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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADEFC7 it is the complementary color #521038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADEFC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADEFC7 shade: #B2EFC2, #C3FFD5, #D4FFE8, #E5FFFB and #F6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADEFC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADEFC7 shade: #ADEFC7, #9CDDB4, #8BCBA1, #7AB98E and #69A77B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADEFC7 shade: #AEEFC7, #AEEFB6, #B7EFAE, #C9EFAE and #DAEFAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADEFC7 shade: #AEEFC7, #AEEFD9, #AEEFEA, #AEE1EF and #AED0EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADEFC7 shade matches the following richer shades: #AEEFC7, #A6F6C6 and #9EFEC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADEFC7 shade: #AEEFC7, #B5E7C9, #BDDFCA, #C5D7CC and #CDCFCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADEFC7 shade: #B7EFAE, #AEEFB5, #AEEFC6, #AEEFD8 and #AEEFE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADEFC7 shade: #69E198, #8BE8B0, #AEEFC7, #D0F5DF and #F2FCF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADEFC7 shade: #ADEFC7, #AEC9EF and #EFAEAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADEFC7 shade: #ADEFC7, #C6AEEF and #EFC6AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADEFC7 shade: #ADEFC7, #AEC9EF, #EFAED6 and #EFD3AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADEFC7 shade: #ADEFC7, #AEB5EF, #EFAED6 and #EFE7AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 17 / 6

HEX #ADEFC7

RGB 173 239 199

HSL 143.64, 0.67%, 0.81%

LAB 89.27, -28.66, 12.77

 

Complementary color

CMYK 0 / 80 / 32 / 68

HEX #521038

RGB 82 16 56

HSL 323.64, 0.67%, 0.19%

LAB 17.69, 34.02, -8.31

 

CMYK 26 / 0 / 19 / 6

HEX #B2EFC2

RGB 178 239 194

HSL 135.74, 0.66%, 0.82%

LAB 89.44, -28.03, 15.64

 

CMYK 24 / 0 / 16 / 0

HEX #C3FFD5

RGB 195 255 213

HSL 138, 1%, 0.88%

LAB 95.13, -26.88, 14.02

 

CMYK 17 / 0 / 9 / 0

HEX #D4FFE8

RGB 212 255 232

HSL 147.91, 1%, 0.92%

LAB 96.55, -18.07, 6.43

 

CMYK 10 / 0 / 2 / 0

HEX #E5FFFB

RGB 229 255 251

HSL 170.77, 1%, 0.95%

LAB 98.09, -9.13, -0.96

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 28 / 0 / 17 / 6

HEX #ADEFC7

RGB 173 239 199

HSL 143.64, 0.67%, 0.81%

LAB 89.27, -28.66, 12.77

 

CMYK 29 / 0 / 19 / 13

HEX #9CDDB4

RGB 156 221 180

HSL 142.15, 0.49%, 0.74%

LAB 82.95, -28.89, 13.64

 

CMYK 32 / 0 / 21 / 20

HEX #8BCBA1

RGB 139 203 161

HSL 140.63, 0.38%, 0.67%

LAB 76.54, -29.14, 14.56

 

CMYK 34 / 0 / 23 / 27

HEX #7AB98E

RGB 122 185 142

HSL 139.05, 0.31%, 0.6%

LAB 70.03, -29.4, 15.53

 

CMYK 37 / 0 / 26 / 35

HEX #69A77B

RGB 105 167 123

HSL 137.42, 0.26%, 0.53%

LAB 63.4, -29.68, 16.58

 

CMYK 27 / 0 / 17 / 6

HEX #AEEFC7

RGB 174 239 199

HSL 143.08, 0.67%, 0.81%

LAB 89.33, -28.36, 12.86

 

CMYK 27 / 0 / 24 / 6

HEX #AEEFB6

RGB 174 239 182

HSL 127.38, 0.67%, 0.81%

LAB 88.97, -31.41, 21.16

 

