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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE1370 it is the complementary color #51EC8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE1370. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE1370 shade: #B3136B, #C4257E, #D53791, #E649A4 and #F75BB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE1370. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE1370 shade: #AE1370, #9D015D, #8C004A, #7B0037 and #6A0024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE1370 shade: #AE1370, #AE1346, #AE131C and #AE1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE1370 shade: #AE1370, #AE139A, #9813AE, #6F13AE and #4513AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE1370 shade matches the following richer shades: #AE1370 and #BE0373

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE1370 shade: #AE1370, #9E236D, #8F326A, #7F4266 and #6F5263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE1370 shade: #9913AE, #AE1399, #AE1370, #AE1347 and #AE131D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE1370 shade: #640B40, #890F58, #AE1370, #D31788 and #E72C9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE1370 shade: #AE1370, #AE7013 and #13AEAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE1370 shade: #AE1370, #70AE13 and #1370AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE1370 shade: #AE1370, #AE7013, #13AE51 and #1351AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE1370 shade: #AE1370, #AE9E13, #13AE51 and #1322AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 36 / 32

HEX #AE1370

RGB 174 19 112

HSL 324, 0.8%, 0.38%

LAB 38.96, 63.52, -11.43

 

Complementary color

CMYK 66 / 0 / 39 / 7

HEX #51EC8F

RGB 81 236 143

HSL 144, 0.8%, 0.62%

LAB 83.82, -60.81, 33.47

 

CMYK 0 / 89 / 40 / 30

HEX #B3136B

RGB 179 19 107

HSL 327, 0.81%, 0.39%

LAB 39.77, 64.17, -6.97

 

CMYK 0 / 81 / 36 / 23

HEX #C4257E

RGB 196 37 126

HSL 326.42, 0.68%, 0.46%

LAB 45.03, 66.39, -10.54

 

CMYK 0 / 74 / 32 / 16

HEX #D53791

RGB 213 55 145

HSL 325.82, 0.65%, 0.53%

LAB 50.6, 67.59, -13.34

 

CMYK 0 / 68 / 29 / 10

HEX #E649A4

RGB 230 73 164

HSL 325.22, 0.76%, 0.59%

LAB 56.36, 68.1, -15.57

 

CMYK 0 / 63 / 26 / 3

HEX #F75BB7

RGB 247 91 183

HSL 324.62, 0.91%, 0.66%

LAB 62.23, 68.15, -17.39

 

CMYK 0 / 89 / 36 / 32

HEX #AE1370

RGB 174 19 112

HSL 324, 0.8%, 0.38%

LAB 38.96, 63.52, -11.43

 

CMYK 0 / 99 / 41 / 38

HEX #9D015D

RGB 157 1 93

HSL 324.62, 0.99%, 0.31%

LAB 33.94, 60.19, -7.21

 

CMYK 0 / 100 / 47 / 45

HEX #8C004A

RGB 140 0 74

HSL 328.29, 1%, 0.27%

LAB 29.59, 54.69, -1.58

 

CMYK 0 / 100 / 55 / 52

HEX #7B0037

RGB 123 0 55

HSL 333.17, 1%, 0.24%

LAB 25.22, 49.02, 4.51

 

CMYK 0 / 100 / 66 / 58

HEX #6A0024

RGB 106 0 36

HSL 339.62, 1%, 0.21%

LAB 20.8, 43.35, 11.07

 

CMYK 0 / 89 / 36 / 32

HEX #AE1370

RGB 174 19 112

HSL 324, 0.8%, 0.38%

LAB 38.96, 63.52, -11.43

 

CMYK 0 / 89 / 60 / 32

HEX #AE1346

RGB 174 19 70

HSL 340.26, 0.8%, 0.38%

LAB 37.67, 59.94, 13.52

 

CMYK 0 / 89 / 84 / 32

HEX #AE131C

RGB 174 19 28

HSL 356.52, 0.8%, 0.38%

LAB 37.02, 58.06, 38.66

 

CMYK 0 / 89 / 89 / 32

HEX #AE1313

RGB 174 19 19

HSL 0, 0.8%, 0.38%

LAB 36.95, 57.86, 43.21

 

CMYK 0 / 89 / 36 / 32

HEX #AE1370

RGB 174 19 112

HSL 324, 0.8%, 0.38%

LAB 38.96, 63.52, -11.43

 

CMYK 0 / 89 / 11 / 32

HEX #AE139A

RGB 174 19 154

HSL 307.74, 0.8%, 0.38%

LAB 40.89, 68.69, -34.34

 

CMYK 13 / 89 / 0 / 32

HEX #9813AE

RGB 152 19 174

HSL 291.48, 0.8%, 0.38%

LAB 38.19, 67.82, -50.89

 

CMYK 36 / 89 / 0 / 32

HEX #6F13AE

RGB 111 19 174

HSL 275.61, 0.8%, 0.38%

LAB 31.58, 61.63, -61.93

 

CMYK 60 / 89 / 0 / 32

HEX #4513AE

RGB 69 19 174

HSL 259.35, 0.8%, 0.38%

LAB 26.12, 57.04, -71.13

 

CMYK 0 / 89 / 36 / 32

HEX #AE1370

RGB 174 19 112

HSL 324, 0.8%, 0.38%

LAB 38.96, 63.52, -11.43

 

CMYK 0 / 98 / 39 / 25

HEX #BE0373

RGB 190 3 115

HSL 324.06, 0.97%, 0.38%

LAB 41.61, 69.29, -9

 

CMYK 0 / 89 / 36 / 32

HEX #AE1370

RGB 174 19 112

HSL 324, 0.8%, 0.38%

LAB 38.96, 63.52, -11.43

 

