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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADA37F it is the complementary color #525C80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADA37F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADA37F shade: #B2A37A, #C3B58D, #D4C7A0, #E5D9B3 and #F6EBC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADA37F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADA37F shade: #ADA37F, #9C916C, #8B7F59, #7A6D46 and #695B33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADA37F shade: #ADA37F, #AD977F, #AD8A7F and #AD7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADA37F shade: #ADA37F, #ABAD7F, #9EAD7F, #92AD7F and #85AD7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADA37F shade matches the following richer shades: #ADA37F, #BEAD6E, #CFB65D, #E0C04C and #F1C93B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADA37F shade: #ADA37F, #9C9990, #8B90A1, #7A86B2 and #697DC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADA37F shade: #AD8A7F, #AD967F, #ADA27F, #ABAD7F and #9FAD7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADA37F shade: #857A55, #9D9166, #ADA37F, #BDB598 and #CDC7B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADA37F shade: #ADA37F, #80AD7F and #907FAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADA37F shade: #ADA37F, #7FADA2 and #A27FAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADA37F shade: #ADA37F, #80AD7F, #7F8AAD and #AB7FAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADA37F shade: #ADA37F, #7FAD8B, #7F8AAD and #AD7FA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 27 / 32

HEX #ADA37F

RGB 173 163 127

HSL 46.96, 0.22%, 0.59%

LAB 66.98, -2.19, 20.05

 

Complementary color

CMYK 36 / 28 / 0 / 50

HEX #525C80

RGB 82 92 128

HSL 226.96, 0.22%, 0.41%

LAB 39.59, 5.53, -21.43

 

CMYK 0 / 8 / 31 / 30

HEX #B2A37A

RGB 178 163 122

HSL 43.93, 0.27%, 0.59%

LAB 67.33, -0.88, 23.32

 

CMYK 0 / 7 / 28 / 24

HEX #C3B58D

RGB 195 181 141

HSL 44.44, 0.31%, 0.66%

LAB 73.92, -1.26, 22.22

 

CMYK 0 / 6 / 25 / 17

HEX #D4C7A0

RGB 212 199 160

HSL 45, 0.38%, 0.73%

LAB 80.39, -1.58, 21.2

 

CMYK 0 / 5 / 22 / 10

HEX #E5D9B3

RGB 229 217 179

HSL 45.6, 0.49%, 0.8%

LAB 86.77, -1.87, 20.23

 

CMYK 0 / 4 / 20 / 4

HEX #F6EBC6

RGB 246 235 198

HSL 46.25, 0.73%, 0.87%

LAB 93.05, -2.12, 19.31

 

CMYK 0 / 6 / 27 / 32

HEX #ADA37F

RGB 173 163 127

HSL 46.96, 0.22%, 0.59%

LAB 66.98, -2.19, 20.05

 

CMYK 0 / 7 / 31 / 39

HEX #9C916C

RGB 156 145 108

HSL 46.25, 0.2%, 0.52%

LAB 60.25, -1.85, 21.15

 

CMYK 0 / 9 / 36 / 45

HEX #8B7F59

RGB 139 127 89

HSL 45.6, 0.22%, 0.45%

LAB 53.37, -1.43, 22.34

 

CMYK 0 / 11 / 43 / 52

HEX #7A6D46

RGB 122 109 70

HSL 45, 0.27%, 0.38%

LAB 46.33, -0.9, 23.64

 

CMYK 0 / 13 / 51 / 59

HEX #695B33

RGB 105 91 51

HSL 44.44, 0.35%, 0.31%

LAB 39.11, -0.23, 25.03

 

CMYK 0 / 6 / 27 / 32

HEX #ADA37F

RGB 173 163 127

HSL 46.96, 0.22%, 0.59%

LAB 66.98, -2.19, 20.05

 

CMYK 0 / 13 / 27 / 32

HEX #AD977F

RGB 173 151 127

HSL 31.3, 0.22%, 0.59%

LAB 63.79, 4.37, 15.65

 

