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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADC2D2 it is the complementary color #523D2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADC2D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADC2D2 shade: #B2C2CD, #C3D4E0, #D4E6F3, #E5F8FF and #F6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADC2D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADC2D2 shade: #ADC2D2, #9CB0BF, #8B9EAC, #7A8C99 and #697A86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADC2D2 shade: #ACC1D1, #ACB7D1, #ACADD1, #B5ACD1 and #BFACD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADC2D2 shade: #ACC1D1, #ACB7D1, #ACADD1 and #ACACD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADC2D2 shade matches the following richer shades: #ACC1D1, #A2C3DC, #98C4E6, #8DC5F0 and #83C7FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADC2D2 shade: #ACC1D1, #B7C0C7, #C1BEBD, #CBBDB2 and #D6BCA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADC2D2 shade: #ACD1CD, #ACCCD1, #ACC2D1, #ACB8D1 and #ACAED1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADC2D2 shade: #779AB4, #92ADC3, #ACC1D1, #C7D5E0 and #E1E9EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADC2D2 shade: #ADC2D2, #C3ACD1 and #D1D1AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADC2D2 shade: #ADC2D2, #D1ACC2 and #C2D1AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADC2D2 shade: #ADC2D2, #C3ACD1, #D1BCAC and #BAD1AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADC2D2 shade: #ADC2D2, #CEACD1, #D1BCAC and #AFD1AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 8 / 0 / 18

HEX #ADC2D2

RGB 173 194 210

HSL 205.95, 0.29%, 0.75%

LAB 77.35, -3.77, -10.41

 

Complementary color

CMYK 0 / 26 / 45 / 68

HEX #523D2D

RGB 82 61 45

HSL 25.95, 0.29%, 0.25%

LAB 27.63, 6.76, 13.42

 

CMYK 13 / 5 / 0 / 20

HEX #B2C2CD

RGB 178 194 205

HSL 204.44, 0.21%, 0.75%

LAB 77.55, -3.23, -7.38

 

CMYK 13 / 5 / 0 / 12

HEX #C3D4E0

RGB 195 212 224

HSL 204.83, 0.32%, 0.82%

LAB 84, -3.31, -7.87

 

CMYK 13 / 5 / 0 / 5

HEX #D4E6F3

RGB 212 230 243

HSL 205.16, 0.56%, 0.89%

LAB 90.35, -3.4, -8.35

 

CMYK 10 / 3 / 0 / 0

HEX #E5F8FF

RGB 229 248 255

HSL 196.15, 1%, 0.95%

LAB 96.42, -4.86, -5.49

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 18 / 8 / 0 / 18

HEX #ADC2D2

RGB 173 194 210

HSL 205.95, 0.29%, 0.75%

LAB 77.35, -3.77, -10.41

 

CMYK 18 / 8 / 0 / 25

HEX #9CB0BF

RGB 156 176 191

HSL 205.71, 0.21%, 0.68%

LAB 70.79, -3.69, -9.97

 

CMYK 19 / 8 / 0 / 33

HEX #8B9EAC

RGB 139 158 172

HSL 205.45, 0.17%, 0.61%

LAB 64.1, -3.6, -9.53

 

CMYK 20 / 8 / 0 / 40

HEX #7A8C99

RGB 122 140 153

HSL 205.16, 0.13%, 0.54%

LAB 57.26, -3.52, -9.08

 

CMYK 22 / 9 / 0 / 47

HEX #697A86

RGB 105 122 134

HSL 204.83, 0.12%, 0.47%

LAB 50.27, -3.44, -8.62

 

CMYK 18 / 8 / 0 / 18

HEX #ACC1D1

RGB 172 193 209

HSL 205.95, 0.29%, 0.75%

LAB 76.99, -3.78, -10.42

 

CMYK 18 / 12 / 0 / 18

HEX #ACB7D1

RGB 172 183 209

HSL 222.16, 0.29%, 0.75%

LAB 74.34, 1.6, -14.38

 

CMYK 18 / 17 / 0 / 18

HEX #ACADD1

RGB 172 173 209

HSL 238.38, 0.29%, 0.75%

LAB 71.73, 7.06, -18.32

 

