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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADBBC6 it is the complementary color #524439. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADBBC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADBBC6 shade: #B2BBC1, #C3CDD4, #D4DFE7, #E5F1FA and #F6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADBBC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADBBC6 shade: #ADBBC6, #9CA9B3, #8B97A0, #7A858D and #69737A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADBBC6 shade: #ADBBC6, #ADB4C6, #ADAEC6, #B3ADC6 and #BAADC6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADBBC6 shade: #ADBBC6, #ADB4C6, #ADAEC6 and #ADADC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADBBC6 shade matches the following richer shades: #ADBBC6, #A2BCD1, #97BEDC, #8CBFE7 and #81C0F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADBBC6 shade: #ADBBC6, #B8BABB, #C4B8B0, #CFB7A5 and #DAB699

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADBBC6 shade: #ADC6C4, #ADC2C6, #ADBBC6, #ADB5C6 and #ADAEC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADBBC6 shade: #7D93A4, #95A7B5, #ADBBC6, #C6CFD7 and #DEE4E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADBBC6 shade: #ADBBC6, #BDADC6 and #C5C6AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADBBC6 shade: #ADBBC6, #C6ADBB and #BBC6AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADBBC6 shade: #ADBBC6, #BDADC6, #C6B8AD and #B6C6AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADBBC6 shade: #ADBBC6, #C4ADC6, #C6B8AD and #AFC6AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 6 / 0 / 22

HEX #ADBBC6

RGB 173 187 198

HSL 206.4, 0.18%, 0.73%

LAB 75.14, -2.58, -7.2

 

Complementary color

CMYK 0 / 17 / 30 / 68

HEX #524439

RGB 82 68 57

HSL 26.4, 0.18%, 0.27%

LAB 29.97, 4.05, 8.9

 

CMYK 8 / 3 / 0 / 24

HEX #B2BBC1

RGB 178 187 193

HSL 204, 0.11%, 0.73%

LAB 75.36, -1.93, -4.11

 

CMYK 8 / 3 / 0 / 17

HEX #C3CDD4

RGB 195 205 212

HSL 204.71, 0.17%, 0.8%

LAB 81.85, -2.04, -4.65

 

CMYK 8 / 3 / 0 / 9

HEX #D4DFE7

RGB 212 223 231

HSL 205.26, 0.28%, 0.87%

LAB 88.23, -2.15, -5.18

 

CMYK 8 / 4 / 0 / 2

HEX #E5F1FA

RGB 229 241 250

HSL 205.71, 0.68%, 0.94%

LAB 94.51, -2.26, -5.7

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 13 / 6 / 0 / 22

HEX #ADBBC6

RGB 173 187 198

HSL 206.4, 0.18%, 0.73%

LAB 75.14, -2.58, -7.2

 

CMYK 13 / 6 / 0 / 30

HEX #9CA9B3

RGB 156 169 179

HSL 206.09, 0.13%, 0.66%

LAB 68.53, -2.48, -6.7

 

CMYK 13 / 6 / 0 / 37

HEX #8B97A0

RGB 139 151 160

HSL 205.71, 0.1%, 0.59%

LAB 61.79, -2.38, -6.19

 

CMYK 13 / 6 / 0 / 45

HEX #7A858D

RGB 122 133 141

HSL 205.26, 0.08%, 0.52%

LAB 54.9, -2.29, -5.67

 

CMYK 14 / 6 / 0 / 52

HEX #69737A

RGB 105 115 122

HSL 204.71, 0.07%, 0.45%

LAB 47.84, -2.19, -5.14

 

CMYK 13 / 6 / 0 / 22

HEX #ADBBC6

RGB 173 187 198

HSL 206.4, 0.18%, 0.73%

LAB 75.14, -2.58, -7.2

 

CMYK 13 / 9 / 0 / 22

HEX #ADB4C6

RGB 173 180 198

HSL 223.2, 0.18%, 0.73%

LAB 73.29, 1.19, -9.95

 

CMYK 13 / 12 / 0 / 22

HEX #ADAEC6

RGB 173 174 198

HSL 237.6, 0.18%, 0.73%

LAB 71.71, 4.46, -12.31

 

