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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE862 it is the complementary color #52179D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE862. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE862 shade: #B2E85D, #C3FA70, #D4FF83, #E5FF96 and #F6FFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE862. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE862 shade: #ADE862, #9CD64F, #8BC43C, #7AB229 and #69A016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE862 shade: #ADE763, #D1E763, #E7DA63, #E7B763 and #E79363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE862 shade: #ADE763, #8AE763, #66E763, #63E784 and #63E7A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE862 shade matches the following richer shades: #ADE763 and #AFF655

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE862 shade: #ADE763, #ABD972, #AACA80, #A8BC8F and #A6AE9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE862 shade: #E7DA63, #D1E763, #AEE763, #8BE763 and #68E763

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE862 shade: #87D820, #9AE23F, #ADE763, #C0ED87 and #D3F2AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE862 shade: #ADE862, #63E7B7 and #E763E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE862 shade: #ADE862, #63AEE7 and #E763AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE862 shade: #ADE862, #63E7B7, #9C63E7 and #E76394

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE862 shade: #ADE862, #63E7DE, #9C63E7 and #E7636C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 58 / 9

HEX #ADE862

RGB 173 232 98

HSL 86.42, 0.74%, 0.65%

LAB 85.75, -39.57, 58

 

Complementary color

CMYK 48 / 85 / 0 / 38

HEX #52179D

RGB 82 23 157

HSL 266.42, 0.74%, 0.35%

LAB 26.28, 52.8, -60.51

 

CMYK 23 / 0 / 60 / 9

HEX #B2E85D

RGB 178 232 93

HSL 83.31, 0.75%, 0.64%

LAB 85.99, -38.17, 60.51

 

CMYK 22 / 0 / 55 / 2

HEX #C3FA70

RGB 195 250 112

HSL 83.91, 0.93%, 0.71%

LAB 92.2, -38.36, 59.59

 

CMYK 17 / 0 / 49 / 0

HEX #D4FF83

RGB 212 255 131

HSL 80.81, 1%, 0.76%

LAB 94.8, -32.6, 54.35

 

CMYK 10 / 0 / 41 / 0

HEX #E5FF96

RGB 229 255 150

HSL 74.86, 1%, 0.79%

LAB 96.15, -24.32, 47.3

 

CMYK 4 / 0 / 34 / 0

HEX #F6FFA9

RGB 246 255 169

HSL 66.28, 1%, 0.83%

LAB 97.62, -15.85, 40.16

 

CMYK 25 / 0 / 58 / 9

HEX #ADE862

RGB 173 232 98

HSL 86.42, 0.74%, 0.65%

LAB 85.75, -39.57, 58

 

CMYK 27 / 0 / 63 / 16

HEX #9CD64F

RGB 156 214 79

HSL 85.78, 0.62%, 0.57%

LAB 79.46, -39.38, 58.85

 

CMYK 29 / 0 / 69 / 23

HEX #8BC43C

RGB 139 196 60

HSL 85.15, 0.54%, 0.5%

LAB 73.09, -39.07, 59.41

 

CMYK 31 / 0 / 77 / 30

HEX #7AB229

RGB 122 178 41

HSL 84.53, 0.63%, 0.43%

LAB 66.63, -38.6, 59.43

 

CMYK 34 / 0 / 86 / 37

HEX #69A016

RGB 105 160 22

HSL 83.91, 0.76%, 0.36%

LAB 60.07, -37.91, 58.48

 

CMYK 25 / 0 / 57 / 9

HEX #ADE763

RGB 173 231 99

HSL 86.36, 0.73%, 0.65%

LAB 85.47, -39.04, 57.25

 

CMYK 10 / 0 / 57 / 9

HEX #D1E763

RGB 209 231 99

HSL 70, 0.73%, 0.65%

LAB 87.78, -25.38, 60.49

 

