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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADFE6B it is the complementary color #520194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADFE6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADFE6B shade: #B2FE66, #C3FF79, #D4FF8C, #E5FF9F and #F6FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADFE6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADFE6B shade: #ADFE6B, #9CEC58, #8BDA45, #7AC832 and #69B61F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADFE6B shade: #ADFE6B, #D5FE6B, #FCFE6B, #FED86B and #FEB06B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADFE6B shade: #ADFE6B, #86FE6B, #6BFE79, #6BFEA0 and #6BFEC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADFE6B shade matches the following richer shades: #ADFE6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADFE6B shade: #ADFE6B, #AEF277, #B0E683, #B1DA8F and #B2CE9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADFE6B shade: #FBFE6B, #D4FE6B, #ADFE6B, #86FE6B and #6BFE78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADFE6B shade: #80FD19, #96FE42, #ADFE6B, #C4FE94 and #DBFEBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADFE6B shade: #ADFE6B, #6BFED9 and #FE6BE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADFE6B shade: #ADFE6B, #6BADFE and #FE6BAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADFE6B shade: #ADFE6B, #6BFED9, #BC6BFE and #FE6B90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADFE6B shade: #ADFE6B, #6BF6FE, #BC6BFE and #FE736B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 58 / 0

HEX #ADFE6B

RGB 173 254 107

HSL 93.06, 0.99%, 0.71%

LAB 92.06, -48.27, 61.28

 

Complementary color

CMYK 45 / 99 / 0 / 42

HEX #520194

RGB 82 1 148

HSL 273.06, 0.99%, 0.29%

LAB 23.52, 56.17, -59.52

 

CMYK 30 / 0 / 60 / 0

HEX #B2FE66

RGB 178 254 102

HSL 90, 0.99%, 0.7%

LAB 92.27, -47.01, 63.71

 

CMYK 24 / 0 / 53 / 0

HEX #C3FF79

RGB 195 255 121

HSL 86.87, 1%, 0.74%

LAB 93.67, -39.74, 57.3

 

CMYK 17 / 0 / 45 / 0

HEX #D4FF8C

RGB 212 255 140

HSL 82.43, 1%, 0.77%

LAB 94.91, -31.66, 50.27

 

CMYK 10 / 0 / 38 / 0

HEX #E5FF9F

RGB 229 255 159

HSL 76.25, 1%, 0.81%

LAB 96.28, -23.3, 43.09

 

CMYK 4 / 0 / 30 / 0

HEX #F6FFB2

RGB 246 255 178

HSL 67.01, 1%, 0.85%

LAB 97.76, -14.76, 35.89

 

CMYK 32 / 0 / 58 / 0

HEX #ADFE6B

RGB 173 254 107

HSL 93.06, 0.99%, 0.71%

LAB 92.06, -48.27, 61.28

 

CMYK 34 / 0 / 63 / 7

HEX #9CEC58

RGB 156 236 88

HSL 92.43, 0.8%, 0.64%

LAB 85.89, -48.13, 62.14

 

CMYK 36 / 0 / 68 / 15

HEX #8BDA45

RGB 139 218 69

HSL 91.81, 0.67%, 0.56%

LAB 79.65, -47.88, 62.75

 

CMYK 39 / 0 / 75 / 22

HEX #7AC832

RGB 122 200 50

HSL 91.2, 0.6%, 0.49%

LAB 73.34, -47.47, 62.92

 

CMYK 42 / 0 / 83 / 29

HEX #69B61F

RGB 105 182 31

HSL 90.6, 0.71%, 0.42%

LAB 66.94, -46.84, 62.31

 

CMYK 32 / 0 / 58 / 0

HEX #ADFE6B

RGB 173 254 107

HSL 93.06, 0.99%, 0.71%

LAB 92.06, -48.27, 61.28

 

