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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADCBA9 it is the complementary color #523456. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADCBA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADCBA9 shade: #B2CBA4, #C3DDB7, #D4EFCA, #E5FFDD and #F6FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADCBA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADCBA9 shade: #ADCBA9, #9CB996, #8BA783, #7A9570 and #69835D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADCBA9 shade: #ACCBA8, #B6CBA8, #BFCBA8, #C8CBA8 and #CBC4A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADCBA9 shade: #ACCBA8, #A8CBAE, #A8CBB7, #A8CBC0 and #A8CBCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADCBA9 shade matches the following richer shades: #ACCBA8, #A4D69D, #9BE192, #93EC87 and #8AF77C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADCBA9 shade: #ACCBA8, #B5C0B4, #BEB5BF, #C6A9CA and #CF9ED5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADCBA9 shade: #BFCBA8, #B6CBA8, #ADCBA8, #A8CBAD and #A8CBB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADCBA9 shade: #7BAC75, #94BB8F, #ACCBA8, #C5DAC2 and #DEEADC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADCBA9 shade: #ADCBA9, #A8C9CB and #CBA8BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADCBA9 shade: #ADCBA9, #A8ADCB and #CBA8AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADCBA9 shade: #ADCBA9, #A8C9CB, #C6A8CB and #CBABA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADCBA9 shade: #ADCBA9, #A8BECB, #C6A8CB and #CBB5A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 17 / 20

HEX #ADCBA9

RGB 173 203 169

HSL 112.94, 0.25%, 0.73%

LAB 78.73, -16.46, 13.65

 

Complementary color

CMYK 5 / 40 / 0 / 66

HEX #523456

RGB 82 52 86

HSL 292.94, 0.25%, 0.27%

LAB 26.51, 20.05, -15.15

 

CMYK 12 / 0 / 19 / 20

HEX #B2CBA4

RGB 178 203 164

HSL 98.46, 0.27%, 0.72%

LAB 78.96, -15.56, 16.69

 

CMYK 12 / 0 / 17 / 13

HEX #C3DDB7

RGB 195 221 183

HSL 101.05, 0.36%, 0.79%

LAB 85.37, -15.51, 15.8

 

CMYK 11 / 0 / 15 / 6

HEX #D4EFCA

RGB 212 239 202

HSL 103.78, 0.54%, 0.86%

LAB 91.68, -15.47, 14.96

 

CMYK 10 / 0 / 13 / 0

HEX #E5FFDD

RGB 229 255 221

HSL 105.88, 1%, 0.93%

LAB 97.39, -14.46, 13.42

 

CMYK 4 / 0 / 6 / 0

HEX #F6FFF0

RGB 246 255 240

HSL 96, 1%, 0.97%

LAB 98.99, -5.57, 6.13

 

CMYK 15 / 0 / 17 / 20

HEX #ADCBA9

RGB 173 203 169

HSL 112.94, 0.25%, 0.73%

LAB 78.73, -16.46, 13.65

 

CMYK 16 / 0 / 19 / 27

HEX #9CB996

RGB 156 185 150

HSL 109.71, 0.2%, 0.66%

LAB 72.21, -16.56, 14.54

 

CMYK 17 / 0 / 22 / 35

HEX #8BA783

RGB 139 167 131

HSL 106.67, 0.17%, 0.58%

LAB 65.57, -16.67, 15.48

 

CMYK 18 / 0 / 25 / 42

HEX #7A9570

RGB 122 149 112

HSL 103.78, 0.15%, 0.51%

LAB 58.79, -16.79, 16.49

 

CMYK 20 / 0 / 29 / 49

HEX #69835D

RGB 105 131 93

HSL 101.05, 0.17%, 0.44%

LAB 51.87, -16.93, 17.57

 

CMYK 15 / 0 / 17 / 20

HEX #ACCBA8

RGB 172 203 168

HSL 113.14, 0.25%, 0.73%

LAB 78.64, -16.98, 14.05

 

CMYK 10 / 0 / 17 / 20

HEX #B6CBA8

RGB 182 203 168

HSL 96, 0.25%, 0.73%

LAB 79.32, -13.48, 15.1

 