CMYK 10 / 13 / 0 / 22

HEX #B3ADC6

RGB 179 173 198

HSL 254.4, 0.18%, 0.73%

LAB 71.93, 7, -11.94

 

CMYK 6 / 13 / 0 / 22

HEX #BAADC6

RGB 186 173 198

HSL 271.2, 0.18%, 0.73%

LAB 72.5, 9.36, -11.03

 

CMYK 13 / 6 / 0 / 22

HEX #ADBBC6

RGB 173 187 198

HSL 206.4, 0.18%, 0.73%

LAB 75.14, -2.58, -7.2

 

CMYK 13 / 9 / 0 / 22

HEX #ADB4C6

RGB 173 180 198

HSL 223.2, 0.18%, 0.73%

LAB 73.29, 1.19, -9.95

 

CMYK 13 / 12 / 0 / 22

HEX #ADAEC6

RGB 173 174 198

HSL 237.6, 0.18%, 0.73%

LAB 71.71, 4.46, -12.31

 

CMYK 13 / 13 / 0 / 22

HEX #ADADC6

RGB 173 173 198

HSL 240, 0.18%, 0.73%

LAB 71.45, 5.01, -12.7

 

CMYK 13 / 6 / 0 / 22

HEX #ADBBC6

RGB 173 187 198

HSL 206.4, 0.18%, 0.73%

LAB 75.14, -2.58, -7.2

 

CMYK 22 / 10 / 0 / 18

HEX #A2BCD1

RGB 162 188 209

HSL 206.81, 0.34%, 0.73%

LAB 74.98, -4.23, -13.49

 

CMYK 31 / 14 / 0 / 14

HEX #97BEDC

RGB 151 190 220

HSL 206.09, 0.5%, 0.73%

LAB 75.19, -5.97, -19.23

 

CMYK 39 / 17 / 0 / 9

HEX #8CBFE7

RGB 140 191 231

HSL 206.37, 0.65%, 0.73%

LAB 75.21, -6.72, -25.21

 

CMYK 47 / 21 / 0 / 5

HEX #81C0F3

RGB 129 192 243

HSL 206.84, 0.83%, 0.73%

LAB 75.35, -6.72, -31.51

 

CMYK 13 / 6 / 0 / 22

HEX #ADBBC6

RGB 173 187 198

HSL 206.4, 0.18%, 0.73%

LAB 75.14, -2.58, -7.2

 

CMYK 2 / 1 / 0 / 27

HEX #B8BABB

RGB 184 186 187

HSL 200, 0.02%, 0.73%

LAB 75.39, -0.5, -0.76

 

CMYK 0 / 6 / 10 / 23

HEX #C4B8B0

RGB 196 184 176

HSL 24, 0.14%, 0.73%

LAB 75.55, 2.87, 5.57

 

CMYK 0 / 12 / 20 / 19

HEX #CFB7A5

RGB 207 183 165

HSL 25.71, 0.3%, 0.73%

LAB 75.98, 5.71, 12.29

 

CMYK 0 / 17 / 30 / 15

HEX #DAB699

RGB 218 182 153

HSL 26.77, 0.47%, 0.73%

LAB 76.47, 8.74, 19.61

 

CMYK 13 / 0 / 1 / 22

HEX #ADC6C4

RGB 173 198 196

HSL 175.2, 0.18%, 0.73%

LAB 78.03, -8.81, -1.86

 

CMYK 13 / 2 / 0 / 22

HEX #ADC2C6

RGB 173 194 198

HSL 189.6, 0.18%, 0.73%

LAB 77.01, -6.3, -4.44

 

CMYK 13 / 6 / 0 / 22

HEX #ADBBC6

RGB 173 187 198

HSL 206.4, 0.18%, 0.73%

LAB 75.14, -2.58, -7.2

 

CMYK 13 / 9 / 0 / 22

HEX #ADB5C6

RGB 173 181 198

HSL 220.8, 0.18%, 0.73%

LAB 73.55, 0.65, -9.56

 

