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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADA8C6 it is the complementary color #525739. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADA8C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADA8C6 shade: #B2A8C1, #C3BAD4, #D4CCE7, #E5DEFA and #F6F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADA8C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADA8C6 shade: #ADA8C6, #9C96B3, #8B84A0, #7A728D and #69607A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADA8C6 shade: #ADA8C6, #B5A8C6, #BDA8C6, #C5A8C6 and #C6A8BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADA8C6 shade: #ADA8C6 and #A8A8C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADA8C6 shade matches the following richer shades: #ADA8C6, #A59DD2, #9E91DD, #9685E9 and #8E7AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADA8C6 shade: #ADA8C6, #B5B4BB, #BDBFAF, #C4CBA3 and #CCD698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADA8C6 shade: #A8B3C6, #A8ABC6, #ADA8C6, #B5A8C6 and #BDA8C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADA8C6 shade: #7E76A5, #968FB6, #ADA8C6, #C5C1D6 and #DCDAE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADA8C6 shade: #ADA8C6, #C6A8BB and #AFC6A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADA8C6 shade: #ADA8C6, #C6ADA8 and #A8C6AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADA8C6 shade: #ADA8C6, #C6A8BB, #C1C6A8 and #A8C6B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADA8C6 shade: #ADA8C6, #C6A8B2, #C1C6A8 and #A8C6BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 15 / 0 / 22

HEX #ADA8C6

RGB 173 168 198

HSL 250, 0.21%, 0.72%

LAB 70.15, 7.76, -14.65

 

Complementary color

CMYK 6 / 0 / 34 / 66

HEX #525739

RGB 82 87 57

HSL 70, 0.21%, 0.28%

LAB 35.8, -7.63, 16.81

 

CMYK 8 / 13 / 0 / 24

HEX #B2A8C1

RGB 178 168 193

HSL 264, 0.17%, 0.71%

LAB 70.4, 8.39, -11.48

 

CMYK 8 / 12 / 0 / 17

HEX #C3BAD4

RGB 195 186 212

HSL 260.77, 0.23%, 0.78%

LAB 76.96, 8.09, -11.91

 

CMYK 8 / 12 / 0 / 9

HEX #D4CCE7

RGB 212 204 231

HSL 257.78, 0.36%, 0.85%

LAB 83.42, 7.82, -12.33

 

CMYK 8 / 11 / 0 / 2

HEX #E5DEFA

RGB 229 222 250

HSL 255, 0.74%, 0.93%

LAB 89.77, 7.55, -12.75

 

CMYK 4 / 6 / 0 / 0

HEX #F6F0FF

RGB 246 240 255

HSL 264, 1%, 0.97%

LAB 95.64, 4.68, -6.5

 

CMYK 13 / 15 / 0 / 22

HEX #ADA8C6

RGB 173 168 198

HSL 250, 0.21%, 0.72%

LAB 70.15, 7.76, -14.65

 

CMYK 13 / 16 / 0 / 30

HEX #9C96B3

RGB 156 150 179

HSL 252.41, 0.16%, 0.65%

LAB 63.45, 8.07, -14.29

 

CMYK 13 / 18 / 0 / 37

HEX #8B84A0

RGB 139 132 160

HSL 255, 0.13%, 0.57%

LAB 56.61, 8.41, -13.94

 

CMYK 13 / 19 / 0 / 45

HEX #7A728D

RGB 122 114 141

HSL 257.78, 0.11%, 0.5%

LAB 49.61, 8.78, -13.6

 

CMYK 14 / 21 / 0 / 52

HEX #69607A

RGB 105 96 122

HSL 260.77, 0.12%, 0.43%

LAB 42.42, 9.2, -13.28

 

CMYK 13 / 15 / 0 / 22

HEX #ADA8C6

RGB 173 168 198

HSL 250, 0.21%, 0.72%

LAB 70.15, 7.76, -14.65

 

