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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE20B6 it is the complementary color #51DF49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE20B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE20B6 shade: #B320B1, #C432C4, #D544D7, #E656EA and #F768FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE20B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE20B6 shade: #AE20B6, #9D0EA3, #8C0090, #7B007D and #6A006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE20B6 shade: #AE20B6, #B62095, #B6206D, #B62044 and #B62020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE20B6 shade: #AE20B6, #8520B6, #5D20B6, #3420B6 and #2020B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE20B6 shade matches the following richer shades: #AE20B6 and #BD0EC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE20B6 shade: #AE20B6, #9E31A4, #8F4293, #7F5482 and #706570

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE20B6 shade: #5C20B6, #8420B6, #AC20B6, #B62098 and #B62070

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE20B6 shade: #6B136F, #8C1992, #AE20B6, #CF26D8 and #D749DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE20B6 shade: #AE20B6, #B63420 and #20B670

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE20B6 shade: #AE20B6, #B6AC20 and #20B6AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE20B6 shade: #AE20B6, #B63420, #2AB620 and #20A2B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE20B6 shade: #AE20B6, #B66120, #2AB620 and #2075B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 82 / 0 / 29

HEX #AE20B6

RGB 174 32 182

HSL 296.8, 0.7%, 0.42%

LAB 43.37, 70.38, -47.1

 

Complementary color

CMYK 64 / 0 / 67 / 13

HEX #51DF49

RGB 81 223 73

HSL 116.8, 0.7%, 0.58%

LAB 79.04, -65.56, 59.92

 

CMYK 0 / 82 / 1 / 30

HEX #B320B1

RGB 179 32 177

HSL 300.82, 0.7%, 0.41%

LAB 43.93, 70.53, -43.21

 

CMYK 0 / 74 / 0 / 23

HEX #C432C4

RGB 196 50 196

HSL 300, 0.59%, 0.48%

LAB 49.5, 72.16, -45.3

 

CMYK 1 / 68 / 0 / 16

HEX #D544D7

RGB 213 68 215

HSL 299.18, 0.65%, 0.55%

LAB 55.26, 72.98, -46.87

 

CMYK 2 / 63 / 0 / 8

HEX #E656EA

RGB 230 86 234

HSL 298.38, 0.78%, 0.63%

LAB 61.15, 73.26, -48.09

 

CMYK 2 / 59 / 0 / 1

HEX #F768FD

RGB 247 104 253

HSL 297.58, 0.97%, 0.7%

LAB 67.1, 73.18, -49.04

 

CMYK 4 / 82 / 0 / 29

HEX #AE20B6

RGB 174 32 182

HSL 296.8, 0.7%, 0.42%

LAB 43.37, 70.38, -47.1

 

CMYK 4 / 91 / 0 / 36

HEX #9D0EA3

RGB 157 14 163

HSL 297.58, 0.84%, 0.35%

LAB 38.07, 67.64, -44.45

 

CMYK 3 / 100 / 0 / 44

HEX #8C0090

RGB 140 0 144

HSL 298.33, 1%, 0.28%

LAB 33.11, 63.52, -41

 

CMYK 2 / 100 / 0 / 51

HEX #7B007D

RGB 123 0 125

HSL 299.04, 1%, 0.25%

LAB 28.62, 57.59, -36.52

 

CMYK 0 / 100 / 0 / 58

HEX #6A006A

RGB 106 0 106

HSL 300, 1%, 0.21%

LAB 24.01, 51.52, -31.9

 

CMYK 4 / 82 / 0 / 29

HEX #AE20B6

RGB 174 32 182

HSL 296.8, 0.7%, 0.42%

LAB 43.37, 70.38, -47.1

 

CMYK 0 / 82 / 18 / 29

HEX #B62095

RGB 182 32 149

HSL 313.2, 0.7%, 0.42%

LAB 42.99, 67.1, -27.92

 

CMYK 0 / 82 / 40 / 29

HEX #B6206D

RGB 182 32 109

HSL 329.2, 0.7%, 0.42%

LAB 41.35, 62.43, -5.8

 

CMYK 0 / 82 / 63 / 29

HEX #B62044

RGB 182 32 68

HSL 345.6, 0.7%, 0.42%

LAB 40.24, 59.15, 18.52

 

CMYK 0 / 82 / 82 / 29

HEX #B62020

RGB 182 32 32

HSL 0, 0.7%, 0.42%

LAB 39.72, 57.57, 39.62

 

CMYK 4 / 82 / 0 / 29

HEX #AE20B6

RGB 174 32 182

HSL 296.8, 0.7%, 0.42%

LAB 43.37, 70.38, -47.1

 

CMYK 27 / 82 / 0 / 29

HEX #8520B6

RGB 133 32 182

HSL 280.4, 0.7%, 0.42%

LAB 36.74, 63.14, -58.15

 

CMYK 49 / 82 / 0 / 29

HEX #5D20B6

RGB 93 32 182

HSL 264.4, 0.7%, 0.42%

LAB 31.2, 57.25, -67.42

 

CMYK 71 / 82 / 0 / 29

HEX #3420B6

RGB 52 32 182

HSL 248, 0.7%, 0.42%

LAB 27.13, 53.06, -74.28

 

CMYK 82 / 82 / 0 / 29

HEX #2020B6

RGB 32 32 182

HSL 240, 0.7%, 0.42%

LAB 25.91, 51.83, -76.34

 

CMYK 4 / 82 / 0 / 29

HEX #AE20B6

RGB 174 32 182

HSL 296.8, 0.7%, 0.42%

LAB 43.37, 70.38, -47.1

 

CMYK 5 / 93 / 0 / 22

HEX #BD0EC7

RGB 189 14 199

HSL 296.76, 0.87%, 0.42%

LAB 45.98, 78.67, -52.72

 

