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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE31EA it is the complementary color #51CE15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE31EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE31EA shade: #B331E5, #C443F8, #D555FF, #E667FF and #F779FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE31EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE31EA shade: #AE31EA, #9D1FD7, #8C0DC4, #7B00B1 and #6A009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE31EA shade: #AC2FE9, #DF2FE9, #E92FC1, #E92F8F and #E92F5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE31EA shade: #AC2FE9, #7A2FE9, #482FE9 and #2F2FE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE31EA shade matches the following richer shades: #AC2FE9 and #B31CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE31EA shade: #AC2FE9, #A641D6, #9F54C4, #9967B1 and #92799E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE31EA shade: #482FE9, #792FE9, #AB2FE9, #DC2FE9 and #E92FC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE31EA shade: #7F12B3, #9916D8, #AC2FE9, #BB54ED and #CA79F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE31EA shade: #AE31EA, #E92F48 and #2FE960

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE31EA shade: #AE31EA, #E9AB2F and #2FE9AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE31EA shade: #AE31EA, #E92F48, #6DE92F and #2FE9D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE31EA shade: #AE31EA, #E94E2F, #6DE92F and #2FCAE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 79 / 0 / 8

HEX #AE31EA

RGB 174 49 234

HSL 280.54, 0.81%, 0.55%

LAB 48.43, 75.14, -68.92

 

Complementary color

CMYK 61 / 0 / 90 / 19

HEX #51CE15

RGB 81 206 21

HSL 100.54, 0.81%, 0.45%

LAB 73.51, -62.92, 69.77

 

CMYK 22 / 79 / 0 / 10

HEX #B331E5

RGB 179 49 229

HSL 283.33, 0.78%, 0.55%

LAB 48.81, 75.01, -65.45

 

CMYK 21 / 73 / 0 / 3

HEX #C443F8

RGB 196 67 248

HSL 282.76, 0.93%, 0.62%

LAB 54.58, 75.74, -66.67

 

CMYK 16 / 67 / 0 / 0

HEX #D555FF

RGB 213 85 255

HSL 285.18, 1%, 0.67%

LAB 59.76, 73.63, -62.09

 

CMYK 10 / 60 / 0 / 0

HEX #E667FF

RGB 230 103 255

HSL 290.13, 1%, 0.7%

LAB 64.76, 69.9, -53.99

 

CMYK 3 / 53 / 0 / 0

HEX #F779FF

RGB 247 121 255

HSL 296.42, 1%, 0.74%

LAB 69.94, 66.07, -45.66

 

CMYK 26 / 79 / 0 / 8

HEX #AE31EA

RGB 174 49 234

HSL 280.54, 0.81%, 0.55%

LAB 48.43, 75.14, -68.92

 

CMYK 27 / 86 / 0 / 16

HEX #9D1FD7

RGB 157 31 215

HSL 281.09, 0.75%, 0.48%

LAB 42.85, 73.66, -67.29

 

CMYK 29 / 93 / 0 / 23

HEX #8C0DC4

RGB 140 13 196

HSL 281.64, 0.88%, 0.41%

LAB 37.57, 71, -64.99

 

CMYK 31 / 100 / 0 / 31

HEX #7B00B1

RGB 123 0 177

HSL 281.69, 1%, 0.35%

LAB 32.67, 66.9, -61.88

 

CMYK 33 / 100 / 0 / 38

HEX #6A009E

RGB 106 0 158

HSL 280.25, 1%, 0.31%

LAB 28.2, 61.11, -57.83

 

CMYK 26 / 80 / 0 / 9

HEX #AC2FE9

RGB 172 47 233

HSL 280.32, 0.81%, 0.55%

LAB 47.86, 75.22, -69.29

 

CMYK 4 / 80 / 0 / 9

HEX #DF2FE9

RGB 223 47 233

HSL 296.77, 0.81%, 0.55%

LAB 55.69, 84, -56.28

 

CMYK 0 / 80 / 17 / 9

HEX #E92FC1

RGB 233 47 193

HSL 312.9, 0.81%, 0.55%

LAB 55.28, 80.25, -34.02

 

CMYK 0 / 80 / 39 / 9

HEX #E92F8F

RGB 233 47 143

HSL 329.03, 0.81%, 0.55%

LAB 53.32, 74.58, -7.7

 

CMYK 0 / 80 / 61 / 9

HEX #E92F5C

RGB 233 47 92

HSL 345.48, 0.81%, 0.55%

LAB 51.98, 70.57, 21.1

 

CMYK 26 / 80 / 0 / 9

HEX #AC2FE9

RGB 172 47 233

HSL 280.32, 0.81%, 0.55%

LAB 47.86, 75.22, -69.29

 

CMYK 48 / 80 / 0 / 9

HEX #7A2FE9

RGB 122 47 233

HSL 264.19, 0.81%, 0.55%

LAB 41.3, 67.94, -80.28

 

CMYK 69 / 80 / 0 / 9

HEX #482FE9

RGB 72 47 233

HSL 248.06, 0.81%, 0.55%

LAB 36.54, 62.74, -88.3

 

CMYK 80 / 80 / 0 / 9

HEX #2F2FE9

RGB 47 47 233

HSL 240, 0.81%, 0.55%

LAB 35.04, 61.12, -90.83

 

CMYK 26 / 80 / 0 / 9

HEX #AC2FE9

RGB 172 47 233

HSL 280.32, 0.81%, 0.55%

LAB 47.86, 75.22, -69.29

 

CMYK 29 / 89 / 0 / 2

HEX #B31CFB

RGB 179 28 251

HSL 280.63, 0.97%, 0.55%

LAB 48.73, 84.13, -77.95

 

