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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE39D9 it is the complementary color #51C626. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE39D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE39D9 shade: #B339D4, #C44BE7, #D55DFA, #E66FFF and #F781FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE39D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE39D9 shade: #AE39D9, #9D27C6, #8C15B3, #7B03A0 and #6A008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE39D9 shade: #AE39D9, #D939D9, #D939AE, #D93983 and #D93958

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE39D9 shade: #AE39D9, #8339D9, #5839D9 and #3939D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE39D9 shade matches the following richer shades: #AE39D9 and #B726EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE39D9 shade: #AE39D9, #A54CC6, #9D5FB3, #9472A0 and #8B858D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE39D9 shade: #5739D9, #8139D9, #AC39D9, #D639D9 and #D939B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE39D9 shade: #7E1EA2, #9925C4, #AE39D9, #BC5CE0 and #CA7FE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE39D9 shade: #AE39D9, #D93947 and #39D96C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE39D9 shade: #AE39D9, #D9AC39 and #39D9AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE39D9 shade: #AE39D9, #D93947, #67D939 and #39D9CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE39D9 shade: #AE39D9, #D95C39, #67D939 and #39B6D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 74 / 0 / 15

HEX #AE39D9

RGB 174 57 217

HSL 283.88, 0.68%, 0.54%

LAB 48.18, 69.18, -59.68

 

Complementary color

CMYK 59 / 0 / 81 / 22

HEX #51C626

RGB 81 198 38

HSL 103.88, 0.68%, 0.46%

LAB 71.06, -59.51, 63.86

 

CMYK 16 / 73 / 0 / 17

HEX #B339D4

RGB 179 57 212

HSL 287.23, 0.64%, 0.53%

LAB 48.59, 69.2, -56.12

 

CMYK 15 / 68 / 0 / 9

HEX #C44BE7

RGB 196 75 231

HSL 286.54, 0.76%, 0.6%

LAB 54.59, 69.49, -57.13

 

CMYK 15 / 63 / 0 / 2

HEX #D55DFA

RGB 213 93 250

HSL 285.86, 0.94%, 0.67%

LAB 60.67, 69.37, -57.87

 

CMYK 10 / 56 / 0 / 0

HEX #E66FFF

RGB 230 111 255

HSL 289.58, 1%, 0.72%

LAB 66.07, 66.34, -51.91

 

CMYK 3 / 49 / 0 / 0

HEX #F781FF

RGB 247 129 255

HSL 296.19, 1%, 0.75%

LAB 71.35, 62.34, -43.46

 

CMYK 20 / 74 / 0 / 15

HEX #AE39D9

RGB 174 57 217

HSL 283.88, 0.68%, 0.54%

LAB 48.18, 69.18, -59.68

 

CMYK 21 / 80 / 0 / 22

HEX #9D27C6

RGB 157 39 198

HSL 284.53, 0.67%, 0.46%

LAB 42.3, 68.3, -58.34

 

CMYK 22 / 88 / 0 / 30

HEX #8C15B3

RGB 140 21 179

HSL 285.19, 0.79%, 0.39%

LAB 36.68, 66.41, -56.41

 

CMYK 23 / 98 / 0 / 37

HEX #7B03A0

RGB 123 3 160

HSL 285.86, 0.96%, 0.32%

LAB 31.38, 63.22, -53.74

 

CMYK 25 / 100 / 0 / 45

HEX #6A008D

RGB 106 0 141

HSL 285.11, 1%, 0.28%

LAB 26.7, 57.77, -49.81

 

CMYK 20 / 74 / 0 / 15

HEX #AE39D9

RGB 174 57 217

HSL 283.88, 0.68%, 0.54%

LAB 48.18, 69.18, -59.68

 

CMYK 0 / 74 / 0 / 15

HEX #D939D9

RGB 217 57 217

HSL 300, 0.68%, 0.54%

LAB 54.75, 77.7, -48.79

 

CMYK 0 / 74 / 20 / 15

HEX #D939AE

RGB 217 57 174

HSL 316.13, 0.68%, 0.54%

LAB 52.66, 71.49, -27.28

 

CMYK 0 / 74 / 40 / 15

HEX #D93983

RGB 217 57 131

HSL 332.25, 0.68%, 0.54%

LAB 51.06, 66.51, -4.18

 

CMYK 0 / 74 / 59 / 15

HEX #D93958

RGB 217 57 88

HSL 348.38, 0.68%, 0.54%

LAB 49.96, 62.96, 20.28

 

CMYK 20 / 74 / 0 / 15

HEX #AE39D9

RGB 174 57 217

HSL 283.88, 0.68%, 0.54%

LAB 48.18, 69.18, -59.68

 

CMYK 40 / 74 / 0 / 15

HEX #8339D9

RGB 131 57 217

HSL 267.75, 0.68%, 0.54%

LAB 42.4, 61.41, -69.32

 

CMYK 59 / 74 / 0 / 15

HEX #5839D9

RGB 88 57 217

HSL 251.63, 0.68%, 0.54%

LAB 37.86, 55.03, -76.93

 

CMYK 74 / 74 / 0 / 15

HEX #3939D9

RGB 57 57 217

HSL 240, 0.68%, 0.54%

LAB 35.61, 51.75, -80.73

 

CMYK 20 / 74 / 0 / 15

HEX #AE39D9

RGB 174 57 217

HSL 283.88, 0.68%, 0.54%

LAB 48.18, 69.18, -59.68

 

CMYK 22 / 84 / 0 / 7

HEX #B726EC

RGB 183 38 236

HSL 283.94, 0.84%, 0.54%

LAB 48.9, 79.89, -69.24

 

