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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE0EF0 it is the complementary color #51F10F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE0EF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE0EF0 shade: #B30EEB, #C420FE, #D532FF, #E644FF and #F756FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE0EF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE0EF0 shade: #AE0EF0, #9D00DD, #8C00CA, #7B00B7 and #6A00A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE0EF0 shade: #AE0EF0, #EB0EF0, #F00EB8, #F00E7B and #F00E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE0EF0 shade: #AE0EF0, #710EF0, #340EF0 and #0E0EF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE0EF0 shade matches the following richer shades: #AE0EF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE0EF0 shade: #AE0EF0, #A622DC, #9D37C7, #944BB3 and #8C609E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE0EF0 shade: #330EF0, #700EF0, #AC0EF0, #E90EF0 and #F00EBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE0EF0 shade: #7609A2, #920BC9, #AE0EF0, #BB35F3 and #C85CF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE0EF0 shade: #AE0EF0, #F00E24 and #0EF052

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE0EF0 shade: #AE0EF0, #F0AC0E and #0EF0AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE0EF0 shade: #AE0EF0, #F00E24, #52F00E and #0EF0DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE0EF0 shade: #AE0EF0, #F03B0E, #52F00E and #0EC3F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 94 / 0 / 6

HEX #AE0EF0

RGB 174 14 240

HSL 282.48, 0.89%, 0.5%

LAB 46.45, 83.44, -75.53

 

Complementary color

CMYK 66 / 0 / 94 / 5

HEX #51F10F

RGB 81 241 15

HSL 102.48, 0.89%, 0.5%

LAB 84.33, -74.28, 79.55

 

CMYK 24 / 94 / 0 / 8

HEX #B30EEB

RGB 179 14 235

HSL 284.8, 0.89%, 0.49%

LAB 46.84, 83.19, -72.04

 

CMYK 23 / 87 / 0 / 0

HEX #C420FE

RGB 196 32 254

HSL 284.32, 0.99%, 0.56%

LAB 51.75, 86.28, -74.59

 

CMYK 16 / 80 / 0 / 0

HEX #D532FF

RGB 213 50 255

HSL 287.71, 1%, 0.6%

LAB 55.73, 85.16, -68.58

 

CMYK 10 / 73 / 0 / 0

HEX #E644FF

RGB 230 68 255

HSL 291.98, 1%, 0.63%

LAB 60.05, 83.1, -61.5

 

CMYK 3 / 66 / 0 / 0

HEX #F756FF

RGB 247 86 255

HSL 297.16, 1%, 0.67%

LAB 64.68, 80.51, -53.96

 

CMYK 28 / 94 / 0 / 6

HEX #AE0EF0

RGB 174 14 240

HSL 282.48, 0.89%, 0.5%

LAB 46.45, 83.44, -75.53

 

CMYK 29 / 100 / 0 / 13

HEX #9D00DD

RGB 157 0 221

HSL 282.62, 1%, 0.43%

LAB 41.83, 79.25, -72.4

 

CMYK 31 / 100 / 0 / 21

HEX #8C00CA

RGB 140 0 202

HSL 281.58, 1%, 0.4%

LAB 37.55, 73.7, -68.52

 

CMYK 33 / 100 / 0 / 28

HEX #7B00B7

RGB 123 0 183

HSL 280.33, 1%, 0.36%

LAB 33.2, 68.07, -64.58

 

CMYK 35 / 100 / 0 / 36

HEX #6A00A4

RGB 106 0 164

HSL 278.78, 1%, 0.32%

LAB 28.76, 62.32, -60.57

 

CMYK 28 / 94 / 0 / 6

HEX #AE0EF0

RGB 174 14 240

HSL 282.48, 0.89%, 0.5%

LAB 46.45, 83.44, -75.53

 

CMYK 2 / 94 / 0 / 6

HEX #EB0EF0

RGB 235 14 240

HSL 298.67, 0.89%, 0.5%

LAB 56.35, 92.15, -59.03

 

CMYK 0 / 94 / 23 / 6

HEX #F00EB8

RGB 240 14 184

HSL 314.87, 0.89%, 0.5%

LAB 54.34, 85.75, -30.18

 

CMYK 0 / 94 / 49 / 6

HEX #F00E7B

RGB 240 14 123

HSL 331.06, 0.89%, 0.5%

LAB 52.14, 79.94, 2.74

 

CMYK 0 / 94 / 74 / 6

HEX #F00E3E

RGB 240 14 62

HSL 347.26, 0.89%, 0.5%

LAB 50.91, 76.57, 37.95

 

CMYK 28 / 94 / 0 / 6

HEX #AE0EF0

RGB 174 14 240

HSL 282.48, 0.89%, 0.5%

LAB 46.45, 83.44, -75.53

 

CMYK 53 / 94 / 0 / 6

HEX #710EF0

RGB 113 14 240

HSL 266.28, 0.89%, 0.5%

LAB 38.05, 77.22, -89.65

 

CMYK 78 / 94 / 0 / 6

HEX #340EF0

RGB 52 14 240

HSL 250.09, 0.89%, 0.5%

LAB 32.56, 74.06, -98.93

 

CMYK 94 / 94 / 0 / 6

HEX #0E0EF0

RGB 14 14 240

HSL 240, 0.89%, 0.5%

LAB 31.11, 73.39, -101.39

 

CMYK 28 / 94 / 0 / 6

HEX #AE0EF0

RGB 174 14 240

HSL 282.48, 0.89%, 0.5%

LAB 46.45, 83.44, -75.53

 

CMYK 28 / 94 / 0 / 6

HEX #AE0EF0

RGB 174 14 240

HSL 282.48, 0.89%, 0.5%

LAB 46.45, 83.44, -75.53

 

