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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE4654 it is the complementary color #51B9AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE4654. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE4654 shade: #B3464F, #C45862, #D56A75, #E67C88 and #F78E9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE4654. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE4654 shade: #AE4654, #9D3441, #8C222E, #7B101B and #6A0008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE4654 shade: #AF4553 and #AF4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE4654 shade: #AF4553, #AF4570, #AF458C, #AF45A9 and #9845AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE4654 shade matches the following richer shades: #AF4553, #C23145, #D61E37 and #EA0A28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE4654 shade: #AF4553, #9B5962, #876D70, #73817F and #5F948D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE4654 shade: #AF458D, #AF4571, #AF4555, #AF5245 and #AF6E45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE4654 shade: #742E37, #913A45, #AF4553, #BF5E6B and #CA7C86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE4654 shade: #AE4654, #A9AF45 and #457FAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE4654 shade: #AE4654, #55AF45 and #4555AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE4654 shade: #AE4654, #A9AF45, #45AF9F and #4B45AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE4654 shade: #AE4654, #8AAF45, #45AF9F and #6A45AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 52 / 32

HEX #AE4654

RGB 174 70 84

HSL 351.92, 0.43%, 0.48%

LAB 44.26, 43.7, 13.74

 

Complementary color

CMYK 56 / 0 / 8 / 27

HEX #51B9AB

RGB 81 185 171

HSL 171.92, 0.43%, 0.52%

LAB 69.03, -33.45, -1.98

 

CMYK 0 / 61 / 56 / 30

HEX #B3464F

RGB 179 70 79

HSL 355.05, 0.44%, 0.49%

LAB 44.98, 45.03, 17.92

 

CMYK 0 / 55 / 50 / 23

HEX #C45862

RGB 196 88 98

HSL 354.44, 0.48%, 0.56%

LAB 51.38, 44.08, 15.62

 

CMYK 0 / 50 / 45 / 16

HEX #D56A75

RGB 213 106 117

HSL 353.83, 0.56%, 0.63%

LAB 57.79, 43.06, 13.7

 

CMYK 0 / 46 / 41 / 10

HEX #E67C88

RGB 230 124 136

HSL 353.21, 0.68%, 0.69%

LAB 64.17, 42.05, 12.07

 

CMYK 0 / 43 / 37 / 3

HEX #F78E9B

RGB 247 142 155

HSL 352.57, 0.87%, 0.76%

LAB 70.52, 41.07, 10.65

 

CMYK 0 / 60 / 52 / 32

HEX #AE4654

RGB 174 70 84

HSL 351.92, 0.43%, 0.48%

LAB 44.26, 43.7, 13.74

 

CMYK 0 / 67 / 59 / 38

HEX #9D3441

RGB 157 52 65

HSL 352.57, 0.5%, 0.41%

LAB 37.85, 44.45, 16.39

 

CMYK 0 / 76 / 67 / 45

HEX #8C222E

RGB 140 34 46

HSL 353.21, 0.61%, 0.34%

LAB 31.62, 44.75, 19.78

 

CMYK 0 / 87 / 78 / 52

HEX #7B101B

RGB 123 16 27

HSL 353.83, 0.77%, 0.27%

LAB 25.75, 44.11, 24.18

 

CMYK 0 / 100 / 92 / 58

HEX #6A0008

RGB 106 0 8

HSL 355.47, 1%, 0.21%

LAB 20.37, 42.19, 27.84

 

CMYK 0 / 61 / 53 / 31

HEX #AF4553

RGB 175 69 83

HSL 352.08, 0.43%, 0.48%

LAB 44.23, 44.44, 14.33

 

CMYK 0 / 61 / 61 / 31

HEX #AF4545

RGB 175 69 69

HSL 0, 0.43%, 0.48%

LAB 43.94, 43.32, 22.5

 

CMYK 0 / 61 / 53 / 31

HEX #AF4553

RGB 175 69 83

HSL 352.08, 0.43%, 0.48%

LAB 44.23, 44.44, 14.33

 

CMYK 0 / 61 / 36 / 31

HEX #AF4570

RGB 175 69 112

HSL 335.66, 0.43%, 0.48%

LAB 45, 47.44, -2.39

 

CMYK 0 / 61 / 20 / 31

HEX #AF458C

RGB 175 69 140

HSL 319.81, 0.43%, 0.48%

LAB 45.99, 51.17, -17.93

 

CMYK 0 / 61 / 3 / 31

HEX #AF45A9

RGB 175 69 169

HSL 303.4, 0.43%, 0.48%

LAB 47.28, 55.79, -33.23

 

CMYK 13 / 61 / 0 / 31

HEX #9845AF

RGB 152 69 175

HSL 286.98, 0.43%, 0.48%

LAB 44.27, 50.95, -41.74

 

CMYK 0 / 61 / 53 / 31

HEX #AF4553

RGB 175 69 83

HSL 352.08, 0.43%, 0.48%

LAB 44.23, 44.44, 14.33

 

CMYK 0 / 75 / 64 / 24

HEX #C23145

RGB 194 49 69

HSL 351.72, 0.6%, 0.48%

LAB 44.37, 57.65, 23.72

 

CMYK 0 / 86 / 74 / 16

HEX #D61E37

RGB 214 30 55

HSL 351.85, 0.75%, 0.48%

LAB 46.31, 67.58, 35.42

 

CMYK 0 / 96 / 83 / 8

HEX #EA0A28

RGB 234 10 40

HSL 351.96, 0.92%, 0.48%

LAB 49.33, 74.81, 48.2

 

CMYK 0 / 61 / 53 / 31

HEX #AF4553

RGB 175 69 83

HSL 352.08, 0.43%, 0.48%

LAB 44.23, 44.44, 14.33

 

