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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADA3AD it is the complementary color #525C52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADA3AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADA3AD shade: #B2A3A8, #C3B5BB, #D4C7CE, #E5D9E1 and #F6EBF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADA3AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADA3AD shade: #ADA3AD, #9C919A, #8B7F87, #7A6D74 and #695B61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADA3AD shade: #ADA3AD, #ADA3AA, #ADA3A7, #ADA3A5 and #ADA3A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADA3AD shade: #ADA3AD, #AAA3AD, #A7A3AD, #A5A3AD and #A3A3AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADA3AD shade matches the following richer shades: #ADA3AD, #BB95BB, #C987C9, #D779D7 and #E56AE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADA3AD shade: #ADA3AD, #9FB19F, #91BF91, #83CD83 and #75DB75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADA3AD shade: #A7A3AD, #AAA3AD, #ADA3AD, #ADA3AA and #ADA3A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADA3AD shade: #867786, #9A8D9A, #ADA3AD, #C0B8C0 and #D4CED4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADA3AD shade: #ADA3AD, #ADA5A3 and #A3ADA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADA3AD shade: #ADA3AD, #ADADA3 and #A3ADAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADA3AD shade: #ADA3AD, #ADA5A3, #A3ADA3 and #A3ABAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADA3AD shade: #ADA3AD, #ADA8A3, #A3ADA3 and #A3A8AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 0 / 32

HEX #ADA3AD

RGB 173 163 173

HSL 300, 0.06%, 0.66%

LAB 68.09, 5.47, -3.87

 

Complementary color

CMYK 11 / 0 / 11 / 64

HEX #525C52

RGB 82 92 82

HSL 120, 0.06%, 0.34%

LAB 37.95, -6.07, 4.43

 

CMYK 0 / 8 / 6 / 30

HEX #B2A3A8

RGB 178 163 168

HSL 340, 0.09%, 0.67%

LAB 68.38, 6.33, -0.62

 

CMYK 0 / 7 / 4 / 24

HEX #C3B5BB

RGB 195 181 187

HSL 334.29, 0.1%, 0.74%

LAB 74.97, 6.04, -1.26

 

CMYK 0 / 6 / 3 / 17

HEX #D4C7CE

RGB 212 199 206

HSL 327.69, 0.13%, 0.81%

LAB 81.46, 5.76, -1.87

 

CMYK 0 / 5 / 2 / 10

HEX #E5D9E1

RGB 229 217 225

HSL 320, 0.19%, 0.87%

LAB 87.83, 5.51, -2.46

 

CMYK 0 / 4 / 1 / 4

HEX #F6EBF4

RGB 246 235 244

HSL 310.91, 0.38%, 0.94%

LAB 94.12, 5.27, -3.03

 

CMYK 0 / 6 / 0 / 32

HEX #ADA3AD

RGB 173 163 173

HSL 300, 0.06%, 0.66%

LAB 68.09, 5.47, -3.87

 

CMYK 0 / 7 / 1 / 39

HEX #9C919A

RGB 156 145 154

HSL 310.91, 0.05%, 0.59%

LAB 61.35, 5.76, -3.29

 

CMYK 0 / 9 / 3 / 45

HEX #8B7F87

RGB 139 127 135

HSL 320, 0.05%, 0.52%

LAB 54.47, 6.07, -2.68

 

CMYK 0 / 11 / 5 / 52

HEX #7A6D74

RGB 122 109 116

HSL 327.69, 0.06%, 0.45%

LAB 47.41, 6.42, -2.03

 

CMYK 0 / 13 / 8 / 59

HEX #695B61

RGB 105 91 97

HSL 334.29, 0.07%, 0.38%

LAB 40.16, 6.82, -1.35

 

CMYK 0 / 6 / 0 / 32

HEX #ADA3AD

RGB 173 163 173

HSL 300, 0.06%, 0.66%

LAB 68.09, 5.47, -3.87

 

CMYK 0 / 6 / 2 / 32

HEX #ADA3AA

RGB 173 163 170

HSL 318, 0.06%, 0.66%

LAB 68.01, 4.9, -2.33

 