CMYK 13 / 18 / 0 / 18

HEX #B5ACD1

RGB 181 172 209

HSL 254.59, 0.29%, 0.75%

LAB 72.18, 10.51, -17.57

 

CMYK 9 / 18 / 0 / 18

HEX #BFACD1

RGB 191 172 209

HSL 270.81, 0.29%, 0.75%

LAB 73.01, 13.79, -16.24

 

CMYK 18 / 8 / 0 / 18

HEX #ACC1D1

RGB 172 193 209

HSL 205.95, 0.29%, 0.75%

LAB 76.99, -3.78, -10.42

 

CMYK 18 / 12 / 0 / 18

HEX #ACB7D1

RGB 172 183 209

HSL 222.16, 0.29%, 0.75%

LAB 74.34, 1.6, -14.38

 

CMYK 18 / 17 / 0 / 18

HEX #ACADD1

RGB 172 173 209

HSL 238.38, 0.29%, 0.75%

LAB 71.73, 7.06, -18.32

 

CMYK 18 / 18 / 0 / 18

HEX #ACACD1

RGB 172 172 209

HSL 240, 0.29%, 0.75%

LAB 71.47, 7.61, -18.72

 

CMYK 18 / 8 / 0 / 18

HEX #ACC1D1

RGB 172 193 209

HSL 205.95, 0.29%, 0.75%

LAB 76.99, -3.78, -10.42

 

CMYK 26 / 11 / 0 / 14

HEX #A2C3DC

RGB 162 195 220

HSL 205.86, 0.45%, 0.75%

LAB 77.21, -5.44, -16.11

 

CMYK 34 / 15 / 0 / 10

HEX #98C4E6

RGB 152 196 230

HSL 206.15, 0.61%, 0.75%

LAB 77.2, -6.42, -21.56

 

CMYK 41 / 18 / 0 / 6

HEX #8DC5F0

RGB 141 197 240

HSL 206.06, 0.77%, 0.75%

LAB 77.21, -7.29, -26.98

 

CMYK 48 / 20 / 0 / 2

HEX #83C7FA

RGB 131 199 250

HSL 205.71, 0.92%, 0.75%

LAB 77.62, -8.05, -31.76

 

CMYK 18 / 8 / 0 / 18

HEX #ACC1D1

RGB 172 193 209

HSL 205.95, 0.29%, 0.75%

LAB 76.99, -3.78, -10.42

 

CMYK 8 / 4 / 0 / 22

HEX #B7C0C7

RGB 183 192 199

HSL 206.25, 0.13%, 0.75%

LAB 77.22, -1.73, -4.59

 

CMYK 0 / 2 / 2 / 24

HEX #C1BEBD

RGB 193 190 189

HSL 15, 0.03%, 0.75%

LAB 77.18, 0.87, 0.87

 

CMYK 0 / 7 / 12 / 20

HEX #CBBDB2

RGB 203 189 178

HSL 26.4, 0.19%, 0.75%

LAB 77.46, 3.07, 7.32

 

CMYK 0 / 12 / 21 / 16

HEX #D6BCA8

RGB 214 188 168

HSL 26.09, 0.36%, 0.75%

LAB 77.93, 6.12, 13.51

 

CMYK 18 / 0 / 2 / 18

HEX #ACD1CD

RGB 172 209 205

HSL 173.51, 0.29%, 0.75%

LAB 81.17, -12.98, -2.09

 

CMYK 18 / 2 / 0 / 18

HEX #ACCCD1

RGB 172 204 209

HSL 188.11, 0.29%, 0.75%

LAB 79.93, -9.56, -6.05

 

CMYK 18 / 7 / 0 / 18

HEX #ACC2D1

RGB 172 194 209

HSL 204.32, 0.29%, 0.75%

LAB 77.26, -4.31, -10.03

 

CMYK 18 / 12 / 0 / 18

HEX #ACB8D1

RGB 172 184 209

HSL 220.54, 0.29%, 0.75%

LAB 74.61, 1.05, -13.99

 

