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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADB753 it is the complementary color #5248AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADB753. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADB753 shade: #B2B74E, #C3C961, #D4DB74, #E5ED87 and #F6FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADB753. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADB753 shade: #ADB753, #9CA540, #8B932D, #7A811A and #696F07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADB753 shade: #ACB652, #B6A552, #B68A52, #B66F52 and #B65452

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADB753 shade: #ACB652, #91B652, #76B652, #5BB652 and #52B664

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADB753 shade matches the following richer shades: #ACB652, #BCCA3E, #CCDE2A and #DCF217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADB753 shade: #ACB652, #9CA266, #8D8F7A, #7D7B8D and #6D67A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADB753 shade: #B68B52, #B6A652, #ACB652, #91B652 and #77B652

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADB753 shade: #798035, #949D42, #ACB652, #BAC26F and #C8CF8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADB753 shade: #ADB753, #52B670 and #9852B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADB753 shade: #ADB753, #52ACB6 and #B652AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADB753 shade: #ADB753, #52B670, #5C52B6 and #B65298

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADB753 shade: #ADB753, #52B68E, #5C52B6 and #B6527A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 55 / 28

HEX #ADB753

RGB 173 183 83

HSL 66, 0.41%, 0.52%

LAB 71.81, -17.64, 48.86

 

Complementary color

CMYK 52 / 58 / 0 / 33

HEX #5248AC

RGB 82 72 172

HSL 246, 0.41%, 0.48%

LAB 36.76, 31.81, -52.46

 

CMYK 3 / 0 / 57 / 28

HEX #B2B74E

RGB 178 183 78

HSL 62.86, 0.42%, 0.51%

LAB 72.15, -15.97, 51.65

 

CMYK 3 / 0 / 52 / 21

HEX #C3C961

RGB 195 201 97

HSL 63.46, 0.49%, 0.58%

LAB 78.6, -16.48, 50.61

 

CMYK 3 / 0 / 47 / 14

HEX #D4DB74

RGB 212 219 116

HSL 64.08, 0.59%, 0.66%

LAB 84.96, -16.9, 49.48

 

CMYK 3 / 0 / 43 / 7

HEX #E5ED87

RGB 229 237 135

HSL 64.71, 0.74%, 0.73%

LAB 91.22, -17.25, 48.34

 

CMYK 4 / 0 / 40 / 0

HEX #F6FF9A

RGB 246 255 154

HSL 65.35, 1%, 0.8%

LAB 97.41, -17.53, 47.21

 

CMYK 5 / 0 / 55 / 28

HEX #ADB753

RGB 173 183 83

HSL 66, 0.41%, 0.52%

LAB 71.81, -17.64, 48.86

 

CMYK 5 / 0 / 61 / 35

HEX #9CA540

RGB 156 165 64

HSL 65.35, 0.44%, 0.45%

LAB 65.24, -17.11, 49.83

 

CMYK 5 / 0 / 69 / 42

HEX #8B932D

RGB 139 147 45

HSL 64.71, 0.53%, 0.38%

LAB 58.55, -16.43, 50.49

 

CMYK 5 / 0 / 80 / 49

HEX #7A811A

RGB 122 129 26

HSL 64.08, 0.66%, 0.3%

LAB 51.74, -15.54, 50.45

 

CMYK 5 / 0 / 94 / 56

HEX #696F07

RGB 105 111 7

HSL 63.46, 0.88%, 0.23%

LAB 44.78, -14.35, 48.96

 

CMYK 5 / 0 / 55 / 29

HEX #ACB652

RGB 172 182 82

HSL 66, 0.41%, 0.52%

LAB 71.44, -17.63, 48.89

 

CMYK 0 / 9 / 55 / 29

HEX #B6A552

RGB 182 165 82

HSL 49.8, 0.41%, 0.52%

LAB 67.62, -4.58, 44.68

 

CMYK 0 / 24 / 55 / 29

HEX #B68A52

RGB 182 138 82

HSL 33.6, 0.41%, 0.52%

LAB 60.54, 10.13, 36.21

 

