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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE00F9 it is the complementary color #51FF06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE00F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE00F9 shade: #B300F4, #C412FF, #D524FF, #E636FF and #F748FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE00F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE00F9 shade: #AE00F9, #9D00E6, #8C00D3, #7B00C0 and #6A00AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE00F9 shade: #AE00F9, #F200F9, #F900BE, #F9007A and #F90037

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE00F9 shade: #AE00F9, #6B00F9, #2700F9 and #0000F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE00F9 shade matches the following richer shades: #AE00F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE00F9 shade: #AE00F9, #A614E5, #9E28D1, #963CBD and #8E50A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE00F9 shade: #2500F9, #6800F9, #AA00F9, #ED00F9 and #F900C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE00F9 shade: #7400A7, #9100D0, #AE00F9, #BD24FF and #C94DFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE00F9 shade: #AE00F9, #F9001D and #00F946

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE00F9 shade: #AE00F9, #F9AA00 and #00F9AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE00F9 shade: #AE00F9, #F9001D, #4FF900 and #00F9DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE00F9 shade: #AE00F9, #F92D00, #4FF900 and #00CCF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 100 / 0 / 2

HEX #AE00F9

RGB 174 0 249

HSL 281.93, 1%, 0.49%

LAB 46.76, 86.33, -80.08

 

Complementary color

CMYK 68 / 0 / 98 / 0

HEX #51FF06

RGB 81 255 6

HSL 101.93, 1%, 0.51%

LAB 88.58, -78.65, 83.76

 

CMYK 27 / 100 / 0 / 4

HEX #B300F4

RGB 179 0 244

HSL 284.02, 1%, 0.48%

LAB 47.13, 86.01, -76.65

 

CMYK 23 / 93 / 0 / 0

HEX #C412FF

RGB 196 18 255

HSL 285.06, 1%, 0.54%

LAB 51.14, 88.5, -76.15

 

CMYK 16 / 86 / 0 / 0

HEX #D524FF

RGB 213 36 255

HSL 288.49, 1%, 0.57%

LAB 54.69, 88.22, -70.27

 

CMYK 10 / 79 / 0 / 0

HEX #E636FF

RGB 230 54 255

HSL 292.54, 1%, 0.61%

LAB 58.68, 87.06, -63.7

 

CMYK 3 / 72 / 0 / 0

HEX #F748FF

RGB 247 72 255

HSL 297.38, 1%, 0.64%

LAB 63.03, 85.19, -56.58

 

CMYK 30 / 100 / 0 / 2

HEX #AE00F9

RGB 174 0 249

HSL 281.93, 1%, 0.49%

LAB 46.76, 86.33, -80.08

 

CMYK 32 / 100 / 0 / 10

HEX #9D00E6

RGB 157 0 230

HSL 280.96, 1%, 0.45%

LAB 42.58, 80.92, -76.3

 

CMYK 34 / 100 / 0 / 17

HEX #8C00D3

RGB 140 0 211

HSL 279.81, 1%, 0.41%

LAB 38.34, 75.42, -72.46

 

CMYK 36 / 100 / 0 / 25

HEX #7B00C0

RGB 123 0 192

HSL 278.44, 1%, 0.38%

LAB 34.02, 69.84, -68.56

 

CMYK 39 / 100 / 0 / 32

HEX #6A00AD

RGB 106 0 173

HSL 276.76, 1%, 0.34%

LAB 29.62, 64.17, -64.59

 

CMYK 30 / 100 / 0 / 2

HEX #AE00F9

RGB 174 0 249

HSL 281.93, 1%, 0.49%

LAB 46.76, 86.33, -80.08

 

CMYK 3 / 100 / 0 / 2

HEX #F200F9

RGB 242 0 249

HSL 298.31, 1%, 0.49%

LAB 57.77, 95.43, -61.72

 

CMYK 0 / 100 / 24 / 2

HEX #F900BE

RGB 249 0 190

HSL 314.22, 1%, 0.49%

LAB 55.94, 89.06, -31.05

 

CMYK 0 / 100 / 51 / 2

HEX #F9007A

RGB 249 0 122

HSL 330.6, 1%, 0.49%

LAB 53.54, 82.84, 5.59

 

CMYK 0 / 100 / 78 / 2

HEX #F90037

RGB 249 0 55

HSL 346.75, 1%, 0.49%

LAB 52.3, 79.52, 44.01

 

CMYK 30 / 100 / 0 / 2

HEX #AE00F9

RGB 174 0 249

HSL 281.93, 1%, 0.49%

LAB 46.76, 86.33, -80.08

 

CMYK 57 / 100 / 0 / 2

HEX #6B00F9

RGB 107 0 249

HSL 265.78, 1%, 0.49%

LAB 37.78, 80.5, -95.2

 

CMYK 84 / 100 / 0 / 2

HEX #2700F9

RGB 39 0 249

HSL 249.4, 1%, 0.49%

LAB 32.42, 78.1, -104.28

 

CMYK 100 / 100 / 0 / 2

HEX #0000F9

RGB 0 0 249

HSL 240, 1%, 0.49%

LAB 31.44, 77.78, -105.93

 

CMYK 30 / 100 / 0 / 2

HEX #AE00F9

RGB 174 0 249

HSL 281.93, 1%, 0.49%

LAB 46.76, 86.33, -80.08

 

CMYK 30 / 100 / 0 / 2

HEX #AE00F9

RGB 174 0 249

HSL 281.93, 1%, 0.49%

LAB 46.76, 86.33, -80.08

 