CMYK 9 / 15 / 0 / 22

HEX #B5A8C6

RGB 181 168 198

HSL 266, 0.21%, 0.72%

LAB 70.81, 10.42, -13.6

 

CMYK 5 / 15 / 0 / 22

HEX #BDA8C6

RGB 189 168 198

HSL 282, 0.21%, 0.72%

LAB 71.49, 13.12, -12.51

 

CMYK 1 / 15 / 0 / 22

HEX #C5A8C6

RGB 197 168 198

HSL 298, 0.21%, 0.72%

LAB 72.2, 15.85, -11.38

 

CMYK 0 / 15 / 4 / 22

HEX #C6A8BF

RGB 198 168 191

HSL 314, 0.21%, 0.72%

LAB 72.08, 14.89, -7.69

 

CMYK 13 / 15 / 0 / 22

HEX #ADA8C6

RGB 173 168 198

HSL 250, 0.21%, 0.72%

LAB 70.15, 7.76, -14.65

 

CMYK 15 / 15 / 0 / 22

HEX #A8A8C6

RGB 168 168 198

HSL 240, 0.21%, 0.72%

LAB 69.76, 6.12, -15.28

 

CMYK 13 / 15 / 0 / 22

HEX #ADA8C6

RGB 173 168 198

HSL 250, 0.21%, 0.72%

LAB 70.15, 7.76, -14.65

 

CMYK 21 / 25 / 0 / 18

HEX #A59DD2

RGB 165 157 210

HSL 249.06, 0.37%, 0.72%

LAB 67.1, 14.01, -25.99

 

CMYK 29 / 34 / 0 / 13

HEX #9E91DD

RGB 158 145 221

HSL 250.26, 0.53%, 0.72%

LAB 63.95, 21.38, -37.01

 

CMYK 36 / 43 / 0 / 9

HEX #9685E9

RGB 150 133 233

HSL 250.2, 0.69%, 0.72%

LAB 60.91, 29.17, -48.5

 

CMYK 42 / 50 / 0 / 4

HEX #8E7AF4

RGB 142 122 244

HSL 249.84, 0.85%, 0.72%

LAB 58.23, 36.53, -58.9

 

CMYK 13 / 15 / 0 / 22

HEX #ADA8C6

RGB 173 168 198

HSL 250, 0.21%, 0.72%

LAB 70.15, 7.76, -14.65

 

CMYK 3 / 4 / 0 / 27

HEX #B5B4BB

RGB 181 180 187

HSL 248.57, 0.05%, 0.72%

LAB 73.58, 1.68, -3.43

 

CMYK 1 / 0 / 8 / 25

HEX #BDBFAF

RGB 189 191 175

HSL 67.5, 0.11%, 0.72%

LAB 76.79, -3.56, 7.82

 

CMYK 3 / 0 / 20 / 20

HEX #C4CBA3

RGB 196 203 163

HSL 70.5, 0.28%, 0.72%

LAB 80.23, -9.2, 19.19

 

CMYK 5 / 0 / 29 / 16

HEX #CCD698

RGB 204 214 152

HSL 69.68, 0.43%, 0.72%

LAB 83.55, -13.39, 29.56

 

CMYK 15 / 10 / 0 / 22

HEX #A8B3C6

RGB 168 179 198

HSL 218, 0.21%, 0.72%

LAB 72.66, 0.09, -10.94

 

CMYK 15 / 14 / 0 / 22

HEX #A8ABC6

RGB 168 171 198

HSL 234, 0.21%, 0.72%

LAB 70.54, 4.46, -14.1

 

CMYK 13 / 15 / 0 / 22

HEX #ADA8C6

RGB 173 168 198

HSL 250, 0.21%, 0.72%

LAB 70.15, 7.76, -14.65

 

CMYK 9 / 15 / 0 / 22

HEX #B5A8C6

RGB 181 168 198

HSL 266, 0.21%, 0.72%

LAB 70.81, 10.42, -13.6

 

CMYK 5 / 15 / 0 / 22

HEX #BDA8C6

RGB 189 168 198

HSL 282, 0.21%, 0.72%

LAB 71.49, 13.12, -12.51

 