CMYK 13 / 12 / 0 / 22

HEX #ADAEC6

RGB 173 174 198

HSL 237.6, 0.18%, 0.73%

LAB 71.71, 4.46, -12.31

 

CMYK 24 / 10 / 0 / 36

HEX #7D93A4

RGB 125 147 164

HSL 206.15, 0.18%, 0.57%

LAB 59.81, -3.88, -11.53

 

CMYK 18 / 8 / 0 / 29

HEX #95A7B5

RGB 149 167 181

HSL 206.25, 0.18%, 0.65%

LAB 67.55, -3.27, -9.33

 

CMYK 13 / 6 / 0 / 22

HEX #ADBBC6

RGB 173 187 198

HSL 206.4, 0.18%, 0.73%

LAB 75.14, -2.58, -7.2

 

CMYK 8 / 4 / 0 / 16

HEX #C6CFD7

RGB 198 207 215

HSL 208.24, 0.18%, 0.81%

LAB 82.67, -1.51, -5.02

 

CMYK 4 / 2 / 0 / 9

HEX #DEE4E8

RGB 222 228 232

HSL 204, 0.18%, 0.89%

LAB 90.25, -1.26, -2.65

 

CMYK 13 / 6 / 0 / 22

HEX #ADBBC6

RGB 173 187 198

HSL 206.4, 0.18%, 0.73%

LAB 75.14, -2.58, -7.2

 

CMYK 5 / 13 / 0 / 22

HEX #BDADC6

RGB 189 173 198

HSL 278.4, 0.18%, 0.73%

LAB 72.75, 10.37, -10.62

 

CMYK 1 / 0 / 13 / 22

HEX #C5C6AD

RGB 197 198 173

HSL 62.4, 0.18%, 0.73%

LAB 79.2, -4.67, 12.42

 

CMYK 13 / 6 / 0 / 22

HEX #ADBBC6

RGB 173 187 198

HSL 206.4, 0.18%, 0.73%

LAB 75.14, -2.58, -7.2

 

CMYK 0 / 13 / 6 / 22

HEX #C6ADBB

RGB 198 173 187

HSL 326.4, 0.18%, 0.73%

LAB 73.21, 11.44, -3.82

 

CMYK 6 / 0 / 13 / 22

HEX #BBC6AD

RGB 187 198 173

HSL 86.4, 0.18%, 0.73%

LAB 78.44, -8.28, 11.25

 

CMYK 13 / 6 / 0 / 22

HEX #ADBBC6

RGB 173 187 198

HSL 206.4, 0.18%, 0.73%

LAB 75.14, -2.58, -7.2

 

CMYK 5 / 13 / 0 / 22

HEX #BDADC6

RGB 189 173 198

HSL 278.4, 0.18%, 0.73%

LAB 72.75, 10.37, -10.62

 

CMYK 0 / 7 / 13 / 22

HEX #C6B8AD

RGB 198 184 173

HSL 26.4, 0.18%, 0.73%

LAB 75.64, 3.09, 7.36

 

CMYK 8 / 0 / 13 / 22

HEX #B6C6AD

RGB 182 198 173

HSL 98.4, 0.18%, 0.73%

LAB 78.08, -10.06, 10.68

 

CMYK 13 / 6 / 0 / 22

HEX #ADBBC6

RGB 173 187 198

HSL 206.4, 0.18%, 0.73%

LAB 75.14, -2.58, -7.2

 

CMYK 1 / 13 / 0 / 22

HEX #C4ADC6

RGB 196 173 198

HSL 295.2, 0.18%, 0.73%

LAB 73.35, 12.77, -9.66

 

CMYK 0 / 7 / 13 / 22

HEX #C6B8AD

RGB 198 184 173

HSL 26.4, 0.18%, 0.73%

LAB 75.64, 3.09, 7.36

 

CMYK 12 / 0 / 13 / 22

HEX #AFC6AD

RGB 175 198 173

HSL 115.2, 0.18%, 0.73%

LAB 77.59, -12.51, 9.91

 

Description

Color code: HEX #ADBBC6 | qconv.com Color code: HEX #ADBBC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 187 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 187 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 6 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 6% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Apparel and bridesma...
Link: http://www.plumprettysugar.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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