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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE74A it is the complementary color #5218B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE74A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE74A shade: #B2E745, #C3F958, #D4FF6B, #E5FF7E and #F6FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE74A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE74A shade: #ADE74A, #9CD537, #8BC324, #7AB111 and #699F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE74A shade: #ADE74A, #D7E74A, #E7CC4A, #E7A24A and #E7784A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE74A shade: #ADE74A, #83E74A, #58E74A, #4AE766 and #4AE790

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE74A shade matches the following richer shades: #ADE74A and #B1F839

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE74A shade: #ADE74A, #A9D75A, #A4C66B, #A0B67B and #9CA58C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE74A shade: #E7CD4A, #D7E74A, #ADE74A, #84E74A and #5AE74A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE74A shade: #86C519, #9DE225, #ADE74A, #BDEC6E and #CEF193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE74A shade: #ADE74A, #4AE7A3 and #E24AE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE74A shade: #ADE74A, #4AADE7 and #E74AAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE74A shade: #ADE74A, #4AE7A3, #844AE7 and #E74A8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE74A shade: #ADE74A, #4AE7D2, #844AE7 and #E74A5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 68 / 9

HEX #ADE74A

RGB 173 231 74

HSL 82.17, 0.77%, 0.6%

LAB 85.27, -40.98, 67.24

 

Complementary color

CMYK 55 / 87 / 0 / 29

HEX #5218B5

RGB 82 24 181

HSL 262.17, 0.77%, 0.4%

LAB 28.86, 58.49, -70.74

 

CMYK 23 / 0 / 70 / 9

HEX #B2E745

RGB 178 231 69

HSL 79.63, 0.77%, 0.59%

LAB 85.53, -39.42, 69.42

 

CMYK 22 / 0 / 65 / 2

HEX #C3F958

RGB 195 249 88

HSL 80.12, 0.93%, 0.66%

LAB 91.71, -39.83, 69.03

 

CMYK 17 / 0 / 58 / 0

HEX #D4FF6B

RGB 212 255 107

HSL 77.43, 1%, 0.71%

LAB 94.56, -34.76, 64.71

 

CMYK 10 / 0 / 51 / 0

HEX #E5FF7E

RGB 229 255 126

HSL 72.09, 1%, 0.75%

LAB 95.87, -26.73, 58.17

 

CMYK 4 / 0 / 43 / 0

HEX #F6FF91

RGB 246 255 145

HSL 64.91, 1%, 0.78%

LAB 97.29, -18.46, 51.36

 

CMYK 25 / 0 / 68 / 9

HEX #ADE74A

RGB 173 231 74

HSL 82.17, 0.77%, 0.6%

LAB 85.27, -40.98, 67.24

 

CMYK 27 / 0 / 74 / 16

HEX #9CD537

RGB 156 213 55

HSL 81.65, 0.65%, 0.53%

LAB 79, -40.52, 67.37

 

CMYK 29 / 0 / 82 / 24

HEX #8BC324

RGB 139 195 36

HSL 81.13, 0.69%, 0.45%

LAB 72.66, -39.91, 66.78

 

CMYK 31 / 0 / 90 / 31

HEX #7AB111

RGB 122 177 17

HSL 80.63, 0.82%, 0.38%

LAB 66.23, -39.07, 65.04

 

CMYK 34 / 0 / 100 / 38

HEX #699F00

RGB 105 159 0

HSL 80.38, 1%, 0.31%

LAB 59.71, -38.01, 61.87

 

CMYK 25 / 0 / 68 / 9

HEX #ADE74A

RGB 173 231 74

HSL 82.17, 0.77%, 0.6%

LAB 85.27, -40.98, 67.24

 

CMYK 7 / 0 / 68 / 9

HEX #D7E74A

RGB 215 231 74

HSL 66.11, 0.77%, 0.6%

LAB 88.01, -24.64, 70.91

 