CMYK 23 / 0 / 27 / 6

HEX #B7EFAE

RGB 183 239 174

HSL 111.69, 0.67%, 0.81%

LAB 89.33, -29.81, 25.83

 

CMYK 16 / 0 / 27 / 6

HEX #C9EFAE

RGB 201 239 174

HSL 95.08, 0.67%, 0.81%

LAB 90.42, -23.68, 27.5

 

CMYK 9 / 0 / 27 / 6

HEX #DAEFAE

RGB 218 239 174

HSL 79.38, 0.67%, 0.81%

LAB 91.55, -17.65, 29.22

 

CMYK 27 / 0 / 17 / 6

HEX #AEEFC7

RGB 174 239 199

HSL 143.08, 0.67%, 0.81%

LAB 89.33, -28.36, 12.86

 

CMYK 27 / 0 / 9 / 6

HEX #AEEFD9

RGB 174 239 217

HSL 159.69, 0.67%, 0.81%

LAB 89.74, -24.85, 4.08

 

CMYK 27 / 0 / 2 / 6

HEX #AEEFEA

RGB 174 239 234

HSL 175.38, 0.67%, 0.81%

LAB 90.17, -21.28, -4.16

 

CMYK 27 / 6 / 0 / 6

HEX #AEE1EF

RGB 174 225 239

HSL 192.92, 0.67%, 0.81%

LAB 86.54, -13.18, -12.16

 

CMYK 27 / 13 / 0 / 6

HEX #AED0EF

RGB 174 208 239

HSL 208.62, 0.67%, 0.81%

LAB 82.02, -4.37, -18.95

 

CMYK 27 / 0 / 17 / 6

HEX #AEEFC7

RGB 174 239 199

HSL 143.08, 0.67%, 0.81%

LAB 89.33, -28.36, 12.86

 

CMYK 33 / 0 / 20 / 4

HEX #A6F6C6

RGB 166 246 198

HSL 144, 0.82%, 0.81%

LAB 90.82, -34.23, 15.43

 

CMYK 38 / 0 / 23 / 0

HEX #9EFEC4

RGB 158 254 196

HSL 143.75, 0.98%, 0.81%

LAB 92.64, -40.52, 18.95

 

CMYK 27 / 0 / 17 / 6

HEX #AEEFC7

RGB 174 239 199

HSL 143.08, 0.67%, 0.81%

LAB 89.33, -28.36, 12.86

 

CMYK 22 / 0 / 13 / 9

HEX #B5E7C9

RGB 181 231 201

HSL 144, 0.51%, 0.81%

LAB 87.58, -21.94, 9.38

 

CMYK 15 / 0 / 9 / 13

HEX #BDDFCA

RGB 189 223 202

HSL 142.94, 0.35%, 0.81%

LAB 85.94, -15.2, 6.56

 

CMYK 8 / 0 / 5 / 16

HEX #C5D7CC

RGB 197 215 204

HSL 143.33, 0.18%, 0.81%

LAB 84.4, -8.1, 3.35

 

CMYK 1 / 0 / 0 / 19

HEX #CDCFCE

RGB 205 207 206

HSL 150, 0.02%, 0.81%

LAB 82.95, -0.86, 0.25

 

CMYK 23 / 0 / 27 / 6

HEX #B7EFAE

RGB 183 239 174

HSL 111.69, 0.67%, 0.81%

LAB 89.33, -29.81, 25.83

 

CMYK 27 / 0 / 24 / 6

HEX #AEEFB5

RGB 174 239 181

HSL 126.46, 0.67%, 0.81%

LAB 88.95, -31.58, 21.65

 

CMYK 27 / 0 / 17 / 6

HEX #AEEFC6

RGB 174 239 198

HSL 142.15, 0.67%, 0.81%

LAB 89.3, -28.54, 13.34

 

CMYK 27 / 0 / 10 / 6

HEX #AEEFD8

RGB 174 239 216

HSL 158.77, 0.67%, 0.81%

LAB 89.72, -25.05, 4.56

 

CMYK 27 / 0 / 3 / 6

HEX #AEEFE9

RGB 174 239 233

HSL 174.46, 0.67%, 0.81%

LAB 90.14, -21.5, -3.68

 

