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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADAECB it is the complementary color #525134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADAECB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADAECB shade: #B2AEC6, #C3C0D9, #D4D2EC, #E5E4FF and #F6F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADAECB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADAECB shade: #ADAECB, #9C9CB8, #8B8AA5, #7A7892 and #69667F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADAECB shade: #AEAFCB, #B5AECB, #BCAECB, #C4AECB and #CBAEC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADAECB shade: #AEAFCB and #AEAECB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADAECB shade matches the following richer shades: #AEAFCB, #A3A5D6, #989BE0, #8D91EB and #8387F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADAECB shade: #AEAFCB, #B8B9C0, #C3C3B5, #CECDAB and #D9D7A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADAECB shade: #AEBECB, #AEB6CB, #AEAFCB, #B4AECB and #BCAECB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADAECB shade: #7B7DAB, #9496BB, #AEAFCB, #C7C7DB and #E0E0EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADAECB shade: #ADAECB, #CBAEC6 and #BACBAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADAECB shade: #ADAECB, #CBAEAF and #AFCBAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADAECB shade: #ADAECB, #CBAEC6, #CBCAAE and #AECBB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADAECB shade: #ADAECB, #CBAEBD, #CBCAAE and #AECBBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 14 / 0 / 20

HEX #ADAECB

RGB 173 174 203

HSL 238, 0.22%, 0.74%

LAB 71.87, 5.52, -14.81

 

Complementary color

CMYK 0 / 1 / 37 / 68

HEX #525134

RGB 82 81 52

HSL 58, 0.22%, 0.26%

LAB 33.83, -4.78, 17.24

 

CMYK 10 / 12 / 0 / 22

HEX #B2AEC6

RGB 178 174 198

HSL 250, 0.17%, 0.73%

LAB 72.1, 6.12, -11.68

 

CMYK 10 / 12 / 0 / 15

HEX #C3C0D9

RGB 195 192 217

HSL 247.2, 0.25%, 0.8%

LAB 78.64, 5.86, -12.1

 

CMYK 10 / 11 / 0 / 7

HEX #D4D2EC

RGB 212 210 236

HSL 244.62, 0.41%, 0.87%

LAB 85.07, 5.63, -12.52

 

CMYK 10 / 11 / 0 / 0

HEX #E5E4FF

RGB 229 228 255

HSL 242.22, 1%, 0.95%

LAB 91.4, 5.4, -12.93

 

CMYK 4 / 4 / 0 / 0

HEX #F6F6FF

RGB 246 246 255

HSL 240, 1%, 0.98%

LAB 97.12, 1.62, -4.32

 

CMYK 15 / 14 / 0 / 20

HEX #ADAECB

RGB 173 174 203

HSL 238, 0.22%, 0.74%

LAB 71.87, 5.52, -14.81

 

CMYK 15 / 15 / 0 / 28

HEX #9C9CB8

RGB 156 156 184

HSL 240, 0.16%, 0.67%

LAB 65.2, 5.79, -14.46

 

CMYK 16 / 16 / 0 / 35

HEX #8B8AA5

RGB 139 138 165

HSL 242.22, 0.13%, 0.59%

LAB 58.4, 6.07, -14.12

 

CMYK 16 / 18 / 0 / 43

HEX #7A7892

RGB 122 120 146

HSL 244.62, 0.11%, 0.52%

LAB 51.43, 6.39, -13.78

 

CMYK 17 / 20 / 0 / 50

HEX #69667F

RGB 105 102 127

HSL 247.2, 0.11%, 0.45%

LAB 44.29, 6.74, -13.47

 

CMYK 14 / 14 / 0 / 20

HEX #AEAFCB

RGB 174 175 203

HSL 237.93, 0.22%, 0.74%

LAB 72.21, 5.3, -14.3

 

CMYK 11 / 14 / 0 / 20

HEX #B5AECB

RGB 181 174 203

HSL 254.48, 0.22%, 0.74%

LAB 72.5, 8.15, -13.81

 