CMYK 20 / 74 / 0 / 15

HEX #AE39D9

RGB 174 57 217

HSL 283.88, 0.68%, 0.54%

LAB 48.18, 69.18, -59.68

 

CMYK 17 / 62 / 0 / 22

HEX #A54CC6

RGB 165 76 198

HSL 283.77, 0.52%, 0.54%

LAB 48.57, 55.55, -48.21

 

CMYK 12 / 47 / 0 / 30

HEX #9D5FB3

RGB 157 95 179

HSL 284.29, 0.36%, 0.54%

LAB 50.22, 39.68, -34.64

 

CMYK 7 / 29 / 0 / 37

HEX #9472A0

RGB 148 114 160

HSL 284.35, 0.19%, 0.54%

LAB 52.81, 21.96, -19.65

 

CMYK 1 / 6 / 0 / 45

HEX #8B858D

RGB 139 133 141

HSL 285, 0.03%, 0.54%

LAB 56.27, 3.81, -3.49

 

CMYK 60 / 74 / 0 / 15

HEX #5739D9

RGB 87 57 217

HSL 251.25, 0.68%, 0.54%

LAB 37.77, 54.91, -77.08

 

CMYK 41 / 74 / 0 / 15

HEX #8139D9

RGB 129 57 217

HSL 267, 0.68%, 0.54%

LAB 42.16, 61.08, -69.72

 

CMYK 21 / 74 / 0 / 15

HEX #AC39D9

RGB 172 57 217

HSL 283.13, 0.68%, 0.54%

LAB 47.89, 68.8, -60.16

 

CMYK 1 / 74 / 0 / 15

HEX #D639D9

RGB 214 57 217

HSL 298.88, 0.68%, 0.54%

LAB 54.27, 77.09, -49.57

 

CMYK 0 / 74 / 18 / 15

HEX #D939B1

RGB 217 57 177

HSL 315, 0.68%, 0.54%

LAB 52.79, 71.89, -28.83

 

CMYK 22 / 81 / 0 / 36

HEX #7E1EA2

RGB 126 30 162

HSL 283.64, 0.69%, 0.38%

LAB 33.93, 58.5, -50.79

 

CMYK 22 / 81 / 0 / 23

HEX #9925C4

RGB 153 37 196

HSL 283.77, 0.68%, 0.46%

LAB 41.34, 67.81, -58.76

 

CMYK 20 / 74 / 0 / 15

HEX #AE39D9

RGB 174 57 217

HSL 283.88, 0.68%, 0.54%

LAB 48.18, 69.18, -59.68

 

CMYK 16 / 59 / 0 / 12

HEX #BC5CE0

RGB 188 92 224

HSL 283.64, 0.68%, 0.62%

LAB 55.81, 58.87, -51.31

 

CMYK 12 / 45 / 0 / 10

HEX #CA7FE6

RGB 202 127 230

HSL 283.69, 0.67%, 0.7%

LAB 64.52, 46.14, -40.79

 

CMYK 20 / 74 / 0 / 15

HEX #AE39D9

RGB 174 57 217

HSL 283.88, 0.68%, 0.54%

LAB 48.18, 69.18, -59.68

 

CMYK 0 / 74 / 67 / 15

HEX #D93947

RGB 217 57 71

HSL 354.75, 0.68%, 0.54%

LAB 49.66, 61.97, 30.08

 

CMYK 74 / 0 / 50 / 15

HEX #39D96C

RGB 57 217 108

HSL 139.13, 0.68%, 0.54%

LAB 77.03, -63.58, 41.97

 

CMYK 20 / 74 / 0 / 15

HEX #AE39D9

RGB 174 57 217

HSL 283.88, 0.68%, 0.54%

LAB 48.18, 69.18, -59.68

 

CMYK 0 / 21 / 74 / 15

HEX #D9AC39

RGB 217 172 57

HSL 43.13, 0.68%, 0.54%

LAB 72.6, 5.22, 62.08

 

CMYK 74 / 0 / 21 / 15

HEX #39D9AC

RGB 57 217 172

HSL 163.13, 0.68%, 0.54%

LAB 78.15, -51.09, 10.58

 

CMYK 20 / 74 / 0 / 15

HEX #AE39D9

RGB 174 57 217

HSL 283.88, 0.68%, 0.54%

LAB 48.18, 69.18, -59.68

 

CMYK 0 / 74 / 67 / 15

HEX #D93947

RGB 217 57 71

HSL 354.75, 0.68%, 0.54%

LAB 49.66, 61.97, 30.08

 

CMYK 53 / 0 / 74 / 15

HEX #67D939

RGB 103 217 57

HSL 102.75, 0.68%, 0.54%

LAB 77.76, -59.43, 64.65

 

CMYK 74 / 0 / 6 / 15

HEX #39D9CC

RGB 57 217 204

HSL 175.13, 0.68%, 0.54%

LAB 78.96, -42.91, -5.32

 

CMYK 20 / 74 / 0 / 15

HEX #AE39D9

RGB 174 57 217

HSL 283.88, 0.68%, 0.54%

LAB 48.18, 69.18, -59.68

 

CMYK 0 / 58 / 74 / 15

HEX #D95C39

RGB 217 92 57

HSL 13.13, 0.68%, 0.54%

LAB 54.76, 47.05, 43.83

 

CMYK 53 / 0 / 74 / 15

HEX #67D939

RGB 103 217 57

HSL 102.75, 0.68%, 0.54%

LAB 77.76, -59.43, 64.65

 

CMYK 74 / 16 / 0 / 15

HEX #39B6D9

RGB 57 182 217

HSL 193.13, 0.68%, 0.54%

LAB 68.99, -22.4, -27.38

 

Description

Color code: HEX #AE39D9 | qconv.com Color code: HEX #AE39D9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 57 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 57 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 74 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 74% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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