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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADCCF5 it is the complementary color #52330A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADCCF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADCCF5 shade: #B2CCF0, #C3DEFF, #D4F0FF, #E5FFFF and #F6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADCCF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADCCF5 shade: #ADCCF5, #9CBAE2, #8BA8CF, #7A96BC and #6984A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADCCF5 shade: #ADCCF4, #ADB8F4, #B5ADF4, #C8ADF4 and #DBADF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADCCF5 shade: #ADCCF4, #ADB8F4 and #ADADF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADCCF5 shade matches the following richer shades: #ADCCF4 and #A5CBFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADCCF5 shade: #ADCCF4, #B4CDED, #BCCEE6, #C3CFDE and #CBD0D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADCCF5 shade: #ADF2F4, #ADDFF4, #ADCCF4, #ADB9F4 and #B4ADF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADCCF5 shade: #639EEB, #88B5F0, #ADCCF4, #D2E2F9 and #F6F9FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADCCF5 shade: #ADCCF5, #E4ADF4 and #E8F4AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADCCF5 shade: #ADCCF5, #F4ADCC and #CCF4AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADCCF5 shade: #ADCCF5, #E4ADF4, #F4D5AD and #BEF4AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADCCF5 shade: #ADCCF5, #F4ADF0, #F4D5AD and #ADF4B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 17 / 0 / 4

HEX #ADCCF5

RGB 173 204 245

HSL 214.17, 0.78%, 0.82%

LAB 81.11, -1.13, -23.55

 

Complementary color

CMYK 0 / 38 / 88 / 68

HEX #52330A

RGB 82 51 10

HSL 34.17, 0.78%, 0.18%

LAB 24.27, 10.19, 29.74

 

CMYK 26 / 15 / 0 / 6

HEX #B2CCF0

RGB 178 204 240

HSL 214.84, 0.67%, 0.82%

LAB 81.26, -0.85, -20.62

 

CMYK 24 / 13 / 0 / 0

HEX #C3DEFF

RGB 195 222 255

HSL 213, 1%, 0.88%

LAB 87.52, -1.92, -19

 

CMYK 17 / 6 / 0 / 0

HEX #D4F0FF

RGB 212 240 255

HSL 200.93, 1%, 0.92%

LAB 93.25, -6.08, -10.3

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 29 / 17 / 0 / 4

HEX #ADCCF5

RGB 173 204 245

HSL 214.17, 0.78%, 0.82%

LAB 81.11, -1.13, -23.55

 

CMYK 31 / 18 / 0 / 11

HEX #9CBAE2

RGB 156 186 226

HSL 214.29, 0.55%, 0.75%

LAB 74.62, -0.92, -23.31

 

CMYK 33 / 19 / 0 / 19

HEX #8BA8CF

RGB 139 168 207

HSL 214.41, 0.41%, 0.68%

LAB 68.02, -0.68, -23.08

 

CMYK 35 / 20 / 0 / 26

HEX #7A96BC

RGB 122 150 188

HSL 214.55, 0.33%, 0.61%

LAB 61.29, -0.42, -22.88

 

CMYK 38 / 22 / 0 / 34

HEX #6984A9

RGB 105 132 169

HSL 214.69, 0.27%, 0.54%

LAB 54.42, -0.11, -22.7

 

CMYK 29 / 16 / 0 / 4

HEX #ADCCF4

RGB 173 204 244

HSL 213.8, 0.76%, 0.82%

LAB 81.07, -1.37, -23.07

 

CMYK 29 / 25 / 0 / 4

HEX #ADB8F4

RGB 173 184 244

HSL 230.7, 0.76%, 0.82%

LAB 75.88, 9.46, -31.01

 

CMYK 26 / 29 / 0 / 4

HEX #B5ADF4

RGB 181 173 244

HSL 246.76, 0.76%, 0.82%

LAB 73.7, 17.86, -34.32

 

CMYK 18 / 29 / 0 / 4

HEX #C8ADF4

RGB 200 173 244

HSL 262.82, 0.76%, 0.82%

LAB 75.26, 23.51, -31.78

 

CMYK 10 / 29 / 0 / 4

HEX #DBADF4

RGB 219 173 244

HSL 278.87, 0.76%, 0.82%

LAB 76.97, 29.35, -29.02

 

CMYK 29 / 16 / 0 / 4

HEX #ADCCF4

RGB 173 204 244

HSL 213.8, 0.76%, 0.82%

LAB 81.07, -1.37, -23.07

 

CMYK 29 / 25 / 0 / 4

HEX #ADB8F4

RGB 173 184 244

HSL 230.7, 0.76%, 0.82%

LAB 75.88, 9.46, -31.01

 

CMYK 29 / 29 / 0 / 4

HEX #ADADF4

RGB 173 173 244

HSL 240, 0.76%, 0.82%

LAB 73.09, 15.55, -35.32

 

CMYK 29 / 16 / 0 / 4

HEX #ADCCF4

RGB 173 204 244

HSL 213.8, 0.76%, 0.82%

LAB 81.07, -1.37, -23.07

 

CMYK 35 / 19 / 0 / 1

HEX #A5CBFC

RGB 165 203 252

HSL 213.79, 0.94%, 0.82%

LAB 80.59, -1.11, -28.11

 

CMYK 29 / 16 / 0 / 4

HEX #ADCCF4

RGB 173 204 244

HSL 213.8, 0.76%, 0.82%

LAB 81.07, -1.37, -23.07

 

CMYK 24 / 14 / 0 / 7

HEX #B4CDED

RGB 180 205 237

HSL 213.68, 0.61%, 0.82%

LAB 81.55, -1.48, -18.56

 