CMYK 0 / 20 / 27 / 32

HEX #AD8A7F

RGB 173 138 127

HSL 14.35, 0.22%, 0.59%

LAB 60.42, 11.61, 10.93

 

CMYK 0 / 27 / 27 / 32

HEX #AD7F7F

RGB 173 127 127

HSL 0, 0.22%, 0.59%

LAB 57.65, 17.8, 7

 

CMYK 0 / 6 / 27 / 32

HEX #ADA37F

RGB 173 163 127

HSL 46.96, 0.22%, 0.59%

LAB 66.98, -2.19, 20.05

 

CMYK 1 / 0 / 27 / 32

HEX #ABAD7F

RGB 171 173 127

HSL 62.61, 0.22%, 0.59%

LAB 69.52, -8.33, 23.47

 

CMYK 9 / 0 / 27 / 32

HEX #9EAD7F

RGB 158 173 127

HSL 79.57, 0.22%, 0.59%

LAB 68.53, -13.36, 21.95

 

CMYK 16 / 0 / 27 / 32

HEX #92AD7F

RGB 146 173 127

HSL 95.22, 0.22%, 0.59%

LAB 67.67, -17.87, 20.65

 

CMYK 23 / 0 / 27 / 32

HEX #85AD7F

RGB 133 173 127

HSL 112.17, 0.22%, 0.59%

LAB 66.83, -22.57, 19.36

 

CMYK 0 / 6 / 27 / 32

HEX #ADA37F

RGB 173 163 127

HSL 46.96, 0.22%, 0.59%

LAB 66.98, -2.19, 20.05

 

CMYK 0 / 9 / 42 / 25

HEX #BEAD6E

RGB 190 173 110

HSL 47.25, 0.38%, 0.59%

LAB 70.84, -2.8, 34.55

 

CMYK 0 / 12 / 55 / 19

HEX #CFB65D

RGB 207 182 93

HSL 46.84, 0.54%, 0.59%

LAB 74.52, -2.09, 47.98

 

CMYK 0 / 14 / 66 / 12

HEX #E0C04C

RGB 224 192 76

HSL 47.03, 0.7%, 0.59%

LAB 78.5, -1.31, 60.59

 

CMYK 0 / 17 / 76 / 5

HEX #F1C93B

RGB 241 201 59

HSL 46.81, 0.87%, 0.59%

LAB 82.27, 0.42, 71.41

 

CMYK 0 / 6 / 27 / 32

HEX #ADA37F

RGB 173 163 127

HSL 46.96, 0.22%, 0.59%

LAB 66.98, -2.19, 20.05

 

CMYK 0 / 2 / 8 / 39

HEX #9C9990

RGB 156 153 144

HSL 45, 0.06%, 0.59%

LAB 63.23, -0.57, 5.11

 

CMYK 14 / 11 / 0 / 37

HEX #8B90A1

RGB 139 144 161

HSL 226.36, 0.1%, 0.59%

LAB 59.9, 1.76, -9.58

 

CMYK 31 / 25 / 0 / 30

HEX #7A86B2

RGB 122 134 178

HSL 227.14, 0.27%, 0.59%

LAB 56.49, 6.14, -24.58

 

CMYK 46 / 36 / 0 / 24

HEX #697DC3

RGB 105 125 195

HSL 226.67, 0.43%, 0.59%

LAB 53.61, 11.57, -38.86

 

CMYK 0 / 20 / 27 / 32

HEX #AD8A7F

RGB 173 138 127

HSL 14.35, 0.22%, 0.59%

LAB 60.42, 11.61, 10.93

 

CMYK 0 / 13 / 27 / 32

HEX #AD967F

RGB 173 150 127

HSL 30, 0.22%, 0.59%

LAB 63.53, 4.92, 15.29

 

CMYK 0 / 6 / 27 / 32

HEX #ADA27F

RGB 173 162 127

HSL 45.65, 0.22%, 0.59%

LAB 66.72, -1.65, 19.68

 

CMYK 1 / 0 / 27 / 32

HEX #ABAD7F

RGB 171 173 127

HSL 62.61, 0.22%, 0.59%

LAB 69.52, -8.33, 23.47

 

