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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE25BA it is the complementary color #51DA45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE25BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE25BA shade: #B325B5, #C437C8, #D549DB, #E65BEE and #F76DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE25BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE25BA shade: #AE25BA, #9D13A7, #8C0194, #7B0081 and #6A006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE25BA shade: #AF25BB, #BB259E, #BB2576, #BB254D and #BB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE25BA shade: #AF25BB, #8625BB, #5E25BB, #3525BB and #2525BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE25BA shade matches the following richer shades: #AF25BB, #BE12CD and #CD00DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE25BA shade: #AF25BB, #A037A9, #904997, #815B84 and #726D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE25BA shade: #5E25BB, #8625BB, #AE25BB, #BB259F and #BB2577

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE25BA shade: #6E1776, #8F1E98, #AF25BB, #C932D6 and #D255DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE25BA shade: #AE25BA, #BB3625 and #25BB72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE25BA shade: #AE25BA, #BBAE25 and #25BBAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE25BA shade: #AE25BA, #BB3625, #31BB25 and #25A9BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE25BA shade: #AE25BA, #BB6325, #31BB25 and #257CBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 80 / 0 / 27

HEX #AE25BA

RGB 174 37 186

HSL 295.17, 0.67%, 0.44%

LAB 44.04, 69.8, -48.39

 

Complementary color

CMYK 63 / 0 / 68 / 15

HEX #51DA45

RGB 81 218 69

HSL 115.17, 0.67%, 0.56%

LAB 77.47, -64.22, 59.8

 

CMYK 1 / 80 / 0 / 29

HEX #B325B5

RGB 179 37 181

HSL 299.17, 0.66%, 0.43%

LAB 44.58, 69.95, -44.54

 

CMYK 2 / 73 / 0 / 22

HEX #C437C8

RGB 196 55 200

HSL 298.34, 0.57%, 0.5%

LAB 50.26, 71.25, -46.4

 

CMYK 3 / 67 / 0 / 14

HEX #D549DB

RGB 213 73 219

HSL 297.53, 0.67%, 0.57%

LAB 56.11, 71.84, -47.79

 

CMYK 3 / 62 / 0 / 7

HEX #E65BEE

RGB 230 91 238

HSL 296.73, 0.81%, 0.65%

LAB 62.06, 71.95, -48.87

 

CMYK 3 / 57 / 0 / 0

HEX #F76DFF

RGB 247 109 255

HSL 296.71, 1%, 0.71%

LAB 67.97, 71.4, -48.76

 

CMYK 6 / 80 / 0 / 27

HEX #AE25BA

RGB 174 37 186

HSL 295.17, 0.67%, 0.44%

LAB 44.04, 69.8, -48.39

 

CMYK 6 / 89 / 0 / 35

HEX #9D13A7

RGB 157 19 167

HSL 295.95, 0.8%, 0.36%

LAB 38.59, 67.5, -46.01

 

CMYK 5 / 99 / 0 / 42

HEX #8C0194

RGB 140 1 148

HSL 296.73, 0.99%, 0.29%

LAB 33.43, 64.02, -42.96

 

CMYK 5 / 100 / 0 / 49

HEX #7B0081

RGB 123 0 129

HSL 297.21, 1%, 0.25%

LAB 28.89, 58.24, -38.61

 

CMYK 4 / 100 / 0 / 57

HEX #6A006E

RGB 106 0 110

HSL 297.82, 1%, 0.22%

LAB 24.29, 52.18, -34.06

 

CMYK 6 / 80 / 0 / 27

HEX #AF25BB

RGB 175 37 187

HSL 295.2, 0.67%, 0.44%

LAB 44.27, 70.16, -48.6

 

CMYK 0 / 80 / 16 / 27

HEX #BB259E

RGB 187 37 158

HSL 311.6, 0.67%, 0.44%

LAB 44.74, 68.19, -30.53

 

