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Color name
HEX #ADF197

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADF197 it is the complementary color #520E68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADF197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADF197 shade: #B2F192, #C3FFA5, #D4FFB8, #E5FFCB and #F6FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADF197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADF197 shade: #ADF197, #9CDF84, #8BCD71, #7ABB5E and #69A94B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADF197 shade: #ADF097, #C5F097, #DDF097, #F0EC97 and #F0D497

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADF197 shade: #ADF097, #97F09A, #97F0B2, #97F0CA and #97F0E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADF197 shade matches the following richer shades: #ADF097 and #A8FA8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADF197 shade: #ADF097, #B2E7A1, #B7DDAA, #BCD4B4 and #C0CABD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADF197 shade: #DDF097, #C5F097, #AEF097, #97F099 and #97F0B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADF197 shade: #74E74F, #90EB73, #ADF097, #CAF5BC and #E6FAE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADF197 shade: #ADF197, #97F0EC and #F097D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADF197 shade: #ADF197, #97AEF0 and #F097AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADF197 shade: #ADF197, #97F0EC, #DA97F0 and #F0979C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADF197 shade: #ADF197, #97DAF0, #DA97F0 and #F0AE97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 37 / 5

HEX #ADF197

RGB 173 241 151

HSL 105.33, 0.76%, 0.77%

LAB 88.94, -37.49, 36.85

 

Complementary color

CMYK 21 / 87 / 0 / 59

HEX #520E68

RGB 82 14 104

HSL 285.33, 0.76%, 0.23%

LAB 20.47, 43.38, -36.54

 

CMYK 26 / 0 / 39 / 5

HEX #B2F192

RGB 178 241 146

HSL 99.79, 0.77%, 0.76%

LAB 89.14, -36.5, 39.64

 

CMYK 24 / 0 / 35 / 0

HEX #C3FFA5

RGB 195 255 165

HSL 100, 1%, 0.82%

LAB 94.24, -34.54, 37.08

 

CMYK 17 / 0 / 28 / 0

HEX #D4FFB8

RGB 212 255 184

HSL 96.34, 1%, 0.86%

LAB 95.57, -26.04, 29.54

 

CMYK 10 / 0 / 20 / 0

HEX #E5FFCB

RGB 229 255 203

HSL 90, 1%, 0.9%

LAB 97.02, -17.34, 22.09

 

CMYK 4 / 0 / 13 / 0

HEX #F6FFDE

RGB 246 255 222

HSL 76.36, 1%, 0.94%

LAB 98.59, -8.52, 14.77

 

CMYK 28 / 0 / 37 / 5

HEX #ADF197

RGB 173 241 151

HSL 105.33, 0.76%, 0.77%

LAB 88.94, -37.49, 36.85

 

CMYK 30 / 0 / 41 / 13

HEX #9CDF84

RGB 156 223 132

HSL 104.18, 0.59%, 0.7%

LAB 82.65, -37.66, 38

 

CMYK 32 / 0 / 45 / 20

HEX #8BCD71

RGB 139 205 113

HSL 103.04, 0.48%, 0.62%

LAB 76.28, -37.81, 39.18

 

CMYK 35 / 0 / 50 / 27

HEX #7ABB5E

RGB 122 187 94

HSL 101.94, 0.41%, 0.55%

LAB 69.81, -37.93, 40.39

 

CMYK 38 / 0 / 56 / 34

HEX #69A94B

RGB 105 169 75

HSL 100.85, 0.39%, 0.48%

LAB 63.25, -37.97, 41.58

 

CMYK 28 / 0 / 37 / 6

HEX #ADF097

RGB 173 240 151

HSL 105.17, 0.75%, 0.77%

LAB 88.66, -37.04, 36.48

 

CMYK 18 / 0 / 37 / 6

HEX #C5F097

RGB 197 240 151

HSL 88.99, 0.75%, 0.77%

LAB 90.06, -28.77, 38.57

 

