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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE09D it is the complementary color #521F62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE09D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE09D shade: #B2E098, #C3F2AB, #D4FFBE, #E5FFD1 and #F6FFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE09D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE09D shade: #ADE09D, #9CCE8A, #8BBC77, #7AAA64 and #699851

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE09D shade: #ADE09E, #BFE09E, #D1E09E, #E0DD9E and #E0CB9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE09D shade: #ADE09E, #9EE0A0, #9EE0B2, #9EE0C3 and #9EE0D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE09D shade matches the following richer shades: #ADE09E, #A8EA93 and #A3F589

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE09D shade: #ADE09E, #B3D6A8, #B8CBB2, #BEC1BD and #C3B7C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE09D shade: #D2E09E, #C0E09E, #AEE09E, #9EE09F and #9EE0B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE09D shade: #79CC5F, #93D67E, #ADE09E, #C8EABD and #E2F4DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE09D shade: #ADE09D, #9EE0DD and #E09EC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE09D shade: #ADE09D, #9EAEE0 and #E09EAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE09D shade: #ADE09D, #9EE0DD, #CF9EE0 and #E09EA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE09D shade: #ADE09D, #9ECFE0, #CF9EE0 and #E0AE9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 30 / 12

HEX #ADE09D

RGB 173 224 157

HSL 105.67, 0.52%, 0.75%

LAB 84.29, -28.74, 27.63

 

Complementary color

CMYK 16 / 68 / 0 / 62

HEX #521F62

RGB 82 31 98

HSL 285.67, 0.52%, 0.25%

LAB 22.5, 35.05, -29.34

 

CMYK 21 / 0 / 32 / 12

HEX #B2E098

RGB 178 224 152

HSL 98.33, 0.54%, 0.74%

LAB 84.51, -27.76, 30.54

 

CMYK 19 / 0 / 29 / 5

HEX #C3F2AB

RGB 195 242 171

HSL 99.72, 0.73%, 0.81%

LAB 90.8, -27.63, 29.49

 

CMYK 17 / 0 / 25 / 0

HEX #D4FFBE

RGB 212 255 190

HSL 99.69, 1%, 0.87%

LAB 95.68, -25.15, 26.66

 

CMYK 10 / 0 / 18 / 0

HEX #E5FFD1

RGB 229 255 209

HSL 93.91, 1%, 0.91%

LAB 97.14, -16.41, 19.2

 

CMYK 4 / 0 / 11 / 0

HEX #F6FFE4

RGB 246 255 228

HSL 80, 1%, 0.95%

LAB 98.72, -7.56, 11.88

 

CMYK 23 / 0 / 30 / 12

HEX #ADE09D

RGB 173 224 157

HSL 105.67, 0.52%, 0.75%

LAB 84.29, -28.74, 27.63

 

CMYK 24 / 0 / 33 / 19

HEX #9CCE8A

RGB 156 206 138

HSL 104.12, 0.41%, 0.67%

LAB 77.9, -28.91, 28.71

 

CMYK 26 / 0 / 37 / 26

HEX #8BBC77

RGB 139 188 119

HSL 102.61, 0.34%, 0.6%

LAB 71.41, -29.08, 29.85

 

CMYK 28 / 0 / 41 / 33

HEX #7AAA64

RGB 122 170 100

HSL 101.14, 0.29%, 0.53%

LAB 64.81, -29.24, 31.04

 

CMYK 31 / 0 / 47 / 40

HEX #699851

RGB 105 152 81

HSL 99.72, 0.3%, 0.46%

LAB 58.09, -29.37, 32.29

 

CMYK 23 / 0 / 29 / 12

HEX #ADE09E

RGB 173 224 158

HSL 106.36, 0.52%, 0.75%

LAB 84.31, -28.58, 27.14

 

CMYK 15 / 0 / 29 / 12

HEX #BFE09E

RGB 191 224 158

HSL 90, 0.52%, 0.75%

LAB 85.43, -22.29, 28.84

 

