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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE3758 it is the complementary color #51C8A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE3758. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE3758 shade: #B33753, #C44966, #D55B79, #E66D8C and #F77F9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE3758. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE3758 shade: #AE3758, #9D2545, #8C1332, #7B011F and #6A000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE3758 shade: #AE3758, #AE3737 and #AE3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE3758 shade: #AE3758, #AE3778, #AE3798, #A437AE and #8337AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE3758 shade matches the following richer shades: #AE3758, #C0244F and #D31147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE3758 shade: #AE3758, #9B4960, #895C68, #766E70 and #648179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE3758 shade: #AE3798, #AE3778, #AE3758, #AE3739 and #AE5437

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE3758 shade: #6F2338, #8F2D48, #AE3758, #C5496B and #CF6885

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE3758 shade: #AE3758, #AEA437 and #3788AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE3758 shade: #AE3758, #58AE37 and #3758AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE3758 shade: #AE3758, #AEA437, #37AE8C and #3741AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE3758 shade: #AE3758, #94AE37, #37AE8C and #5037AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 49 / 32

HEX #AE3758

RGB 174 55 88

HSL 343.36, 0.52%, 0.45%

LAB 41.9, 50.69, 7.97

 

Complementary color

CMYK 60 / 0 / 17 / 22

HEX #51C8A7

RGB 81 200 167

HSL 163.36, 0.52%, 0.55%

LAB 73.45, -41.29, 6.61

 

CMYK 0 / 69 / 54 / 30

HEX #B33753

RGB 179 55 83

HSL 346.45, 0.53%, 0.46%

LAB 42.67, 51.83, 12.31

 

CMYK 0 / 63 / 48 / 23

HEX #C44966

RGB 196 73 102

HSL 345.85, 0.51%, 0.53%

LAB 48.83, 51.42, 9.68

 

CMYK 0 / 57 / 43 / 16

HEX #D55B79

RGB 213 91 121

HSL 345.25, 0.59%, 0.6%

LAB 55.08, 50.74, 7.54

 

CMYK 0 / 53 / 39 / 10

HEX #E66D8C

RGB 230 109 140

HSL 344.63, 0.71%, 0.66%

LAB 61.35, 49.92, 5.77

 

CMYK 0 / 49 / 36 / 3

HEX #F77F9F

RGB 247 127 159

HSL 344, 0.88%, 0.73%

LAB 67.62, 49.05, 4.25

 

CMYK 0 / 68 / 49 / 32

HEX #AE3758

RGB 174 55 88

HSL 343.36, 0.52%, 0.45%

LAB 41.9, 50.69, 7.97

 

CMYK 0 / 76 / 56 / 38

HEX #9D2545

RGB 157 37 69

HSL 344, 0.62%, 0.38%

LAB 35.83, 50.58, 11.09

 

CMYK 0 / 86 / 64 / 45

HEX #8C1332

RGB 140 19 50

HSL 344.63, 0.76%, 0.31%

LAB 30.09, 49.53, 15.18

 

CMYK 0 / 99 / 75 / 52

HEX #7B011F

RGB 123 1 31

HSL 345.25, 0.98%, 0.24%

LAB 24.74, 47.35, 20.37

 

CMYK 0 / 100 / 89 / 58

HEX #6A000C

RGB 106 0 12

HSL 353.21, 1%, 0.21%

LAB 20.4, 42.29, 26.2

 

CMYK 0 / 68 / 49 / 32

HEX #AE3758

RGB 174 55 88

HSL 343.36, 0.52%, 0.45%

LAB 41.9, 50.69, 7.97

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 0 / 68 / 49 / 32

HEX #AE3758

RGB 174 55 88

HSL 343.36, 0.52%, 0.45%

LAB 41.9, 50.69, 7.97

 

CMYK 0 / 68 / 31 / 32

HEX #AE3778

RGB 174 55 120

HSL 327.23, 0.52%, 0.45%

LAB 42.89, 54.12, -10.46

 

CMYK 0 / 68 / 13 / 32

HEX #AE3798

RGB 174 55 152

HSL 311.09, 0.52%, 0.45%

LAB 44.23, 58.55, -27.89

 

CMYK 6 / 68 / 0 / 32

HEX #A437AE

RGB 164 55 174

HSL 294.96, 0.52%, 0.45%

LAB 43.77, 59.77, -41.84

 

CMYK 25 / 68 / 0 / 32

HEX #8337AE

RGB 131 55 174

HSL 278.32, 0.52%, 0.45%

LAB 38.92, 52.33, -49.88

 

CMYK 0 / 68 / 49 / 32

HEX #AE3758

RGB 174 55 88

HSL 343.36, 0.52%, 0.45%

LAB 41.9, 50.69, 7.97

 

CMYK 0 / 81 / 59 / 25

HEX #C0244F

RGB 192 36 79

HSL 343.46, 0.68%, 0.45%

LAB 42.81, 61.56, 15.39

 

CMYK 0 / 92 / 66 / 17

HEX #D31147

RGB 211 17 71

HSL 343.3, 0.85%, 0.45%

LAB 45.23, 69.58, 24.27

 

CMYK 0 / 68 / 49 / 32

HEX #AE3758

RGB 174 55 88

HSL 343.36, 0.52%, 0.45%

LAB 41.9, 50.69, 7.97

 

CMYK 0 / 53 / 38 / 39

HEX #9B4960

RGB 155 73 96

HSL 343.17, 0.36%, 0.45%

LAB 42.12, 36.67, 2.89

 

