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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD9170 it is the complementary color #526E8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD9170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD9170 shade: #B2916B, #C3A37E, #D4B591, #E5C7A4 and #F6D9B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD9170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD9170 shade: #AD9170, #9C7F5D, #8B6D4A, #7A5B37 and #694924

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD9170 shade: #AD9170, #AD8070, #AD7070 and #AD7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD9170 shade: #AD9170, #ADA170, #A8AD70, #97AD70 and #87AD70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD9170 shade matches the following richer shades: #AD9170, #BF925E, #D1944C, #E3953A and #F59727

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD9170 shade: #AD9170, #9A8F82, #888E94, #768CA6 and #648BB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD9170 shade: #AD7070, #AD8070, #AD9070, #ADA070 and #A9AD70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD9170 shade: #80674A, #9B7C59, #AD9170, #BCA58A and #CBB9A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD9170 shade: #AD9170, #80AD70 and #7870AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD9170 shade: #AD9170, #70AD90 and #9070AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD9170 shade: #AD9170, #80AD70, #708CAD and #9C70AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD9170 shade: #AD9170, #70AD72, #708CAD and #AD70AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 35 / 32

HEX #AD9170

RGB 173 145 112

HSL 32.46, 0.27%, 0.56%

LAB 61.92, 5.66, 21.45

 

Complementary color

CMYK 43 / 23 / 0 / 44

HEX #526E8F

RGB 82 110 143

HSL 212.46, 0.27%, 0.44%

LAB 45.54, -1.1, -21.28

 

CMYK 0 / 19 / 40 / 30

HEX #B2916B

RGB 178 145 107

HSL 32.11, 0.32%, 0.56%

LAB 62.32, 7.11, 24.84

 

CMYK 0 / 16 / 35 / 24

HEX #C3A37E

RGB 195 163 126

HSL 32.17, 0.37%, 0.63%

LAB 68.97, 6.46, 23.63

 

CMYK 0 / 15 / 32 / 17

HEX #D4B591

RGB 212 181 145

HSL 32.24, 0.44%, 0.7%

LAB 75.51, 5.91, 22.49

 

CMYK 0 / 13 / 28 / 10

HEX #E5C7A4

RGB 229 199 164

HSL 32.31, 0.56%, 0.77%

LAB 81.94, 5.42, 21.44

 

CMYK 0 / 12 / 26 / 4

HEX #F6D9B7

RGB 246 217 183

HSL 32.38, 0.78%, 0.84%

LAB 88.27, 4.99, 20.45

 

CMYK 0 / 16 / 35 / 32

HEX #AD9170

RGB 173 145 112

HSL 32.46, 0.27%, 0.56%

LAB 61.92, 5.66, 21.45

 

CMYK 0 / 19 / 40 / 39

HEX #9C7F5D

RGB 156 127 93

HSL 32.38, 0.25%, 0.49%

LAB 55.11, 6.31, 22.69

 

CMYK 0 / 22 / 47 / 45

HEX #8B6D4A

RGB 139 109 74

HSL 32.31, 0.31%, 0.42%

LAB 48.16, 7.09, 24.05

 

CMYK 0 / 25 / 55 / 52

HEX #7A5B37

RGB 122 91 55

HSL 32.24, 0.38%, 0.35%

LAB 41.05, 8.07, 25.55

 

CMYK 0 / 30 / 66 / 59

HEX #694924

RGB 105 73 36

HSL 32.17, 0.49%, 0.28%

LAB 33.76, 9.33, 27.17

 

CMYK 0 / 16 / 35 / 32

HEX #AD9170

RGB 173 145 112

HSL 32.46, 0.27%, 0.56%

LAB 61.92, 5.66, 21.45

 

CMYK 0 / 26 / 35 / 32

HEX #AD8070

RGB 173 128 112

HSL 15.74, 0.27%, 0.56%

LAB 57.55, 15.17, 15.48

 

CMYK 0 / 35 / 35 / 32

HEX #AD7070

RGB 173 112 112

HSL 0, 0.27%, 0.56%

LAB 53.65, 24.18, 10.03

 