CMYK 6 / 0 / 17 / 20

HEX #BFCBA8

RGB 191 203 168

HSL 80.57, 0.25%, 0.73%

LAB 79.96, -10.25, 16.1

 

CMYK 1 / 0 / 17 / 20

HEX #C8CBA8

RGB 200 203 168

HSL 65.14, 0.25%, 0.73%

LAB 80.64, -6.97, 17.14

 

CMYK 0 / 3 / 17 / 20

HEX #CBC4A8

RGB 203 196 168

HSL 48, 0.25%, 0.73%

LAB 79.04, -2.21, 14.95

 

CMYK 15 / 0 / 17 / 20

HEX #ACCBA8

RGB 172 203 168

HSL 113.14, 0.25%, 0.73%

LAB 78.64, -16.98, 14.05

 

CMYK 17 / 0 / 14 / 20

HEX #A8CBAE

RGB 168 203 174

HSL 130.29, 0.25%, 0.73%

LAB 78.52, -17.28, 10.63

 

CMYK 17 / 0 / 10 / 20

HEX #A8CBB7

RGB 168 203 183

HSL 145.71, 0.25%, 0.73%

LAB 78.73, -15.59, 6.11

 

CMYK 17 / 0 / 5 / 20

HEX #A8CBC0

RGB 168 203 192

HSL 161.14, 0.25%, 0.73%

LAB 78.95, -13.83, 1.6

 

CMYK 17 / 0 / 0 / 20

HEX #A8CBCA

RGB 168 203 202

HSL 178.29, 0.25%, 0.73%

LAB 79.21, -11.78, -3.38

 

CMYK 15 / 0 / 17 / 20

HEX #ACCBA8

RGB 172 203 168

HSL 113.14, 0.25%, 0.73%

LAB 78.64, -16.98, 14.05

 

CMYK 23 / 0 / 27 / 16

HEX #A4D69D

RGB 164 214 157

HSL 112.63, 0.41%, 0.73%

LAB 80.97, -27.01, 23.03

 

CMYK 31 / 0 / 35 / 12

HEX #9BE192

RGB 155 225 146

HSL 113.16, 0.57%, 0.73%

LAB 83.39, -36.88, 31.88

 

CMYK 38 / 0 / 43 / 7

HEX #93EC87

RGB 147 236 135

HSL 112.87, 0.73%, 0.73%

LAB 85.98, -45.86, 40.68

 

CMYK 44 / 0 / 50 / 3

HEX #8AF77C

RGB 138 247 124

HSL 113.17, 0.88%, 0.73%

LAB 88.63, -54.53, 49.2

 

CMYK 15 / 0 / 17 / 20

HEX #ACCBA8

RGB 172 203 168

HSL 113.14, 0.25%, 0.73%

LAB 78.64, -16.98, 14.05

 

CMYK 6 / 0 / 6 / 25

HEX #B5C0B4

RGB 181 192 180

HSL 115, 0.09%, 0.73%

LAB 76.57, -6.03, 4.73

 

CMYK 1 / 5 / 0 / 25

HEX #BEB5BF

RGB 190 181 191

HSL 294, 0.07%, 0.73%

LAB 74.67, 5.02, -3.93

 

CMYK 2 / 16 / 0 / 21

HEX #C6A9CA

RGB 198 169 202

HSL 292.73, 0.24%, 0.73%

LAB 72.66, 16.4, -12.87

 

CMYK 3 / 26 / 0 / 16

HEX #CF9ED5

RGB 207 158 213

HSL 293.45, 0.4%, 0.73%

LAB 71.23, 27.55, -21

 

CMYK 6 / 0 / 17 / 20

HEX #BFCBA8

RGB 191 203 168

HSL 80.57, 0.25%, 0.73%

LAB 79.96, -10.25, 16.1

 

CMYK 10 / 0 / 17 / 20

HEX #B6CBA8

RGB 182 203 168

HSL 96, 0.25%, 0.73%

LAB 79.32, -13.48, 15.1

 

CMYK 15 / 0 / 17 / 20

HEX #ADCBA8

RGB 173 203 168

HSL 111.43, 0.25%, 0.73%

LAB 78.71, -16.64, 14.16

 

CMYK 17 / 0 / 15 / 20

HEX #A8CBAD

RGB 168 203 173

HSL 128.57, 0.25%, 0.73%

LAB 78.49, -17.46, 11.13

 