CMYK 8 / 0 / 27 / 32

HEX #9FAD7F

RGB 159 173 127

HSL 78.26, 0.22%, 0.59%

LAB 68.6, -12.97, 22.06

 

CMYK 0 / 8 / 36 / 48

HEX #857A55

RGB 133 122 85

HSL 46.25, 0.22%, 0.43%

LAB 51.34, -1.68, 21.82

 

CMYK 0 / 8 / 35 / 38

HEX #9D9166

RGB 157 145 102

HSL 46.91, 0.22%, 0.51%

LAB 60.23, -2.23, 24.47

 

CMYK 0 / 6 / 27 / 32

HEX #ADA37F

RGB 173 163 127

HSL 46.96, 0.22%, 0.59%

LAB 66.98, -2.19, 20.05

 

CMYK 0 / 4 / 20 / 26

HEX #BDB598

RGB 189 181 152

HSL 47.03, 0.22%, 0.67%

LAB 73.63, -1.98, 15.81

 

CMYK 0 / 3 / 14 / 20

HEX #CDC7B1

RGB 205 199 177

HSL 47.14, 0.22%, 0.75%

LAB 80.18, -1.64, 11.76

 

CMYK 0 / 6 / 27 / 32

HEX #ADA37F

RGB 173 163 127

HSL 46.96, 0.22%, 0.59%

LAB 66.98, -2.19, 20.05

 

CMYK 26 / 0 / 27 / 32

HEX #80AD7F

RGB 128 173 127

HSL 118.7, 0.22%, 0.59%

LAB 66.53, -24.31, 18.89

 

CMYK 17 / 27 / 0 / 32

HEX #907FAD

RGB 144 127 173

HSL 262.17, 0.22%, 0.59%

LAB 56.21, 15.93, -21.99

 

CMYK 0 / 6 / 27 / 32

HEX #ADA37F

RGB 173 163 127

HSL 46.96, 0.22%, 0.59%

LAB 66.98, -2.19, 20.05

 

CMYK 27 / 0 / 6 / 32

HEX #7FADA2

RGB 127 173 162

HSL 165.65, 0.22%, 0.59%

LAB 67.28, -17.72, 0.67

 

CMYK 6 / 27 / 0 / 32

HEX #A27FAD

RGB 162 127 173

HSL 285.65, 0.22%, 0.59%

LAB 57.92, 21.93, -19.23

 

CMYK 0 / 6 / 27 / 32

HEX #ADA37F

RGB 173 163 127

HSL 46.96, 0.22%, 0.59%

LAB 66.98, -2.19, 20.05

 

CMYK 26 / 0 / 27 / 32

HEX #80AD7F

RGB 128 173 127

HSL 118.7, 0.22%, 0.59%

LAB 66.53, -24.31, 18.89

 

CMYK 27 / 20 / 0 / 32

HEX #7F8AAD

RGB 127 138 173

HSL 225.65, 0.22%, 0.59%

LAB 57.76, 4.07, -19.75

 

CMYK 1 / 27 / 0 / 32

HEX #AB7FAD

RGB 171 127 173

HSL 297.39, 0.22%, 0.59%

LAB 58.84, 24.99, -17.74

 

CMYK 0 / 6 / 27 / 32

HEX #ADA37F

RGB 173 163 127

HSL 46.96, 0.22%, 0.59%

LAB 66.98, -2.19, 20.05

 

CMYK 27 / 0 / 20 / 32

HEX #7FAD8B

RGB 127 173 139

HSL 135.65, 0.22%, 0.59%

LAB 66.72, -22.46, 12.58

 

CMYK 27 / 20 / 0 / 32

HEX #7F8AAD

RGB 127 138 173

HSL 225.65, 0.22%, 0.59%

LAB 57.76, 4.07, -19.75

 

CMYK 0 / 27 / 7 / 32

HEX #AD7FA1

RGB 173 127 161

HSL 315.65, 0.22%, 0.59%

LAB 58.64, 23.41, -11.15

 

Description

Color code: HEX #ADA37F | qconv.com Color code: HEX #ADA37F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 163 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 163 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 27 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 27% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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