CMYK 7 / 0 / 29 / 12

HEX #D1E09E

RGB 209 224 158

HSL 73.64, 0.52%, 0.75%

LAB 86.67, -15.73, 30.72

 

CMYK 0 / 1 / 29 / 12

HEX #E0DD9E

RGB 224 221 158

HSL 57.27, 0.52%, 0.75%

LAB 87.01, -8.6, 31.38

 

CMYK 0 / 9 / 29 / 12

HEX #E0CB9E

RGB 224 203 158

HSL 40.91, 0.52%, 0.75%

LAB 82.39, 0.64, 25.15

 

CMYK 23 / 0 / 29 / 12

HEX #ADE09E

RGB 173 224 158

HSL 106.36, 0.52%, 0.75%

LAB 84.31, -28.58, 27.14

 

CMYK 29 / 0 / 29 / 12

HEX #9EE0A0

RGB 158 224 160

HSL 121.82, 0.52%, 0.75%

LAB 83.5, -33.23, 24.87

 

CMYK 29 / 0 / 21 / 12

HEX #9EE0B2

RGB 158 224 178

HSL 138.18, 0.52%, 0.75%

LAB 83.86, -30.08, 15.98

 

CMYK 29 / 0 / 13 / 12

HEX #9EE0C3

RGB 158 224 195

HSL 153.64, 0.52%, 0.75%

LAB 84.24, -26.8, 7.57

 

CMYK 29 / 0 / 5 / 12

HEX #9EE0D5

RGB 158 224 213

HSL 170, 0.52%, 0.75%

LAB 84.68, -23.03, -1.29

 

CMYK 23 / 0 / 29 / 12

HEX #ADE09E

RGB 173 224 158

HSL 106.36, 0.52%, 0.75%

LAB 84.31, -28.58, 27.14

 

CMYK 28 / 0 / 37 / 8

HEX #A8EA93

RGB 168 234 147

HSL 105.52, 0.67%, 0.75%

LAB 86.64, -36.55, 35.79

 

CMYK 33 / 0 / 44 / 4

HEX #A3F589

RGB 163 245 137

HSL 105.56, 0.84%, 0.75%

LAB 89.34, -44.42, 44.15

 

CMYK 23 / 0 / 29 / 12

HEX #ADE09E

RGB 173 224 158

HSL 106.36, 0.52%, 0.75%

LAB 84.31, -28.58, 27.14

 

CMYK 16 / 0 / 21 / 16

HEX #B3D6A8

RGB 179 214 168

HSL 105.65, 0.36%, 0.75%

LAB 82.11, -20.06, 18.97

 

CMYK 9 / 0 / 12 / 20

HEX #B8CBB2

RGB 184 203 178

HSL 105.6, 0.19%, 0.75%

LAB 79.68, -11.06, 10.3

 

CMYK 2 / 0 / 2 / 24

HEX #BEC1BD

RGB 190 193 189

HSL 105, 0.03%, 0.75%

LAB 77.73, -1.77, 1.64

 

CMYK 2 / 8 / 0 / 22

HEX #C3B7C7

RGB 195 183 199

HSL 285, 0.13%, 0.75%

LAB 75.82, 7.18, -6.55

 

CMYK 6 / 0 / 29 / 12

HEX #D2E09E

RGB 210 224 158

HSL 72.73, 0.52%, 0.75%

LAB 86.74, -15.36, 30.83

 

CMYK 14 / 0 / 29 / 12

HEX #C0E09E

RGB 192 224 158

HSL 89.09, 0.52%, 0.75%

LAB 85.5, -21.93, 28.94

 

CMYK 22 / 0 / 29 / 12

HEX #AEE09E

RGB 174 224 158

HSL 105.45, 0.52%, 0.75%

LAB 84.37, -28.24, 27.23

 

CMYK 29 / 0 / 29 / 12

HEX #9EE09F

RGB 158 224 159

HSL 120.91, 0.52%, 0.75%

LAB 83.49, -33.39, 25.37

 

CMYK 29 / 0 / 21 / 12

HEX #9EE0B0

RGB 158 224 176

HSL 136.36, 0.52%, 0.75%

LAB 83.82, -30.44, 16.97

 