CMYK 0 / 80 / 37 / 27

HEX #BB2576

RGB 187 37 118

HSL 327.6, 0.67%, 0.44%

LAB 43.06, 63.33, -8.75

 

CMYK 0 / 80 / 59 / 27

HEX #BB254D

RGB 187 37 77

HSL 344, 0.67%, 0.44%

LAB 41.88, 59.79, 15.22

 

CMYK 0 / 80 / 80 / 27

HEX #BB2525

RGB 187 37 37

HSL 0, 0.67%, 0.44%

LAB 41.25, 57.83, 38.72

 

CMYK 6 / 80 / 0 / 27

HEX #AF25BB

RGB 175 37 187

HSL 295.2, 0.67%, 0.44%

LAB 44.27, 70.16, -48.6

 

CMYK 28 / 80 / 0 / 27

HEX #8625BB

RGB 134 37 187

HSL 278.8, 0.67%, 0.44%

LAB 37.81, 62.79, -59.36

 

CMYK 50 / 80 / 0 / 27

HEX #5E25BB

RGB 94 37 187

HSL 262.8, 0.67%, 0.44%

LAB 32.46, 56.73, -68.31

 

CMYK 72 / 80 / 0 / 27

HEX #3525BB

RGB 53 37 187

HSL 246.4, 0.67%, 0.44%

LAB 28.56, 52.33, -74.88

 

CMYK 80 / 80 / 0 / 27

HEX #2525BB

RGB 37 37 187

HSL 240, 0.67%, 0.44%

LAB 27.58, 51.24, -76.53

 

CMYK 6 / 80 / 0 / 27

HEX #AF25BB

RGB 175 37 187

HSL 295.2, 0.67%, 0.44%

LAB 44.27, 70.16, -48.6

 

CMYK 7 / 91 / 0 / 20

HEX #BE12CD

RGB 190 18 205

HSL 295.19, 0.84%, 0.44%

LAB 46.69, 79.3, -55.04

 

CMYK 8 / 100 / 0 / 13

HEX #CD00DF

RGB 205 0 223

HSL 295.16, 1%, 0.44%

LAB 49.87, 86.03, -60.13

 

CMYK 6 / 80 / 0 / 27

HEX #AF25BB

RGB 175 37 187

HSL 295.2, 0.67%, 0.44%

LAB 44.27, 70.16, -48.6

 

CMYK 5 / 67 / 0 / 34

HEX #A037A9

RGB 160 55 169

HSL 295.26, 0.51%, 0.44%

LAB 42.87, 57.94, -40.35

 

CMYK 5 / 52 / 0 / 41

HEX #904997

RGB 144 73 151

HSL 294.62, 0.35%, 0.44%

LAB 42.66, 41.92, -30.08

 

CMYK 2 / 31 / 0 / 48

HEX #815B84

RGB 129 91 132

HSL 295.61, 0.18%, 0.44%

LAB 43.97, 23.01, -16.75

 

CMYK 0 / 4 / 0 / 55

HEX #726D72

RGB 114 109 114

HSL 300, 0.02%, 0.44%

LAB 46.62, 2.95, -2.09

 

CMYK 50 / 80 / 0 / 27

HEX #5E25BB

RGB 94 37 187

HSL 262.8, 0.67%, 0.44%

LAB 32.46, 56.73, -68.31

 

CMYK 28 / 80 / 0 / 27

HEX #8625BB

RGB 134 37 187

HSL 278.8, 0.67%, 0.44%

LAB 37.81, 62.79, -59.36

 

CMYK 7 / 80 / 0 / 27

HEX #AE25BB

RGB 174 37 187

HSL 294.8, 0.67%, 0.44%

LAB 44.1, 69.97, -48.87

 

CMYK 0 / 80 / 15 / 27

HEX #BB259F

RGB 187 37 159

HSL 311.2, 0.67%, 0.44%

LAB 44.79, 68.33, -31.06

 

CMYK 0 / 80 / 36 / 27

HEX #BB2577

RGB 187 37 119

HSL 327.2, 0.67%, 0.44%

LAB 43.09, 63.43, -9.31

 

