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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADC39C it is the complementary color #523C63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADC39C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADC39C shade: #B2C397, #C3D5AA, #D4E7BD, #E5F9D0 and #F6FFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADC39C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADC39C shade: #ADC39C, #9CB189, #8B9F76, #7A8D63 and #697B50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADC39C shade: #ADC39C, #B8C39C, #C2C39C, #C3BA9C and #C3AF9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADC39C shade: #ADC39C, #A2C39C, #9CC3A0, #9CC3AA and #9CC3B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADC39C shade matches the following richer shades: #ADC39C, #ABD08F, #AADD82, #A8EA75 and #A6F669

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADC39C shade: #ADC39C, #AFB6A8, #B0AAB5, #B29DC2 and #B390CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADC39C shade: #C3C39C, #B8C39C, #ADC39C, #A3C39C and #9CC39F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADC39C shade: #82A468, #98B482, #ADC39C, #C2D3B5 and #D7E2CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADC39C shade: #ADC39C, #9CC3B9 and #C39CBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADC39C shade: #ADC39C, #9CADC3 and #C39CAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADC39C shade: #ADC39C, #9CC3B9, #B19CC3 and #C39CA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADC39C shade: #ADC39C, #9CC1C3, #B19CC3 and #C39E9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 20 / 24

HEX #ADC39C

RGB 173 195 156

HSL 93.85, 0.25%, 0.69%

LAB 76.26, -14.59, 17.14

 

Complementary color

CMYK 17 / 39 / 0 / 61

HEX #523C63

RGB 82 60 99

HSL 273.85, 0.25%, 0.31%

LAB 29.23, 18.06, -19.39

 

CMYK 9 / 0 / 23 / 24

HEX #B2C397

RGB 178 195 151

HSL 83.18, 0.27%, 0.68%

LAB 76.51, -13.57, 20.22

 

CMYK 8 / 0 / 20 / 16

HEX #C3D5AA

RGB 195 213 170

HSL 85.12, 0.34%, 0.75%

LAB 82.96, -13.59, 19.27

 

CMYK 8 / 0 / 18 / 9

HEX #D4E7BD

RGB 212 231 189

HSL 87.14, 0.47%, 0.82%

LAB 89.31, -13.6, 18.36

 

CMYK 8 / 0 / 16 / 2

HEX #E5F9D0

RGB 229 249 208

HSL 89.27, 0.77%, 0.9%

LAB 95.57, -13.62, 17.5

 

CMYK 4 / 0 / 11 / 0

HEX #F6FFE3

RGB 246 255 227

HSL 79.29, 1%, 0.95%

LAB 98.69, -7.73, 12.36

 

CMYK 11 / 0 / 20 / 24

HEX #ADC39C

RGB 173 195 156

HSL 93.85, 0.25%, 0.69%

LAB 76.26, -14.59, 17.14

 

CMYK 12 / 0 / 23 / 31

HEX #9CB189

RGB 156 177 137

HSL 91.5, 0.2%, 0.62%

LAB 69.7, -14.62, 18.1

 

CMYK 13 / 0 / 26 / 38

HEX #8B9F76

RGB 139 159 118

HSL 89.27, 0.18%, 0.54%

LAB 63.01, -14.66, 19.12

 

CMYK 13 / 0 / 30 / 45

HEX #7A8D63

RGB 122 141 99

HSL 87.14, 0.18%, 0.47%

LAB 56.18, -14.69, 20.21

 

CMYK 15 / 0 / 35 / 52

HEX #697B50

RGB 105 123 80

HSL 85.12, 0.21%, 0.4%

LAB 49.19, -14.71, 21.39

 

CMYK 11 / 0 / 20 / 24

HEX #ADC39C

RGB 173 195 156

HSL 93.85, 0.25%, 0.69%

LAB 76.26, -14.59, 17.14

 

CMYK 6 / 0 / 20 / 24

HEX #B8C39C

RGB 184 195 156

HSL 76.92, 0.25%, 0.69%

LAB 77.05, -10.58, 18.37

 

CMYK 1 / 0 / 20 / 24

HEX #C2C39C

RGB 194 195 156

HSL 61.54, 0.25%, 0.69%

LAB 77.82, -6.86, 19.54

 