CMYK 0 / 6 / 3 / 32

HEX #ADA3A7

RGB 173 163 167

HSL 336, 0.06%, 0.66%

LAB 67.92, 4.35, -0.78

 

CMYK 0 / 6 / 5 / 32

HEX #ADA3A5

RGB 173 163 165

HSL 348, 0.06%, 0.66%

LAB 67.87, 3.98, 0.25

 

CMYK 0 / 6 / 6 / 32

HEX #ADA3A3

RGB 173 163 163

HSL 0, 0.06%, 0.66%

LAB 67.82, 3.61, 1.29

 

CMYK 0 / 6 / 0 / 32

HEX #ADA3AD

RGB 173 163 173

HSL 300, 0.06%, 0.66%

LAB 68.09, 5.47, -3.87

 

CMYK 2 / 6 / 0 / 32

HEX #AAA3AD

RGB 170 163 173

HSL 282, 0.06%, 0.66%

LAB 67.84, 4.41, -4.27

 

CMYK 3 / 6 / 0 / 32

HEX #A7A3AD

RGB 167 163 173

HSL 264, 0.06%, 0.66%

LAB 67.6, 3.36, -4.66

 

CMYK 5 / 6 / 0 / 32

HEX #A5A3AD

RGB 165 163 173

HSL 252, 0.06%, 0.66%

LAB 67.43, 2.66, -4.91

 

CMYK 6 / 6 / 0 / 32

HEX #A3A3AD

RGB 163 163 173

HSL 240, 0.06%, 0.66%

LAB 67.28, 1.96, -5.17

 

CMYK 0 / 6 / 0 / 32

HEX #ADA3AD

RGB 173 163 173

HSL 300, 0.06%, 0.66%

LAB 68.09, 5.47, -3.87

 

CMYK 0 / 20 / 0 / 27

HEX #BB95BB

RGB 187 149 187

HSL 300, 0.22%, 0.66%

LAB 66.25, 20.83, -14.3

 

CMYK 0 / 33 / 0 / 21

HEX #C987C9

RGB 201 135 201

HSL 300, 0.38%, 0.66%

LAB 64.93, 35.86, -24

 

CMYK 0 / 44 / 0 / 16

HEX #D779D7

RGB 215 121 215

HSL 300, 0.54%, 0.66%

LAB 64.18, 50.13, -32.86

 

CMYK 0 / 54 / 0 / 10

HEX #E56AE5

RGB 229 106 229

HSL 300, 0.7%, 0.66%

LAB 63.85, 63.71, -41.05

 

CMYK 0 / 6 / 0 / 32

HEX #ADA3AD

RGB 173 163 173

HSL 300, 0.06%, 0.66%

LAB 68.09, 5.47, -3.87

 

CMYK 10 / 0 / 10 / 31

HEX #9FB19F

RGB 159 177 159

HSL 120, 0.1%, 0.66%

LAB 70.4, -9.71, 7.09

 

CMYK 24 / 0 / 24 / 25

HEX #91BF91

RGB 145 191 145

HSL 120, 0.26%, 0.66%

LAB 73.11, -24.27, 18.38

 

CMYK 36 / 0 / 36 / 20

HEX #83CD83

RGB 131 205 131

HSL 120, 0.43%, 0.66%

LAB 76.15, -37.82, 29.77

 

CMYK 47 / 0 / 47 / 14

HEX #75DB75

RGB 117 219 117

HSL 120, 0.59%, 0.66%

LAB 79.46, -50.11, 40.99

 

CMYK 3 / 6 / 0 / 32

HEX #A7A3AD

RGB 167 163 173

HSL 264, 0.06%, 0.66%

LAB 67.6, 3.36, -4.66

 

CMYK 2 / 6 / 0 / 32

HEX #AAA3AD

RGB 170 163 173

HSL 282, 0.06%, 0.66%

LAB 67.84, 4.41, -4.27

 

CMYK 0 / 6 / 0 / 32

HEX #ADA3AD

RGB 173 163 173

HSL 300, 0.06%, 0.66%

LAB 68.09, 5.47, -3.87

 

