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Color name
HEX #AD937C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD937C it is the complementary color #526C83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD937C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD937C shade: #B29377, #C3A58A, #D4B79D, #E5C9B0 and #F6DBC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD937C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD937C shade: #AD937C, #9C8169, #8B6F56, #7A5D43 and #694B30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD937C shade: #AC927B, #AC857B and #AC7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD937C shade: #AC927B, #AC9F7B, #ACAC7B, #9EAC7B and #91AC7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD937C shade matches the following richer shades: #AC927B, #BD9169, #CF9058, #E08F47 and #F18E35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD937C shade: #AC927B, #9B938C, #89949D, #7895AF and #6796C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD937C shade: #AC7B7E, #AC857B, #AC927B, #AC9F7B and #ACAC7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD937C shade: #836952, #9C7D61, #AC927B, #BCA794 and #CCBCAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD937C shade: #AD937C, #8BAC7B and #7E7BAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD937C shade: #AD937C, #7BAC92 and #927BAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD937C shade: #AD937C, #8BAC7B, #7B95AC and #9C7BAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD937C shade: #AD937C, #7CAC7B, #7B95AC and #AA7BAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 28 / 32

HEX #AD937C

RGB 173 147 124

HSL 28.16, 0.23%, 0.58%

LAB 62.68, 6.15, 15.79

 

Complementary color

CMYK 37 / 18 / 0 / 49

HEX #526C83

RGB 82 108 131

HSL 208.16, 0.23%, 0.42%

LAB 44.46, -3.38, -15.77

 

CMYK 0 / 17 / 33 / 30

HEX #B29377

RGB 178 147 119

HSL 28.47, 0.28%, 0.58%

LAB 63.06, 7.49, 19.19

 

CMYK 0 / 15 / 29 / 24

HEX #C3A58A

RGB 195 165 138

HSL 28.42, 0.32%, 0.65%

LAB 69.72, 6.93, 18.09

 

CMYK 0 / 14 / 26 / 17

HEX #D4B79D

RGB 212 183 157

HSL 28.36, 0.39%, 0.72%

LAB 76.25, 6.45, 17.06

 

CMYK 0 / 12 / 23 / 10

HEX #E5C9B0

RGB 229 201 176

HSL 28.3, 0.5%, 0.79%

LAB 82.68, 6.02, 16.11

 

CMYK 0 / 11 / 21 / 4

HEX #F6DBC3

RGB 246 219 195

HSL 28.24, 0.74%, 0.86%

LAB 89.02, 5.64, 15.21

 

CMYK 0 / 15 / 28 / 32

HEX #AD937C

RGB 173 147 124

HSL 28.16, 0.23%, 0.58%

LAB 62.68, 6.15, 15.79

 

CMYK 0 / 17 / 33 / 39

HEX #9C8169

RGB 156 129 105

HSL 28.24, 0.2%, 0.51%

LAB 55.88, 6.71, 16.9

 

CMYK 0 / 20 / 38 / 45

HEX #8B6F56

RGB 139 111 86

HSL 28.3, 0.24%, 0.44%

LAB 48.92, 7.36, 18.12

 

CMYK 0 / 24 / 45 / 52

HEX #7A5D43

RGB 122 93 67

HSL 28.36, 0.29%, 0.37%

LAB 41.8, 8.17, 19.48

 

CMYK 0 / 29 / 54 / 59

HEX #694B30

RGB 105 75 48

HSL 28.42, 0.37%, 0.3%

LAB 34.5, 9.18, 21.02

 

CMYK 0 / 15 / 28 / 33

HEX #AC927B

RGB 172 146 123

HSL 28.16, 0.23%, 0.58%

LAB 62.3, 6.17, 15.81

 

CMYK 0 / 23 / 28 / 33

HEX #AC857B

RGB 172 133 123

HSL 12.24, 0.23%, 0.58%

LAB 58.95, 13.45, 11.13

 