CMYK 0 / 5 / 20 / 24

HEX #C3BA9C

RGB 195 186 156

HSL 46.15, 0.25%, 0.69%

LAB 75.53, -1.76, 16.37

 

CMYK 0 / 10 / 20 / 24

HEX #C3AF9C

RGB 195 175 156

HSL 29.23, 0.25%, 0.69%

LAB 72.67, 4.12, 12.36

 

CMYK 11 / 0 / 20 / 24

HEX #ADC39C

RGB 173 195 156

HSL 93.85, 0.25%, 0.69%

LAB 76.26, -14.59, 17.14

 

CMYK 17 / 0 / 20 / 24

HEX #A2C39C

RGB 162 195 156

HSL 110.77, 0.25%, 0.69%

LAB 75.52, -18.5, 16

 

CMYK 20 / 0 / 18 / 24

HEX #9CC3A0

RGB 156 195 160

HSL 126.15, 0.25%, 0.69%

LAB 75.22, -19.86, 13.38

 

CMYK 20 / 0 / 13 / 24

HEX #9CC3AA

RGB 156 195 170

HSL 141.54, 0.25%, 0.69%

LAB 75.45, -18, 8.31

 

CMYK 20 / 0 / 7 / 24

HEX #9CC3B5

RGB 156 195 181

HSL 158.46, 0.25%, 0.69%

LAB 75.72, -15.83, 2.75

 

CMYK 11 / 0 / 20 / 24

HEX #ADC39C

RGB 173 195 156

HSL 93.85, 0.25%, 0.69%

LAB 76.26, -14.59, 17.14

 

CMYK 18 / 0 / 31 / 18

HEX #ABD08F

RGB 171 208 143

HSL 94.15, 0.41%, 0.69%

LAB 79.47, -23.83, 28.38

 

CMYK 23 / 0 / 41 / 13

HEX #AADD82

RGB 170 221 130

HSL 93.63, 0.57%, 0.69%

LAB 82.84, -32.18, 39.4

 

CMYK 28 / 0 / 50 / 8

HEX #A8EA75

RGB 168 234 117

HSL 93.85, 0.74%, 0.69%

LAB 86.23, -40.34, 49.89

 

CMYK 33 / 0 / 57 / 4

HEX #A6F669

RGB 166 246 105

HSL 94.04, 0.89%, 0.69%

LAB 89.41, -47.44, 59.03

 

CMYK 11 / 0 / 20 / 24

HEX #ADC39C

RGB 173 195 156

HSL 93.85, 0.25%, 0.69%

LAB 76.26, -14.59, 17.14

 

CMYK 4 / 0 / 8 / 29

HEX #AFB6A8

RGB 175 182 168

HSL 90, 0.09%, 0.69%

LAB 73.15, -5.03, 6.27

 

CMYK 3 / 6 / 0 / 29

HEX #B0AAB5

RGB 176 170 181

HSL 272.73, 0.07%, 0.69%

LAB 70.4, 4.22, -4.88

 

CMYK 8 / 19 / 0 / 24

HEX #B29DC2

RGB 178 157 194

HSL 274.05, 0.23%, 0.69%

LAB 67.63, 14.7, -16.2

 

CMYK 14 / 30 / 0 / 19

HEX #B390CF

RGB 179 144 207

HSL 273.33, 0.4%, 0.69%

LAB 64.99, 25.05, -27.46

 

CMYK 0 / 0 / 20 / 24

HEX #C3C39C

RGB 195 195 156

HSL 60, 0.25%, 0.69%

LAB 77.89, -6.48, 19.66

 

CMYK 6 / 0 / 20 / 24

HEX #B8C39C

RGB 184 195 156

HSL 76.92, 0.25%, 0.69%

LAB 77.05, -10.58, 18.37

 

CMYK 11 / 0 / 20 / 24

HEX #ADC39C

RGB 173 195 156

HSL 93.85, 0.25%, 0.69%

LAB 76.26, -14.59, 17.14

 

CMYK 16 / 0 / 20 / 24

HEX #A3C39C

RGB 163 195 156

HSL 109.23, 0.25%, 0.69%

LAB 75.59, -18.15, 16.1

 

