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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADCD83 it is the complementary color #52327C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADCD83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADCD83 shade: #B2CD7E, #C3DF91, #D4F1A4, #E5FFB7 and #F6FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADCD83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADCD83 shade: #ADCD83, #9CBB70, #8BA95D, #7A974A and #698537

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADCD83 shade: #ADCD83, #C1CD83, #CDC583, #CDB183 and #CD9D83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADCD83 shade: #ADCD83, #99CD83, #85CD83, #83CD95 and #83CDA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADCD83 shade matches the following richer shades: #ADCD83, #AFDB74, #B1E966 and #B3F758

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADCD83 shade: #ADCD83, #ABBF91, #A9B19F, #A7A3AD and #A595BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADCD83 shade: #CDC483, #C2CD83, #AECD83, #9ACD83 and #86CD83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADCD83 shade: #86B548, #99C165, #ADCD83, #C0D9A0 and #D4E5BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADCD83 shade: #ADCD83, #83CDB0 and #CD83CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADCD83 shade: #ADCD83, #83AECD and #CD83AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADCD83 shade: #ADCD83, #83CDB0, #A283CD and #CD839F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADCD83 shade: #ADCD83, #83CDC7, #A283CD and #CD8389

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 36 / 20

HEX #ADCD83

RGB 173 205 131

HSL 85.95, 0.43%, 0.66%

LAB 78.57, -23.31, 33.41

 

Complementary color

CMYK 34 / 60 / 0 / 51

HEX #52327C

RGB 82 50 124

HSL 265.95, 0.43%, 0.34%

LAB 28.2, 30.96, -36.92

 

CMYK 13 / 0 / 39 / 20

HEX #B2CD7E

RGB 178 205 126

HSL 80.51, 0.44%, 0.65%

LAB 78.83, -22.09, 36.37

 

CMYK 13 / 0 / 35 / 13

HEX #C3DF91

RGB 195 223 145

HSL 81.54, 0.55%, 0.72%

LAB 85.21, -22.13, 35.24

 

CMYK 12 / 0 / 32 / 5

HEX #D4F1A4

RGB 212 241 164

HSL 82.6, 0.73%, 0.79%

LAB 91.5, -22.15, 34.15

 

CMYK 10 / 0 / 28 / 0

HEX #E5FFB7

RGB 229 255 183

HSL 81.67, 1%, 0.86%

LAB 96.66, -20.24, 31.7

 

CMYK 4 / 0 / 21 / 0

HEX #F6FFCA

RGB 246 255 202

HSL 70.19, 1%, 0.9%

LAB 98.18, -11.54, 24.39

 

CMYK 16 / 0 / 36 / 20

HEX #ADCD83

RGB 173 205 131

HSL 85.95, 0.43%, 0.66%

LAB 78.57, -23.31, 33.41

 

CMYK 17 / 0 / 40 / 27

HEX #9CBB70

RGB 156 187 112

HSL 84.8, 0.36%, 0.59%

LAB 72.08, -23.32, 34.56

 

CMYK 18 / 0 / 45 / 34

HEX #8BA95D

RGB 139 169 93

HSL 83.68, 0.31%, 0.51%

LAB 65.48, -23.29, 35.76

 

CMYK 19 / 0 / 51 / 41

HEX #7A974A

RGB 122 151 74

HSL 82.6, 0.34%, 0.44%

LAB 58.76, -23.21, 36.96

 

CMYK 21 / 0 / 59 / 48

HEX #698537

RGB 105 133 55

HSL 81.54, 0.41%, 0.37%

LAB 51.9, -23.05, 38.11

 

CMYK 16 / 0 / 36 / 20

HEX #ADCD83

RGB 173 205 131

HSL 85.95, 0.43%, 0.66%

LAB 78.57, -23.31, 33.41

 

CMYK 6 / 0 / 36 / 20

HEX #C1CD83

RGB 193 205 131

HSL 69.73, 0.43%, 0.66%

LAB 79.98, -15.74, 35.51

 