CMYK 17 / 0 / 10 / 20

HEX #A8CBB6

RGB 168 203 182

HSL 144, 0.25%, 0.73%

LAB 78.7, -15.79, 6.61

 

CMYK 28 / 0 / 32 / 33

HEX #7BAC75

RGB 123 172 117

HSL 113.45, 0.25%, 0.57%

LAB 65.75, -27.24, 23.22

 

CMYK 21 / 0 / 24 / 27

HEX #94BB8F

RGB 148 187 143

HSL 113.18, 0.24%, 0.65%

LAB 72.11, -21.59, 18.11

 

CMYK 15 / 0 / 17 / 20

HEX #ACCBA8

RGB 172 203 168

HSL 113.14, 0.25%, 0.73%

LAB 78.64, -16.98, 14.05

 

CMYK 10 / 0 / 11 / 15

HEX #C5DAC2

RGB 197 218 194

HSL 112.5, 0.24%, 0.81%

LAB 84.95, -11.43, 9.44

 

CMYK 5 / 0 / 6 / 8

HEX #DEEADC

RGB 222 234 220

HSL 111.43, 0.25%, 0.89%

LAB 91.48, -6.5, 5.41

 

CMYK 15 / 0 / 17 / 20

HEX #ADCBA9

RGB 173 203 169

HSL 112.94, 0.25%, 0.73%

LAB 78.73, -16.46, 13.65

 

CMYK 17 / 1 / 0 / 20

HEX #A8C9CB

RGB 168 201 203

HSL 183.43, 0.25%, 0.73%

LAB 78.7, -10.53, -4.68

 

CMYK 0 / 17 / 8 / 20

HEX #CBA8BB

RGB 203 168 187

HSL 327.43, 0.25%, 0.73%

LAB 72.42, 15.94, -4.93

 

CMYK 15 / 0 / 17 / 20

HEX #ADCBA9

RGB 173 203 169

HSL 112.94, 0.25%, 0.73%

LAB 78.73, -16.46, 13.65

 

CMYK 17 / 15 / 0 / 20

HEX #A8ADCB

RGB 168 173 203

HSL 231.43, 0.25%, 0.73%

LAB 71.23, 4.46, -15.82

 

CMYK 0 / 17 / 15 / 20

HEX #CBA8AD

RGB 203 168 173

HSL 351.43, 0.25%, 0.73%

LAB 72.04, 13.57, 2.22

 

CMYK 15 / 0 / 17 / 20

HEX #ADCBA9

RGB 173 203 169

HSL 112.94, 0.25%, 0.73%

LAB 78.73, -16.46, 13.65

 

CMYK 17 / 1 / 0 / 20

HEX #A8C9CB

RGB 168 201 203

HSL 183.43, 0.25%, 0.73%

LAB 78.7, -10.53, -4.68

 

CMYK 2 / 17 / 0 / 20

HEX #C6A8CB

RGB 198 168 203

HSL 291.43, 0.25%, 0.73%

LAB 72.44, 17.14, -13.74

 

CMYK 0 / 16 / 17 / 20

HEX #CBABA8

RGB 203 171 168

HSL 5.14, 0.25%, 0.73%

LAB 72.66, 11.14, 5.87

 

CMYK 15 / 0 / 17 / 20

HEX #ADCBA9

RGB 173 203 169

HSL 112.94, 0.25%, 0.73%

LAB 78.73, -16.46, 13.65

 

CMYK 17 / 6 / 0 / 20

HEX #A8BECB

RGB 168 190 203

HSL 202.29, 0.25%, 0.73%

LAB 75.74, -4.74, -9.06

 

CMYK 2 / 17 / 0 / 20

HEX #C6A8CB

RGB 198 168 203

HSL 291.43, 0.25%, 0.73%

LAB 72.44, 17.14, -13.74

 

CMYK 0 / 11 / 17 / 20

HEX #CBB5A8

RGB 203 181 168

HSL 22.29, 0.25%, 0.73%

LAB 75.18, 5.75, 9.49

 

Description

Color code: HEX #ADCBA9 | qconv.com Color code: HEX #ADCBA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 203 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 203 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 17 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 17% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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