CMYK 0 / 12 / 68 / 9

HEX #E7CC4A

RGB 231 204 74

HSL 49.68, 0.77%, 0.6%

LAB 82.2, -4.65, 65.45

 

CMYK 0 / 30 / 68 / 9

HEX #E7A24A

RGB 231 162 74

HSL 33.63, 0.77%, 0.6%

LAB 71.77, 17.36, 54.5

 

CMYK 0 / 48 / 68 / 9

HEX #E7784A

RGB 231 120 74

HSL 17.58, 0.77%, 0.6%

LAB 62.44, 39.42, 44.14

 

CMYK 25 / 0 / 68 / 9

HEX #ADE74A

RGB 173 231 74

HSL 82.17, 0.77%, 0.6%

LAB 85.27, -40.98, 67.24

 

CMYK 43 / 0 / 68 / 9

HEX #83E74A

RGB 131 231 74

HSL 98.22, 0.77%, 0.6%

LAB 83.16, -55.34, 64.4

 

CMYK 62 / 0 / 68 / 9

HEX #58E74A

RGB 88 231 74

HSL 114.65, 0.77%, 0.6%

LAB 81.69, -66.7, 62.4

 

CMYK 68 / 0 / 56 / 9

HEX #4AE766

RGB 74 231 102

HSL 130.7, 0.77%, 0.6%

LAB 81.6, -66.47, 50.41

 

CMYK 68 / 0 / 38 / 9

HEX #4AE790

RGB 74 231 144

HSL 146.75, 0.77%, 0.6%

LAB 82.17, -59.96, 30.76

 

CMYK 25 / 0 / 68 / 9

HEX #ADE74A

RGB 173 231 74

HSL 82.17, 0.77%, 0.6%

LAB 85.27, -40.98, 67.24

 

CMYK 29 / 0 / 77 / 3

HEX #B1F839

RGB 177 248 57

HSL 82.3, 0.93%, 0.6%

LAB 90.22, -47.76, 77.76

 

CMYK 25 / 0 / 68 / 9

HEX #ADE74A

RGB 173 231 74

HSL 82.17, 0.77%, 0.6%

LAB 85.27, -40.98, 67.24

 

CMYK 21 / 0 / 58 / 16

HEX #A9D75A

RGB 169 215 90

HSL 82.08, 0.61%, 0.6%

LAB 80.61, -34.07, 55.63

 

CMYK 17 / 0 / 46 / 22

HEX #A4C66B

RGB 164 198 107

HSL 82.42, 0.44%, 0.6%

LAB 75.66, -26.25, 41.72

 

CMYK 12 / 0 / 32 / 29

HEX #A0B67B

RGB 160 182 123

HSL 82.37, 0.29%, 0.6%

LAB 71.12, -17.81, 27.6

 

CMYK 5 / 0 / 15 / 35

HEX #9CA58C

RGB 156 165 140

HSL 81.6, 0.12%, 0.6%

LAB 66.42, -7.8, 11.89

 

CMYK 0 / 11 / 68 / 9

HEX #E7CD4A

RGB 231 205 74

HSL 50.06, 0.77%, 0.6%

LAB 82.46, -5.16, 65.71

 

CMYK 7 / 0 / 68 / 9

HEX #D7E74A

RGB 215 231 74

HSL 66.11, 0.77%, 0.6%

LAB 88.01, -24.64, 70.91

 

CMYK 25 / 0 / 68 / 9

HEX #ADE74A

RGB 173 231 74

HSL 82.17, 0.77%, 0.6%

LAB 85.27, -40.98, 67.24

 

CMYK 43 / 0 / 68 / 9

HEX #84E74A

RGB 132 231 74

HSL 97.83, 0.77%, 0.6%

LAB 83.21, -55.03, 64.46

 

CMYK 61 / 0 / 68 / 9

HEX #5AE74A

RGB 90 231 74

HSL 113.89, 0.77%, 0.6%

LAB 81.74, -66.26, 62.47

 

