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Color name
HEX #AE220A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE220A it is the complementary color #51DDF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE220A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE220A shade: #B32205, #C43418, #D5462B, #E6583E and #F76A51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE220A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE220A shade: #AE220A, #9D1000, #8C0000, #7B0000 and #6A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE220A shade: #AD220A and #AD0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE220A shade: #AD220A, #AD4E0A, #AD7A0A, #ADA60A and #88AD0A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE220A shade matches the following richer shades: #AD220A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE220A shade: #AD220A, #9E2C18, #8F3727, #804136 and #724C45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE220A shade: #AD0A4B, #AD0A1F, #AD1F0A, #AD4B0A and #AD770A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE220A shade: #5F1205, #861A07, #AD220A, #D4290C and #F13818

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE220A shade: #AE220A, #77AD0A and #0A35AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE220A shade: #AE220A, #0AAD1F and #1F0AAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE220A shade: #AE220A, #77AD0A, #0A97AD and #400AAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE220A shade: #AE220A, #46AD0A, #0A97AD and #710AAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 94 / 32

HEX #AE220A

RGB 174 34 10

HSL 8.78, 0.89%, 0.36%

LAB 38.14, 54.22, 47.67

 

Complementary color

CMYK 67 / 10 / 0 / 4

HEX #51DDF5

RGB 81 221 245

HSL 188.78, 0.89%, 0.64%

LAB 81.87, -30.05, -22.75

 

CMYK 0 / 81 / 97 / 30

HEX #B32205

RGB 179 34 5

HSL 10, 0.95%, 0.36%

LAB 39.14, 55.67, 50.49

 

CMYK 0 / 73 / 88 / 23

HEX #C43418

RGB 196 52 24

HSL 9.77, 0.78%, 0.43%

LAB 44.6, 55.51, 48.86

 

CMYK 0 / 67 / 80 / 16

HEX #D5462B

RGB 213 70 43

HSL 9.53, 0.67%, 0.5%

LAB 50.34, 54.76, 46.21

 

CMYK 0 / 62 / 73 / 10

HEX #E6583E

RGB 230 88 62

HSL 9.29, 0.77%, 0.57%

LAB 56.24, 53.69, 43.41

 

CMYK 0 / 57 / 67 / 3

HEX #F76A51

RGB 247 106 81

HSL 9.04, 0.91%, 0.64%

LAB 62.23, 52.48, 40.8

 

CMYK 0 / 80 / 94 / 32

HEX #AE220A

RGB 174 34 10

HSL 8.78, 0.89%, 0.36%

LAB 38.14, 54.22, 47.67

 

CMYK 0 / 90 / 100 / 38

HEX #9D1000

RGB 157 16 0

HSL 6.11, 1%, 0.31%

LAB 33, 53.4, 46.71

 

CMYK 0 / 100 / 100 / 45

HEX #8C0000

RGB 140 0 0

HSL 0, 1%, 0.27%

LAB 28.32, 51.28, 41.58

 

CMYK 0 / 100 / 100 / 52

HEX #7B0000

RGB 123 0 0

HSL 0, 1%, 0.24%

LAB 24.36, 46.7, 36.53

 

CMYK 0 / 100 / 100 / 58

HEX #6A0000

RGB 106 0 0

HSL 0, 1%, 0.21%

LAB 20.3, 42, 31.02

 

CMYK 0 / 80 / 94 / 32

HEX #AD220A

RGB 173 34 10

HSL 8.83, 0.89%, 0.36%

LAB 37.93, 53.92, 47.44

 

CMYK 0 / 94 / 94 / 32

HEX #AD0A0A

RGB 173 10 10

HSL 0, 0.89%, 0.36%

LAB 36.22, 58.8, 46.39

 

CMYK 0 / 80 / 94 / 32

HEX #AD220A

RGB 173 34 10

HSL 8.83, 0.89%, 0.36%

LAB 37.93, 53.92, 47.44

 

CMYK 0 / 55 / 94 / 32

HEX #AD4E0A

RGB 173 78 10

HSL 25.03, 0.89%, 0.36%

LAB 44.74, 35.66, 51.92

 

CMYK 0 / 29 / 94 / 32

HEX #AD7A0A

RGB 173 122 10

HSL 41.23, 0.89%, 0.36%

LAB 54.89, 11.55, 59.16

 

CMYK 0 / 4 / 94 / 32

HEX #ADA60A

RGB 173 166 10

HSL 57.42, 0.89%, 0.36%

LAB 66.66, -12.38, 67.95

 

CMYK 21 / 0 / 94 / 32

HEX #88AD0A

RGB 136 173 10

HSL 73.62, 0.89%, 0.36%

LAB 65.86, -31.84, 66.13

 

CMYK 0 / 80 / 94 / 32

HEX #AD220A

RGB 173 34 10

HSL 8.83, 0.89%, 0.36%

LAB 37.93, 53.92, 47.44

 

CMYK 0 / 80 / 94 / 32

HEX #AD220A

RGB 173 34 10

HSL 8.83, 0.89%, 0.36%

LAB 37.93, 53.92, 47.44

 

CMYK 0 / 72 / 85 / 38

HEX #9E2C18

RGB 158 44 24

HSL 8.96, 0.74%, 0.36%

LAB 36.25, 46, 38.86

 