CMYK 41 / 0 / 53 / 20

HEX #79CC5F

RGB 121 204 95

HSL 105.69, 0.52%, 0.59%

LAB 74.87, -45.52, 46.02

 

CMYK 31 / 0 / 41 / 16

HEX #93D67E

RGB 147 214 126

HSL 105.68, 0.52%, 0.67%

LAB 79.5, -37.43, 36.86

 

CMYK 23 / 0 / 29 / 12

HEX #ADE09E

RGB 173 224 158

HSL 106.36, 0.52%, 0.75%

LAB 84.31, -28.58, 27.14

 

CMYK 15 / 0 / 19 / 8

HEX #C8EABD

RGB 200 234 189

HSL 105.33, 0.52%, 0.83%

LAB 89.3, -19.25, 18.23

 

CMYK 7 / 0 / 10 / 4

HEX #E2F4DC

RGB 226 244 220

HSL 105, 0.52%, 0.91%

LAB 94.33, -10.19, 9.54

 

CMYK 23 / 0 / 30 / 12

HEX #ADE09D

RGB 173 224 157

HSL 105.67, 0.52%, 0.75%

LAB 84.29, -28.74, 27.63

 

CMYK 29 / 0 / 1 / 12

HEX #9EE0DD

RGB 158 224 221

HSL 177.27, 0.52%, 0.75%

LAB 84.89, -21.27, -5.2

 

CMYK 0 / 29 / 10 / 12

HEX #E09EC9

RGB 224 158 201

HSL 320.91, 0.52%, 0.75%

LAB 72.57, 31.08, -12.19

 

CMYK 23 / 0 / 30 / 12

HEX #ADE09D

RGB 173 224 157

HSL 105.67, 0.52%, 0.75%

LAB 84.29, -28.74, 27.63

 

CMYK 29 / 22 / 0 / 12

HEX #9EAEE0

RGB 158 174 224

HSL 225.45, 0.52%, 0.75%

LAB 71.5, 5.75, -26.98

 

CMYK 0 / 29 / 22 / 12

HEX #E09EAE

RGB 224 158 174

HSL 345.45, 0.52%, 0.75%

LAB 71.8, 26.82, 1.58

 

CMYK 23 / 0 / 30 / 12

HEX #ADE09D

RGB 173 224 157

HSL 105.67, 0.52%, 0.75%

LAB 84.29, -28.74, 27.63

 

CMYK 29 / 0 / 1 / 12

HEX #9EE0DD

RGB 158 224 221

HSL 177.27, 0.52%, 0.75%

LAB 84.89, -21.27, -5.2

 

CMYK 8 / 29 / 0 / 12

HEX #CF9EE0

RGB 207 158 224

HSL 284.55, 0.52%, 0.75%

LAB 71.62, 29.71, -26.44

 

CMYK 0 / 29 / 28 / 12

HEX #E09EA1

RGB 224 158 161

HSL 357.27, 0.52%, 0.75%

LAB 71.47, 24.98, 8.3

 

CMYK 23 / 0 / 30 / 12

HEX #ADE09D

RGB 173 224 157

HSL 105.67, 0.52%, 0.75%

LAB 84.29, -28.74, 27.63

 

CMYK 29 / 8 / 0 / 12

HEX #9ECFE0

RGB 158 207 224

HSL 195.45, 0.52%, 0.75%

LAB 80.33, -11.97, -13.58

 

CMYK 8 / 29 / 0 / 12

HEX #CF9EE0

RGB 207 158 224

HSL 284.55, 0.52%, 0.75%

LAB 71.62, 29.71, -26.44

 

CMYK 0 / 22 / 29 / 12

HEX #E0AE9E

RGB 224 174 158

HSL 14.55, 0.52%, 0.75%

LAB 75.19, 15.99, 15.22

 

Description

Color code: HEX #ADE09D | qconv.com Color code: HEX #ADE09D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 224 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 224 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 30 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 30% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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