CMYK 0 / 4 / 36 / 20

HEX #CDC583

RGB 205 197 131

HSL 53.51, 0.43%, 0.66%

LAB 78.78, -6.97, 34.14

 

CMYK 0 / 14 / 36 / 20

HEX #CDB183

RGB 205 177 131

HSL 37.3, 0.43%, 0.66%

LAB 73.59, 3.54, 27.29

 

CMYK 0 / 23 / 36 / 20

HEX #CD9D83

RGB 205 157 131

HSL 21.08, 0.43%, 0.66%

LAB 68.56, 14.34, 20.49

 

CMYK 16 / 0 / 36 / 20

HEX #ADCD83

RGB 173 205 131

HSL 85.95, 0.43%, 0.66%

LAB 78.57, -23.31, 33.41

 

CMYK 25 / 0 / 36 / 20

HEX #99CD83

RGB 153 205 131

HSL 102.16, 0.43%, 0.66%

LAB 77.32, -30.51, 31.54

 

CMYK 35 / 0 / 36 / 20

HEX #85CD83

RGB 133 205 131

HSL 118.38, 0.43%, 0.66%

LAB 76.25, -37.19, 29.92

 

CMYK 36 / 0 / 27 / 20

HEX #83CD95

RGB 131 205 149

HSL 134.59, 0.43%, 0.66%

LAB 76.47, -34.77, 20.78

 

CMYK 36 / 0 / 18 / 20

HEX #83CDA9

RGB 131 205 169

HSL 150.81, 0.43%, 0.66%

LAB 76.89, -30.92, 10.71

 

CMYK 16 / 0 / 36 / 20

HEX #ADCD83

RGB 173 205 131

HSL 85.95, 0.43%, 0.66%

LAB 78.57, -23.31, 33.41

 

CMYK 20 / 0 / 47 / 14

HEX #AFDB74

RGB 175 219 116

HSL 85.63, 0.59%, 0.66%

LAB 82.4, -31.11, 45.78

 

CMYK 24 / 0 / 56 / 9

HEX #B1E966

RGB 177 233 102

HSL 85.65, 0.75%, 0.66%

LAB 86.3, -38.2, 56.94

 

CMYK 28 / 0 / 64 / 3

HEX #B3F758

RGB 179 247 88

HSL 85.66, 0.91%, 0.66%

LAB 90.23, -44.78, 67.18

 

CMYK 16 / 0 / 36 / 20

HEX #ADCD83

RGB 173 205 131

HSL 85.95, 0.43%, 0.66%

LAB 78.57, -23.31, 33.41

 

CMYK 10 / 0 / 24 / 25

HEX #ABBF91

RGB 171 191 145

HSL 86.09, 0.26%, 0.66%

LAB 74.8, -15.03, 20.99

 

CMYK 5 / 0 / 10 / 31

HEX #A9B19F

RGB 169 177 159

HSL 86.67, 0.1%, 0.66%

LAB 71.13, -6.13, 8.24

 

CMYK 3 / 6 / 0 / 32

HEX #A7A3AD

RGB 167 163 173

HSL 264, 0.06%, 0.66%

LAB 67.6, 3.36, -4.66

 

CMYK 12 / 20 / 0 / 27

HEX #A595BB

RGB 165 149 187

HSL 265.26, 0.22%, 0.66%

LAB 64.23, 13.37, -17.55

 

CMYK 0 / 4 / 36 / 20

HEX #CDC483

RGB 205 196 131

HSL 52.7, 0.43%, 0.66%

LAB 78.52, -6.45, 33.8

 

CMYK 5 / 0 / 36 / 20

HEX #C2CD83

RGB 194 205 131

HSL 68.92, 0.43%, 0.66%

LAB 80.05, -15.35, 35.62

 

CMYK 15 / 0 / 36 / 20

HEX #AECD83

RGB 174 205 131

HSL 85.14, 0.43%, 0.66%

LAB 78.64, -22.94, 33.51

 

CMYK 25 / 0 / 36 / 20

HEX #9ACD83

RGB 154 205 131

HSL 101.35, 0.43%, 0.66%

LAB 77.38, -30.16, 31.63

 