CMYK 8 / 0 / 37 / 6

HEX #DDF097

RGB 221 240 151

HSL 72.81, 0.75%, 0.77%

LAB 91.65, -19.99, 40.95

 

CMYK 0 / 2 / 37 / 6

HEX #F0EC97

RGB 240 236 151

HSL 57.3, 0.75%, 0.77%

LAB 92.02, -10.83, 41.71

 

CMYK 0 / 12 / 37 / 6

HEX #F0D497

RGB 240 212 151

HSL 41.12, 0.75%, 0.77%

LAB 85.93, 1.31, 33.77

 

CMYK 28 / 0 / 37 / 6

HEX #ADF097

RGB 173 240 151

HSL 105.17, 0.75%, 0.77%

LAB 88.66, -37.04, 36.48

 

CMYK 37 / 0 / 36 / 6

HEX #97F09A

RGB 151 240 154

HSL 122.02, 0.75%, 0.77%

LAB 87.6, -43.57, 33.38

 

CMYK 37 / 0 / 26 / 6

HEX #97F0B2

RGB 151 240 178

HSL 138.2, 0.75%, 0.77%

LAB 88.02, -39.55, 21.73

 

CMYK 37 / 0 / 16 / 6

HEX #97F0CA

RGB 151 240 202

HSL 154.38, 0.75%, 0.77%

LAB 88.53, -34.94, 10

 

CMYK 37 / 0 / 6 / 6

HEX #97F0E2

RGB 151 240 226

HSL 170.56, 0.75%, 0.77%

LAB 89.11, -29.8, -1.68

 

CMYK 28 / 0 / 37 / 6

HEX #ADF097

RGB 173 240 151

HSL 105.17, 0.75%, 0.77%

LAB 88.66, -37.04, 36.48

 

CMYK 33 / 0 / 43 / 2

HEX #A8FA8E

RGB 168 250 142

HSL 105.56, 0.92%, 0.77%

LAB 91.08, -44.33, 43.97

 

CMYK 28 / 0 / 37 / 6

HEX #ADF097

RGB 173 240 151

HSL 105.17, 0.75%, 0.77%

LAB 88.66, -37.04, 36.48

 

CMYK 23 / 0 / 30 / 9

HEX #B2E7A1

RGB 178 231 161

HSL 105.43, 0.59%, 0.77%

LAB 86.6, -29.74, 28.74

 

CMYK 17 / 0 / 23 / 13

HEX #B7DDAA

RGB 183 221 170

HSL 104.71, 0.43%, 0.77%

LAB 84.32, -21.8, 21.02

 

CMYK 11 / 0 / 15 / 17

HEX #BCD4B4

RGB 188 212 180

HSL 105, 0.27%, 0.77%

LAB 82.42, -13.92, 13.16

 

CMYK 5 / 0 / 6 / 21

HEX #C0CABD

RGB 192 202 189

HSL 106.15, 0.11%, 0.77%

LAB 80.25, -5.81, 5.3

 

CMYK 8 / 0 / 37 / 6

HEX #DDF097

RGB 221 240 151

HSL 72.81, 0.75%, 0.77%

LAB 91.65, -19.99, 40.95

 

CMYK 18 / 0 / 37 / 6

HEX #C5F097

RGB 197 240 151

HSL 88.99, 0.75%, 0.77%

LAB 90.06, -28.77, 38.57

 

CMYK 28 / 0 / 37 / 6

HEX #AEF097

RGB 174 240 151

HSL 104.49, 0.75%, 0.77%

LAB 88.71, -36.71, 36.56

 

CMYK 37 / 0 / 36 / 6

HEX #97F099

RGB 151 240 153

HSL 121.35, 0.75%, 0.77%

LAB 87.58, -43.73, 33.86

 

CMYK 37 / 0 / 26 / 6

HEX #97F0B1

RGB 151 240 177

HSL 137.53, 0.75%, 0.77%

LAB 88, -39.73, 22.22

 