CMYK 26 / 80 / 0 / 9

HEX #AC2FE9

RGB 172 47 233

HSL 280.32, 0.81%, 0.55%

LAB 47.86, 75.22, -69.29

 

CMYK 22 / 70 / 0 / 16

HEX #A641D6

RGB 166 65 214

HSL 280.67, 0.65%, 0.55%

LAB 47.93, 63.92, -58.41

 

CMYK 19 / 57 / 0 / 23

HEX #9F54C4

RGB 159 84 196

HSL 280.18, 0.49%, 0.55%

LAB 49.13, 49.71, -46.21

 

CMYK 14 / 42 / 0 / 31

HEX #9967B1

RGB 153 103 177

HSL 280.54, 0.32%, 0.55%

LAB 51.44, 33.58, -31.62

 

CMYK 8 / 23 / 0 / 38

HEX #92799E

RGB 146 121 158

HSL 280.54, 0.16%, 0.55%

LAB 54.3, 16.77, -16.24

 

CMYK 69 / 80 / 0 / 9

HEX #482FE9

RGB 72 47 233

HSL 248.06, 0.81%, 0.55%

LAB 36.54, 62.74, -88.3

 

CMYK 48 / 80 / 0 / 9

HEX #792FE9

RGB 121 47 233

HSL 263.87, 0.81%, 0.55%

LAB 41.19, 67.81, -80.48

 

CMYK 27 / 80 / 0 / 9

HEX #AB2FE9

RGB 171 47 233

HSL 280, 0.81%, 0.55%

LAB 47.72, 75.06, -69.53

 

CMYK 6 / 80 / 0 / 9

HEX #DC2FE9

RGB 220 47 233

HSL 295.81, 0.81%, 0.55%

LAB 55.21, 83.46, -57.07

 

CMYK 0 / 80 / 16 / 9

HEX #E92FC4

RGB 233 47 196

HSL 311.94, 0.81%, 0.55%

LAB 55.42, 80.64, -35.54

 

CMYK 29 / 90 / 0 / 30

HEX #7F12B3

RGB 127 18 179

HSL 280.62, 0.82%, 0.39%

LAB 34.39, 65.08, -60.22

 

CMYK 29 / 90 / 0 / 15

HEX #9916D8

RGB 153 22 216

HSL 280.52, 0.82%, 0.47%

LAB 41.7, 75.13, -69.77

 

CMYK 26 / 80 / 0 / 9

HEX #AC2FE9

RGB 172 47 233

HSL 280.32, 0.81%, 0.55%

LAB 47.86, 75.22, -69.29

 

CMYK 21 / 65 / 0 / 7

HEX #BB54ED

RGB 187 84 237

HSL 280.39, 0.81%, 0.63%

LAB 55.09, 64.95, -59.77

 

CMYK 16 / 50 / 0 / 5

HEX #CA79F1

RGB 202 121 241

HSL 280.5, 0.81%, 0.71%

LAB 63.82, 51.53, -47.98

 

CMYK 26 / 79 / 0 / 8

HEX #AE31EA

RGB 174 49 234

HSL 280.54, 0.81%, 0.55%

LAB 48.43, 75.14, -68.92

 

CMYK 0 / 80 / 69 / 9

HEX #E92F48

RGB 233 47 72

HSL 351.94, 0.81%, 0.55%

LAB 51.64, 69.52, 32.6

 

CMYK 80 / 0 / 59 / 9

HEX #2FE960

RGB 47 233 96

HSL 135.81, 0.81%, 0.55%

LAB 81.69, -71.72, 53.09

 

CMYK 26 / 79 / 0 / 8

HEX #AE31EA

RGB 174 49 234

HSL 280.54, 0.81%, 0.55%

LAB 48.43, 75.14, -68.92

 

CMYK 0 / 27 / 80 / 9

HEX #E9AB2F

RGB 233 171 47

HSL 40, 0.81%, 0.55%

LAB 73.97, 12.25, 67.58

 

CMYK 80 / 0 / 27 / 9

HEX #2FE9AB

RGB 47 233 171

HSL 160, 0.81%, 0.55%

LAB 82.82, -58.7, 17.66

 

CMYK 26 / 79 / 0 / 8

HEX #AE31EA

RGB 174 49 234

HSL 280.54, 0.81%, 0.55%

LAB 48.43, 75.14, -68.92

 

CMYK 0 / 80 / 69 / 9

HEX #E92F48

RGB 233 47 72

HSL 351.94, 0.81%, 0.55%

LAB 51.64, 69.52, 32.6

 

CMYK 53 / 0 / 80 / 9

HEX #6DE92F

RGB 109 233 47

HSL 100, 0.81%, 0.55%

LAB 82.77, -64.12, 72.55

 

CMYK 80 / 0 / 11 / 9

HEX #2FE9D0

RGB 47 233 208

HSL 171.94, 0.81%, 0.55%

LAB 83.67, -49.7, -0.54

 

CMYK 26 / 79 / 0 / 8

HEX #AE31EA

RGB 174 49 234

HSL 280.54, 0.81%, 0.55%

LAB 48.43, 75.14, -68.92

 

CMYK 0 / 67 / 80 / 9

HEX #E94E2F

RGB 233 78 47

HSL 10, 0.81%, 0.55%

LAB 55.05, 58.31, 50.02

 

CMYK 53 / 0 / 80 / 9

HEX #6DE92F

RGB 109 233 47

HSL 100, 0.81%, 0.55%

LAB 82.77, -64.12, 72.55

 

CMYK 80 / 13 / 0 / 9

HEX #2FCAE9

RGB 47 202 233

HSL 190, 0.81%, 0.55%

LAB 75.28, -28.37, -26.44

 

Description

Color code: HEX #AE31EA | qconv.com Color code: HEX #AE31EA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 49 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 49 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 79 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 79% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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