CMYK 25 / 85 / 0 / 14

HEX #A622DC

RGB 166 34 220

HSL 282.58, 0.73%, 0.5%

LAB 44.83, 75.26, -66.88

 

CMYK 21 / 72 / 0 / 22

HEX #9D37C7

RGB 157 55 199

HSL 282.5, 0.57%, 0.5%

LAB 44.27, 63.04, -55.75

 

CMYK 17 / 58 / 0 / 30

HEX #944BB3

RGB 148 75 179

HSL 282.12, 0.41%, 0.5%

LAB 45.06, 47.79, -42.88

 

CMYK 11 / 39 / 0 / 38

HEX #8C609E

RGB 140 96 158

HSL 282.58, 0.24%, 0.5%

LAB 47.51, 29.34, -26.72

 

CMYK 79 / 94 / 0 / 6

HEX #330EF0

RGB 51 14 240

HSL 249.82, 0.89%, 0.5%

LAB 32.5, 74.04, -99.03

 

CMYK 53 / 94 / 0 / 6

HEX #700EF0

RGB 112 14 240

HSL 266.02, 0.89%, 0.5%

LAB 37.93, 77.15, -89.85

 

CMYK 28 / 94 / 0 / 6

HEX #AC0EF0

RGB 172 14 240

HSL 281.95, 0.89%, 0.5%

LAB 46.14, 83.19, -76.04

 

CMYK 3 / 94 / 0 / 6

HEX #E90EF0

RGB 233 14 240

HSL 298.14, 0.89%, 0.5%

LAB 56.02, 91.83, -59.59

 

CMYK 0 / 94 / 22 / 6

HEX #F00EBC

RGB 240 14 188

HSL 313.81, 0.89%, 0.5%

LAB 54.52, 86.21, -32.23

 

CMYK 27 / 94 / 0 / 36

HEX #7609A2

RGB 118 9 162

HSL 282.75, 0.89%, 0.34%

LAB 31.01, 62, -55.59

 

CMYK 27 / 95 / 0 / 21

HEX #920BC9

RGB 146 11 201

HSL 282.63, 0.9%, 0.42%

LAB 38.84, 72.99, -65.79

 

CMYK 28 / 94 / 0 / 6

HEX #AE0EF0

RGB 174 14 240

HSL 282.48, 0.89%, 0.5%

LAB 46.45, 83.44, -75.53

 

CMYK 23 / 78 / 0 / 5

HEX #BB35F3

RGB 187 53 243

HSL 282.32, 0.89%, 0.58%

LAB 51.36, 77.81, -69.14

 

CMYK 18 / 62 / 0 / 4

HEX #C85CF5

RGB 200 92 245

HSL 282.35, 0.88%, 0.66%

LAB 58.53, 65.9, -58.62

 

CMYK 28 / 94 / 0 / 6

HEX #AE0EF0

RGB 174 14 240

HSL 282.48, 0.89%, 0.5%

LAB 46.45, 83.44, -75.53

 

CMYK 0 / 94 / 85 / 6

HEX #F00E24

RGB 240 14 36

HSL 354.16, 0.89%, 0.5%

LAB 50.65, 75.86, 51.86

 

CMYK 94 / 0 / 66 / 6

HEX #0EF052

RGB 14 240 82

HSL 138.05, 0.89%, 0.5%

LAB 83.45, -77.74, 60.87

 

CMYK 28 / 94 / 0 / 6

HEX #AE0EF0

RGB 174 14 240

HSL 282.48, 0.89%, 0.5%

LAB 46.45, 83.44, -75.53

 

CMYK 0 / 28 / 94 / 6

HEX #F0AC0E

RGB 240 172 14

HSL 41.95, 0.89%, 0.5%

LAB 74.86, 14.03, 76.48

 

CMYK 94 / 0 / 28 / 6

HEX #0EF0AC

RGB 14 240 172

HSL 161.95, 0.89%, 0.5%

LAB 84.69, -63.12, 19.7

 

CMYK 28 / 94 / 0 / 6

HEX #AE0EF0

RGB 174 14 240

HSL 282.48, 0.89%, 0.5%

LAB 46.45, 83.44, -75.53

 

CMYK 0 / 94 / 85 / 6

HEX #F00E24

RGB 240 14 36

HSL 354.16, 0.89%, 0.5%

LAB 50.65, 75.86, 51.86

 

CMYK 66 / 0 / 94 / 6

HEX #52F00E

RGB 82 240 14

HSL 101.95, 0.89%, 0.5%

LAB 84.04, -73.79, 79.43

 

CMYK 94 / 0 / 9 / 6

HEX #0EF0DA

RGB 14 240 218

HSL 174.16, 0.89%, 0.5%

LAB 85.74, -51.77, -2.79

 

CMYK 28 / 94 / 0 / 6

HEX #AE0EF0

RGB 174 14 240

HSL 282.48, 0.89%, 0.5%

LAB 46.45, 83.44, -75.53

 

CMYK 0 / 75 / 94 / 6

HEX #F03B0E

RGB 240 59 14

HSL 11.95, 0.89%, 0.5%

LAB 53.69, 66.58, 62.41

 

CMYK 66 / 0 / 94 / 6

HEX #52F00E

RGB 82 240 14

HSL 101.95, 0.89%, 0.5%

LAB 84.04, -73.79, 79.43

 

CMYK 94 / 19 / 0 / 6

HEX #0EC3F0

RGB 14 195 240

HSL 191.95, 0.89%, 0.5%

LAB 73.16, -24.5, -33.5

 

Description

Color code: HEX #AE0EF0 | qconv.com Color code: HEX #AE0EF0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 14 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 14 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 94 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 94% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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