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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADA562 it is the complementary color #525A9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADA562. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADA562 shade: #B2A55D, #C3B770, #D4C983, #E5DB96 and #F6EDA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADA562. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADA562 shade: #ADA562, #9C934F, #8B813C, #7A6F29 and #695D16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADA562 shade: #ACA461, #AC9061, #AC7C61, #AC6861 and #AC6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADA562 shade: #ACA461, #A0AC61, #8CAC61, #78AC61 and #64AC61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADA562 shade matches the following richer shades: #ACA461, #BFB34E, #D3C23B, #E6D227 and #F9E114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADA562 shade: #ACA461, #989575, #858588, #72769C and #5E67AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADA562 shade: #AC7C61, #AC8F61, #ACA361, #A1AC61 and #8DAC61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADA562 shade: #7A7440, #968E4F, #ACA461, #BAB37D and #C8C398

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADA562 shade: #ADA562, #61AC68 and #8561AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADA562 shade: #ADA562, #61ACA3 and #A361AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADA562 shade: #ADA562, #61AC68, #616AAC and #AC61A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADA562 shade: #ADA562, #61AC7E, #616AAC and #AC618F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 43 / 32

HEX #ADA562

RGB 173 165 98

HSL 53.6, 0.31%, 0.53%

LAB 67.03, -6.86, 35.68

 

Complementary color

CMYK 48 / 43 / 0 / 38

HEX #525A9D

RGB 82 90 157

HSL 233.6, 0.31%, 0.47%

LAB 40.48, 15.64, -37.55

 

CMYK 0 / 7 / 48 / 30

HEX #B2A55D

RGB 178 165 93

HSL 50.82, 0.36%, 0.53%

LAB 67.4, -5.28, 38.81

 

CMYK 0 / 6 / 43 / 24

HEX #C3B770

RGB 195 183 112

HSL 51.33, 0.41%, 0.6%

LAB 73.96, -5.82, 37.57

 

CMYK 0 / 5 / 38 / 17

HEX #D4C983

RGB 212 201 131

HSL 51.85, 0.49%, 0.67%

LAB 80.41, -6.26, 36.36

 

CMYK 0 / 4 / 34 / 10

HEX #E5DB96

RGB 229 219 150

HSL 52.41, 0.6%, 0.74%

LAB 86.76, -6.65, 35.21

 

CMYK 0 / 4 / 31 / 4

HEX #F6EDA9

RGB 246 237 169

HSL 52.99, 0.81%, 0.81%

LAB 93.03, -6.97, 34.1

 

CMYK 0 / 5 / 43 / 32

HEX #ADA562

RGB 173 165 98

HSL 53.6, 0.31%, 0.53%

LAB 67.03, -6.86, 35.68

 

CMYK 0 / 6 / 49 / 39

HEX #9C934F

RGB 156 147 79

HSL 52.99, 0.33%, 0.46%

LAB 60.34, -6.33, 36.94

 

CMYK 0 / 7 / 57 / 45

HEX #8B813C

RGB 139 129 60

HSL 52.41, 0.4%, 0.39%

LAB 53.51, -5.66, 38.19

 

CMYK 0 / 9 / 66 / 52

HEX #7A6F29

RGB 122 111 41

HSL 51.85, 0.5%, 0.32%

LAB 46.53, -4.79, 39.3

 

CMYK 0 / 11 / 79 / 59

HEX #695D16

RGB 105 93 22

HSL 51.33, 0.65%, 0.25%

LAB 39.39, -3.64, 39.9

 

CMYK 0 / 5 / 44 / 33

HEX #ACA461

RGB 172 164 97

HSL 53.6, 0.31%, 0.53%

LAB 66.66, -6.85, 35.71

 

CMYK 0 / 16 / 44 / 33

HEX #AC9061

RGB 172 144 97

HSL 37.6, 0.31%, 0.53%

LAB 61.29, 4.02, 28.87

 

CMYK 0 / 28 / 44 / 33

HEX #AC7C61

RGB 172 124 97

HSL 21.6, 0.31%, 0.53%

LAB 56.14, 15.21, 22.1

 