CMYK 0 / 35 / 35 / 32

HEX #AD7070

RGB 173 112 112

HSL 0, 0.27%, 0.56%

LAB 53.65, 24.18, 10.03

 

CMYK 0 / 16 / 35 / 32

HEX #AD9170

RGB 173 145 112

HSL 32.46, 0.27%, 0.56%

LAB 61.92, 5.66, 21.45

 

CMYK 0 / 7 / 35 / 32

HEX #ADA170

RGB 173 161 112

HSL 48.2, 0.27%, 0.56%

LAB 66.17, -3.1, 27.13

 

CMYK 3 / 0 / 35 / 32

HEX #A8AD70

RGB 168 173 112

HSL 64.92, 0.27%, 0.56%

LAB 69.03, -11.5, 30.79

 

CMYK 13 / 0 / 35 / 32

HEX #97AD70

RGB 151 173 112

HSL 81.64, 0.27%, 0.56%

LAB 67.75, -18.2, 28.88

 

CMYK 22 / 0 / 35 / 32

HEX #87AD70

RGB 135 173 112

HSL 97.38, 0.27%, 0.56%

LAB 66.68, -24.24, 27.27

 

CMYK 0 / 16 / 35 / 32

HEX #AD9170

RGB 173 145 112

HSL 32.46, 0.27%, 0.56%

LAB 61.92, 5.66, 21.45

 

CMYK 0 / 24 / 51 / 25

HEX #BF925E

RGB 191 146 94

HSL 32.16, 0.43%, 0.56%

LAB 63.71, 10.62, 33.97

 

CMYK 0 / 29 / 64 / 18

HEX #D1944C

RGB 209 148 76

HSL 32.48, 0.59%, 0.56%

LAB 65.95, 15.73, 46.4

 

CMYK 0 / 34 / 74 / 11

HEX #E3953A

RGB 227 149 58

HSL 32.31, 0.75%, 0.56%

LAB 68.12, 21.83, 57.63

 

CMYK 0 / 38 / 84 / 4

HEX #F59727

RGB 245 151 39

HSL 32.62, 0.91%, 0.56%

LAB 70.66, 27.63, 67.87

 

CMYK 0 / 16 / 35 / 32

HEX #AD9170

RGB 173 145 112

HSL 32.46, 0.27%, 0.56%

LAB 61.92, 5.66, 21.45

 

CMYK 0 / 7 / 16 / 40

HEX #9A8F82

RGB 154 143 130

HSL 32.5, 0.11%, 0.56%

LAB 60, 1.81, 8.38

 

CMYK 8 / 4 / 0 / 42

HEX #888E94

RGB 136 142 148

HSL 210, 0.05%, 0.56%

LAB 58.71, -0.95, -3.95

 

CMYK 29 / 16 / 0 / 35

HEX #768CA6

RGB 118 140 166

HSL 212.5, 0.21%, 0.56%

LAB 57.43, -1.64, -16.31

 

CMYK 46 / 25 / 0 / 27

HEX #648BB9

RGB 100 139 185

HSL 212.47, 0.38%, 0.56%

LAB 56.76, -0.94, -28.27

 

CMYK 0 / 35 / 35 / 32

HEX #AD7070

RGB 173 112 112

HSL 0, 0.27%, 0.56%

LAB 53.65, 24.18, 10.03

 

CMYK 0 / 26 / 35 / 32

HEX #AD8070

RGB 173 128 112

HSL 15.74, 0.27%, 0.56%

LAB 57.55, 15.17, 15.48

 

CMYK 0 / 17 / 35 / 32

HEX #AD9070

RGB 173 144 112

HSL 31.48, 0.27%, 0.56%

LAB 61.65, 6.21, 21.09

 

CMYK 0 / 8 / 35 / 32

HEX #ADA070

RGB 173 160 112

HSL 47.21, 0.27%, 0.56%

LAB 65.9, -2.56, 26.77

 