CMYK 20 / 0 / 18 / 24

HEX #9CC39F

RGB 156 195 159

HSL 124.62, 0.25%, 0.69%

LAB 75.2, -20.04, 13.89

 

CMYK 21 / 0 / 37 / 36

HEX #82A468

RGB 130 164 104

HSL 94, 0.25%, 0.53%

LAB 63.59, -22.77, 27.42

 

CMYK 16 / 0 / 28 / 29

HEX #98B482

RGB 152 180 130

HSL 93.6, 0.25%, 0.61%

LAB 70.13, -18.75, 22.43

 

CMYK 11 / 0 / 20 / 24

HEX #ADC39C

RGB 173 195 156

HSL 93.85, 0.25%, 0.69%

LAB 76.26, -14.59, 17.14

 

CMYK 8 / 0 / 14 / 17

HEX #C2D3B5

RGB 194 211 181

HSL 94, 0.25%, 0.77%

LAB 82.59, -11.14, 12.93

 

CMYK 5 / 0 / 8 / 11

HEX #D7E2CF

RGB 215 226 207

HSL 94.74, 0.25%, 0.85%

LAB 88.61, -7.07, 8.01

 

CMYK 11 / 0 / 20 / 24

HEX #ADC39C

RGB 173 195 156

HSL 93.85, 0.25%, 0.69%

LAB 76.26, -14.59, 17.14

 

CMYK 20 / 0 / 5 / 24

HEX #9CC3B9

RGB 156 195 185

HSL 164.62, 0.25%, 0.69%

LAB 75.82, -15.01, 0.73

 

CMYK 0 / 20 / 3 / 24

HEX #C39CBD

RGB 195 156 189

HSL 309.23, 0.25%, 0.69%

LAB 68.79, 20.08, -11.52

 

CMYK 11 / 0 / 20 / 24

HEX #ADC39C

RGB 173 195 156

HSL 93.85, 0.25%, 0.69%

LAB 76.26, -14.59, 17.14

 

CMYK 20 / 11 / 0 / 24

HEX #9CADC3

RGB 156 173 195

HSL 213.85, 0.25%, 0.69%

LAB 70.1, -1.17, -13.2

 

CMYK 0 / 20 / 11 / 24

HEX #C39CAD

RGB 195 156 173

HSL 333.85, 0.25%, 0.69%

LAB 68.31, 17.24, -3.32

 

CMYK 11 / 0 / 20 / 24

HEX #ADC39C

RGB 173 195 156

HSL 93.85, 0.25%, 0.69%

LAB 76.26, -14.59, 17.14

 

CMYK 20 / 0 / 5 / 24

HEX #9CC3B9

RGB 156 195 185

HSL 164.62, 0.25%, 0.69%

LAB 75.82, -15.01, 0.73

 

CMYK 9 / 20 / 0 / 24

HEX #B19CC3

RGB 177 156 195

HSL 272.31, 0.25%, 0.69%

LAB 67.33, 15.13, -17.22

 

CMYK 0 / 20 / 15 / 24

HEX #C39CA6

RGB 195 156 166

HSL 344.62, 0.25%, 0.69%

LAB 68.12, 16.06, 0.3

 

CMYK 11 / 0 / 20 / 24

HEX #ADC39C

RGB 173 195 156

HSL 93.85, 0.25%, 0.69%

LAB 76.26, -14.59, 17.14

 

CMYK 20 / 1 / 0 / 24

HEX #9CC1C3

RGB 156 193 195

HSL 183.08, 0.25%, 0.69%

LAB 75.54, -11.85, -5.1

 

CMYK 9 / 20 / 0 / 24

HEX #B19CC3

RGB 177 156 195

HSL 272.31, 0.25%, 0.69%

LAB 67.33, 15.13, -17.22

 

CMYK 0 / 19 / 20 / 24

HEX #C39E9C

RGB 195 158 156

HSL 3.08, 0.25%, 0.69%

LAB 68.36, 13.37, 6.22

 

Description

Color code: HEX #ADC39C | qconv.com Color code: HEX #ADC39C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 195 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 195 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 20 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 20% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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