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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADFA55 it is the complementary color #5205AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADFA55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADFA55 shade: #B2FA50, #C3FF63, #D4FF76, #E5FF89 and #F6FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADFA55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADFA55 shade: #ADFA55, #9CE842, #8BD62F, #7AC41C and #69B209

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADFA55 shade: #ADF956, #D9F956, #F9ED56, #F9C156 and #F99656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADFA55 shade: #ADF956, #81F956, #56F957, #56F983 and #56F9AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADFA55 shade matches the following richer shades: #ADF956

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADFA55 shade: #ADF956, #ACEB64, #ABDD72, #AACF80 and #A9C18E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADFA55 shade: #F9EE56, #D9F956, #ADF956, #82F956 and #56F956

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADFA55 shade: #87F607, #9AF82E, #ADF956, #C1FB7E and #D4FCA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADFA55 shade: #ADFA55, #56F9C3 and #F956EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADFA55 shade: #ADFA55, #56ADF9 and #F956AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADFA55 shade: #ADFA55, #56F9C3, #A256F9 and #F9568D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADFA55 shade: #ADFA55, #56F9F4, #A256F9 and #F9565C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 66 / 2

HEX #ADFA55

RGB 173 250 85

HSL 88, 0.94%, 0.66%

LAB 90.74, -48.39, 68.78

 

Complementary color

CMYK 52 / 97 / 0 / 33

HEX #5205AA

RGB 82 5 170

HSL 268, 0.94%, 0.34%

LAB 26.17, 60.33, -68.58

 

CMYK 29 / 0 / 68 / 2

HEX #B2FA50

RGB 178 250 80

HSL 85.41, 0.94%, 0.65%

LAB 90.97, -46.97, 70.97

 

CMYK 24 / 0 / 61 / 0

HEX #C3FF63

RGB 195 255 99

HSL 83.08, 1%, 0.69%

LAB 93.46, -41.66, 66.53

 

CMYK 17 / 0 / 54 / 0

HEX #D4FF76

RGB 212 255 118

HSL 78.83, 1%, 0.73%

LAB 94.66, -33.83, 60.07

 

CMYK 10 / 0 / 46 / 0

HEX #E5FF89

RGB 229 255 137

HSL 73.22, 1%, 0.77%

LAB 95.99, -25.68, 53.26

 

CMYK 4 / 0 / 39 / 0

HEX #F6FF9C

RGB 246 255 156

HSL 65.45, 1%, 0.81%

LAB 97.44, -17.32, 46.27

 

CMYK 31 / 0 / 66 / 2

HEX #ADFA55

RGB 173 250 85

HSL 88, 0.94%, 0.66%

LAB 90.74, -48.39, 68.78

 

CMYK 33 / 0 / 72 / 9

HEX #9CE842

RGB 156 232 66

HSL 87.47, 0.78%, 0.58%

LAB 84.57, -48.04, 69.11

 

CMYK 35 / 0 / 78 / 16

HEX #8BD62F

RGB 139 214 47

HSL 86.95, 0.67%, 0.51%

LAB 78.34, -47.54, 68.9

 

CMYK 38 / 0 / 86 / 23

HEX #7AC41C

RGB 122 196 28

HSL 86.43, 0.75%, 0.44%

LAB 72.03, -46.84, 67.8

 

CMYK 41 / 0 / 95 / 30

HEX #69B209

RGB 105 178 9

HSL 85.92, 0.9%, 0.37%

LAB 65.64, -45.87, 65.34

 

CMYK 31 / 0 / 65 / 2

HEX #ADF956

RGB 173 249 86

HSL 87.98, 0.93%, 0.66%

LAB 90.46, -47.9, 68.11

 

CMYK 13 / 0 / 65 / 2

HEX #D9F956

RGB 217 249 86

HSL 71.78, 0.93%, 0.66%

LAB 93.09, -31.59, 71.67

 

CMYK 0 / 5 / 65 / 2

HEX #F9ED56

RGB 249 237 86

HSL 55.58, 0.93%, 0.66%

LAB 92.3, -13.07, 71.6

 

CMYK 0 / 22 / 65 / 2

HEX #F9C156

RGB 249 193 86

HSL 39.39, 0.93%, 0.66%

LAB 81.26, 9.24, 59.94

 

CMYK 0 / 40 / 65 / 2

HEX #F99656

RGB 249 150 86

HSL 23.56, 0.93%, 0.66%

LAB 71.3, 31.74, 48.83

 

CMYK 31 / 0 / 65 / 2

HEX #ADF956

RGB 173 249 86

HSL 87.98, 0.93%, 0.66%

LAB 90.46, -47.9, 68.11

 

CMYK 48 / 0 / 65 / 2

HEX #81F956

RGB 129 249 86

HSL 104.17, 0.93%, 0.66%

LAB 88.49, -61.83, 65.41

 

CMYK 65 / 0 / 65 / 2

HEX #56F957

RGB 86 249 87

HSL 120.37, 0.93%, 0.66%

LAB 87.2, -71.92, 63.25

 

CMYK 65 / 0 / 47 / 2

HEX #56F983

RGB 86 249 131

HSL 136.56, 0.93%, 0.66%

LAB 87.66, -66.56, 44.33

 

CMYK 65 / 0 / 30 / 2

HEX #56F9AF

RGB 86 249 175

HSL 152.76, 0.93%, 0.66%

LAB 88.36, -58.85, 23.39

 

CMYK 31 / 0 / 65 / 2

HEX #ADF956

RGB 173 249 86

HSL 87.98, 0.93%, 0.66%

LAB 90.46, -47.9, 68.11

 