CMYK 0 / 28 / 28 / 33

HEX #AC7B7B

RGB 172 123 123

HSL 0, 0.23%, 0.58%

LAB 56.45, 19.09, 7.59

 

CMYK 0 / 15 / 28 / 33

HEX #AC927B

RGB 172 146 123

HSL 28.16, 0.23%, 0.58%

LAB 62.3, 6.17, 15.81

 

CMYK 0 / 8 / 28 / 33

HEX #AC9F7B

RGB 172 159 123

HSL 44.08, 0.23%, 0.58%

LAB 65.75, -0.98, 20.54

 

CMYK 0 / 0 / 28 / 33

HEX #ACAC7B

RGB 172 172 123

HSL 60, 0.23%, 0.58%

LAB 69.26, -7.96, 25.29

 

CMYK 8 / 0 / 28 / 33

HEX #9EAC7B

RGB 158 172 123

HSL 77.14, 0.23%, 0.58%

LAB 68.17, -13.43, 23.64

 

CMYK 16 / 0 / 28 / 33

HEX #91AC7B

RGB 145 172 123

HSL 93.06, 0.23%, 0.58%

LAB 67.24, -18.36, 22.22

 

CMYK 0 / 15 / 28 / 33

HEX #AC927B

RGB 172 146 123

HSL 28.16, 0.23%, 0.58%

LAB 62.3, 6.17, 15.81

 

CMYK 0 / 23 / 44 / 26

HEX #BD9169

RGB 189 145 105

HSL 28.57, 0.39%, 0.58%

LAB 63.42, 11.44, 27.6

 

CMYK 0 / 30 / 57 / 19

HEX #CF9058

RGB 207 144 88

HSL 28.24, 0.55%, 0.58%

LAB 64.9, 17.92, 39

 

CMYK 0 / 36 / 68 / 12

HEX #E08F47

RGB 224 143 71

HSL 28.24, 0.71%, 0.58%

LAB 66.48, 24.41, 49.91

 

CMYK 0 / 41 / 78 / 5

HEX #F18E35

RGB 241 142 53

HSL 28.4, 0.87%, 0.58%

LAB 68.24, 31.12, 60.43

 

CMYK 0 / 15 / 28 / 33

HEX #AC927B

RGB 172 146 123

HSL 28.16, 0.23%, 0.58%

LAB 62.3, 6.17, 15.81

 

CMYK 0 / 5 / 10 / 39

HEX #9B938C

RGB 155 147 140

HSL 28, 0.07%, 0.58%

LAB 61.42, 1.68, 4.75

 

CMYK 13 / 6 / 0 / 38

HEX #89949D

RGB 137 148 157

HSL 207, 0.09%, 0.58%

LAB 60.72, -2.05, -6.09

 

CMYK 31 / 15 / 0 / 31

HEX #7895AF

RGB 120 149 175

HSL 208.36, 0.26%, 0.58%

LAB 60.41, -3.83, -16.89

 

CMYK 46 / 22 / 0 / 25

HEX #6796C0

RGB 103 150 192

HSL 208.31, 0.41%, 0.58%

LAB 60.34, -4.42, -26.69

 

CMYK 0 / 28 / 27 / 33

HEX #AC7B7E

RGB 172 123 126

HSL 356.33, 0.23%, 0.58%

LAB 56.53, 19.52, 5.96

 

CMYK 0 / 23 / 28 / 33

HEX #AC857B

RGB 172 133 123

HSL 12.24, 0.23%, 0.58%

LAB 58.95, 13.45, 11.13

 

CMYK 0 / 15 / 28 / 33

HEX #AC927B

RGB 172 146 123

HSL 28.16, 0.23%, 0.58%

LAB 62.3, 6.17, 15.81

 

CMYK 0 / 8 / 28 / 33

HEX #AC9F7B

RGB 172 159 123

HSL 44.08, 0.23%, 0.58%

LAB 65.75, -0.98, 20.54

 

CMYK 0 / 0 / 28 / 33

HEX #ACAC7B

RGB 172 172 123

HSL 60, 0.23%, 0.58%

LAB 69.26, -7.96, 25.29

 

