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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE2C83 it is the complementary color #51D37C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE2C83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE2C83 shade: #B32C7E, #C43E91, #D550A4, #E662B7 and #F774CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE2C83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE2C83 shade: #AE2C83, #9D1A70, #8C085D, #7B004A and #6A0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE2C83 shade: #AF2B83, #AF2B60, #AF2B3C and #AF2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE2C83 shade: #AF2B83, #AF2BA7, #942BAF, #702BAF and #4D2BAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE2C83 shade matches the following richer shades: #AF2B83, #C11A89 and #D2088F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE2C83 shade: #AF2B83, #9D3D7D, #8B4F77, #7A6171 and #68726B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE2C83 shade: #922BAF, #AF2BA8, #AF2B85, #AF2B62 and #AF2B3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE2C83 shade: #6D1B52, #8E236B, #AF2B83, #CD379B and #D558AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE2C83 shade: #AE2C83, #AF6F2B and #2BAFA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE2C83 shade: #AE2C83, #85AF2B and #2B85AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE2C83 shade: #AE2C83, #AF6F2B, #2BAF55 and #2B6BAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE2C83 shade: #AE2C83, #AF972B, #2BAF55 and #2B43AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 25 / 32

HEX #AE2C83

RGB 174 44 131

HSL 319.85, 0.6%, 0.43%

LAB 41.91, 59.5, -18.74

 

Complementary color

CMYK 62 / 0 / 41 / 17

HEX #51D37C

RGB 81 211 124

HSL 139.85, 0.6%, 0.57%

LAB 75.94, -54.64, 32.74

 

CMYK 0 / 75 / 30 / 30

HEX #B32C7E

RGB 179 44 126

HSL 323.56, 0.61%, 0.44%

LAB 42.6, 60.15, -14.52

 

CMYK 0 / 68 / 26 / 23

HEX #C43E91

RGB 196 62 145

HSL 322.84, 0.53%, 0.51%

LAB 48.54, 60.71, -16.73

 

CMYK 0 / 62 / 23 / 16

HEX #D550A4

RGB 213 80 164

HSL 322.11, 0.61%, 0.57%

LAB 54.62, 60.72, -18.47

 

CMYK 0 / 57 / 20 / 10

HEX #E662B7

RGB 230 98 183

HSL 321.36, 0.73%, 0.64%

LAB 60.76, 60.4, -19.86

 

CMYK 0 / 53 / 18 / 3

HEX #F774CA

RGB 247 116 202

HSL 320.61, 0.89%, 0.71%

LAB 66.92, 59.9, -21.01

 

CMYK 0 / 75 / 25 / 32

HEX #AE2C83

RGB 174 44 131

HSL 319.85, 0.6%, 0.43%

LAB 41.91, 59.5, -18.74

 

CMYK 0 / 83 / 29 / 38

HEX #9D1A70

RGB 157 26 112

HSL 320.61, 0.72%, 0.36%

LAB 36.13, 58.1, -16.04

 

CMYK 0 / 94 / 34 / 45

HEX #8C085D

RGB 140 8 93

HSL 321.36, 0.89%, 0.29%

LAB 30.73, 55.36, -12.4

 

CMYK 0 / 100 / 40 / 52

HEX #7B004A

RGB 123 0 74

HSL 323.9, 1%, 0.24%

LAB 25.88, 50.75, -7.5

 

CMYK 0 / 100 / 48 / 58

HEX #6A0037

RGB 106 0 55

HSL 328.87, 1%, 0.21%

LAB 21.36, 44.84, -1.57

 

CMYK 0 / 75 / 25 / 31

HEX #AF2B83

RGB 175 43 131

HSL 320, 0.61%, 0.43%

LAB 41.97, 60.07, -18.62

 

CMYK 0 / 75 / 45 / 31

HEX #AF2B60

RGB 175 43 96

HSL 335.91, 0.61%, 0.43%

LAB 40.71, 56.15, 1.27

 