CMYK 53 / 0 / 32 / 12

HEX #69E198

RGB 105 225 152

HSL 143.5, 0.67%, 0.65%

LAB 81.36, -49.96, 25.71

 

CMYK 40 / 0 / 24 / 9

HEX #8BE8B0

RGB 139 232 176

HSL 143.87, 0.67%, 0.73%

LAB 85.17, -39.73, 18.72

 

CMYK 27 / 0 / 17 / 6

HEX #AEEFC7

RGB 174 239 199

HSL 143.08, 0.67%, 0.81%

LAB 89.33, -28.36, 12.86

 

CMYK 15 / 0 / 9 / 4

HEX #D0F5DF

RGB 208 245 223

HSL 144.32, 0.65%, 0.89%

LAB 93.47, -16.09, 6.6

 

CMYK 4 / 0 / 2 / 1

HEX #F2FCF6

RGB 242 252 246

HSL 144, 0.63%, 0.97%

LAB 98.09, -4.35, 1.72

 

CMYK 28 / 0 / 17 / 6

HEX #ADEFC7

RGB 173 239 199

HSL 143.64, 0.67%, 0.81%

LAB 89.27, -28.66, 12.77

 

CMYK 27 / 16 / 0 / 6

HEX #AEC9EF

RGB 174 201 239

HSL 215.08, 0.67%, 0.81%

LAB 80.18, -0.66, -21.74

 

CMYK 0 / 27 / 27 / 6

HEX #EFAEAF

RGB 239 174 175

HSL 359.08, 0.67%, 0.81%

LAB 77.11, 23.9, 8.9

 

CMYK 28 / 0 / 17 / 6

HEX #ADEFC7

RGB 173 239 199

HSL 143.64, 0.67%, 0.81%

LAB 89.27, -28.66, 12.77

 

CMYK 17 / 27 / 0 / 6

HEX #C6AEEF

RGB 198 174 239

HSL 262.15, 0.67%, 0.81%

LAB 75.15, 21.26, -29.27

 

CMYK 0 / 17 / 27 / 6

HEX #EFC6AE

RGB 239 198 174

HSL 22.15, 0.67%, 0.81%

LAB 82.8, 11.06, 17.48

 

CMYK 28 / 0 / 17 / 6

HEX #ADEFC7

RGB 173 239 199

HSL 143.64, 0.67%, 0.81%

LAB 89.27, -28.66, 12.77

 

CMYK 27 / 16 / 0 / 6

HEX #AEC9EF

RGB 174 201 239

HSL 215.08, 0.67%, 0.81%

LAB 80.18, -0.66, -21.74

 

CMYK 0 / 27 / 10 / 6

HEX #EFAED6

RGB 239 174 214

HSL 323.08, 0.67%, 0.81%

LAB 78.16, 29.81, -10.79

 

CMYK 0 / 12 / 27 / 6

HEX #EFD3AE

RGB 239 211 174

HSL 34.15, 0.67%, 0.81%

LAB 86, 4.27, 21.92

 

CMYK 28 / 0 / 17 / 6

HEX #ADEFC7

RGB 173 239 199

HSL 143.64, 0.67%, 0.81%

LAB 89.27, -28.66, 12.77

 

CMYK 27 / 24 / 0 / 6

HEX #AEB5EF

RGB 174 181 239

HSL 233.54, 0.67%, 0.81%

LAB 75, 10.2, -29.66

 

CMYK 0 / 27 / 10 / 6

HEX #EFAED6

RGB 239 174 214

HSL 323.08, 0.67%, 0.81%

LAB 78.16, 29.81, -10.79

 

CMYK 0 / 3 / 27 / 6

HEX #EFE7AE

RGB 239 231 174

HSL 52.62, 0.67%, 0.81%

LAB 91.03, -5.96, 28.79

 

Description

Color code: HEX #ADEFC7 | qconv.com Color code: HEX #ADEFC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 239 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 239 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 17 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 17% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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