CMYK 0 / 6 / 57 / 9

HEX #E7DA63

RGB 231 218 99

HSL 54.09, 0.73%, 0.65%

LAB 86.02, -10.17, 58.97

 

CMYK 0 / 21 / 57 / 9

HEX #E7B763

RGB 231 183 99

HSL 38.18, 0.73%, 0.65%

LAB 77.14, 7.86, 48.73

 

CMYK 0 / 36 / 57 / 9

HEX #E79363

RGB 231 147 99

HSL 21.82, 0.73%, 0.65%

LAB 68.58, 26.99, 38.38

 

CMYK 25 / 0 / 57 / 9

HEX #ADE763

RGB 173 231 99

HSL 86.36, 0.73%, 0.65%

LAB 85.47, -39.04, 57.25

 

CMYK 40 / 0 / 57 / 9

HEX #8AE763

RGB 138 231 99

HSL 102.27, 0.73%, 0.65%

LAB 83.68, -50.92, 54.73

 

CMYK 56 / 0 / 57 / 9

HEX #66E763

RGB 102 231 99

HSL 118.64, 0.73%, 0.65%

LAB 82.31, -60.97, 52.79

 

CMYK 57 / 0 / 43 / 9

HEX #63E784

RGB 99 231 132

HSL 135, 0.73%, 0.65%

LAB 82.63, -57.16, 37.5

 

CMYK 57 / 0 / 27 / 9

HEX #63E7A8

RGB 99 231 168

HSL 151.36, 0.73%, 0.65%

LAB 83.25, -50.65, 19.98

 

CMYK 25 / 0 / 57 / 9

HEX #ADE763

RGB 173 231 99

HSL 86.36, 0.73%, 0.65%

LAB 85.47, -39.04, 57.25

 

CMYK 29 / 0 / 65 / 4

HEX #AFF655

RGB 175 246 85

HSL 86.46, 0.9%, 0.65%

LAB 89.71, -45.99, 67.73

 

CMYK 25 / 0 / 57 / 9

HEX #ADE763

RGB 173 231 99

HSL 86.36, 0.73%, 0.65%

LAB 85.47, -39.04, 57.25

 

CMYK 21 / 0 / 47 / 15

HEX #ABD972

RGB 171 217 114

HSL 86.8, 0.58%, 0.65%

LAB 81.56, -31.87, 45.66

 

CMYK 16 / 0 / 37 / 21

HEX #AACA80

RGB 170 202 128

HSL 85.95, 0.41%, 0.65%

LAB 77.49, -23.35, 33.5

 

CMYK 11 / 0 / 24 / 26

HEX #A8BC8F

RGB 168 188 143

HSL 86.67, 0.25%, 0.65%

LAB 73.72, -14.91, 20.55

 

CMYK 5 / 0 / 10 / 32

HEX #A6AE9D

RGB 166 174 157

HSL 88.24, 0.09%, 0.65%

LAB 70.04, -5.97, 7.75

 

CMYK 0 / 6 / 57 / 9

HEX #E7DA63

RGB 231 218 99

HSL 54.09, 0.73%, 0.65%

LAB 86.02, -10.17, 58.97

 

CMYK 10 / 0 / 57 / 9

HEX #D1E763

RGB 209 231 99

HSL 70, 0.73%, 0.65%

LAB 87.78, -25.38, 60.49

 

CMYK 25 / 0 / 57 / 9

HEX #AEE763

RGB 174 231 99

HSL 85.91, 0.73%, 0.65%

LAB 85.53, -38.67, 57.33

 

CMYK 40 / 0 / 57 / 9

HEX #8BE763

RGB 139 231 99

HSL 101.82, 0.73%, 0.65%

LAB 83.73, -50.61, 54.79

 

CMYK 55 / 0 / 57 / 9

HEX #68E763

RGB 104 231 99

HSL 117.73, 0.73%, 0.65%

LAB 82.38, -60.48, 52.88

 

