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Color name
HEX #AD9137

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD9137 it is the complementary color #526EC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD9137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD9137 shade: #B29132, #C3A345, #D4B558, #E5C76B and #F6D97E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD9137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD9137 shade: #AD9137, #9C7F24, #8B6D11, #7A5B00 and #694900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD9137 shade: #AE9237, #AE7137, #AE5137 and #AE3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD9137 shade: #AE9237, #AAAE37, #8AAE37, #6AAE37 and #4AAE37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD9137 shade matches the following richer shades: #AE9237, #C09B24 and #D3A511

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD9137 shade: #AE9237, #9B8849, #897E5C, #76746E and #646B81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD9137 shade: #AE5037, #AE7037, #AE9037, #ACAE37 and #8CAE37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD9137 shade: #6F5D23, #8F772D, #AE9237, #C5A849 and #CFB768

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD9137 shade: #AD9137, #3DAE37 and #6037AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD9137 shade: #AD9137, #37AE90 and #9037AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD9137 shade: #AD9137, #3DAE37, #3754AE and #A837AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD9137 shade: #AD9137, #37AE54, #3754AE and #AE3790

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 68 / 32

HEX #AD9137

RGB 173 145 55

HSL 45.76, 0.52%, 0.45%

LAB 61.14, 0.37, 49.9

 

Complementary color

CMYK 59 / 45 / 0 / 22

HEX #526EC8

RGB 82 110 200

HSL 225.76, 0.52%, 0.55%

LAB 48.41, 17.19, -50.07

 

CMYK 0 / 19 / 72 / 30

HEX #B29132

RGB 178 145 50

HSL 44.53, 0.56%, 0.45%

LAB 61.61, 2.33, 52.68

 

CMYK 0 / 16 / 65 / 24

HEX #C3A345

RGB 195 163 69

HSL 44.76, 0.51%, 0.52%

LAB 68.19, 1.14, 51.79

 

CMYK 0 / 15 / 58 / 17

HEX #D4B558

RGB 212 181 88

HSL 45, 0.59%, 0.59%

LAB 74.67, 0.15, 50.66

 

CMYK 0 / 13 / 53 / 10

HEX #E5C76B

RGB 229 199 107

HSL 45.25, 0.7%, 0.66%

LAB 81.05, -0.69, 49.45

 

CMYK 0 / 12 / 49 / 4

HEX #F6D97E

RGB 246 217 126

HSL 45.5, 0.87%, 0.73%

LAB 87.35, -1.41, 48.22

 

CMYK 0 / 16 / 68 / 32

HEX #AD9137

RGB 173 145 55

HSL 45.76, 0.52%, 0.45%

LAB 61.14, 0.37, 49.9

 

CMYK 0 / 19 / 77 / 39

HEX #9C7F24

RGB 156 127 36

HSL 45.5, 0.63%, 0.38%

LAB 54.42, 1.67, 50.53

 

CMYK 0 / 22 / 88 / 45

HEX #8B6D11

RGB 139 109 17

HSL 45.25, 0.78%, 0.31%

LAB 47.58, 3.27, 50.21

 

CMYK 0 / 25 / 100 / 52

HEX #7A5B00

RGB 122 91 0

HSL 44.75, 1%, 0.24%

LAB 40.61, 5.21, 48.38

 

CMYK 0 / 30 / 100 / 59

HEX #694900

RGB 105 73 0

HSL 41.71, 1%, 0.21%

LAB 33.5, 7.66, 42.54

 

CMYK 0 / 16 / 68 / 32

HEX #AE9237

RGB 174 146 55

HSL 45.88, 0.52%, 0.45%

LAB 61.51, 0.27, 50.31

 

CMYK 0 / 35 / 68 / 32

HEX #AE7137

RGB 174 113 55

HSL 29.24, 0.52%, 0.45%

LAB 53.04, 18.65, 41.21

 

CMYK 0 / 53 / 68 / 32

HEX #AE5137

RGB 174 81 55

HSL 13.11, 0.52%, 0.45%

LAB 45.85, 36.09, 33.03

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 0 / 16 / 68 / 32

HEX #AE9237

RGB 174 146 55

HSL 45.88, 0.52%, 0.45%

LAB 61.51, 0.27, 50.31

 

CMYK 2 / 0 / 68 / 32

HEX #AAAE37

RGB 170 174 55

HSL 62.02, 0.52%, 0.45%

LAB 68.82, -16.31, 57.68

 

CMYK 21 / 0 / 68 / 32

HEX #8AAE37

RGB 138 174 55

HSL 78.15, 0.52%, 0.45%

LAB 66.48, -29.68, 54.55

 

CMYK 39 / 0 / 68 / 32

HEX #6AAE37

RGB 106 174 55

HSL 94.29, 0.52%, 0.45%

LAB 64.65, -41.73, 52.08

 

CMYK 57 / 0 / 68 / 32

HEX #4AAE37

RGB 74 174 55

HSL 110.42, 0.52%, 0.45%

LAB 63.35, -51.46, 50.3

 

CMYK 0 / 16 / 68 / 32

HEX #AE9237

RGB 174 146 55

HSL 45.88, 0.52%, 0.45%

LAB 61.51, 0.27, 50.31

 

CMYK 0 / 19 / 81 / 25

HEX #C09B24

RGB 192 155 36

HSL 45.77, 0.68%, 0.45%

LAB 65.57, 2.55, 62.08

 

CMYK 0 / 22 / 92 / 17

HEX #D3A511

RGB 211 165 17

HSL 45.77, 0.85%, 0.45%

LAB 70.04, 5.16, 71.08

 

