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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADBE0D it is the complementary color #5241F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADBE0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADBE0D shade: #B2BE08, #C3D01B, #D4E22E, #E5F441 and #F6FF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADBE0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADBE0D shade: #ADBE0D, #9CAC00, #8B9A00, #7A8800 and #697600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADBE0D shade: #ADBE0D, #BE9F0D, #BE700D, #BE400D and #BE100D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADBE0D shade: #ADBE0D, #7DBE0D, #4DBE0D, #1EBE0D and #0DBE2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADBE0D shade matches the following richer shades: #ADBE0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADBE0D shade: #ADBE0D, #A0AE1D, #939D2E, #858D3E and #787C4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADBE0D shade: #BE6E0D, #BE9E0D, #AFBE0D, #80BE0D and #51BE0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADBE0D shade: #677107, #8A980A, #ADBE0D, #D0E50F and #DDF02E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADBE0D shade: #ADBE0D, #0DBE3F and #860DBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADBE0D shade: #ADBE0D, #0DAFBE and #BE0DAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADBE0D shade: #ADBE0D, #0DBE3F, #1C0DBE and #BE0D8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADBE0D shade: #ADBE0D, #0DBE74, #1C0DBE and #BE0D57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 93 / 25

HEX #ADBE0D

RGB 173 190 13

HSL 65.76, 0.87%, 0.4%

LAB 73.38, -24.42, 72.75

 

Complementary color

CMYK 66 / 73 / 0 / 5

HEX #5241F2

RGB 82 65 242

HSL 245.76, 0.87%, 0.6%

LAB 41.19, 57.64, -85.68

 

CMYK 6 / 0 / 96 / 25

HEX #B2BE08

RGB 178 190 8

HSL 63.96, 0.92%, 0.39%

LAB 73.75, -22.35, 73.75

 

CMYK 6 / 0 / 87 / 18

HEX #C3D01B

RGB 195 208 27

HSL 64.31, 0.77%, 0.46%

LAB 80.06, -23.62, 76.57

 

CMYK 6 / 0 / 80 / 11

HEX #D4E22E

RGB 212 226 46

HSL 64.67, 0.76%, 0.53%

LAB 86.3, -24.69, 78.07

 

CMYK 6 / 0 / 73 / 4

HEX #E5F441

RGB 229 244 65

HSL 65.03, 0.89%, 0.61%

LAB 92.46, -25.59, 78.63

 

CMYK 4 / 0 / 67 / 0

HEX #F6FF54

RGB 246 255 84

HSL 63.16, 1%, 0.66%

LAB 96.72, -23.07, 76.76

 

CMYK 9 / 0 / 93 / 25

HEX #ADBE0D

RGB 173 190 13

HSL 65.76, 0.87%, 0.4%

LAB 73.38, -24.42, 72.75

 

CMYK 9 / 0 / 100 / 33

HEX #9CAC00

RGB 156 172 0

HSL 65.58, 1%, 0.34%

LAB 66.96, -23.05, 68.83

 

CMYK 10 / 0 / 100 / 40

HEX #8B9A00

RGB 139 154 0

HSL 65.84, 1%, 0.3%

LAB 60.43, -21.49, 63.4

 

CMYK 10 / 0 / 100 / 47

HEX #7A8800

RGB 122 136 0

HSL 66.18, 1%, 0.27%

LAB 53.76, -19.9, 57.85

 

CMYK 11 / 0 / 100 / 54

HEX #697600

RGB 105 118 0

HSL 66.61, 1%, 0.23%

LAB 46.92, -18.28, 52.16

 

CMYK 9 / 0 / 93 / 25

HEX #ADBE0D

RGB 173 190 13

HSL 65.76, 0.87%, 0.4%

LAB 73.38, -24.42, 72.75

 

CMYK 0 / 16 / 93 / 25

HEX #BE9F0D

RGB 190 159 13

HSL 49.49, 0.87%, 0.4%

LAB 66.35, -1.03, 68

 