CMYK 50 / 0 / 66 / 9

HEX #74E74F

RGB 116 231 79

HSL 105.39, 0.76%, 0.61%

LAB 82.61, -59.33, 61.7

 

CMYK 39 / 0 / 51 / 8

HEX #90EB73

RGB 144 235 115

HSL 105.5, 0.75%, 0.69%

LAB 85.29, -48.93, 49.4

 

CMYK 28 / 0 / 37 / 6

HEX #ADF097

RGB 173 240 151

HSL 105.17, 0.75%, 0.77%

LAB 88.66, -37.04, 36.48

 

CMYK 18 / 0 / 23 / 4

HEX #CAF5BC

RGB 202 245 188

HSL 105.26, 0.74%, 0.85%

LAB 92.35, -24.07, 23

 

CMYK 8 / 0 / 10 / 2

HEX #E6FAE0

RGB 230 250 224

HSL 106.15, 0.72%, 0.93%

LAB 96.24, -11.15, 10.24

 

CMYK 28 / 0 / 37 / 5

HEX #ADF197

RGB 173 241 151

HSL 105.33, 0.76%, 0.77%

LAB 88.94, -37.49, 36.85

 

CMYK 37 / 0 / 2 / 6

HEX #97F0EC

RGB 151 240 236

HSL 177.3, 0.75%, 0.77%

LAB 89.37, -27.52, -6.51

 

CMYK 0 / 37 / 13 / 6

HEX #F097D1

RGB 240 151 209

HSL 320.9, 0.75%, 0.77%

LAB 73.06, 41.44, -15.68

 

CMYK 28 / 0 / 37 / 5

HEX #ADF197

RGB 173 241 151

HSL 105.33, 0.76%, 0.77%

LAB 88.94, -37.49, 36.85

 

CMYK 37 / 28 / 0 / 6

HEX #97AEF0

RGB 151 174 240

HSL 224.49, 0.75%, 0.77%

LAB 71.65, 7.88, -35.5

 

CMYK 0 / 37 / 28 / 6

HEX #F097AE

RGB 240 151 174

HSL 344.49, 0.75%, 0.77%

LAB 72.04, 36.28, 2.15

 

CMYK 28 / 0 / 37 / 5

HEX #ADF197

RGB 173 241 151

HSL 105.33, 0.76%, 0.77%

LAB 88.94, -37.49, 36.85

 

CMYK 37 / 0 / 2 / 6

HEX #97F0EC

RGB 151 240 236

HSL 177.3, 0.75%, 0.77%

LAB 89.37, -27.52, -6.51

 

CMYK 9 / 37 / 0 / 6

HEX #DA97F0

RGB 218 151 240

HSL 285.17, 0.75%, 0.77%

LAB 71.78, 40.08, -34.86

 

CMYK 0 / 37 / 35 / 6

HEX #F0979C

RGB 240 151 156

HSL 356.63, 0.75%, 0.77%

LAB 71.59, 33.99, 11.5

 

CMYK 28 / 0 / 37 / 5

HEX #ADF197

RGB 173 241 151

HSL 105.33, 0.76%, 0.77%

LAB 88.94, -37.49, 36.85

 

CMYK 37 / 9 / 0 / 6

HEX #97DAF0

RGB 151 218 240

HSL 194.83, 0.75%, 0.77%

LAB 83.45, -15.67, -17.46

 

CMYK 9 / 37 / 0 / 6

HEX #DA97F0

RGB 218 151 240

HSL 285.17, 0.75%, 0.77%

LAB 71.78, 40.08, -34.86

 

CMYK 0 / 28 / 37 / 6

HEX #F0AE97

RGB 240 174 151

HSL 15.51, 0.75%, 0.77%

LAB 76.7, 21.24, 21.35

 

Description

Color code: HEX #ADF197 | qconv.com Color code: HEX #ADF197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 241 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 241 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 37 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 37% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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