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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE324C it is the complementary color #51CDB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE324C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE324C shade: #B33247, #C4445A, #D5566D, #E66880 and #F77A93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE324C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE324C shade: #AE324C, #9D2039, #8C0E26, #7B0013 and #6A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE324C shade: #AD324C and #AD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE324C shade: #AD324C, #AD326D, #AD328E, #AB32AD and #8A32AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE324C shade matches the following richer shades: #AD324C, #C02041 and #D20E37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE324C shade: #AD324C, #9B4456, #895661, #77686B and #657B76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE324C shade: #AD328F, #AD326E, #AD324D, #AD3832 and #AD5932

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE324C shade: #6D1F30, #8D293E, #AD324C, #C8415D and #D16179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE324C shade: #AE324C, #ADAB32 and #327EAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE324C shade: #AE324C, #4DAD32 and #324DAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE324C shade: #AE324C, #ADAB32, #32AD93 and #3234AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE324C shade: #AE324C, #8AAD32, #32AD93 and #5532AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 56 / 32

HEX #AE324C

RGB 174 50 76

HSL 347.42, 0.55%, 0.44%

LAB 40.9, 51.65, 14.1

 

Complementary color

CMYK 60 / 0 / 13 / 20

HEX #51CDB3

RGB 81 205 179

HSL 167.42, 0.55%, 0.56%

LAB 75.24, -40.59, 2.73

 

CMYK 0 / 72 / 60 / 30

HEX #B33247

RGB 179 50 71

HSL 350.23, 0.56%, 0.45%

LAB 41.72, 52.85, 18.49

 

CMYK 0 / 65 / 54 / 23

HEX #C4445A

RGB 196 68 90

HSL 349.69, 0.52%, 0.52%

LAB 47.76, 52.53, 15.47

 

CMYK 0 / 60 / 49 / 16

HEX #D5566D

RGB 213 86 109

HSL 349.13, 0.6%, 0.59%

LAB 53.93, 51.88, 13.02

 

CMYK 0 / 55 / 44 / 10

HEX #E66880

RGB 230 104 128

HSL 348.57, 0.72%, 0.65%

LAB 60.14, 51.06, 10.98

 

CMYK 0 / 51 / 40 / 3

HEX #F77A93

RGB 247 122 147

HSL 348, 0.89%, 0.72%

LAB 66.37, 50.16, 9.25

 

CMYK 0 / 71 / 56 / 32

HEX #AE324C

RGB 174 50 76

HSL 347.42, 0.55%, 0.44%

LAB 40.9, 51.65, 14.1

 

CMYK 0 / 80 / 64 / 38

HEX #9D2039

RGB 157 32 57

HSL 348, 0.66%, 0.37%

LAB 35, 51.35, 17.71

 

CMYK 0 / 90 / 73 / 45

HEX #8C0E26

RGB 140 14 38

HSL 348.57, 0.82%, 0.3%

LAB 29.49, 49.95, 22.34

 

CMYK 0 / 100 / 85 / 52

HEX #7B0013

RGB 123 0 19

HSL 350.73, 1%, 0.24%

LAB 24.51, 47.11, 27.94

 

CMYK 0 / 100 / 100 / 58

HEX #6A0000

RGB 106 0 0

HSL 0, 1%, 0.21%

LAB 20.3, 42, 31.02

 

CMYK 0 / 71 / 56 / 32

HEX #AD324C

RGB 173 50 76

HSL 347.32, 0.55%, 0.44%

LAB 40.71, 51.33, 13.82

 

CMYK 0 / 71 / 71 / 32

HEX #AD3232

RGB 173 50 50

HSL 0, 0.55%, 0.44%

LAB 40.24, 49.69, 29.29

 

CMYK 0 / 71 / 56 / 32

HEX #AD324C

RGB 173 50 76

HSL 347.32, 0.55%, 0.44%

LAB 40.71, 51.33, 13.82

 

CMYK 0 / 71 / 37 / 32

HEX #AD326D

RGB 173 50 109

HSL 331.22, 0.55%, 0.44%

LAB 41.64, 54.46, -5.54

 

CMYK 0 / 71 / 18 / 32

HEX #AD328E

RGB 173 50 142

HSL 315.12, 0.55%, 0.44%

LAB 42.94, 58.68, -23.87

 

CMYK 1 / 71 / 0 / 32

HEX #AB32AD

RGB 171 50 173

HSL 299.02, 0.55%, 0.44%

LAB 44.17, 63.03, -40.55

 

CMYK 20 / 71 / 0 / 32

HEX #8A32AD

RGB 138 50 173

HSL 282.93, 0.55%, 0.44%

LAB 39.07, 55.81, -48.99

 

CMYK 0 / 71 / 56 / 32

HEX #AD324C

RGB 173 50 76

HSL 347.32, 0.55%, 0.44%

LAB 40.71, 51.33, 13.82

 

CMYK 0 / 83 / 66 / 25

HEX #C02041

RGB 192 32 65

HSL 347.63, 0.71%, 0.44%

LAB 42.19, 61.71, 23.32

 

CMYK 0 / 93 / 74 / 18

HEX #D20E37

RGB 210 14 55

HSL 347.45, 0.88%, 0.44%

LAB 44.65, 68.98, 33.29

 

CMYK 0 / 71 / 56 / 32

HEX #AD324C

RGB 173 50 76

HSL 347.32, 0.55%, 0.44%

LAB 40.71, 51.33, 13.82

 

CMYK 0 / 56 / 45 / 39

HEX #9B4456

RGB 155 68 86

HSL 347.59, 0.39%, 0.44%

LAB 40.86, 38.1, 7.29

 