CMYK 18 / 10 / 0 / 10

HEX #BCCEE6

RGB 188 206 230

HSL 214.29, 0.46%, 0.82%

LAB 82.13, -1.12, -13.9

 

CMYK 12 / 7 / 0 / 13

HEX #C3CFDE

RGB 195 207 222

HSL 213.33, 0.29%, 0.82%

LAB 82.65, -1.1, -8.81

 

CMYK 6 / 3 / 0 / 16

HEX #CBD0D7

RGB 203 208 215

HSL 215, 0.13%, 0.82%

LAB 83.29, -0.38, -4.06

 

CMYK 29 / 1 / 0 / 4

HEX #ADF2F4

RGB 173 242 244

HSL 181.69, 0.76%, 0.82%

LAB 91.2, -20.83, -7.87

 

CMYK 29 / 9 / 0 / 4

HEX #ADDFF4

RGB 173 223 244

HSL 197.75, 0.76%, 0.82%

LAB 86.1, -11.3, -15.47

 

CMYK 29 / 16 / 0 / 4

HEX #ADCCF4

RGB 173 204 244

HSL 213.8, 0.76%, 0.82%

LAB 81.07, -1.37, -23.07

 

CMYK 29 / 24 / 0 / 4

HEX #ADB9F4

RGB 173 185 244

HSL 229.86, 0.76%, 0.82%

LAB 76.14, 8.91, -30.61

 

CMYK 26 / 29 / 0 / 4

HEX #B4ADF4

RGB 180 173 244

HSL 245.92, 0.76%, 0.82%

LAB 73.62, 17.57, -34.45

 

CMYK 58 / 33 / 0 / 8

HEX #639EEB

RGB 99 158 235

HSL 213.97, 0.77%, 0.65%

LAB 64.25, 3.28, -44.55

 

CMYK 43 / 25 / 0 / 6

HEX #88B5F0

RGB 136 181 240

HSL 214.04, 0.78%, 0.74%

LAB 72.61, 0.12, -34.09

 

CMYK 29 / 16 / 0 / 4

HEX #ADCCF4

RGB 173 204 244

HSL 213.8, 0.76%, 0.82%

LAB 81.07, -1.37, -23.07

 

CMYK 16 / 9 / 0 / 2

HEX #D2E2F9

RGB 210 226 249

HSL 215.38, 0.76%, 0.9%

LAB 89.36, -0.74, -12.97

 

CMYK 3 / 2 / 0 / 1

HEX #F6F9FD

RGB 246 249 253

HSL 214.29, 0.64%, 0.98%

LAB 97.81, -0.27, -2.27

 

CMYK 29 / 17 / 0 / 4

HEX #ADCCF5

RGB 173 204 245

HSL 214.17, 0.78%, 0.82%

LAB 81.11, -1.13, -23.55

 

CMYK 7 / 29 / 0 / 4

HEX #E4ADF4

RGB 228 173 244

HSL 286.48, 0.76%, 0.82%

LAB 77.82, 32.16, -27.63

 

CMYK 5 / 0 / 29 / 4

HEX #E8F4AD

RGB 232 244 173

HSL 70.14, 0.76%, 0.82%

LAB 93.83, -15.15, 32.97

 

CMYK 29 / 17 / 0 / 4

HEX #ADCCF5

RGB 173 204 245

HSL 214.17, 0.78%, 0.82%

LAB 81.11, -1.13, -23.55

 

CMYK 0 / 29 / 16 / 4

HEX #F4ADCC

RGB 244 173 204

HSL 333.8, 0.76%, 0.82%

LAB 78.16, 30.45, -5.3

 

CMYK 16 / 0 / 29 / 4

HEX #CCF4AD

RGB 204 244 173

HSL 93.8, 0.76%, 0.82%

LAB 91.93, -25.18, 30.09

 

CMYK 29 / 17 / 0 / 4

HEX #ADCCF5

RGB 173 204 245

HSL 214.17, 0.78%, 0.82%

LAB 81.11, -1.13, -23.55

 

CMYK 7 / 29 / 0 / 4

HEX #E4ADF4

RGB 228 173 244

HSL 286.48, 0.76%, 0.82%

LAB 77.82, 32.16, -27.63

 

CMYK 0 / 13 / 29 / 4

HEX #F4D5AD

RGB 244 213 173

HSL 33.8, 0.76%, 0.82%

LAB 86.92, 4.99, 23.77

 

CMYK 22 / 0 / 29 / 4

HEX #BEF4AD

RGB 190 244 173

HSL 105.63, 0.76%, 0.82%

LAB 91.08, -29.97, 28.8

 

CMYK 29 / 17 / 0 / 4

HEX #ADCCF5

RGB 173 204 245

HSL 214.17, 0.78%, 0.82%

LAB 81.11, -1.13, -23.55

 

CMYK 0 / 29 / 2 / 4

HEX #F4ADF0

RGB 244 173 240

HSL 303.38, 0.76%, 0.82%

LAB 79.28, 36.47, -23.11

 

CMYK 0 / 13 / 29 / 4

HEX #F4D5AD

RGB 244 213 173

HSL 33.8, 0.76%, 0.82%

LAB 86.92, 4.99, 23.77

 

CMYK 29 / 0 / 27 / 4

HEX #ADF4B2

RGB 173 244 178

HSL 124.23, 0.76%, 0.82%

LAB 90.23, -34.72, 24.94

 

Description

Color code: HEX #ADCCF5 | qconv.com Color code: HEX #ADCCF5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 204 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 204 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 17 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 17% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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