CMYK 0 / 62 / 73 / 44

HEX #8F3727

RGB 143 55 39

HSL 9.23, 0.57%, 0.36%

LAB 35.44, 36.3, 28.86

 

CMYK 0 / 49 / 58 / 50

HEX #804136

RGB 128 65 54

HSL 8.92, 0.41%, 0.36%

LAB 35.27, 25.99, 18.98

 

CMYK 0 / 33 / 39 / 55

HEX #724C45

RGB 114 76 69

HSL 9.33, 0.25%, 0.36%

LAB 36.32, 15.14, 10.69

 

CMYK 0 / 94 / 57 / 32

HEX #AD0A4B

RGB 173 10 75

HSL 336.07, 0.89%, 0.36%

LAB 37.13, 61.33, 9.51

 

CMYK 0 / 94 / 82 / 32

HEX #AD0A1F

RGB 173 10 31

HSL 352.27, 0.89%, 0.36%

LAB 36.37, 59.21, 36.27

 

CMYK 0 / 82 / 94 / 32

HEX #AD1F0A

RGB 173 31 10

HSL 7.73, 0.89%, 0.36%

LAB 37.64, 54.75, 47.26

 

CMYK 0 / 57 / 94 / 32

HEX #AD4B0A

RGB 173 75 10

HSL 23.93, 0.89%, 0.36%

LAB 44.14, 37.18, 51.52

 

CMYK 0 / 31 / 94 / 32

HEX #AD770A

RGB 173 119 10

HSL 40.12, 0.89%, 0.36%

LAB 54.13, 13.23, 58.6

 

CMYK 0 / 81 / 95 / 63

HEX #5F1205

RGB 95 18 5

HSL 8.67, 0.9%, 0.2%

LAB 19.54, 33.68, 27.44

 

CMYK 0 / 81 / 95 / 47

HEX #861A07

RGB 134 26 7

HSL 8.98, 0.9%, 0.28%

LAB 28.96, 44.12, 38.7

 

CMYK 0 / 80 / 94 / 32

HEX #AD220A

RGB 173 34 10

HSL 8.83, 0.89%, 0.36%

LAB 37.93, 53.92, 47.44

 

CMYK 0 / 81 / 94 / 17

HEX #D4290C

RGB 212 41 12

HSL 8.7, 0.89%, 0.44%

LAB 46.46, 63.52, 55.95

 

CMYK 0 / 77 / 90 / 5

HEX #F13818

RGB 241 56 24

HSL 8.85, 0.89%, 0.52%

LAB 53.59, 67.9, 59.34

 

CMYK 0 / 80 / 94 / 32

HEX #AE220A

RGB 174 34 10

HSL 8.78, 0.89%, 0.36%

LAB 38.14, 54.22, 47.67

 

CMYK 31 / 0 / 94 / 32

HEX #77AD0A

RGB 119 173 10

HSL 79.88, 0.89%, 0.36%

LAB 64.83, -38.61, 64.87

 

CMYK 94 / 69 / 0 / 32

HEX #0A35AD

RGB 10 53 173

HSL 224.17, 0.89%, 0.36%

LAB 28.45, 35.79, -66.77

 

CMYK 0 / 80 / 94 / 32

HEX #AE220A

RGB 174 34 10

HSL 8.78, 0.89%, 0.36%

LAB 38.14, 54.22, 47.67

 

CMYK 94 / 0 / 82 / 32

HEX #0AAD1F

RGB 10 173 31

HSL 127.73, 0.89%, 0.36%

LAB 61.7, -62.82, 56.65

 

CMYK 82 / 94 / 0 / 32

HEX #1F0AAD

RGB 31 10 173

HSL 247.73, 0.89%, 0.36%

LAB 22.04, 57.13, -77.4

 

CMYK 0 / 80 / 94 / 32

HEX #AE220A

RGB 174 34 10

HSL 8.78, 0.89%, 0.36%

LAB 38.14, 54.22, 47.67

 

CMYK 31 / 0 / 94 / 32

HEX #77AD0A

RGB 119 173 10

HSL 79.88, 0.89%, 0.36%

LAB 64.83, -38.61, 64.87

 

CMYK 94 / 13 / 0 / 32

HEX #0A97AD

RGB 10 151 173

HSL 188.1, 0.89%, 0.36%

LAB 57.28, -24.89, -20.85

 

CMYK 63 / 94 / 0 / 32

HEX #400AAD

RGB 64 10 173

HSL 259.88, 0.89%, 0.36%

LAB 24.72, 58.69, -72.87

 

CMYK 0 / 80 / 94 / 32

HEX #AE220A

RGB 174 34 10

HSL 8.78, 0.89%, 0.36%

LAB 38.14, 54.22, 47.67

 

CMYK 60 / 0 / 94 / 32

HEX #46AD0A

RGB 70 173 10

HSL 97.91, 0.89%, 0.36%

LAB 62.69, -54.58, 62.24

 

CMYK 94 / 13 / 0 / 32

HEX #0A97AD

RGB 10 151 173

HSL 188.1, 0.89%, 0.36%

LAB 57.28, -24.89, -20.85

 

CMYK 35 / 94 / 0 / 32

HEX #710AAD

RGB 113 10 173

HSL 277.91, 0.89%, 0.36%

LAB 31.22, 63.4, -61.92

 

Description

Color code: HEX #AE220A | qconv.com Color code: HEX #AE220A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 34 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 34 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 94 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 94% 32% C M Y K

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