CMYK 0 / 37 / 29 / 46

HEX #895661

RGB 137 86 97

HSL 347.06, 0.23%, 0.44%

LAB 42.52, 22.71, 2.52

 

CMYK 0 / 13 / 10 / 53

HEX #77686B

RGB 119 104 107

HSL 348, 0.07%, 0.44%

LAB 45.48, 6.49, 0.49

 

CMYK 18 / 0 / 4 / 52

HEX #657B76

RGB 101 123 118

HSL 166.36, 0.1%, 0.44%

LAB 49.79, -9.11, 0.06

 

CMYK 0 / 71 / 17 / 32

HEX #AD328F

RGB 173 50 143

HSL 314.63, 0.55%, 0.44%

LAB 42.99, 58.82, -24.41

 

CMYK 0 / 71 / 36 / 32

HEX #AD326E

RGB 173 50 110

HSL 330.73, 0.55%, 0.44%

LAB 41.68, 54.57, -6.12

 

CMYK 0 / 71 / 55 / 32

HEX #AD324D

RGB 173 50 77

HSL 346.83, 0.55%, 0.44%

LAB 40.74, 51.41, 13.22

 

CMYK 0 / 68 / 71 / 32

HEX #AD3832

RGB 173 56 50

HSL 2.93, 0.55%, 0.44%

LAB 41.13, 47.27, 30.33

 

CMYK 0 / 49 / 71 / 32

HEX #AD5932

RGB 173 89 50

HSL 19.02, 0.55%, 0.44%

LAB 47.31, 31.19, 37.4

 

CMYK 0 / 72 / 56 / 57

HEX #6D1F30

RGB 109 31 48

HSL 346.92, 0.56%, 0.27%

LAB 25.09, 35.72, 8.69

 

CMYK 0 / 71 / 56 / 45

HEX #8D293E

RGB 141 41 62

HSL 347.4, 0.55%, 0.36%

LAB 33.13, 43.5, 11.42

 

CMYK 0 / 71 / 56 / 32

HEX #AD324C

RGB 173 50 76

HSL 347.32, 0.55%, 0.44%

LAB 40.71, 51.33, 13.82

 

CMYK 0 / 68 / 54 / 22

HEX #C8415D

RGB 200 65 93

HSL 347.56, 0.55%, 0.52%

LAB 48.07, 55.28, 14.18

 

CMYK 0 / 54 / 42 / 18

HEX #D16179

RGB 209 97 121

HSL 347.14, 0.55%, 0.6%

LAB 55.57, 46.52, 8.15

 

CMYK 0 / 71 / 56 / 32

HEX #AE324C

RGB 174 50 76

HSL 347.42, 0.55%, 0.44%

LAB 40.9, 51.65, 14.1

 

CMYK 0 / 1 / 71 / 32

HEX #ADAB32

RGB 173 171 50

HSL 59.02, 0.55%, 0.44%

LAB 68.2, -13.74, 59.05

 

CMYK 71 / 27 / 0 / 32

HEX #327EAD

RGB 50 126 173

HSL 202.93, 0.55%, 0.44%

LAB 50.24, -7.6, -31.7

 

CMYK 0 / 71 / 56 / 32

HEX #AE324C

RGB 174 50 76

HSL 347.42, 0.55%, 0.44%

LAB 40.9, 51.65, 14.1

 

CMYK 55 / 0 / 71 / 32

HEX #4DAD32

RGB 77 173 50

HSL 106.83, 0.55%, 0.44%

LAB 63.09, -50.72, 52.05

 

CMYK 71 / 55 / 0 / 32

HEX #324DAD

RGB 50 77 173

HSL 226.83, 0.55%, 0.44%

LAB 35.99, 23.29, -54.39

 

CMYK 0 / 71 / 56 / 32

HEX #AE324C

RGB 174 50 76

HSL 347.42, 0.55%, 0.44%

LAB 40.9, 51.65, 14.1

 

CMYK 0 / 1 / 71 / 32

HEX #ADAB32

RGB 173 171 50

HSL 59.02, 0.55%, 0.44%

LAB 68.2, -13.74, 59.05

 

CMYK 71 / 0 / 15 / 32

HEX #32AD93

RGB 50 173 147

HSL 167.32, 0.55%, 0.44%

LAB 63.89, -39.6, 3.71

 

CMYK 71 / 70 / 0 / 32

HEX #3234AD

RGB 50 52 173

HSL 239.02, 0.55%, 0.44%

LAB 29.79, 39.34, -64.52

 

CMYK 0 / 71 / 56 / 32

HEX #AE324C

RGB 174 50 76

HSL 347.42, 0.55%, 0.44%

LAB 40.9, 51.65, 14.1

 

CMYK 20 / 0 / 71 / 32

HEX #8AAD32

RGB 138 173 50

HSL 77.07, 0.55%, 0.44%

LAB 66.15, -29.53, 56.15

 

CMYK 71 / 0 / 15 / 32

HEX #32AD93

RGB 50 173 147

HSL 167.32, 0.55%, 0.44%

LAB 63.89, -39.6, 3.71

 

CMYK 51 / 71 / 0 / 32

HEX #5532AD

RGB 85 50 173

HSL 257.07, 0.55%, 0.44%

LAB 32.32, 45.5, -60.25

 

Description

Color code: HEX #AE324C | qconv.com Color code: HEX #AE324C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 50 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 50 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 56 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 56% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

51% - Наши традиции и праз...
Link: http://www.hist.msu.ru

44% - Фотогалерея
Link: http://www.hist.msu.ru

57% - Наш факультет
Link: http://www.hist.msu.ru

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