CMYK 7 / 14 / 0 / 20

HEX #BCAECB

RGB 188 174 203

HSL 268.97, 0.22%, 0.74%

LAB 73.07, 10.48, -12.89

 

CMYK 3 / 14 / 0 / 20

HEX #C4AECB

RGB 196 174 203

HSL 285.52, 0.22%, 0.74%

LAB 73.75, 13.18, -11.8

 

CMYK 0 / 14 / 1 / 20

HEX #CBAEC9

RGB 203 174 201

HSL 304.14, 0.22%, 0.74%

LAB 74.31, 15.19, -9.81

 

CMYK 14 / 14 / 0 / 20

HEX #AEAFCB

RGB 174 175 203

HSL 237.93, 0.22%, 0.74%

LAB 72.21, 5.3, -14.3

 

CMYK 14 / 14 / 0 / 20

HEX #AEAECB

RGB 174 174 203

HSL 240, 0.22%, 0.74%

LAB 71.95, 5.85, -14.69

 

CMYK 14 / 14 / 0 / 20

HEX #AEAFCB

RGB 174 175 203

HSL 237.93, 0.22%, 0.74%

LAB 72.21, 5.3, -14.3

 

CMYK 24 / 23 / 0 / 16

HEX #A3A5D6

RGB 163 165 214

HSL 237.65, 0.38%, 0.74%

LAB 69.15, 9.84, -25.07

 

CMYK 32 / 31 / 0 / 12

HEX #989BE0

RGB 152 155 224

HSL 237.5, 0.54%, 0.74%

LAB 66.14, 14.71, -35.3

 

CMYK 40 / 38 / 0 / 8

HEX #8D91EB

RGB 141 145 235

HSL 237.45, 0.7%, 0.74%

LAB 63.27, 20.44, -45.92

 

CMYK 47 / 45 / 0 / 4

HEX #8387F6

RGB 131 135 246

HSL 237.91, 0.86%, 0.74%

LAB 60.61, 26.99, -56.25

 

CMYK 14 / 14 / 0 / 20

HEX #AEAFCB

RGB 174 175 203

HSL 237.93, 0.22%, 0.74%

LAB 72.21, 5.3, -14.3

 

CMYK 4 / 4 / 0 / 25

HEX #B8B9C0

RGB 184 185 192

HSL 232.5, 0.06%, 0.74%

LAB 75.26, 0.98, -3.66

 

CMYK 0 / 0 / 7 / 24

HEX #C3C3B5

RGB 195 195 181

HSL 60, 0.1%, 0.74%

LAB 78.44, -2.49, 7.03

 

CMYK 0 / 0 / 17 / 19

HEX #CECDAB

RGB 206 205 171

HSL 58.29, 0.26%, 0.74%

LAB 81.69, -5.34, 17.09

 

CMYK 0 / 1 / 26 / 15

HEX #D9D7A0

RGB 217 215 160

HSL 57.89, 0.43%, 0.74%

LAB 84.94, -7.94, 27.47

 

CMYK 14 / 6 / 0 / 20

HEX #AEBECB

RGB 174 190 203

HSL 206.9, 0.22%, 0.74%

LAB 76.15, -2.81, -8.4

 

CMYK 14 / 10 / 0 / 20

HEX #AEB6CB

RGB 174 182 203

HSL 223.45, 0.22%, 0.74%

LAB 74.04, 1.49, -11.55

 

CMYK 14 / 14 / 0 / 20

HEX #AEAFCB

RGB 174 175 203

HSL 237.93, 0.22%, 0.74%

LAB 72.21, 5.3, -14.3

 

CMYK 11 / 14 / 0 / 20

HEX #B4AECB

RGB 180 174 203

HSL 252.41, 0.22%, 0.74%

LAB 72.42, 7.82, -13.94

 

CMYK 7 / 14 / 0 / 20

HEX #BCAECB

RGB 188 174 203

HSL 268.97, 0.22%, 0.74%

LAB 73.07, 10.48, -12.89

 