CMYK 0 / 41 / 93 / 25

HEX #BE700D

RGB 190 112 13

HSL 33.56, 0.87%, 0.4%

LAB 54.62, 24.7, 59.36

 

CMYK 0 / 66 / 93 / 25

HEX #BE400D

RGB 190 64 13

HSL 17.29, 0.87%, 0.4%

LAB 45.14, 48.67, 52.76

 

CMYK 0 / 92 / 93 / 25

HEX #BE100D

RGB 190 16 13

HSL 1.02, 0.87%, 0.4%

LAB 40.16, 62.56, 49.55

 

CMYK 9 / 0 / 93 / 25

HEX #ADBE0D

RGB 173 190 13

HSL 65.76, 0.87%, 0.4%

LAB 73.38, -24.42, 72.75

 

CMYK 34 / 0 / 93 / 25

HEX #7DBE0D

RGB 125 190 13

HSL 82.03, 0.87%, 0.4%

LAB 70.33, -43.64, 69.04

 

CMYK 59 / 0 / 93 / 25

HEX #4DBE0D

RGB 77 190 13

HSL 98.31, 0.87%, 0.4%

LAB 68.34, -58.66, 66.6

 

CMYK 84 / 0 / 93 / 25

HEX #1EBE0D

RGB 30 190 13

HSL 114.24, 0.87%, 0.4%

LAB 67.38, -66.92, 65.4

 

CMYK 93 / 0 / 77 / 25

HEX #0DBE2C

RGB 13 190 44

HSL 130.51, 0.87%, 0.4%

LAB 67.35, -66.73, 58.09

 

CMYK 9 / 0 / 93 / 25

HEX #ADBE0D

RGB 173 190 13

HSL 65.76, 0.87%, 0.4%

LAB 73.38, -24.42, 72.75

 

CMYK 9 / 0 / 93 / 25

HEX #ADBE0D

RGB 173 190 13

HSL 65.76, 0.87%, 0.4%

LAB 73.38, -24.42, 72.75

 

CMYK 8 / 0 / 83 / 32

HEX #A0AE1D

RGB 160 174 29

HSL 65.79, 0.71%, 0.4%

LAB 67.9, -21.75, 64.95

 

CMYK 6 / 0 / 71 / 38

HEX #939D2E

RGB 147 157 46

HSL 65.41, 0.55%, 0.4%

LAB 62.1, -18.05, 53.85

 

CMYK 6 / 0 / 56 / 45

HEX #858D3E

RGB 133 141 62

HSL 66.08, 0.39%, 0.4%

LAB 56.47, -14.64, 40.47

 

CMYK 3 / 0 / 36 / 51

HEX #787C4F

RGB 120 124 79

HSL 65.33, 0.22%, 0.4%

LAB 50.66, -9.15, 24.1

 

CMYK 0 / 42 / 93 / 25

HEX #BE6E0D

RGB 190 110 13

HSL 32.88, 0.87%, 0.4%

LAB 54.16, 25.79, 59.03

 

CMYK 0 / 17 / 93 / 25

HEX #BE9E0D

RGB 190 158 13

HSL 49.15, 0.87%, 0.4%

LAB 66.08, -0.49, 67.8

 

CMYK 8 / 0 / 93 / 25

HEX #AFBE0D

RGB 175 190 13

HSL 65.08, 0.87%, 0.4%

LAB 73.53, -23.57, 72.93

 

CMYK 33 / 0 / 93 / 25

HEX #80BE0D

RGB 128 190 13

HSL 81.02, 0.87%, 0.4%

LAB 70.49, -42.54, 69.24

 

CMYK 57 / 0 / 93 / 25

HEX #51BE0D

RGB 81 190 13

HSL 96.95, 0.87%, 0.4%

LAB 68.46, -57.64, 66.75

 