CMYK 4 / 82 / 0 / 29

HEX #AE20B6

RGB 174 32 182

HSL 296.8, 0.7%, 0.42%

LAB 43.37, 70.38, -47.1

 

CMYK 4 / 70 / 0 / 36

HEX #9E31A4

RGB 158 49 164

HSL 296.87, 0.54%, 0.42%

LAB 41.45, 58.91, -39.65

 

CMYK 3 / 55 / 0 / 42

HEX #8F4293

RGB 143 66 147

HSL 297.04, 0.38%, 0.42%

LAB 40.96, 44.45, -30.33

 

CMYK 2 / 35 / 0 / 49

HEX #7F5482

RGB 127 84 130

HSL 296.09, 0.21%, 0.42%

LAB 41.94, 26.04, -18.66

 

CMYK 0 / 10 / 0 / 56

HEX #706570

RGB 112 101 112

HSL 300, 0.05%, 0.42%

LAB 44.12, 6.54, -4.59

 

CMYK 49 / 82 / 0 / 29

HEX #5C20B6

RGB 92 32 182

HSL 264, 0.7%, 0.42%

LAB 31.08, 57.13, -67.63

 

CMYK 27 / 82 / 0 / 29

HEX #8420B6

RGB 132 32 182

HSL 280, 0.7%, 0.42%

LAB 36.59, 62.98, -58.4

 

CMYK 5 / 82 / 0 / 29

HEX #AC20B6

RGB 172 32 182

HSL 296, 0.7%, 0.42%

LAB 43.03, 70, -47.67

 

CMYK 0 / 82 / 16 / 29

HEX #B62098

RGB 182 32 152

HSL 312, 0.7%, 0.42%

LAB 43.13, 67.51, -29.51

 

CMYK 0 / 82 / 38 / 29

HEX #B62070

RGB 182 32 112

HSL 328, 0.7%, 0.42%

LAB 41.45, 62.73, -7.52

 

CMYK 4 / 83 / 0 / 56

HEX #6B136F

RGB 107 19 111

HSL 297.39, 0.71%, 0.25%

LAB 25.98, 48.34, -31.99

 

CMYK 4 / 83 / 0 / 43

HEX #8C1992

RGB 140 25 146

HSL 297.02, 0.71%, 0.34%

LAB 34.69, 59.58, -39.69

 

CMYK 4 / 82 / 0 / 29

HEX #AE20B6

RGB 174 32 182

HSL 296.8, 0.7%, 0.42%

LAB 43.37, 70.38, -47.1

 

CMYK 4 / 82 / 0 / 15

HEX #CF26D8

RGB 207 38 216

HSL 296.97, 0.7%, 0.5%

LAB 51.39, 80.49, -53.67

 

CMYK 4 / 67 / 0 / 13

HEX #D749DF

RGB 215 73 223

HSL 296.8, 0.7%, 0.58%

LAB 56.62, 72.95, -49.22

 

CMYK 4 / 82 / 0 / 29

HEX #AE20B6

RGB 174 32 182

HSL 296.8, 0.7%, 0.42%

LAB 43.37, 70.38, -47.1

 

CMYK 0 / 71 / 82 / 29

HEX #B63420

RGB 182 52 32

HSL 8, 0.7%, 0.42%

LAB 42.01, 51.18, 41.8

 

CMYK 82 / 0 / 38 / 29

HEX #20B670

RGB 32 182 112

HSL 152, 0.7%, 0.42%

LAB 65.7, -53.52, 25.29

 

CMYK 4 / 82 / 0 / 29

HEX #AE20B6

RGB 174 32 182

HSL 296.8, 0.7%, 0.42%

LAB 43.37, 70.38, -47.1

 

CMYK 0 / 5 / 82 / 29

HEX #B6AC20

RGB 182 172 32

HSL 56, 0.7%, 0.42%

LAB 69.15, -11.04, 65.96

 

CMYK 82 / 0 / 5 / 29

HEX #20B6AC

RGB 32 182 172

HSL 176, 0.7%, 0.42%

LAB 67.08, -38.74, -5.53

 

CMYK 4 / 82 / 0 / 29

HEX #AE20B6

RGB 174 32 182

HSL 296.8, 0.7%, 0.42%

LAB 43.37, 70.38, -47.1

 

CMYK 0 / 71 / 82 / 29

HEX #B63420

RGB 182 52 32

HSL 8, 0.7%, 0.42%

LAB 42.01, 51.18, 41.8

 

CMYK 77 / 0 / 82 / 29

HEX #2AB620

RGB 42 182 32

HSL 116, 0.7%, 0.42%

LAB 65, -62.32, 59.57

 

CMYK 82 / 11 / 0 / 29

HEX #20A2B6

RGB 32 162 182

HSL 188, 0.7%, 0.42%

LAB 61.24, -26.13, -19.88

 

CMYK 4 / 82 / 0 / 29

HEX #AE20B6

RGB 174 32 182

HSL 296.8, 0.7%, 0.42%

LAB 43.37, 70.38, -47.1

 

CMYK 0 / 47 / 82 / 29

HEX #B66120

RGB 182 97 32

HSL 26, 0.7%, 0.42%

LAB 50.21, 29.86, 49.38

 

CMYK 77 / 0 / 82 / 29

HEX #2AB620

RGB 42 182 32

HSL 116, 0.7%, 0.42%

LAB 65, -62.32, 59.57

 

CMYK 82 / 36 / 0 / 29

HEX #2075B6

RGB 32 117 182

HSL 206, 0.7%, 0.42%

LAB 47.5, -1.14, -41.24

 

Description

Color code: HEX #AE20B6 | qconv.com Color code: HEX #AE20B6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 32 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 32 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 82 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 82% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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