CMYK 38 / 0 / 85 / 15

HEX #87D820

RGB 135 216 32

HSL 86.41, 0.74%, 0.49%

LAB 78.68, -50.36, 72.92

 

CMYK 32 / 0 / 72 / 11

HEX #9AE23F

RGB 154 226 63

HSL 86.5, 0.74%, 0.57%

LAB 82.71, -46.41, 68.26

 

CMYK 25 / 0 / 57 / 9

HEX #ADE763

RGB 173 231 99

HSL 86.36, 0.73%, 0.65%

LAB 85.47, -39.04, 57.25

 

CMYK 19 / 0 / 43 / 7

HEX #C0ED87

RGB 192 237 135

HSL 86.47, 0.74%, 0.73%

LAB 88.7, -31.13, 44.64

 

CMYK 13 / 0 / 29 / 5

HEX #D3F2AB

RGB 211 242 171

HSL 86.2, 0.73%, 0.81%

LAB 91.82, -22.04, 31.03

 

CMYK 25 / 0 / 58 / 9

HEX #ADE862

RGB 173 232 98

HSL 86.42, 0.74%, 0.65%

LAB 85.75, -39.57, 58

 

CMYK 57 / 0 / 21 / 9

HEX #63E7B7

RGB 99 231 183

HSL 158.18, 0.73%, 0.65%

LAB 83.56, -47.49, 12.59

 

CMYK 0 / 57 / 2 / 9

HEX #E763E3

RGB 231 99 227

HSL 301.82, 0.73%, 0.65%

LAB 62.89, 66.99, -41.42

 

CMYK 25 / 0 / 58 / 9

HEX #ADE862

RGB 173 232 98

HSL 86.42, 0.74%, 0.65%

LAB 85.75, -39.57, 58

 

CMYK 57 / 25 / 0 / 9

HEX #63AEE7

RGB 99 174 231

HSL 205.91, 0.73%, 0.65%

LAB 68.53, -6.98, -35.66

 

CMYK 0 / 57 / 25 / 9

HEX #E763AE

RGB 231 99 174

HSL 325.91, 0.73%, 0.65%

LAB 60.75, 59.03, -14.7

 

CMYK 25 / 0 / 58 / 9

HEX #ADE862

RGB 173 232 98

HSL 86.42, 0.74%, 0.65%

LAB 85.75, -39.57, 58

 

CMYK 57 / 0 / 21 / 9

HEX #63E7B7

RGB 99 231 183

HSL 158.18, 0.73%, 0.65%

LAB 83.56, -47.49, 12.59

 

CMYK 32 / 57 / 0 / 9

HEX #9C63E7

RGB 156 99 231

HSL 265.91, 0.73%, 0.65%

LAB 53.77, 49.24, -58.72

 

CMYK 0 / 57 / 36 / 9

HEX #E76394

RGB 231 99 148

HSL 337.73, 0.73%, 0.65%

LAB 59.93, 55.82, -0.9

 

CMYK 25 / 0 / 58 / 9

HEX #ADE862

RGB 173 232 98

HSL 86.42, 0.74%, 0.65%

LAB 85.75, -39.57, 58

 

CMYK 57 / 0 / 4 / 9

HEX #63E7DE

RGB 99 231 222

HSL 175.91, 0.73%, 0.65%

LAB 84.52, -38.17, -6.55

 

CMYK 32 / 57 / 0 / 9

HEX #9C63E7

RGB 156 99 231

HSL 265.91, 0.73%, 0.65%

LAB 53.77, 49.24, -58.72

 

CMYK 0 / 57 / 53 / 9

HEX #E7636C

RGB 231 99 108

HSL 355.91, 0.73%, 0.65%

LAB 58.97, 51.93, 20.97

 

Description

Color code: HEX #ADE862 | qconv.com Color code: HEX #ADE862 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 232 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 232 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 58 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 58% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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