CMYK 16 / 0 / 58 / 0

HEX #D5FE6B

RGB 213 254 107

HSL 76.73, 0.99%, 0.71%

LAB 94.35, -33.93, 64.5

 

CMYK 1 / 0 / 58 / 0

HEX #FCFE6B

RGB 252 254 107

HSL 60.82, 0.99%, 0.71%

LAB 97.08, -18.82, 68.29

 

CMYK 0 / 15 / 58 / 0

HEX #FED86B

RGB 254 216 107

HSL 44.49, 0.99%, 0.71%

LAB 87.6, 0.81, 57.69

 

CMYK 0 / 31 / 58 / 0

HEX #FEB06B

RGB 254 176 107

HSL 28.16, 0.99%, 0.71%

LAB 77.98, 21.55, 46.37

 

CMYK 32 / 0 / 58 / 0

HEX #ADFE6B

RGB 173 254 107

HSL 93.06, 0.99%, 0.71%

LAB 92.06, -48.27, 61.28

 

CMYK 47 / 0 / 58 / 0

HEX #86FE6B

RGB 134 254 107

HSL 108.98, 0.99%, 0.71%

LAB 90.33, -60.34, 58.85

 

CMYK 58 / 0 / 52 / 0

HEX #6BFE79

RGB 107 254 121

HSL 125.71, 0.99%, 0.71%

LAB 89.58, -65.49, 51.49

 

CMYK 58 / 0 / 37 / 0

HEX #6BFEA0

RGB 107 254 160

HSL 141.63, 0.99%, 0.71%

LAB 90.11, -59.63, 33.42

 

CMYK 58 / 0 / 21 / 0

HEX #6BFEC8

RGB 107 254 200

HSL 157.96, 0.99%, 0.71%

LAB 90.86, -51.85, 14.14

 

CMYK 32 / 0 / 58 / 0

HEX #ADFE6B

RGB 173 254 107

HSL 93.06, 0.99%, 0.71%

LAB 92.06, -48.27, 61.28

 

CMYK 32 / 0 / 58 / 0

HEX #ADFE6B

RGB 173 254 107

HSL 93.06, 0.99%, 0.71%

LAB 92.06, -48.27, 61.28

 

CMYK 28 / 0 / 51 / 5

HEX #AEF277

RGB 174 242 119

HSL 93.17, 0.83%, 0.71%

LAB 88.84, -41.57, 52.18

 

CMYK 23 / 0 / 43 / 10

HEX #B0E683

RGB 176 230 131

HSL 92.73, 0.66%, 0.71%

LAB 85.74, -34.09, 42.65

 

CMYK 19 / 0 / 34 / 15

HEX #B1DA8F

RGB 177 218 143

HSL 92.8, 0.5%, 0.71%

LAB 82.63, -26.52, 32.64

 

CMYK 14 / 0 / 25 / 19

HEX #B2CE9B

RGB 178 206 155

HSL 92.94, 0.34%, 0.71%

LAB 79.6, -18.51, 22.34

 

CMYK 1 / 0 / 58 / 0

HEX #FBFE6B

RGB 251 254 107

HSL 61.22, 0.99%, 0.71%

LAB 97.01, -19.22, 68.19

 

CMYK 17 / 0 / 58 / 0

HEX #D4FE6B

RGB 212 254 107

HSL 77.14, 0.99%, 0.71%

LAB 94.29, -34.3, 64.41

 

CMYK 32 / 0 / 58 / 0

HEX #ADFE6B

RGB 173 254 107

HSL 93.06, 0.99%, 0.71%

LAB 92.06, -48.27, 61.28

 

CMYK 47 / 0 / 58 / 0

HEX #86FE6B

RGB 134 254 107

HSL 108.98, 0.99%, 0.71%

LAB 90.33, -60.34, 58.85

 

CMYK 58 / 0 / 53 / 0

HEX #6BFE78

RGB 107 254 120

HSL 125.31, 0.99%, 0.71%

LAB 89.56, -65.62, 51.94

 