CMYK 18 / 17 / 0 / 18

HEX #ACAED1

RGB 172 174 209

HSL 236.76, 0.29%, 0.75%

LAB 71.99, 6.51, -17.93

 

CMYK 34 / 14 / 0 / 29

HEX #779AB4

RGB 119 154 180

HSL 205.57, 0.29%, 0.59%

LAB 61.94, -5.63, -17.41

 

CMYK 25 / 11 / 0 / 24

HEX #92ADC3

RGB 146 173 195

HSL 206.94, 0.29%, 0.67%

LAB 69.43, -4.29, -14.29

 

CMYK 18 / 8 / 0 / 18

HEX #ACC1D1

RGB 172 193 209

HSL 205.95, 0.29%, 0.75%

LAB 76.99, -3.78, -10.42

 

CMYK 11 / 5 / 0 / 12

HEX #C7D5E0

RGB 199 213 224

HSL 206.4, 0.29%, 0.83%

LAB 84.54, -2.55, -7.04

 

CMYK 6 / 3 / 0 / 6

HEX #E1E9EF

RGB 225 233 239

HSL 205.71, 0.3%, 0.91%

LAB 91.92, -1.54, -3.84

 

CMYK 18 / 8 / 0 / 18

HEX #ADC2D2

RGB 173 194 210

HSL 205.95, 0.29%, 0.75%

LAB 77.35, -3.77, -10.41

 

CMYK 7 / 18 / 0 / 18

HEX #C3ACD1

RGB 195 172 209

HSL 277.3, 0.29%, 0.75%

LAB 73.36, 15.12, -15.69

 

CMYK 0 / 0 / 18 / 18

HEX #D1D1AC

RGB 209 209 172

HSL 60, 0.29%, 0.75%

LAB 82.99, -6.15, 18.4

 

CMYK 18 / 8 / 0 / 18

HEX #ADC2D2

RGB 173 194 210

HSL 205.95, 0.29%, 0.75%

LAB 77.35, -3.77, -10.41

 

CMYK 0 / 18 / 7 / 18

HEX #D1ACC2

RGB 209 172 194

HSL 324.32, 0.29%, 0.75%

LAB 74.16, 17.1, -6.14

 

CMYK 7 / 0 / 18 / 18

HEX #C2D1AC

RGB 194 209 172

HSL 84.32, 0.29%, 0.75%

LAB 81.86, -11.6, 16.67

 

CMYK 18 / 8 / 0 / 18

HEX #ADC2D2

RGB 173 194 210

HSL 205.95, 0.29%, 0.75%

LAB 77.35, -3.77, -10.41

 

CMYK 7 / 18 / 0 / 18

HEX #C3ACD1

RGB 195 172 209

HSL 277.3, 0.29%, 0.75%

LAB 73.36, 15.12, -15.69

 

CMYK 0 / 10 / 18 / 18

HEX #D1BCAC

RGB 209 188 172

HSL 25.95, 0.29%, 0.75%

LAB 77.58, 4.86, 10.8

 

CMYK 11 / 0 / 18 / 18

HEX #BAD1AC

RGB 186 209 172

HSL 97.3, 0.29%, 0.75%

LAB 81.3, -14.45, 15.8

 

CMYK 18 / 8 / 0 / 18

HEX #ADC2D2

RGB 173 194 210

HSL 205.95, 0.29%, 0.75%

LAB 77.35, -3.77, -10.41

 

CMYK 1 / 18 / 0 / 18

HEX #CEACD1

RGB 206 172 209

HSL 295.14, 0.29%, 0.75%

LAB 74.34, 18.81, -14.11

 

CMYK 0 / 10 / 18 / 18

HEX #D1BCAC

RGB 209 188 172

HSL 25.95, 0.29%, 0.75%

LAB 77.58, 4.86, 10.8

 

CMYK 16 / 0 / 18 / 18

HEX #AFD1AC

RGB 175 209 172

HSL 115.14, 0.29%, 0.75%

LAB 80.57, -18.27, 14.66

 

Description

Color code: HEX #ADC2D2 | qconv.com Color code: HEX #ADC2D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 194 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 194 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 8 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 8% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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