CMYK 28 / 27 / 0 / 33

HEX #7B7DAB

RGB 123 125 171

HSL 237.5, 0.22%, 0.58%

LAB 53.83, 9.9, -24.65

 

CMYK 21 / 20 / 0 / 27

HEX #9496BB

RGB 148 150 187

HSL 236.92, 0.22%, 0.66%

LAB 63.09, 7.25, -19.4

 

CMYK 14 / 14 / 0 / 20

HEX #AEAFCB

RGB 174 175 203

HSL 237.93, 0.22%, 0.74%

LAB 72.21, 5.3, -14.3

 

CMYK 9 / 9 / 0 / 14

HEX #C7C7DB

RGB 199 199 219

HSL 240, 0.22%, 0.82%

LAB 80.8, 3.84, -9.93

 

CMYK 5 / 5 / 0 / 8

HEX #E0E0EB

RGB 224 224 235

HSL 240, 0.22%, 0.9%

LAB 89.47, 2.02, -5.36

 

CMYK 15 / 14 / 0 / 20

HEX #ADAECB

RGB 173 174 203

HSL 238, 0.22%, 0.74%

LAB 71.87, 5.52, -14.81

 

CMYK 0 / 14 / 2 / 20

HEX #CBAEC6

RGB 203 174 198

HSL 310.34, 0.22%, 0.74%

LAB 74.22, 14.64, -8.3

 

CMYK 8 / 0 / 14 / 20

HEX #BACBAE

RGB 186 203 174

HSL 95.17, 0.22%, 0.74%

LAB 79.73, -11.05, 12.53

 

CMYK 15 / 14 / 0 / 20

HEX #ADAECB

RGB 173 174 203

HSL 238, 0.22%, 0.74%

LAB 71.87, 5.52, -14.81

 

CMYK 0 / 14 / 14 / 20

HEX #CBAEAF

RGB 203 174 175

HSL 357.93, 0.22%, 0.74%

LAB 73.59, 10.64, 3.37

 

CMYK 14 / 0 / 14 / 20

HEX #AFCBAE

RGB 175 203 174

HSL 117.93, 0.22%, 0.74%

LAB 78.97, -14.89, 11.34

 

CMYK 15 / 14 / 0 / 20

HEX #ADAECB

RGB 173 174 203

HSL 238, 0.22%, 0.74%

LAB 71.87, 5.52, -14.81

 

CMYK 0 / 14 / 2 / 20

HEX #CBAEC6

RGB 203 174 198

HSL 310.34, 0.22%, 0.74%

LAB 74.22, 14.64, -8.3

 

CMYK 0 / 0 / 14 / 20

HEX #CBCAAE

RGB 203 202 174

HSL 57.93, 0.22%, 0.74%

LAB 80.74, -4.41, 14.12

 

CMYK 14 / 0 / 12 / 20

HEX #AECBB2

RGB 174 203 178

HSL 128.28, 0.22%, 0.74%

LAB 79, -14.51, 9.23

 

CMYK 15 / 14 / 0 / 20

HEX #ADAECB

RGB 173 174 203

HSL 238, 0.22%, 0.74%

LAB 71.87, 5.52, -14.81

 

CMYK 0 / 14 / 7 / 20

HEX #CBAEBD

RGB 203 174 189

HSL 328.97, 0.22%, 0.74%

LAB 73.96, 13.02, -3.76

 

CMYK 0 / 0 / 14 / 20

HEX #CBCAAE

RGB 203 202 174

HSL 57.93, 0.22%, 0.74%

LAB 80.74, -4.41, 14.12

 

CMYK 14 / 0 / 8 / 20

HEX #AECBBB

RGB 174 203 187

HSL 146.9, 0.22%, 0.74%

LAB 79.21, -12.83, 4.72

 

Description

Color code: HEX #ADAECB | qconv.com Color code: HEX #ADAECB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 174 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 174 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 14 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 14% 0% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - About - Rural Retrea...
Link: http://www.ruralretreatmassage.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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