CMYK 0 / 75 / 66 / 31

HEX #AF2B3C

RGB 175 43 60

HSL 352.27, 0.61%, 0.43%

LAB 39.86, 53.4, 22.79

 

CMYK 0 / 75 / 75 / 31

HEX #AF2B2B

RGB 175 43 43

HSL 0, 0.61%, 0.43%

LAB 39.61, 52.56, 32.82

 

CMYK 0 / 75 / 25 / 31

HEX #AF2B83

RGB 175 43 131

HSL 320, 0.61%, 0.43%

LAB 41.97, 60.07, -18.62

 

CMYK 0 / 75 / 5 / 31

HEX #AF2BA7

RGB 175 43 167

HSL 303.64, 0.61%, 0.43%

LAB 43.7, 65.23, -37.69

 

CMYK 15 / 75 / 0 / 31

HEX #942BAF

RGB 148 43 175

HSL 287.73, 0.61%, 0.43%

LAB 39.78, 60.95, -48.96

 

CMYK 36 / 75 / 0 / 31

HEX #702BAF

RGB 112 43 175

HSL 271.36, 0.61%, 0.43%

LAB 34.53, 54.08, -57.7

 

CMYK 56 / 75 / 0 / 31

HEX #4D2BAF

RGB 77 43 175

HSL 255.45, 0.61%, 0.43%

LAB 30.4, 48.45, -64.63

 

CMYK 0 / 75 / 25 / 31

HEX #AF2B83

RGB 175 43 131

HSL 320, 0.61%, 0.43%

LAB 41.97, 60.07, -18.62

 

CMYK 0 / 87 / 29 / 24

HEX #C11A89

RGB 193 26 137

HSL 320.12, 0.76%, 0.43%

LAB 44.06, 69.29, -18.8

 

CMYK 0 / 96 / 32 / 18

HEX #D2088F

RGB 210 8 143

HSL 319.9, 0.93%, 0.43%

LAB 46.79, 75.83, -17.98

 

CMYK 0 / 75 / 25 / 31

HEX #AF2B83

RGB 175 43 131

HSL 320, 0.61%, 0.43%

LAB 41.97, 60.07, -18.62

 

CMYK 0 / 61 / 20 / 38

HEX #9D3D7D

RGB 157 61 125

HSL 320, 0.44%, 0.43%

LAB 41.19, 47.23, -16.39

 

CMYK 0 / 43 / 14 / 45

HEX #8B4F77

RGB 139 79 119

HSL 320, 0.28%, 0.43%

LAB 41.86, 31.04, -11.93

 

CMYK 0 / 20 / 7 / 52

HEX #7A6171

RGB 122 97 113

HSL 321.6, 0.11%, 0.43%

LAB 44.06, 13, -5.18

 

CMYK 9 / 0 / 6 / 55

HEX #68726B

RGB 104 114 107

HSL 138, 0.05%, 0.43%

LAB 47.03, -5.24, 2.58

 

CMYK 17 / 75 / 0 / 31

HEX #922BAF

RGB 146 43 175

HSL 286.82, 0.61%, 0.43%

LAB 39.47, 60.55, -49.48

 

CMYK 0 / 75 / 4 / 31

HEX #AF2BA8

RGB 175 43 168

HSL 303.18, 0.61%, 0.43%

LAB 43.75, 65.39, -38.2

 

CMYK 0 / 75 / 24 / 31

HEX #AF2B85

RGB 175 43 133

HSL 319.09, 0.61%, 0.43%

LAB 42.05, 60.33, -19.72

 

CMYK 0 / 75 / 44 / 31

HEX #AF2B62

RGB 175 43 98

HSL 335, 0.61%, 0.43%

LAB 40.77, 56.34, 0.1

 

CMYK 0 / 75 / 64 / 31

HEX #AF2B3F

RGB 175 43 63

HSL 350.91, 0.61%, 0.43%

LAB 39.92, 53.58, 20.98

 