CMYK 0 / 20 / 37 / 49

HEX #836952

RGB 131 105 82

HSL 28.16, 0.23%, 0.42%

LAB 46.36, 6.9, 16.86

 

CMYK 0 / 20 / 38 / 39

HEX #9C7D61

RGB 156 125 97

HSL 28.47, 0.23%, 0.5%

LAB 54.66, 7.93, 19.81

 

CMYK 0 / 15 / 28 / 33

HEX #AC927B

RGB 172 146 123

HSL 28.16, 0.23%, 0.58%

LAB 62.3, 6.17, 15.81

 

CMYK 0 / 11 / 21 / 26

HEX #BCA794

RGB 188 167 148

HSL 28.5, 0.23%, 0.66%

LAB 69.8, 4.56, 12.61

 

CMYK 0 / 8 / 15 / 20

HEX #CCBCAE

RGB 204 188 174

HSL 28, 0.23%, 0.74%

LAB 77.2, 3.32, 9.12

 

CMYK 0 / 15 / 28 / 32

HEX #AD937C

RGB 173 147 124

HSL 28.16, 0.23%, 0.58%

LAB 62.68, 6.15, 15.79

 

CMYK 19 / 0 / 28 / 33

HEX #8BAC7B

RGB 139 172 123

HSL 100.41, 0.23%, 0.58%

LAB 66.84, -20.57, 21.61

 

CMYK 27 / 28 / 0 / 33

HEX #7E7BAC

RGB 126 123 172

HSL 243.67, 0.23%, 0.58%

LAB 53.58, 12.27, -25.6

 

CMYK 0 / 15 / 28 / 32

HEX #AD937C

RGB 173 147 124

HSL 28.16, 0.23%, 0.58%

LAB 62.68, 6.15, 15.79

 

CMYK 28 / 0 / 15 / 33

HEX #7BAC92

RGB 123 172 146

HSL 148.16, 0.23%, 0.58%

LAB 66.36, -21.88, 8.17

 

CMYK 15 / 28 / 0 / 33

HEX #927BAC

RGB 146 123 172

HSL 268.16, 0.23%, 0.58%

LAB 55.33, 18.69, -22.75

 

CMYK 0 / 15 / 28 / 32

HEX #AD937C

RGB 173 147 124

HSL 28.16, 0.23%, 0.58%

LAB 62.68, 6.15, 15.79

 

CMYK 19 / 0 / 28 / 33

HEX #8BAC7B

RGB 139 172 123

HSL 100.41, 0.23%, 0.58%

LAB 66.84, -20.57, 21.61

 

CMYK 28 / 13 / 0 / 33

HEX #7B95AC

RGB 123 149 172

HSL 208.16, 0.23%, 0.58%

LAB 60.5, -3.68, -15.04

 

CMYK 9 / 28 / 0 / 33

HEX #9C7BAC

RGB 156 123 172

HSL 280.41, 0.23%, 0.58%

LAB 56.3, 22, -21.18

 

CMYK 0 / 15 / 28 / 32

HEX #AD937C

RGB 173 147 124

HSL 28.16, 0.23%, 0.58%

LAB 62.68, 6.15, 15.79

 

CMYK 28 / 0 / 28 / 33

HEX #7CAC7B

RGB 124 172 123

HSL 118.78, 0.23%, 0.58%

LAB 65.92, -25.89, 20.21

 

CMYK 28 / 13 / 0 / 33

HEX #7B95AC

RGB 123 149 172

HSL 208.16, 0.23%, 0.58%

LAB 60.5, -3.68, -15.04

 

CMYK 1 / 28 / 0 / 33

HEX #AA7BAC

RGB 170 123 172

HSL 297.55, 0.23%, 0.58%

LAB 57.74, 26.72, -18.85

 

Description

Color code: HEX #AD937C | qconv.com Color code: HEX #AD937C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 147 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 147 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 28 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 28% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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