CMYK 0 / 43 / 37 / 39

HEX #9B5962

RGB 155 89 98

HSL 351.82, 0.27%, 0.48%

LAB 45.63, 28.22, 6.69

 

CMYK 0 / 19 / 17 / 47

HEX #876D70

RGB 135 109 112

HSL 353.08, 0.11%, 0.48%

LAB 48.58, 10.79, 2.22

 

CMYK 11 / 0 / 2 / 49

HEX #73817F

RGB 115 129 127

HSL 171.43, 0.06%, 0.48%

LAB 52.82, -5.55, -0.67

 

CMYK 36 / 0 / 5 / 42

HEX #5F948D

RGB 95 148 141

HSL 172.08, 0.22%, 0.48%

LAB 57.59, -19.24, -1.89

 

CMYK 0 / 61 / 19 / 31

HEX #AF458D

RGB 175 69 141

HSL 319.25, 0.43%, 0.48%

LAB 46.03, 51.32, -18.47

 

CMYK 0 / 61 / 35 / 31

HEX #AF4571

RGB 175 69 113

HSL 335.09, 0.43%, 0.48%

LAB 45.03, 47.56, -2.96

 

CMYK 0 / 61 / 51 / 31

HEX #AF4555

RGB 175 69 85

HSL 350.94, 0.43%, 0.48%

LAB 44.27, 44.62, 13.17

 

CMYK 0 / 53 / 61 / 31

HEX #AF5245

RGB 175 82 69

HSL 7.36, 0.43%, 0.48%

LAB 46.42, 36.89, 25.67

 

CMYK 0 / 37 / 61 / 31

HEX #AF6E45

RGB 175 110 69

HSL 23.21, 0.43%, 0.48%

LAB 52.61, 21.72, 33.36

 

CMYK 0 / 60 / 53 / 55

HEX #742E37

RGB 116 46 55

HSL 352.29, 0.43%, 0.32%

LAB 29.27, 31.67, 9.97

 

CMYK 0 / 60 / 52 / 43

HEX #913A45

RGB 145 58 69

HSL 352.41, 0.43%, 0.4%

LAB 36.88, 37.76, 12.19

 

CMYK 0 / 61 / 53 / 31

HEX #AF4553

RGB 175 69 83

HSL 352.08, 0.43%, 0.48%

LAB 44.23, 44.44, 14.33

 

CMYK 0 / 51 / 44 / 25

HEX #BF5E6B

RGB 191 94 107

HSL 351.96, 0.43%, 0.56%

LAB 52, 40.16, 11.01

 

CMYK 0 / 39 / 34 / 21

HEX #CA7C86

RGB 202 124 134

HSL 352.31, 0.42%, 0.64%

LAB 60.51, 31.54, 7.51

 

CMYK 0 / 60 / 52 / 32

HEX #AE4654

RGB 174 70 84

HSL 351.92, 0.43%, 0.48%

LAB 44.26, 43.7, 13.74

 

CMYK 3 / 0 / 61 / 31

HEX #A9AF45

RGB 169 175 69

HSL 63.4, 0.43%, 0.48%

LAB 69.13, -16.35, 52.15

 

CMYK 61 / 27 / 0 / 31

HEX #457FAF

RGB 69 127 175

HSL 207.17, 0.43%, 0.48%

LAB 51.31, -4.17, -31.12

 

CMYK 0 / 60 / 52 / 32

HEX #AE4654

RGB 174 70 84

HSL 351.92, 0.43%, 0.48%

LAB 44.26, 43.7, 13.74

 

CMYK 51 / 0 / 61 / 31

HEX #55AF45

RGB 85 175 69

HSL 110.94, 0.43%, 0.48%

LAB 64.18, -47.46, 45.25

 

CMYK 61 / 51 / 0 / 31

HEX #4555AF

RGB 69 85 175

HSL 230.94, 0.43%, 0.48%

LAB 39.34, 21.96, -50.11

 

CMYK 0 / 60 / 52 / 32

HEX #AE4654

RGB 174 70 84

HSL 351.92, 0.43%, 0.48%

LAB 44.26, 43.7, 13.74

 

CMYK 3 / 0 / 61 / 31

HEX #A9AF45

RGB 169 175 69

HSL 63.4, 0.43%, 0.48%

LAB 69.13, -16.35, 52.15

 

CMYK 61 / 0 / 9 / 31

HEX #45AF9F

RGB 69 175 159

HSL 170.94, 0.43%, 0.48%

LAB 65.3, -34.22, -0.86

 

CMYK 57 / 61 / 0 / 31

HEX #4B45AF

RGB 75 69 175

HSL 243.4, 0.43%, 0.48%

LAB 35.69, 33.28, -56

 

CMYK 0 / 60 / 52 / 32

HEX #AE4654

RGB 174 70 84

HSL 351.92, 0.43%, 0.48%

LAB 44.26, 43.7, 13.74

 

CMYK 21 / 0 / 61 / 31

HEX #8AAF45

RGB 138 175 69

HSL 80.94, 0.43%, 0.48%

LAB 66.89, -29.09, 49.05

 

CMYK 61 / 0 / 9 / 31

HEX #45AF9F

RGB 69 175 159

HSL 170.94, 0.43%, 0.48%

LAB 65.3, -34.22, -0.86

 

CMYK 39 / 61 / 0 / 31

HEX #6A45AF

RGB 106 69 175

HSL 260.94, 0.43%, 0.48%

LAB 38.58, 39.73, -51.18

 

Description

Color code: HEX #AE4654 | qconv.com Color code: HEX #AE4654 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 70 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 70 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 52 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 52% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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