CMYK 7 / 81 / 0 / 54

HEX #6E1776

RGB 110 23 118

HSL 294.95, 0.67%, 0.28%

LAB 27.4, 49.04, -34.17

 

CMYK 6 / 80 / 0 / 40

HEX #8F1E98

RGB 143 30 152

HSL 295.57, 0.67%, 0.36%

LAB 36.05, 59.87, -41.16

 

CMYK 6 / 80 / 0 / 27

HEX #AF25BB

RGB 175 37 187

HSL 295.2, 0.67%, 0.44%

LAB 44.27, 70.16, -48.6

 

CMYK 6 / 77 / 0 / 16

HEX #C932D6

RGB 201 50 214

HSL 295.24, 0.67%, 0.52%

LAB 51.33, 76.07, -52.68

 

CMYK 5 / 62 / 0 / 13

HEX #D255DD

RGB 210 85 221

HSL 295.15, 0.67%, 0.6%

LAB 57.48, 66.74, -46.78

 

CMYK 6 / 80 / 0 / 27

HEX #AE25BA

RGB 174 37 186

HSL 295.17, 0.67%, 0.44%

LAB 44.04, 69.8, -48.39

 

CMYK 0 / 71 / 80 / 27

HEX #BB3625

RGB 187 54 37

HSL 6.8, 0.67%, 0.44%

LAB 43.27, 52.22, 40.74

 

CMYK 80 / 0 / 39 / 27

HEX #25BB72

RGB 37 187 114

HSL 150.8, 0.67%, 0.44%

LAB 67.39, -54.45, 26.5

 

CMYK 6 / 80 / 0 / 27

HEX #AE25BA

RGB 174 37 186

HSL 295.17, 0.67%, 0.44%

LAB 44.04, 69.8, -48.39

 

CMYK 0 / 7 / 80 / 27

HEX #BBAE25

RGB 187 174 37

HSL 54.8, 0.67%, 0.44%

LAB 70.16, -9.72, 65.61

 

CMYK 80 / 0 / 7 / 27

HEX #25BBAE

RGB 37 187 174

HSL 174.8, 0.67%, 0.44%

LAB 68.74, -39.98, -4.17

 

CMYK 6 / 80 / 0 / 27

HEX #AE25BA

RGB 174 37 186

HSL 295.17, 0.67%, 0.44%

LAB 44.04, 69.8, -48.39

 

CMYK 0 / 71 / 80 / 27

HEX #BB3625

RGB 187 54 37

HSL 6.8, 0.67%, 0.44%

LAB 43.27, 52.22, 40.74

 

CMYK 74 / 0 / 80 / 27

HEX #31BB25

RGB 49 187 37

HSL 115.2, 0.67%, 0.44%

LAB 66.77, -62.52, 59.85

 

CMYK 80 / 10 / 0 / 27

HEX #25A9BB

RGB 37 169 187

HSL 187.2, 0.67%, 0.44%

LAB 63.64, -27.58, -19.02

 

CMYK 6 / 80 / 0 / 27

HEX #AE25BA

RGB 174 37 186

HSL 295.17, 0.67%, 0.44%

LAB 44.04, 69.8, -48.39

 

CMYK 0 / 47 / 80 / 27

HEX #BB6325

RGB 187 99 37

HSL 24.8, 0.67%, 0.44%

LAB 51.41, 31.04, 48.62

 

CMYK 74 / 0 / 80 / 27

HEX #31BB25

RGB 49 187 37

HSL 115.2, 0.67%, 0.44%

LAB 66.77, -62.52, 59.85

 

CMYK 80 / 34 / 0 / 27

HEX #257CBB

RGB 37 124 187

HSL 205.2, 0.67%, 0.44%

LAB 49.97, -2.99, -40.21

 

Description

Color code: HEX #AE25BA | qconv.com Color code: HEX #AE25BA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 37 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 37 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 80 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 80% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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