CMYK 28 / 91 / 0 / 10

HEX #A614E5

RGB 166 20 229

HSL 281.91, 0.84%, 0.49%

LAB 44.61, 79.63, -72.36

 

CMYK 24 / 81 / 0 / 18

HEX #9E28D1

RGB 158 40 209

HSL 281.89, 0.68%, 0.49%

LAB 43.35, 70.3, -63.02

 

CMYK 21 / 68 / 0 / 26

HEX #963CBD

RGB 150 60 189

HSL 281.86, 0.52%, 0.49%

LAB 43.34, 57.48, -51.46

HEX #963CBD

CMYK 16 / 53 / 0 / 34

HEX #8E50A9

RGB 142 80 169

HSL 281.8, 0.36%, 0.49%

LAB 44.73, 41.37, -37.55

HEX #8E50A9

CMYK 85 / 100 / 0 / 2

HEX #2500F9

RGB 37 0 249

HSL 248.92, 1%, 0.49%

LAB 32.33, 78.07, -104.42

 

CMYK 58 / 100 / 0 / 2

HEX #6800F9

RGB 104 0 249

HSL 265.06, 1%, 0.49%

LAB 37.45, 80.32, -95.76

 

CMYK 32 / 100 / 0 / 2

HEX #AA00F9

RGB 170 0 249

HSL 280.96, 1%, 0.49%

LAB 46.16, 85.88, -81.09

 

CMYK 5 / 100 / 0 / 2

HEX #ED00F9

RGB 237 0 249

HSL 297.11, 1%, 0.49%

LAB 56.92, 94.68, -63.13

 

CMYK 0 / 100 / 22 / 2

HEX #F900C3

RGB 249 0 195

HSL 313.01, 1%, 0.49%

LAB 56.17, 89.62, -33.59

 

CMYK 31 / 100 / 0 / 35

HEX #7400A7

RGB 116 0 167

HSL 281.68, 1%, 0.33%

LAB 30.65, 64.1, -59.22

 

CMYK 30 / 100 / 0 / 18

HEX #9100D0

RGB 145 0 208

HSL 281.83, 1%, 0.41%

LAB 38.85, 75.42, -69.85

 

CMYK 30 / 100 / 0 / 2

HEX #AE00F9

RGB 174 0 249

HSL 281.93, 1%, 0.49%

LAB 46.76, 86.33, -80.08

 

CMYK 26 / 86 / 0 / 0

HEX #BD24FF

RGB 189 36 255

HSL 281.92, 1%, 0.57%

LAB 51.04, 84.7, -76.36

 

CMYK 21 / 70 / 0 / 0

HEX #C94DFF

RGB 201 77 255

HSL 281.8, 1%, 0.65%

LAB 57.02, 74.34, -66.58

 

CMYK 30 / 100 / 0 / 2

HEX #AE00F9

RGB 174 0 249

HSL 281.93, 1%, 0.49%

LAB 46.76, 86.33, -80.08

 

CMYK 0 / 100 / 88 / 2

HEX #F9001D

RGB 249 0 29

HSL 353.01, 1%, 0.49%

LAB 52.09, 78.95, 57.02

 

CMYK 100 / 0 / 72 / 2

HEX #00F946

RGB 0 249 70

HSL 136.87, 1%, 0.49%

LAB 86.1, -81.78, 68.11

 

CMYK 30 / 100 / 0 / 2

HEX #AE00F9

RGB 174 0 249

HSL 281.93, 1%, 0.49%

LAB 46.76, 86.33, -80.08

 

CMYK 0 / 32 / 100 / 2

HEX #F9AA00

RGB 249 170 0

HSL 40.96, 1%, 0.49%

LAB 75.38, 18.79, 78.91

 

CMYK 100 / 0 / 32 / 2

HEX #00F9AA

RGB 0 249 170

HSL 160.96, 1%, 0.49%

LAB 87.32, -67.14, 24.35

 

CMYK 30 / 100 / 0 / 2

HEX #AE00F9

RGB 174 0 249

HSL 281.93, 1%, 0.49%

LAB 46.76, 86.33, -80.08

 

CMYK 0 / 100 / 88 / 2

HEX #F9001D

RGB 249 0 29

HSL 353.01, 1%, 0.49%

LAB 52.09, 78.95, 57.02

 

CMYK 68 / 0 / 100 / 2

HEX #4FF900

RGB 79 249 0

HSL 100.96, 1%, 0.49%

LAB 86.71, -77.3, 82.7

 

CMYK 100 / 0 / 12 / 2

HEX #00F9DC

RGB 0 249 220

HSL 173.01, 1%, 0.49%

LAB 88.41, -55.23, 0.06

 

CMYK 30 / 100 / 0 / 2

HEX #AE00F9

RGB 174 0 249

HSL 281.93, 1%, 0.49%

LAB 46.76, 86.33, -80.08

 

CMYK 0 / 82 / 100 / 2

HEX #F92D00

RGB 249 45 0

HSL 10.84, 1%, 0.49%

LAB 54.04, 72.79, 66.78

 

CMYK 68 / 0 / 100 / 2

HEX #4FF900

RGB 79 249 0

HSL 100.96, 1%, 0.49%

LAB 86.71, -77.3, 82.7

 

CMYK 100 / 18 / 0 / 2

HEX #00CCF9

RGB 0 204 249

HSL 190.84, 1%, 0.49%

LAB 76.08, -26.35, -33.83

 

Description

Color code: HEX #AE00F9 | qconv.com Color code: HEX #AE00F9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, none green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 0 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 100 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 100% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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