CMYK 32 / 0 / 87 / 23

HEX #86C519

RGB 134 197 25

HSL 81.98, 0.77%, 0.44%

LAB 72.94, -43.03, 69.44

 

CMYK 31 / 0 / 84 / 11

HEX #9DE225

RGB 157 226 37

HSL 81.9, 0.77%, 0.52%

LAB 82.75, -46.53, 75.79

 

CMYK 25 / 0 / 68 / 9

HEX #ADE74A

RGB 173 231 74

HSL 82.17, 0.77%, 0.6%

LAB 85.27, -40.98, 67.24

 

CMYK 20 / 0 / 53 / 7

HEX #BDEC6E

RGB 189 236 110

HSL 82.38, 0.77%, 0.68%

LAB 87.94, -34.41, 55.44

 

CMYK 15 / 0 / 39 / 5

HEX #CEF193

RGB 206 241 147

HSL 82.34, 0.77%, 0.76%

LAB 90.84, -26.49, 41.68

 

CMYK 25 / 0 / 68 / 9

HEX #ADE74A

RGB 173 231 74

HSL 82.17, 0.77%, 0.6%

LAB 85.27, -40.98, 67.24

 

CMYK 68 / 0 / 29 / 9

HEX #4AE7A3

RGB 74 231 163

HSL 154.01, 0.77%, 0.6%

LAB 82.51, -56.25, 21.46

 

CMYK 2 / 68 / 0 / 9

HEX #E24AE7

RGB 226 74 231

HSL 298.09, 0.77%, 0.6%

LAB 58.82, 76.32, -50.13

 

CMYK 25 / 0 / 68 / 9

HEX #ADE74A

RGB 173 231 74

HSL 82.17, 0.77%, 0.6%

LAB 85.27, -40.98, 67.24

 

CMYK 68 / 25 / 0 / 9

HEX #4AADE7

RGB 74 173 231

HSL 202.17, 0.77%, 0.6%

LAB 67.36, -10.79, -37.54

 

CMYK 0 / 68 / 25 / 9

HEX #E74AAD

RGB 231 74 173

HSL 322.17, 0.77%, 0.6%

LAB 56.98, 69.1, -19.85

 

CMYK 25 / 0 / 68 / 9

HEX #ADE74A

RGB 173 231 74

HSL 82.17, 0.77%, 0.6%

LAB 85.27, -40.98, 67.24

 

CMYK 68 / 0 / 29 / 9

HEX #4AE7A3

RGB 74 231 163

HSL 154.01, 0.77%, 0.6%

LAB 82.51, -56.25, 21.46

 

CMYK 43 / 68 / 0 / 9

HEX #844AE7

RGB 132 74 231

HSL 262.17, 0.77%, 0.6%

LAB 46.41, 57.18, -70.75

 

CMYK 0 / 68 / 39 / 9

HEX #E74A8E

RGB 231 74 142

HSL 334.01, 0.77%, 0.6%

LAB 55.93, 65.56, -3.28

 

CMYK 25 / 0 / 68 / 9

HEX #ADE74A

RGB 173 231 74

HSL 82.17, 0.77%, 0.6%

LAB 85.27, -40.98, 67.24

 

CMYK 68 / 0 / 9 / 9

HEX #4AE7D2

RGB 74 231 210

HSL 171.97, 0.77%, 0.6%

LAB 83.58, -45.29, -1.67

 

CMYK 43 / 68 / 0 / 9

HEX #844AE7

RGB 132 74 231

HSL 262.17, 0.77%, 0.6%

LAB 46.41, 57.18, -70.75

 

CMYK 0 / 68 / 59 / 9

HEX #E74A5F

RGB 231 74 95

HSL 351.97, 0.77%, 0.6%

LAB 54.78, 61.55, 22.95

 

Description

Color code: HEX #ADE74A | qconv.com Color code: HEX #ADE74A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 231 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 231 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 68 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 68% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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