HSL 267.62, 0.4%, 0.69%

LAB 64.43, 23.16, -28.37

 

CMYK 0 / 17 / 30 / 19

HEX #CFAC90

RGB 207 172 144

HSL 26.67, 0.4%, 0.69%

LAB 72.75, 8.65, 19.18

 

CMYK 30 / 0 / 17 / 19

HEX #90CFAC

RGB 144 207 172

HSL 146.67, 0.4%, 0.69%

LAB 78.19, -27.4, 11.04

 

CMYK 16 / 30 / 0 / 19

HEX #AD90CF

RGB 173 144 207

HSL 267.62, 0.4%, 0.69%

LAB 64.43, 23.16, -28.37

 

CMYK 0 / 30 / 20 / 19

HEX #CF90A6

RGB 207 144 166

HSL 339.05, 0.4%, 0.69%

LAB 66.49, 27.03, -1.93

 

CMYK 14 / 0 / 30 / 19

HEX #B3CF90

RGB 179 207 144

HSL 86.67, 0.4%, 0.69%

LAB 79.74, -20.29, 28.31

 

CMYK 30 / 0 / 11 / 19

HEX #90CFB9

RGB 144 207 185

HSL 159.05, 0.4%, 0.69%

LAB 78.5, -24.75, 4.53

 

CMYK 16 / 30 / 0 / 19

HEX #AD90CF

RGB 173 144 207

HSL 267.62, 0.4%, 0.69%

LAB 64.43, 23.16, -28.37

 

CMYK 0 / 30 / 29 / 19

HEX #CF9093

RGB 207 144 147

HSL 357.14, 0.4%, 0.69%

LAB 66, 24.27, 8.04

 

CMYK 14 / 0 / 30 / 19

HEX #B3CF90

RGB 179 207 144

HSL 86.67, 0.4%, 0.69%

LAB 79.74, -20.29, 28.31

 

CMYK 30 / 0 / 1 / 19

HEX #90CFCC

RGB 144 207 204

HSL 177.14, 0.4%, 0.69%

LAB 78.99, -20.58, -4.94

 

Description

Color code: HEX #AD90CF | qconv.com Color code: HEX #AD90CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 144 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 144 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 30 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 30% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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