CMYK 0 / 33 / 24 / 46

HEX #895C68

RGB 137 92 104

HSL 344, 0.2%, 0.45%

LAB 44.19, 20.27, 0.68

 

CMYK 0 / 7 / 5 / 54

HEX #766E70

RGB 118 110 112

HSL 345, 0.04%, 0.45%

LAB 47.2, 3.5, 0

 

CMYK 22 / 0 / 6 / 49

HEX #648179

RGB 100 129 121

HSL 163.45, 0.13%, 0.45%

LAB 51.6, -12.13, 0.93

 

CMYK 0 / 68 / 13 / 32

HEX #AE3798

RGB 174 55 152

HSL 311.09, 0.52%, 0.45%

LAB 44.23, 58.55, -27.89

 

CMYK 0 / 68 / 31 / 32

HEX #AE3778

RGB 174 55 120

HSL 327.23, 0.52%, 0.45%

LAB 42.89, 54.12, -10.46

 

CMYK 0 / 68 / 49 / 32

HEX #AE3758

RGB 174 55 88

HSL 343.36, 0.52%, 0.45%

LAB 41.9, 50.69, 7.97

 

CMYK 0 / 68 / 67 / 32

HEX #AE3739

RGB 174 55 57

HSL 358.99, 0.52%, 0.45%

LAB 41.26, 48.4, 26.34

 

CMYK 0 / 52 / 68 / 32

HEX #AE5437

RGB 174 84 55

HSL 14.62, 0.52%, 0.45%

LAB 46.47, 34.53, 33.74

 

CMYK 0 / 68 / 50 / 56

HEX #6F2338

RGB 111 35 56

HSL 343.42, 0.52%, 0.29%

LAB 26.35, 35.38, 5.09

 

CMYK 0 / 69 / 50 / 44

HEX #8F2D48

RGB 143 45 72

HSL 343.47, 0.52%, 0.37%

LAB 34.36, 43.38, 6.7

 

CMYK 0 / 68 / 49 / 32

HEX #AE3758

RGB 174 55 88

HSL 343.36, 0.52%, 0.45%

LAB 41.9, 50.69, 7.97

 

CMYK 0 / 63 / 46 / 23

HEX #C5496B

RGB 197 73 107

HSL 343.55, 0.52%, 0.53%

LAB 49.13, 52.22, 7.09

 

CMYK 0 / 50 / 36 / 19

HEX #CF6885

RGB 207 104 133

HSL 343.11, 0.52%, 0.61%

LAB 56.94, 43.71, 3.05

 

CMYK 0 / 68 / 49 / 32

HEX #AE3758

RGB 174 55 88

HSL 343.36, 0.52%, 0.45%

LAB 41.9, 50.69, 7.97

 

CMYK 0 / 6 / 68 / 32

HEX #AEA437

RGB 174 164 55

HSL 54.96, 0.52%, 0.45%

LAB 66.39, -9.39, 55.33

 

CMYK 68 / 22 / 0 / 32

HEX #3788AE

RGB 55 136 174

HSL 199.16, 0.52%, 0.45%

LAB 53.47, -12.19, -27.24

 

CMYK 0 / 68 / 49 / 32

HEX #AE3758

RGB 174 55 88

HSL 343.36, 0.52%, 0.45%

LAB 41.9, 50.69, 7.97

 

CMYK 49 / 0 / 68 / 32

HEX #58AE37

RGB 88 174 55

HSL 103.36, 0.52%, 0.45%

LAB 63.85, -47.55, 51

 

CMYK 68 / 49 / 0 / 32

HEX #3758AE

RGB 55 88 174

HSL 223.36, 0.52%, 0.45%

LAB 39.32, 17.19, -49.59

 

CMYK 0 / 68 / 49 / 32

HEX #AE3758

RGB 174 55 88

HSL 343.36, 0.52%, 0.45%

LAB 41.9, 50.69, 7.97

 

CMYK 0 / 6 / 68 / 32

HEX #AEA437

RGB 174 164 55

HSL 54.96, 0.52%, 0.45%

LAB 66.39, -9.39, 55.33

 

CMYK 68 / 0 / 20 / 32

HEX #37AE8C

RGB 55 174 140

HSL 162.86, 0.52%, 0.45%

LAB 64.14, -41.05, 7.97

 

CMYK 68 / 63 / 0 / 32

HEX #3741AE

RGB 55 65 174

HSL 234.96, 0.52%, 0.45%

LAB 33.24, 32.2, -59.45

 

CMYK 0 / 68 / 49 / 32

HEX #AE3758

RGB 174 55 88

HSL 343.36, 0.52%, 0.45%

LAB 41.9, 50.69, 7.97

 

CMYK 15 / 0 / 68 / 32

HEX #94AE37

RGB 148 174 55

HSL 73.11, 0.52%, 0.45%

LAB 67.16, -25.6, 55.46

 

CMYK 68 / 0 / 20 / 32

HEX #37AE8C

RGB 55 174 140

HSL 162.86, 0.52%, 0.45%

LAB 64.14, -41.05, 7.97

 

CMYK 54 / 68 / 0 / 32

HEX #5037AE

RGB 80 55 174

HSL 252.61, 0.52%, 0.45%

LAB 32.91, 42.2, -59.92

 

Description

Color code: HEX #AE3758 | qconv.com Color code: HEX #AE3758 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 55 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 55 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 49 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 49% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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