CMYK 0 / 40 / 44 / 33

HEX #AC6861

RGB 172 104 97

HSL 5.6, 0.31%, 0.53%

LAB 51.31, 26.45, 15.56

 

CMYK 0 / 44 / 44 / 33

HEX #AC6161

RGB 172 97 97

HSL 0, 0.31%, 0.53%

LAB 49.72, 30.31, 13.37

 

CMYK 0 / 5 / 44 / 33

HEX #ACA461

RGB 172 164 97

HSL 53.6, 0.31%, 0.53%

LAB 66.66, -6.85, 35.71

 

CMYK 7 / 0 / 44 / 33

HEX #A0AC61

RGB 160 172 97

HSL 69.6, 0.31%, 0.53%

LAB 67.9, -15.98, 37.06

 

CMYK 19 / 0 / 44 / 33

HEX #8CAC61

RGB 140 172 97

HSL 85.6, 0.31%, 0.53%

LAB 66.48, -23.9, 34.96

 

CMYK 30 / 0 / 44 / 33

HEX #78AC61

RGB 120 172 97

HSL 101.6, 0.31%, 0.53%

LAB 65.25, -31.33, 33.15

 

CMYK 42 / 0 / 44 / 33

HEX #64AC61

RGB 100 172 97

HSL 117.6, 0.31%, 0.53%

LAB 64.22, -38.03, 31.63

 

CMYK 0 / 5 / 44 / 33

HEX #ACA461

RGB 172 164 97

HSL 53.6, 0.31%, 0.53%

LAB 66.66, -6.85, 35.71

 

CMYK 0 / 6 / 59 / 25

HEX #BFB34E

RGB 191 179 78

HSL 53.63, 0.47%, 0.53%

LAB 72.14, -8.43, 51.94

 

CMYK 0 / 8 / 72 / 17

HEX #D3C23B

RGB 211 194 59

HSL 53.29, 0.63%, 0.53%

LAB 77.73, -8.76, 66.12

 

CMYK 0 / 9 / 83 / 10

HEX #E6D227

RGB 230 210 39

HSL 53.72, 0.79%, 0.53%

LAB 83.48, -9.49, 77.97

 

CMYK 0 / 10 / 92 / 2

HEX #F9E114

RGB 249 225 20

HSL 53.71, 0.95%, 0.53%

LAB 88.94, -9.31, 86.48

 

CMYK 0 / 5 / 44 / 33

HEX #ACA461

RGB 172 164 97

HSL 53.6, 0.31%, 0.53%

LAB 66.66, -6.85, 35.71

 

CMYK 0 / 2 / 23 / 40

HEX #989575

RGB 152 149 117

HSL 54.86, 0.15%, 0.53%

LAB 61.18, -4.37, 17.34

 

CMYK 2 / 2 / 0 / 47

HEX #858588

RGB 133 133 136

HSL 240, 0.01%, 0.53%

LAB 55.62, 0.6, -1.62

 

CMYK 27 / 24 / 0 / 39

HEX #72769C

RGB 114 118 156

HSL 234.29, 0.18%, 0.53%

LAB 50.61, 7.37, -20.95

 

CMYK 46 / 41 / 0 / 31

HEX #5E67AF

RGB 94 103 175

HSL 233.33, 0.34%, 0.53%

LAB 45.87, 16.14, -39.58

 

CMYK 0 / 28 / 44 / 33

HEX #AC7C61

RGB 172 124 97

HSL 21.6, 0.31%, 0.53%

LAB 56.14, 15.21, 22.1

 

CMYK 0 / 17 / 44 / 33

HEX #AC8F61

RGB 172 143 97

HSL 36.8, 0.31%, 0.53%

LAB 61.03, 4.57, 28.53

 

CMYK 0 / 5 / 44 / 33

HEX #ACA361

RGB 172 163 97

HSL 52.8, 0.31%, 0.53%

LAB 66.39, -6.32, 35.37

 

CMYK 6 / 0 / 44 / 33

HEX #A1AC61

RGB 161 172 97

HSL 68.8, 0.31%, 0.53%

LAB 67.98, -15.57, 37.17

 