CMYK 0 / 75 / 25 / 57

HEX #6D1B52

RGB 109 27 82

HSL 319.76, 0.6%, 0.27%

LAB 25.7, 41.4, -13.4

 

CMYK 0 / 75 / 25 / 44

HEX #8E236B

RGB 142 35 107

HSL 319.63, 0.6%, 0.35%

LAB 34.01, 51.04, -16.37

 

CMYK 0 / 75 / 25 / 31

HEX #AF2B83

RGB 175 43 131

HSL 320, 0.61%, 0.43%

LAB 41.97, 60.07, -18.62

 

CMYK 0 / 73 / 24 / 20

HEX #CD379B

RGB 205 55 155

HSL 320, 0.6%, 0.51%

LAB 49.59, 66.77, -20.97

 

CMYK 0 / 59 / 19 / 16

HEX #D558AC

RGB 213 88 172

HSL 319.68, 0.6%, 0.59%

LAB 56.19, 58.38, -20.73

 

CMYK 0 / 75 / 25 / 32

HEX #AE2C83

RGB 174 44 131

HSL 319.85, 0.6%, 0.43%

LAB 41.91, 59.5, -18.74

 

CMYK 0 / 37 / 75 / 31

HEX #AF6F2B

RGB 175 111 43

HSL 30.91, 0.61%, 0.43%

LAB 52.57, 19.58, 46.52

 

CMYK 75 / 0 / 6 / 31

HEX #2BAFA4

RGB 43 175 164

HSL 175, 0.61%, 0.43%

LAB 64.85, -36.78, -4.38

 

CMYK 0 / 75 / 25 / 32

HEX #AE2C83

RGB 174 44 131

HSL 319.85, 0.6%, 0.43%

LAB 41.91, 59.5, -18.74

 

CMYK 24 / 0 / 75 / 31

HEX #85AF2B

RGB 133 175 43

HSL 79.09, 0.61%, 0.43%

LAB 66.38, -32.88, 58.77

 

CMYK 75 / 24 / 0 / 31

HEX #2B85AF

RGB 43 133 175

HSL 199.09, 0.61%, 0.43%

LAB 52.27, -11.88, -29.7

 

CMYK 0 / 75 / 25 / 32

HEX #AE2C83

RGB 174 44 131

HSL 319.85, 0.6%, 0.43%

LAB 41.91, 59.5, -18.74

 

CMYK 0 / 37 / 75 / 31

HEX #AF6F2B

RGB 175 111 43

HSL 30.91, 0.61%, 0.43%

LAB 52.57, 19.58, 46.52

 

CMYK 75 / 0 / 51 / 31

HEX #2BAF55

RGB 43 175 85

HSL 139.09, 0.61%, 0.43%

LAB 63.2, -54.44, 36.11

 

CMYK 75 / 39 / 0 / 31

HEX #2B6BAF

RGB 43 107 175

HSL 210.91, 0.61%, 0.43%

LAB 44.41, 3.62, -42.06

 

CMYK 0 / 75 / 25 / 32

HEX #AE2C83

RGB 174 44 131

HSL 319.85, 0.6%, 0.43%

LAB 41.91, 59.5, -18.74

 

CMYK 0 / 14 / 75 / 31

HEX #AF972B

RGB 175 151 43

HSL 49.09, 0.61%, 0.43%

LAB 62.86, -2.61, 56.57

 

CMYK 75 / 0 / 51 / 31

HEX #2BAF55

RGB 43 175 85

HSL 139.09, 0.61%, 0.43%

LAB 63.2, -54.44, 36.11

 

CMYK 75 / 62 / 0 / 31

HEX #2B43AF

RGB 43 67 175

HSL 229.09, 0.61%, 0.43%

LAB 33.19, 29.73, -60.16

 

Description

Color code: HEX #AE2C83 | qconv.com Color code: HEX #AE2C83 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 44 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 44 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 25 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 25% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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