CMYK 0 / 39 / 55 / 29

HEX #B66F52

RGB 182 111 82

HSL 17.4, 0.41%, 0.52%

LAB 53.95, 25.15, 27.97

 

CMYK 0 / 54 / 55 / 29

HEX #B65452

RGB 182 84 82

HSL 1.2, 0.41%, 0.52%

LAB 48.13, 39.55, 20.39

 

CMYK 5 / 0 / 55 / 29

HEX #ACB652

RGB 172 182 82

HSL 66, 0.41%, 0.52%

LAB 71.44, -17.63, 48.89

 

CMYK 20 / 0 / 55 / 29

HEX #91B652

RGB 145 182 82

HSL 82.2, 0.41%, 0.52%

LAB 69.53, -28.5, 46.18

 

CMYK 35 / 0 / 55 / 29

HEX #76B652

RGB 118 182 82

HSL 98.4, 0.41%, 0.52%

LAB 67.96, -38.48, 43.94

 

CMYK 50 / 0 / 55 / 29

HEX #5BB652

RGB 91 182 82

HSL 114.6, 0.41%, 0.52%

LAB 66.74, -47.04, 42.2

 

CMYK 55 / 0 / 45 / 29

HEX #52B664

RGB 82 182 100

HSL 130.8, 0.41%, 0.52%

LAB 66.65, -46.91, 33.04

 

CMYK 5 / 0 / 55 / 29

HEX #ACB652

RGB 172 182 82

HSL 66, 0.41%, 0.52%

LAB 71.44, -17.63, 48.89

 

CMYK 7 / 0 / 69 / 21

HEX #BCCA3E

RGB 188 202 62

HSL 66, 0.57%, 0.52%

LAB 78.04, -22.32, 64.7

 

CMYK 8 / 0 / 81 / 13

HEX #CCDE2A

RGB 204 222 42

HSL 66, 0.73%, 0.52%

LAB 84.61, -26.2, 77.38

 

CMYK 9 / 0 / 90 / 5

HEX #DCF217

RGB 220 242 23

HSL 66.03, 0.89%, 0.52%

LAB 91.14, -29.51, 86.79

 

CMYK 5 / 0 / 55 / 29

HEX #ACB652

RGB 172 182 82

HSL 66, 0.41%, 0.52%

LAB 71.44, -17.63, 48.89

 

CMYK 4 / 0 / 37 / 36

HEX #9CA266

RGB 156 162 102

HSL 66, 0.24%, 0.52%

LAB 64.86, -11.81, 30.51

 

CMYK 1 / 0 / 15 / 44

HEX #8D8F7A

RGB 141 143 122

HSL 65.71, 0.09%, 0.52%

LAB 58.71, -4.59, 10.94

 

CMYK 11 / 13 / 0 / 45

HEX #7D7B8D

RGB 125 123 141

HSL 246.67, 0.07%, 0.52%

LAB 52.34, 4.54, -9.47

 

CMYK 32 / 36 / 0 / 37

HEX #6D67A1

RGB 109 103 161

HSL 246.21, 0.24%, 0.52%

LAB 46.34, 16.21, -30.53

 

CMYK 0 / 24 / 55 / 29

HEX #B68B52

RGB 182 139 82

HSL 34.2, 0.41%, 0.52%

LAB 60.8, 9.58, 36.52

 

CMYK 0 / 9 / 55 / 29

HEX #B6A652

RGB 182 166 82

HSL 50.4, 0.41%, 0.52%

LAB 67.89, -5.11, 44.99

 

CMYK 5 / 0 / 55 / 29

HEX #ACB652

RGB 172 182 82

HSL 66, 0.41%, 0.52%

LAB 71.44, -17.63, 48.89

 

CMYK 20 / 0 / 55 / 29

HEX #91B652

RGB 145 182 82

HSL 82.2, 0.41%, 0.52%

LAB 69.53, -28.5, 46.18

 