CMYK 18 / 0 / 44 / 33

HEX #8DAC61

RGB 141 172 97

HSL 84.8, 0.31%, 0.53%

LAB 66.54, -23.52, 35.06

 

CMYK 0 / 5 / 48 / 52

HEX #7A7440

RGB 122 116 64

HSL 53.79, 0.31%, 0.36%

LAB 48.26, -5.6, 29.43

 

CMYK 0 / 5 / 47 / 41

HEX #968E4F

RGB 150 142 79

HSL 53.24, 0.31%, 0.45%

LAB 58.41, -6.19, 34.46

 

CMYK 0 / 5 / 44 / 33

HEX #ACA461

RGB 172 164 97

HSL 53.6, 0.31%, 0.53%

LAB 66.66, -6.85, 35.71

 

CMYK 0 / 4 / 33 / 27

HEX #BAB37D

RGB 186 179 125

HSL 53.11, 0.31%, 0.61%

LAB 72.34, -5.84, 28.52

 

CMYK 0 / 3 / 24 / 22

HEX #C8C398

RGB 200 195 152

HSL 53.75, 0.3%, 0.69%

LAB 78.21, -5.17, 22.29

 

CMYK 0 / 5 / 43 / 32

HEX #ADA562

RGB 173 165 98

HSL 53.6, 0.31%, 0.53%

LAB 67.03, -6.86, 35.68

 

CMYK 44 / 0 / 40 / 33

HEX #61AC68

RGB 97 172 104

HSL 125.6, 0.31%, 0.53%

LAB 64.2, -37.85, 27.89

 

CMYK 23 / 44 / 0 / 33

HEX #8561AC

RGB 133 97 172

HSL 268.8, 0.31%, 0.53%

LAB 47.64, 29.83, -34.8

 

CMYK 0 / 5 / 43 / 32

HEX #ADA562

RGB 173 165 98

HSL 53.6, 0.31%, 0.53%

LAB 67.03, -6.86, 35.68

 

CMYK 44 / 0 / 5 / 33

HEX #61ACA3

RGB 97 172 163

HSL 172.8, 0.31%, 0.53%

LAB 65.51, -25.53, -2.66

 

CMYK 5 / 44 / 0 / 33

HEX #A361AC

RGB 163 97 172

HSL 292.8, 0.31%, 0.53%

LAB 51.05, 38.95, -29.22

 

CMYK 0 / 5 / 43 / 32

HEX #ADA562

RGB 173 165 98

HSL 53.6, 0.31%, 0.53%

LAB 67.03, -6.86, 35.68

 

CMYK 44 / 0 / 40 / 33

HEX #61AC68

RGB 97 172 104

HSL 125.6, 0.31%, 0.53%

LAB 64.2, -37.85, 27.89

 

CMYK 44 / 38 / 0 / 33

HEX #616AAC

RGB 97 106 172

HSL 232.8, 0.31%, 0.53%

LAB 46.75, 14.15, -36.43

 

CMYK 0 / 44 / 3 / 33

HEX #AC61A6

RGB 172 97 166

HSL 304.8, 0.31%, 0.53%

LAB 51.92, 40.61, -24.28

 

CMYK 0 / 5 / 43 / 32

HEX #ADA562

RGB 173 165 98

HSL 53.6, 0.31%, 0.53%

LAB 67.03, -6.86, 35.68

 

CMYK 44 / 0 / 27 / 33

HEX #61AC7E

RGB 97 172 126

HSL 143.2, 0.31%, 0.53%

LAB 64.61, -33.85, 16.54

 

CMYK 44 / 38 / 0 / 33

HEX #616AAC

RGB 97 106 172

HSL 232.8, 0.31%, 0.53%

LAB 46.75, 14.15, -36.43

 

CMYK 0 / 44 / 17 / 33

HEX #AC618F

RGB 172 97 143

HSL 323.2, 0.31%, 0.53%

LAB 51.04, 36.63, -12.09

 

Description

Color code: HEX #ADA562 | qconv.com Color code: HEX #ADA562 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 165 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 165 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 43 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 43% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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