CMYK 31 / 0 / 65 / 2

HEX #ADF956

RGB 173 249 86

HSL 87.98, 0.93%, 0.66%

LAB 90.46, -47.9, 68.11

 

CMYK 27 / 0 / 57 / 8

HEX #ACEB64

RGB 172 235 100

HSL 88, 0.77%, 0.66%

LAB 86.56, -41.08, 58.04

 

CMYK 23 / 0 / 48 / 13

HEX #ABDD72

RGB 171 221 114

HSL 88.04, 0.61%, 0.66%

LAB 82.69, -33.72, 47.04

 

CMYK 18 / 0 / 38 / 19

HEX #AACF80

RGB 170 207 128

HSL 88.1, 0.45%, 0.66%

LAB 78.89, -25.79, 35.32

 

CMYK 12 / 0 / 26 / 24

HEX #A9C18E

RGB 169 193 142

HSL 88.24, 0.29%, 0.66%

LAB 75.16, -17.24, 23.05

 

CMYK 0 / 4 / 65 / 2

HEX #F9EE56

RGB 249 238 86

HSL 55.95, 0.93%, 0.66%

LAB 92.56, -13.56, 71.86

 

CMYK 13 / 0 / 65 / 2

HEX #D9F956

RGB 217 249 86

HSL 71.78, 0.93%, 0.66%

LAB 93.09, -31.59, 71.67

 

CMYK 31 / 0 / 65 / 2

HEX #ADF956

RGB 173 249 86

HSL 87.98, 0.93%, 0.66%

LAB 90.46, -47.9, 68.11

 

CMYK 48 / 0 / 65 / 2

HEX #82F956

RGB 130 249 86

HSL 103.8, 0.93%, 0.66%

LAB 88.53, -61.55, 65.47

 

CMYK 65 / 0 / 65 / 2

HEX #56F956

RGB 86 249 86

HSL 120, 0.93%, 0.66%

LAB 87.19, -72.01, 63.63

 

CMYK 45 / 0 / 97 / 4

HEX #87F607

RGB 135 246 7

HSL 87.87, 0.94%, 0.5%

LAB 87.52, -62.42, 83.53

 

CMYK 38 / 0 / 81 / 3

HEX #9AF82E

RGB 154 248 46

HSL 87.92, 0.94%, 0.58%

LAB 89.02, -56.19, 79.14

 

CMYK 31 / 0 / 65 / 2

HEX #ADF956

RGB 173 249 86

HSL 87.98, 0.93%, 0.66%

LAB 90.46, -47.9, 68.11

 

CMYK 23 / 0 / 50 / 2

HEX #C1FB7E

RGB 193 251 126

HSL 87.84, 0.94%, 0.74%

LAB 92.5, -38.16, 53.61

 

CMYK 16 / 0 / 34 / 1

HEX #D4FCA6

RGB 212 252 166

HSL 87.91, 0.93%, 0.82%

LAB 94.47, -27.13, 37.08

 

CMYK 31 / 0 / 66 / 2

HEX #ADFA55

RGB 173 250 85

HSL 88, 0.94%, 0.66%

LAB 90.74, -48.39, 68.78

 

CMYK 65 / 0 / 22 / 2

HEX #56F9C3

RGB 86 249 195

HSL 160.12, 0.93%, 0.66%

LAB 88.77, -54.62, 13.67

 

CMYK 0 / 65 / 4 / 2

HEX #F956EE

RGB 249 86 238

HSL 304.05, 0.93%, 0.66%

LAB 64.14, 78.27, -45.41

 

CMYK 31 / 0 / 66 / 2

HEX #ADFA55

RGB 173 250 85

HSL 88, 0.94%, 0.66%

LAB 90.74, -48.39, 68.78

 

CMYK 65 / 31 / 0 / 2

HEX #56ADF9

RGB 86 173 249

HSL 207.98, 0.93%, 0.66%

LAB 68.54, -3.02, -45.49

 

CMYK 0 / 65 / 31 / 2

HEX #F956AD

RGB 249 86 173

HSL 327.98, 0.93%, 0.66%

LAB 61.49, 69.44, -12.74

 

CMYK 31 / 0 / 66 / 2

HEX #ADFA55

RGB 173 250 85

HSL 88, 0.94%, 0.66%

LAB 90.74, -48.39, 68.78

 

CMYK 65 / 0 / 22 / 2

HEX #56F9C3

RGB 86 249 195

HSL 160.12, 0.93%, 0.66%

LAB 88.77, -54.62, 13.67

 

CMYK 35 / 65 / 0 / 2

HEX #A256F9

RGB 162 86 249

HSL 267.98, 0.93%, 0.66%

LAB 53.14, 61.47, -69.76

 

CMYK 0 / 65 / 43 / 2

HEX #F9568D

RGB 249 86 141

HSL 339.75, 0.93%, 0.66%

LAB 60.53, 66.07, 4.38

 

CMYK 31 / 0 / 66 / 2

HEX #ADFA55

RGB 173 250 85

HSL 88, 0.94%, 0.66%

LAB 90.74, -48.39, 68.78

 

CMYK 65 / 0 / 2 / 2

HEX #56F9F4

RGB 86 249 244

HSL 178.16, 0.93%, 0.66%

LAB 89.98, -42.59, -10.02

 

CMYK 35 / 65 / 0 / 2

HEX #A256F9

RGB 162 86 249

HSL 267.98, 0.93%, 0.66%

LAB 53.14, 61.47, -69.76

 

CMYK 0 / 65 / 63 / 2

HEX #F9565C

RGB 249 86 92

HSL 357.79, 0.93%, 0.66%

LAB 59.5, 62.33, 31.41

 

Description

Color code: HEX #ADFA55 | qconv.com Color code: HEX #ADFA55 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 250 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 250 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 66 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 66% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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