CMYK 0 / 6 / 2 / 32

HEX #ADA3AA

RGB 173 163 170

HSL 318, 0.06%, 0.66%

LAB 68.01, 4.9, -2.33

 

CMYK 0 / 6 / 3 / 32

HEX #ADA3A7

RGB 173 163 167

HSL 336, 0.06%, 0.66%

LAB 67.92, 4.35, -0.78

 

CMYK 0 / 11 / 0 / 47

HEX #867786

RGB 134 119 134

HSL 300, 0.06%, 0.5%

LAB 51.82, 8.66, -6.06

 

CMYK 0 / 8 / 0 / 40

HEX #9A8D9A

RGB 154 141 154

HSL 300, 0.06%, 0.58%

LAB 60.12, 7.29, -5.13

 

CMYK 0 / 6 / 0 / 32

HEX #ADA3AD

RGB 173 163 173

HSL 300, 0.06%, 0.66%

LAB 68.09, 5.47, -3.87

 

CMYK 0 / 4 / 0 / 25

HEX #C0B8C0

RGB 192 184 192

HSL 300, 0.06%, 0.74%

LAB 75.63, 4.28, -3.04

 

CMYK 0 / 3 / 0 / 17

HEX #D4CED4

RGB 212 206 212

HSL 300, 0.07%, 0.82%

LAB 83.39, 3.15, -2.24

 

CMYK 0 / 6 / 0 / 32

HEX #ADA3AD

RGB 173 163 173

HSL 300, 0.06%, 0.66%

LAB 68.09, 5.47, -3.87

 

CMYK 0 / 5 / 6 / 32

HEX #ADA5A3

RGB 173 165 163

HSL 12, 0.06%, 0.66%

LAB 68.34, 2.52, 2.06

 

CMYK 6 / 0 / 2 / 32

HEX #A3ADA9

RGB 163 173 169

HSL 156, 0.06%, 0.66%

LAB 69.85, -4.28, 0.83

 

CMYK 0 / 6 / 0 / 32

HEX #ADA3AD

RGB 173 163 173

HSL 300, 0.06%, 0.66%

LAB 68.09, 5.47, -3.87

 

CMYK 0 / 0 / 6 / 32

HEX #ADADA3

RGB 173 173 163

HSL 60, 0.06%, 0.66%

LAB 70.47, -1.83, 5.13

 

CMYK 6 / 0 / 0 / 32

HEX #A3ADAD

RGB 163 173 173

HSL 180, 0.06%, 0.66%

LAB 69.96, -3.5, -1.22

 

CMYK 0 / 6 / 0 / 32

HEX #ADA3AD

RGB 173 163 173

HSL 300, 0.06%, 0.66%

LAB 68.09, 5.47, -3.87

 

CMYK 0 / 5 / 6 / 32

HEX #ADA5A3

RGB 173 165 163

HSL 12, 0.06%, 0.66%

LAB 68.34, 2.52, 2.06

 

CMYK 6 / 0 / 6 / 32

HEX #A3ADA3

RGB 163 173 163

HSL 120, 0.06%, 0.66%

LAB 69.7, -5.42, 3.92

 

CMYK 6 / 1 / 0 / 32

HEX #A3ABAD

RGB 163 171 173

HSL 192, 0.06%, 0.66%

LAB 69.42, -2.41, -2.01

 

CMYK 0 / 6 / 0 / 32

HEX #ADA3AD

RGB 173 163 173

HSL 300, 0.06%, 0.66%

LAB 68.09, 5.47, -3.87

 

CMYK 0 / 3 / 6 / 32

HEX #ADA8A3

RGB 173 168 163

HSL 30, 0.06%, 0.66%

LAB 69.14, 0.88, 3.21

 

CMYK 6 / 0 / 6 / 32

HEX #A3ADA3

RGB 163 173 163

HSL 120, 0.06%, 0.66%

LAB 69.7, -5.42, 3.92

 

CMYK 6 / 3 / 0 / 32

HEX #A3A8AD

RGB 163 168 173

HSL 210, 0.06%, 0.66%

LAB 68.61, -0.78, -3.2

 

Description

Color code: HEX #ADA3AD | qconv.com Color code: HEX #ADA3AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 163 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 163 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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