CMYK 0 / 78 / 31 / 38

HEX #9E236D

RGB 158 35 109

HSL 323.9, 0.64%, 0.38%

LAB 37.07, 55.5, -12.7

 

CMYK 0 / 65 / 26 / 44

HEX #8F326A

RGB 143 50 106

HSL 323.87, 0.48%, 0.38%

LAB 36.29, 45.22, -12.23

 

CMYK 0 / 48 / 20 / 50

HEX #7F4266

RGB 127 66 102

HSL 324.59, 0.32%, 0.38%

LAB 36.68, 31.19, -9.36

 

CMYK 0 / 26 / 11 / 56

HEX #6F5263

RGB 111 82 99

HSL 324.83, 0.15%, 0.38%

LAB 38.4, 15.12, -5.12

 

CMYK 12 / 89 / 0 / 32

HEX #9913AE

RGB 153 19 174

HSL 291.87, 0.8%, 0.38%

LAB 38.37, 67.99, -50.6

 

CMYK 0 / 89 / 12 / 32

HEX #AE1399

RGB 174 19 153

HSL 308.13, 0.8%, 0.38%

LAB 40.84, 68.55, -33.82

 

CMYK 0 / 89 / 36 / 32

HEX #AE1370

RGB 174 19 112

HSL 324, 0.8%, 0.38%

LAB 38.96, 63.52, -11.43

 

CMYK 0 / 89 / 59 / 32

HEX #AE1347

RGB 174 19 71

HSL 339.87, 0.8%, 0.38%

LAB 37.7, 60, 12.91

 

CMYK 0 / 89 / 83 / 32

HEX #AE131D

RGB 174 19 29

HSL 356.13, 0.8%, 0.38%

LAB 37.03, 58.08, 38.12

 

CMYK 0 / 89 / 36 / 61

HEX #640B40

RGB 100 11 64

HSL 324.27, 0.8%, 0.22%

LAB 21.28, 41.68, -8.1

 

CMYK 0 / 89 / 36 / 46

HEX #890F58

RGB 137 15 88

HSL 324.1, 0.8%, 0.3%

LAB 30.31, 52.92, -9.82

 

CMYK 0 / 89 / 36 / 32

HEX #AE1370

RGB 174 19 112

HSL 324, 0.8%, 0.38%

LAB 38.96, 63.52, -11.43

 

CMYK 0 / 89 / 36 / 17

HEX #D31788

RGB 211 23 136

HSL 323.94, 0.8%, 0.46%

LAB 47.29, 73.64, -12.96

 

CMYK 0 / 81 / 32 / 9

HEX #E72C9C

RGB 231 44 156

HSL 324.06, 0.8%, 0.54%

LAB 53.16, 76.15, -15.7

 

CMYK 0 / 89 / 36 / 32

HEX #AE1370

RGB 174 19 112

HSL 324, 0.8%, 0.38%

LAB 38.96, 63.52, -11.43

 

CMYK 0 / 36 / 89 / 32

HEX #AE7013

RGB 174 112 19

HSL 36, 0.8%, 0.38%

LAB 52.55, 17.77, 55.41

 

CMYK 89 / 0 / 0 / 32

HEX #13AEAE

RGB 19 174 174

HSL 180, 0.8%, 0.38%

LAB 64.54, -35.36, -10.44

 

CMYK 0 / 89 / 36 / 32

HEX #AE1370

RGB 174 19 112

HSL 324, 0.8%, 0.38%

LAB 38.96, 63.52, -11.43

 

CMYK 36 / 0 / 89 / 32

HEX #70AE13

RGB 112 174 19

HSL 84, 0.8%, 0.38%

LAB 64.77, -41.47, 63.26

 

CMYK 89 / 36 / 0 / 32

HEX #1370AE

RGB 19 112 174

HSL 204, 0.8%, 0.38%

LAB 45.34, -2.2, -40.04

 

CMYK 0 / 89 / 36 / 32

HEX #AE1370

RGB 174 19 112

HSL 324, 0.8%, 0.38%

LAB 38.96, 63.52, -11.43

 

CMYK 0 / 36 / 89 / 32

HEX #AE7013

RGB 174 112 19

HSL 36, 0.8%, 0.38%

LAB 52.55, 17.77, 55.41

 

CMYK 89 / 0 / 53 / 32

HEX #13AE51

RGB 19 174 81

HSL 144, 0.8%, 0.38%

LAB 62.51, -57.31, 37.19

 

CMYK 89 / 53 / 0 / 32

HEX #1351AE

RGB 19 81 174

HSL 216, 0.8%, 0.38%

LAB 36.14, 17.83, -54.8

 

CMYK 0 / 89 / 36 / 32

HEX #AE1370

RGB 174 19 112

HSL 324, 0.8%, 0.38%

LAB 38.96, 63.52, -11.43

 

CMYK 0 / 9 / 89 / 32

HEX #AE9E13

RGB 174 158 19

HSL 53.81, 0.8%, 0.38%

LAB 64.56, -7.58, 64.92

 

CMYK 89 / 0 / 53 / 32

HEX #13AE51

RGB 19 174 81

HSL 144, 0.8%, 0.38%

LAB 62.51, -57.31, 37.19

 

CMYK 89 / 80 / 0 / 32

HEX #1322AE

RGB 19 34 174

HSL 234.19, 0.8%, 0.38%

LAB 24.76, 47.73, -73.48

 

Description

Color code: HEX #AE1370 | qconv.com Color code: HEX #AE1370 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 19 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 19 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 36 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 36% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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