CMYK 35 / 0 / 36 / 20

HEX #86CD83

RGB 134 205 131

HSL 117.57, 0.43%, 0.66%

LAB 76.3, -36.87, 29.99

 

CMYK 26 / 0 / 60 / 29

HEX #86B548

RGB 134 181 72

HSL 85.87, 0.43%, 0.5%

LAB 68.45, -33.2, 49.37

 

CMYK 21 / 0 / 48 / 24

HEX #99C165

RGB 153 193 101

HSL 86.09, 0.43%, 0.58%

LAB 73.45, -28.7, 41.8

 

CMYK 16 / 0 / 36 / 20

HEX #ADCD83

RGB 173 205 131

HSL 85.95, 0.43%, 0.66%

LAB 78.57, -23.31, 33.41

 

CMYK 12 / 0 / 26 / 15

HEX #C0D9A0

RGB 192 217 160

HSL 86.32, 0.43%, 0.74%

LAB 83.64, -18.19, 25.39

 

CMYK 7 / 0 / 17 / 10

HEX #D4E5BE

RGB 212 229 190

HSL 86.15, 0.43%, 0.82%

LAB 88.81, -12.45, 17.14

 

CMYK 16 / 0 / 36 / 20

HEX #ADCD83

RGB 173 205 131

HSL 85.95, 0.43%, 0.66%

LAB 78.57, -23.31, 33.41

 

CMYK 36 / 0 / 14 / 20

HEX #83CDB0

RGB 131 205 176

HSL 156.49, 0.43%, 0.66%

LAB 77.05, -29.46, 7.19

 

CMYK 0 / 36 / 0 / 20

HEX #CD83CC

RGB 205 131 204

HSL 300.81, 0.43%, 0.66%

LAB 64.62, 39.85, -26.12

 

CMYK 16 / 0 / 36 / 20

HEX #ADCD83

RGB 173 205 131

HSL 85.95, 0.43%, 0.66%

LAB 78.57, -23.31, 33.41

 

CMYK 36 / 15 / 0 / 20

HEX #83AECD

RGB 131 174 205

HSL 205.14, 0.43%, 0.66%

LAB 69.12, -6.74, -20.36

 

CMYK 0 / 36 / 15 / 20

HEX #CD83AE

RGB 205 131 174

HSL 325.14, 0.43%, 0.66%

LAB 63.56, 34.64, -10.81

 

CMYK 16 / 0 / 36 / 20

HEX #ADCD83

RGB 173 205 131

HSL 85.95, 0.43%, 0.66%

LAB 78.57, -23.31, 33.41

 

CMYK 36 / 0 / 14 / 20

HEX #83CDB0

RGB 131 205 176

HSL 156.49, 0.43%, 0.66%

LAB 77.05, -29.46, 7.19

 

CMYK 21 / 36 / 0 / 20

HEX #A283CD

RGB 162 131 205

HSL 265.14, 0.43%, 0.66%

LAB 60.18, 26.71, -33.92

 

CMYK 0 / 36 / 22 / 20

HEX #CD839F

RGB 205 131 159

HSL 337.3, 0.43%, 0.66%

LAB 63.11, 32.31, -2.97

 

CMYK 16 / 0 / 36 / 20

HEX #ADCD83

RGB 173 205 131

HSL 85.95, 0.43%, 0.66%

LAB 78.57, -23.31, 33.41

 

CMYK 36 / 0 / 3 / 20

HEX #83CDC7

RGB 131 205 199

HSL 175.14, 0.43%, 0.66%

LAB 77.65, -24.32, -4.31

 

CMYK 21 / 36 / 0 / 20

HEX #A283CD

RGB 162 131 205

HSL 265.14, 0.43%, 0.66%

LAB 60.18, 26.71, -33.92

 

CMYK 0 / 36 / 33 / 20

HEX #CD8389

RGB 205 131 137

HSL 355.14, 0.43%, 0.66%

LAB 62.52, 29.26, 8.72

 

Description

Color code: HEX #ADCD83 | qconv.com Color code: HEX #ADCD83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 205 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 205 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 36 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 36% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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