CMYK 49 / 0 / 90 / 1

HEX #80FD19

RGB 128 253 25

HSL 92.89, 0.98%, 0.55%

LAB 89.35, -66.72, 83.03

 

CMYK 41 / 0 / 74 / 0

HEX #96FE42

RGB 150 254 66

HSL 93.19, 0.99%, 0.63%

LAB 90.67, -58.86, 75.01

 

CMYK 32 / 0 / 58 / 0

HEX #ADFE6B

RGB 173 254 107

HSL 93.06, 0.99%, 0.71%

LAB 92.06, -48.27, 61.28

 

CMYK 23 / 0 / 42 / 0

HEX #C4FE94

RGB 196 254 148

HSL 92.83, 0.98%, 0.79%

LAB 93.78, -35.96, 44.82

 

CMYK 14 / 0 / 26 / 0

HEX #DBFEBD

RGB 219 254 189

HSL 92.31, 0.97%, 0.87%

LAB 95.84, -22.42, 27.46

 

CMYK 32 / 0 / 58 / 0

HEX #ADFE6B

RGB 173 254 107

HSL 93.06, 0.99%, 0.71%

LAB 92.06, -48.27, 61.28

 

CMYK 58 / 0 / 15 / 0

HEX #6BFED9

RGB 107 254 217

HSL 164.9, 0.99%, 0.71%

LAB 91.24, -48.06, 5.91

 

CMYK 0 / 58 / 9 / 0

HEX #FE6BE8

RGB 254 107 232

HSL 308.98, 0.99%, 0.71%

LAB 67.59, 70.29, -36.63

 

CMYK 32 / 0 / 58 / 0

HEX #ADFE6B

RGB 173 254 107

HSL 93.06, 0.99%, 0.71%

LAB 92.06, -48.27, 61.28

 

CMYK 58 / 32 / 0 / 0

HEX #6BADFE

RGB 107 173 254

HSL 213.06, 0.99%, 0.71%

LAB 69.59, 2.3, -46.49

 

CMYK 0 / 58 / 32 / 0

HEX #FE6BAD

RGB 254 107 173

HSL 333.06, 0.99%, 0.71%

LAB 65.44, 62.25, -6.76

 

CMYK 32 / 0 / 58 / 0

HEX #ADFE6B

RGB 173 254 107

HSL 93.06, 0.99%, 0.71%

LAB 92.06, -48.27, 61.28

 

CMYK 58 / 0 / 15 / 0

HEX #6BFED9

RGB 107 254 217

HSL 164.9, 0.99%, 0.71%

LAB 91.24, -48.06, 5.91

 

CMYK 26 / 58 / 0 / 0

HEX #BC6BFE

RGB 188 107 254

HSL 273.06, 0.99%, 0.71%

LAB 60.21, 57.94, -60.99

 

CMYK 0 / 58 / 43 / 0

HEX #FE6B90

RGB 254 107 144

HSL 344.9, 0.99%, 0.71%

LAB 64.64, 59.14, 8.65

 

CMYK 32 / 0 / 58 / 0

HEX #ADFE6B

RGB 173 254 107

HSL 93.06, 0.99%, 0.71%

LAB 92.06, -48.27, 61.28

 

CMYK 58 / 3 / 0 / 0

HEX #6BF6FE

RGB 107 246 254

HSL 183.27, 0.99%, 0.71%

LAB 89.95, -35.26, -15.22

 

CMYK 26 / 58 / 0 / 0

HEX #BC6BFE

RGB 188 107 254

HSL 273.06, 0.99%, 0.71%

LAB 60.21, 57.94, -60.99

 

CMYK 0 / 55 / 58 / 0

HEX #FE736B

RGB 254 115 107

HSL 3.27, 0.99%, 0.71%

LAB 65.27, 52.39, 30.5

 

Description

Color code: HEX #ADFE6B | qconv.com Color code: HEX #ADFE6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 254 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 254 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 58 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 58% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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