CMYK 35 / 0 / 55 / 29

HEX #77B652

RGB 119 182 82

HSL 97.8, 0.41%, 0.52%

LAB 68.01, -38.13, 44.02

 

CMYK 5 / 0 / 59 / 50

HEX #798035

RGB 121 128 53

HSL 65.6, 0.41%, 0.35%

LAB 51.57, -13.74, 39.03

 

CMYK 6 / 0 / 58 / 38

HEX #949D42

RGB 148 157 66

HSL 65.93, 0.41%, 0.44%

LAB 62.34, -16.24, 45.54

 

CMYK 5 / 0 / 55 / 29

HEX #ACB652

RGB 172 182 82

HSL 66, 0.41%, 0.52%

LAB 71.44, -17.63, 48.89

 

CMYK 4 / 0 / 43 / 24

HEX #BAC26F

RGB 186 194 111

HSL 65.78, 0.4%, 0.6%

LAB 76.17, -15.23, 40.7

 

CMYK 3 / 0 / 32 / 19

HEX #C8CF8C

RGB 200 207 140

HSL 66.27, 0.41%, 0.68%

LAB 81.18, -12.94, 32.56

 

CMYK 5 / 0 / 55 / 28

HEX #ADB753

RGB 173 183 83

HSL 66, 0.41%, 0.52%

LAB 71.81, -17.64, 48.86

 

CMYK 55 / 0 / 38 / 29

HEX #52B670

RGB 82 182 112

HSL 138, 0.41%, 0.52%

LAB 66.84, -44.89, 27.02

 

CMYK 16 / 55 / 0 / 29

HEX #9852B6

RGB 152 82 182

HSL 282, 0.41%, 0.52%

LAB 47.09, 45.88, -41.38

 

CMYK 5 / 0 / 55 / 28

HEX #ADB753

RGB 173 183 83

HSL 66, 0.41%, 0.52%

LAB 71.81, -17.64, 48.86

 

CMYK 55 / 5 / 0 / 29

HEX #52ACB6

RGB 82 172 182

HSL 186, 0.41%, 0.52%

LAB 65.5, -23.91, -13.32

 

CMYK 0 / 55 / 5 / 29

HEX #B652AC

RGB 182 82 172

HSL 306, 0.41%, 0.52%

LAB 50.64, 52.27, -29.67

 

CMYK 5 / 0 / 55 / 28

HEX #ADB753

RGB 173 183 83

HSL 66, 0.41%, 0.52%

LAB 71.81, -17.64, 48.86

 

CMYK 55 / 0 / 38 / 29

HEX #52B670

RGB 82 182 112

HSL 138, 0.41%, 0.52%

LAB 66.84, -44.89, 27.02

 

CMYK 49 / 55 / 0 / 29

HEX #5C52B6

RGB 92 82 182

HSL 246, 0.41%, 0.52%

LAB 40.71, 30.89, -51.93

 

CMYK 0 / 55 / 16 / 29

HEX #B65298

RGB 182 82 152

HSL 318, 0.41%, 0.52%

LAB 49.79, 49, -19.19

 

CMYK 5 / 0 / 55 / 28

HEX #ADB753

RGB 173 183 83

HSL 66, 0.41%, 0.52%

LAB 71.81, -17.64, 48.86

 

CMYK 55 / 0 / 22 / 29

HEX #52B68E

RGB 82 182 142

HSL 156, 0.41%, 0.52%

LAB 67.43, -38.86, 11.64

 

CMYK 49 / 55 / 0 / 29

HEX #5C52B6

RGB 92 82 182

HSL 246, 0.41%, 0.52%

LAB 40.71, 30.89, -51.93

 

CMYK 0 / 55 / 33 / 29

HEX #B6527A

RGB 182 82 122

HSL 336, 0.41%, 0.52%

LAB 48.74, 44.77, -2.83

 

Description

Color code: HEX #ADB753 | qconv.com Color code: HEX #ADB753 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 183 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 183 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 55 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 55% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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