CMYK 9 / 0 / 94 / 56

HEX #677107

RGB 103 113 7

HSL 65.66, 0.88%, 0.24%

LAB 45.23, -16.37, 49.25

 

CMYK 9 / 0 / 93 / 40

HEX #8A980A

RGB 138 152 10

HSL 65.92, 0.88%, 0.32%

LAB 59.78, -20.75, 61.4

 

CMYK 9 / 0 / 93 / 25

HEX #ADBE0D

RGB 173 190 13

HSL 65.76, 0.87%, 0.4%

LAB 73.38, -24.42, 72.75

 

CMYK 9 / 0 / 93 / 10

HEX #D0E50F

RGB 208 229 15

HSL 65.89, 0.88%, 0.48%

LAB 86.74, -28.44, 83.96

 

CMYK 8 / 0 / 81 / 6

HEX #DDF02E

RGB 221 240 46

HSL 65.88, 0.87%, 0.56%

LAB 90.73, -27.64, 82.17

 

CMYK 9 / 0 / 93 / 25

HEX #ADBE0D

RGB 173 190 13

HSL 65.76, 0.87%, 0.4%

LAB 73.38, -24.42, 72.75

 

CMYK 93 / 0 / 67 / 25

HEX #0DBE3F

RGB 13 190 63

HSL 136.95, 0.87%, 0.4%

LAB 67.48, -65.05, 51.15

 

CMYK 29 / 93 / 0 / 25

HEX #860DBE

RGB 134 13 190

HSL 281.02, 0.87%, 0.4%

LAB 36.13, 69.05, -63.86

 

CMYK 9 / 0 / 93 / 25

HEX #ADBE0D

RGB 173 190 13

HSL 65.76, 0.87%, 0.4%

LAB 73.38, -24.42, 72.75

 

CMYK 93 / 8 / 0 / 25

HEX #0DAFBE

RGB 13 175 190

HSL 185.08, 0.87%, 0.4%

LAB 65.33, -31.09, -18.15

 

CMYK 0 / 93 / 8 / 25

HEX #BE0DAF

RGB 190 13 175

HSL 305.08, 0.87%, 0.4%

LAB 44.7, 75.41, -40.68

 

CMYK 9 / 0 / 93 / 25

HEX #ADBE0D

RGB 173 190 13

HSL 65.76, 0.87%, 0.4%

LAB 73.38, -24.42, 72.75

 

CMYK 93 / 0 / 67 / 25

HEX #0DBE3F

RGB 13 190 63

HSL 136.95, 0.87%, 0.4%

LAB 67.48, -65.05, 51.15

 

CMYK 85 / 93 / 0 / 25

HEX #1C0DBE

RGB 28 13 190

HSL 245.08, 0.87%, 0.4%

LAB 24.49, 60.87, -83.47

 

CMYK 0 / 93 / 26 / 25

HEX #BE0D8C

RGB 190 13 140

HSL 316.95, 0.87%, 0.4%

LAB 42.96, 70.92, -22.38

 

CMYK 9 / 0 / 93 / 25

HEX #ADBE0D

RGB 173 190 13

HSL 65.76, 0.87%, 0.4%

LAB 73.38, -24.42, 72.75

 

CMYK 93 / 0 / 39 / 25

HEX #0DBE74

RGB 13 190 116

HSL 154.92, 0.87%, 0.4%

LAB 68.15, -56.97, 26.41

 

CMYK 85 / 93 / 0 / 25

HEX #1C0DBE

RGB 28 13 190

HSL 245.08, 0.87%, 0.4%

LAB 24.49, 60.87, -83.47

 

CMYK 0 / 93 / 54 / 25

HEX #BE0D57

RGB 190 13 87

HSL 334.92, 0.87%, 0.4%

LAB 41.09, 65.93, 7.9

 

Description

Color code: HEX #ADBE0D | qconv.com Color code: HEX #ADBE0D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 190 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 190 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 93 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 93% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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