CMYK 2 / 0 / 35 / 32

HEX #A9AD70

RGB 169 173 112

HSL 63.93, 0.27%, 0.56%

LAB 69.11, -11.1, 30.91

 

CMYK 0 / 20 / 42 / 50

HEX #80674A

RGB 128 103 74

HSL 32.22, 0.27%, 0.4%

LAB 45.34, 5.75, 20.14

 

CMYK 0 / 20 / 43 / 39

HEX #9B7C59

RGB 155 124 89

HSL 31.82, 0.27%, 0.48%

LAB 54.14, 7.11, 23.65

 

CMYK 0 / 16 / 35 / 32

HEX #AD9170

RGB 173 145 112

HSL 32.46, 0.27%, 0.56%

LAB 61.92, 5.66, 21.45

 

CMYK 0 / 12 / 27 / 26

HEX #BCA58A

RGB 188 165 138

HSL 32.4, 0.27%, 0.64%

LAB 69.07, 4.19, 17.09

 

CMYK 0 / 9 / 19 / 20

HEX #CBB9A4

RGB 203 185 164

HSL 32.31, 0.27%, 0.72%

LAB 76.12, 2.99, 12.98

 

CMYK 0 / 16 / 35 / 32

HEX #AD9170

RGB 173 145 112

HSL 32.46, 0.27%, 0.56%

LAB 61.92, 5.66, 21.45

 

CMYK 26 / 0 / 35 / 32

HEX #80AD70

RGB 128 173 112

HSL 104.26, 0.27%, 0.56%

LAB 66.25, -26.77, 26.63

 

CMYK 31 / 35 / 0 / 32

HEX #7870AD

RGB 120 112 173

HSL 247.87, 0.27%, 0.56%

LAB 50.21, 17.26, -31.44

 

CMYK 0 / 16 / 35 / 32

HEX #AD9170

RGB 173 145 112

HSL 32.46, 0.27%, 0.56%

LAB 61.92, 5.66, 21.45

 

CMYK 35 / 0 / 17 / 32

HEX #70AD90

RGB 112 173 144

HSL 151.48, 0.27%, 0.56%

LAB 66.02, -26.22, 8.71

 

CMYK 17 / 35 / 0 / 32

HEX #9070AD

RGB 144 112 173

HSL 271.48, 0.27%, 0.56%

LAB 52.44, 24.68, -27.81

 

CMYK 0 / 16 / 35 / 32

HEX #AD9170

RGB 173 145 112

HSL 32.46, 0.27%, 0.56%

LAB 61.92, 5.66, 21.45

 

CMYK 26 / 0 / 35 / 32

HEX #80AD70

RGB 128 173 112

HSL 104.26, 0.27%, 0.56%

LAB 66.25, -26.77, 26.63

 

CMYK 35 / 19 / 0 / 32

HEX #708CAD

RGB 112 140 173

HSL 212.46, 0.27%, 0.56%

LAB 57.29, -1.62, -20.56

 

CMYK 10 / 35 / 0 / 32

HEX #9C70AD

RGB 156 112 173

HSL 283.28, 0.27%, 0.56%

LAB 53.68, 28.54, -25.79

 

CMYK 0 / 16 / 35 / 32

HEX #AD9170

RGB 173 145 112

HSL 32.46, 0.27%, 0.56%

LAB 61.92, 5.66, 21.45

 

CMYK 35 / 0 / 34 / 32

HEX #70AD72

RGB 112 173 114

HSL 121.97, 0.27%, 0.56%

LAB 65.39, -31.92, 24.26

 

CMYK 35 / 19 / 0 / 32

HEX #708CAD

RGB 112 140 173

HSL 212.46, 0.27%, 0.56%

LAB 57.29, -1.62, -20.56

 

CMYK 0 / 35 / 1 / 32

HEX #AD70AB

RGB 173 112 171

HSL 301.97, 0.27%, 0.56%

LAB 55.5, 33.69, -21.68

 

Description

Color code: HEX #AD9170 | qconv.com Color code: HEX #AD9170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 145 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 145 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 35 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 35% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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