CMYK 24 / 28 / 0 / 35

HEX #7E76A5

RGB 126 118 165

HSL 250.21, 0.21%, 0.55%

LAB 51.96, 13.48, -24.04

 

CMYK 18 / 21 / 0 / 29

HEX #968FB6

RGB 150 143 182

HSL 250.77, 0.21%, 0.64%

LAB 61.23, 10.72, -19.41

 

CMYK 13 / 15 / 0 / 22

HEX #ADA8C6

RGB 173 168 198

HSL 250, 0.21%, 0.72%

LAB 70.15, 7.76, -14.65

 

CMYK 8 / 10 / 0 / 16

HEX #C5C1D6

RGB 197 193 214

HSL 251.43, 0.2%, 0.8%

LAB 78.96, 5.39, -9.99

 

CMYK 5 / 6 / 0 / 9

HEX #DCDAE7

RGB 220 218 231

HSL 249.23, 0.21%, 0.88%

LAB 87.55, 3.07, -6.12

 

CMYK 13 / 15 / 0 / 22

HEX #ADA8C6

RGB 173 168 198

HSL 250, 0.21%, 0.72%

LAB 70.15, 7.76, -14.65

 

CMYK 0 / 15 / 6 / 22

HEX #C6A8BB

RGB 198 168 187

HSL 322, 0.21%, 0.72%

LAB 71.96, 14.17, -5.66

 

CMYK 12 / 0 / 15 / 22

HEX #AFC6A8

RGB 175 198 168

HSL 106, 0.21%, 0.72%

LAB 77.48, -13.39, 12.44

 

CMYK 13 / 15 / 0 / 22

HEX #ADA8C6

RGB 173 168 198

HSL 250, 0.21%, 0.72%

LAB 70.15, 7.76, -14.65

 

CMYK 0 / 13 / 15 / 22

HEX #C6ADA8

RGB 198 173 168

HSL 10, 0.21%, 0.72%

LAB 72.71, 8.2, 5.88

 

CMYK 15 / 0 / 13 / 22

HEX #A8C6AD

RGB 168 198 173

HSL 130, 0.21%, 0.72%

LAB 77.12, -14.92, 9.18

 

CMYK 13 / 15 / 0 / 22

HEX #ADA8C6

RGB 173 168 198

HSL 250, 0.21%, 0.72%

LAB 70.15, 7.76, -14.65

 

CMYK 0 / 15 / 6 / 22

HEX #C6A8BB

RGB 198 168 187

HSL 322, 0.21%, 0.72%

LAB 71.96, 14.17, -5.66

 

CMYK 3 / 0 / 15 / 22

HEX #C1C6A8

RGB 193 198 168

HSL 70, 0.21%, 0.72%

LAB 78.78, -6.94, 14.47

 

CMYK 15 / 0 / 10 / 22

HEX #A8C6B3

RGB 168 198 179

HSL 142, 0.21%, 0.72%

LAB 77.26, -13.8, 6.15

 

CMYK 13 / 15 / 0 / 22

HEX #ADA8C6

RGB 173 168 198

HSL 250, 0.21%, 0.72%

LAB 70.15, 7.76, -14.65

 

CMYK 0 / 15 / 10 / 22

HEX #C6A8B2

RGB 198 168 178

HSL 340, 0.21%, 0.72%

LAB 71.71, 12.59, -1.07

 

CMYK 3 / 0 / 15 / 22

HEX #C1C6A8

RGB 193 198 168

HSL 70, 0.21%, 0.72%

LAB 78.78, -6.94, 14.47

 

CMYK 15 / 0 / 5 / 22

HEX #A8C6BC

RGB 168 198 188

HSL 160, 0.21%, 0.72%

LAB 77.49, -12.05, 1.63

 

Description

Color code: HEX #ADA8C6 | qconv.com Color code: HEX #ADA8C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 168 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 168 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 15 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 15% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

46% - Video Production Cre...
Link: http://crewscontrol.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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