CMYK 0 / 16 / 68 / 32

HEX #AE9237

RGB 174 146 55

HSL 45.88, 0.52%, 0.45%

LAB 61.51, 0.27, 50.31

 

CMYK 0 / 12 / 53 / 39

HEX #9B8849

RGB 155 136 73

HSL 46.1, 0.36%, 0.45%

LAB 57.13, -1.3, 36.16

 

CMYK 0 / 8 / 33 / 46

HEX #897E5C

RGB 137 126 92

HSL 45.33, 0.2%, 0.45%

LAB 52.96, -1.31, 20.06

 

CMYK 0 / 2 / 7 / 54

HEX #76746E

RGB 118 116 110

HSL 45, 0.04%, 0.45%

LAB 48.84, -0.4, 3.58

 

CMYK 22 / 17 / 0 / 49

HEX #646B81

RGB 100 107 129

HSL 225.52, 0.13%, 0.45%

LAB 45.37, 2.48, -13.06

 

CMYK 0 / 54 / 68 / 32

HEX #AE5037

RGB 174 80 55

HSL 12.61, 0.52%, 0.45%

LAB 45.65, 36.6, 32.79

 

CMYK 0 / 36 / 68 / 32

HEX #AE7037

RGB 174 112 55

HSL 28.74, 0.52%, 0.45%

LAB 52.8, 19.22, 40.94

 

CMYK 0 / 17 / 68 / 32

HEX #AE9037

RGB 174 144 55

HSL 44.87, 0.52%, 0.45%

LAB 60.98, 1.37, 49.75

 

CMYK 1 / 0 / 68 / 32

HEX #ACAE37

RGB 172 174 55

HSL 61.01, 0.52%, 0.45%

LAB 68.98, -15.45, 57.9

 

CMYK 20 / 0 / 68 / 32

HEX #8CAE37

RGB 140 174 55

HSL 77.14, 0.52%, 0.45%

LAB 66.61, -28.88, 54.73

 

CMYK 0 / 16 / 68 / 56

HEX #6F5D23

RGB 111 93 35

HSL 45.79, 0.52%, 0.29%

LAB 40.13, 0.04, 35

 

CMYK 0 / 17 / 69 / 44

HEX #8F772D

RGB 143 119 45

HSL 45.31, 0.52%, 0.37%

LAB 50.95, 0.67, 42.76

 

CMYK 0 / 16 / 68 / 32

HEX #AE9237

RGB 174 146 55

HSL 45.88, 0.52%, 0.45%

LAB 61.51, 0.27, 50.31

 

CMYK 0 / 15 / 63 / 23

HEX #C5A849

RGB 197 168 73

HSL 45.97, 0.52%, 0.53%

LAB 69.72, -0.41, 51.7

 

CMYK 0 / 12 / 50 / 19

HEX #CFB768

RGB 207 183 104

HSL 46.02, 0.52%, 0.61%

LAB 74.91, -1.67, 43.04

 

CMYK 0 / 16 / 68 / 32

HEX #AD9137

RGB 173 145 55

HSL 45.76, 0.52%, 0.45%

LAB 61.14, 0.37, 49.9

 

CMYK 65 / 0 / 68 / 32

HEX #3DAE37

RGB 61 174 55

HSL 116.97, 0.52%, 0.45%

LAB 62.96, -54.55, 49.78

 

CMYK 45 / 68 / 0 / 32

HEX #6037AE

RGB 96 55 174

HSL 260.67, 0.52%, 0.45%

LAB 34.55, 45.1, -57.17

 

CMYK 0 / 16 / 68 / 32

HEX #AD9137

RGB 173 145 55

HSL 45.76, 0.52%, 0.45%

LAB 61.14, 0.37, 49.9

 

CMYK 68 / 0 / 17 / 32

HEX #37AE90

RGB 55 174 144

HSL 164.87, 0.52%, 0.45%

LAB 64.24, -40.06, 5.89

 

CMYK 17 / 68 / 0 / 32

HEX #9037AE

RGB 144 55 174

HSL 284.87, 0.52%, 0.45%

LAB 40.76, 55.22, -46.82

 

CMYK 0 / 16 / 68 / 32

HEX #AD9137

RGB 173 145 55

HSL 45.76, 0.52%, 0.45%

LAB 61.14, 0.37, 49.9

 

CMYK 65 / 0 / 68 / 32

HEX #3DAE37

RGB 61 174 55

HSL 116.97, 0.52%, 0.45%

LAB 62.96, -54.55, 49.78

 

CMYK 68 / 52 / 0 / 32

HEX #3754AE

RGB 55 84 174

HSL 225.38, 0.52%, 0.45%

LAB 38.21, 19.81, -51.37

 

CMYK 3 / 68 / 0 / 32

HEX #A837AE

RGB 168 55 174

HSL 296.97, 0.52%, 0.45%

LAB 44.39, 60.7, -40.81

 

CMYK 0 / 16 / 68 / 32

HEX #AD9137

RGB 173 145 55

HSL 45.76, 0.52%, 0.45%

LAB 61.14, 0.37, 49.9

 

CMYK 68 / 0 / 52 / 32

HEX #37AE54

RGB 55 174 84

HSL 134.62, 0.52%, 0.45%

LAB 63.11, -52.23, 36.56

 

CMYK 68 / 52 / 0 / 32

HEX #3754AE

RGB 55 84 174

HSL 225.38, 0.52%, 0.45%

LAB 38.21, 19.81, -51.37

 

CMYK 0 / 68 / 17 / 32

HEX #AE3790

RGB 174 55 144

HSL 315.13, 0.52%, 0.45%

LAB 43.86, 57.36, -23.64

 

Description

Color code: HEX #AD9137 | qconv.com Color code: HEX #AD9137 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 145 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 145 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 68 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 68% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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