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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE4695 it is the complementary color #51B96A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE4695. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE4695 shade: #B34690, #C458A3, #D56AB6, #E67CC9 and #F78EDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE4695. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE4695 shade: #AE4695, #9D3482, #8C226F, #7B105C and #6A0049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE4695 shade: #AF4595, #AF4579, #AF455C and #AF4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE4695 shade: #AF4595, #AB45AF, #8F45AF, #7345AF and #5645AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE4695 shade matches the following richer shades: #AF4595, #C231A0, #D61EAA and #EA0AB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE4695 shade: #AF4595, #9B598B, #876D81, #738176 and #5F946C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE4695 shade: #8F45AF, #AB45AF, #AF4596, #AF457A and #AF455E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE4695 shade: #742E63, #913A7C, #AF4595, #BF5EA8 and #CA7CB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE4695 shade: #AE4695, #AF7345 and #45AF9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE4695 shade: #AE4695, #96AF45 and #4596AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE4695 shade: #AE4695, #AF7345, #45AF5E and #4581AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE4695 shade: #AE4695, #AF9245, #45AF5E and #4561AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 14 / 32

HEX #AE4695

RGB 174 70 149

HSL 314.42, 0.43%, 0.48%

LAB 46.38, 51.79, -22.76

 

Complementary color

CMYK 56 / 0 / 43 / 27

HEX #51B96A

RGB 81 185 106

HSL 134.42, 0.43%, 0.52%

LAB 67.64, -47.4, 31.2

 

CMYK 0 / 61 / 20 / 30

HEX #B34690

RGB 179 70 144

HSL 319.27, 0.44%, 0.49%

LAB 46.95, 52.49, -18.82

 

CMYK 0 / 55 / 17 / 23

HEX #C458A3

RGB 196 88 163

HSL 318.33, 0.48%, 0.56%

LAB 53.34, 52.06, -20.06

 

CMYK 0 / 50 / 15 / 16

HEX #D56AB6

RGB 213 106 182

HSL 317.38, 0.56%, 0.63%

LAB 59.74, 51.46, -21.07

 

CMYK 0 / 46 / 13 / 10

HEX #E67CC9

RGB 230 124 201

HSL 316.42, 0.68%, 0.69%

LAB 66.1, 50.77, -21.91

 

CMYK 0 / 43 / 11 / 3

HEX #F78EDC

RGB 247 142 220

HSL 315.43, 0.87%, 0.76%

LAB 72.42, 50.05, -22.63

 

CMYK 0 / 60 / 14 / 32

HEX #AE4695

RGB 174 70 149

HSL 314.42, 0.43%, 0.48%

LAB 46.38, 51.79, -22.76

 

CMYK 0 / 67 / 17 / 38

HEX #9D3482

RGB 157 52 130

HSL 315.43, 0.5%, 0.41%

LAB 39.97, 51.91, -21.34

 

CMYK 0 / 76 / 21 / 45

HEX #8C226F

RGB 140 34 111

HSL 316.42, 0.61%, 0.34%

LAB 33.7, 51.42, -19.41

 

CMYK 0 / 87 / 25 / 52

HEX #7B105C

RGB 123 16 92

HSL 317.38, 0.77%, 0.27%

LAB 27.72, 49.81, -16.67

 

CMYK 0 / 100 / 31 / 58

HEX #6A0049

RGB 106 0 73

HSL 318.68, 1%, 0.21%

LAB 22.11, 46.78, -12.91

 

CMYK 0 / 61 / 15 / 31

HEX #AF4595

RGB 175 69 149

HSL 314.72, 0.43%, 0.48%

LAB 46.37, 52.53, -22.76

 

CMYK 0 / 61 / 31 / 31

HEX #AF4579

RGB 175 69 121

HSL 330.57, 0.43%, 0.48%

LAB 45.29, 48.56, -7.46

 

CMYK 0 / 61 / 47 / 31

HEX #AF455C

RGB 175 69 92

HSL 346.98, 0.43%, 0.48%

LAB 44.44, 45.27, 9.09

 

CMYK 0 / 61 / 61 / 31

HEX #AF4545

RGB 175 69 69

HSL 0, 0.43%, 0.48%

LAB 43.94, 43.32, 22.5

 

CMYK 0 / 61 / 15 / 31

HEX #AF4595

RGB 175 69 149

HSL 314.72, 0.43%, 0.48%

LAB 46.37, 52.53, -22.76

 

CMYK 2 / 61 / 0 / 31

HEX #AB45AF

RGB 171 69 175

HSL 297.74, 0.43%, 0.48%

LAB 46.99, 55.81, -37.27

 

CMYK 18 / 61 / 0 / 31

HEX #8F45AF

RGB 143 69 175

HSL 281.89, 0.43%, 0.48%

LAB 43.05, 48.67, -43.76

 

CMYK 34 / 61 / 0 / 31

HEX #7345AF

RGB 115 69 175

HSL 266.04, 0.43%, 0.48%

LAB 39.57, 41.82, -49.52

 

CMYK 51 / 61 / 0 / 31

HEX #5645AF

RGB 86 69 175

HSL 249.62, 0.43%, 0.48%

LAB 36.61, 35.41, -54.46

 

CMYK 0 / 61 / 15 / 31

HEX #AF4595

RGB 175 69 149

HSL 314.72, 0.43%, 0.48%

LAB 46.37, 52.53, -22.76

 

CMYK 0 / 75 / 18 / 24

HEX #C231A0

RGB 194 49 160

HSL 314.07, 0.6%, 0.48%

LAB 47.24, 66.67, -27.73

 

CMYK 0 / 86 / 21 / 16

HEX #D61EAA

RGB 214 30 170

HSL 314.35, 0.75%, 0.48%

LAB 49.65, 76.94, -29.64

 

CMYK 0 / 96 / 23 / 8

HEX #EA0AB4

RGB 234 10 180

HSL 314.46, 0.92%, 0.48%

LAB 52.95, 84.46, -30.09

 

CMYK 0 / 61 / 15 / 31

HEX #AF4595

RGB 175 69 149

HSL 314.72, 0.43%, 0.48%

LAB 46.37, 52.53, -22.76

 

CMYK 0 / 43 / 10 / 39

HEX #9B598B

RGB 155 89 139

HSL 314.55, 0.27%, 0.48%

LAB 46.94, 34.51, -16.13

 

CMYK 0 / 19 / 4 / 47

HEX #876D81

RGB 135 109 129

HSL 313.85, 0.11%, 0.48%

LAB 49.1, 13.91, -7.14

 

CMYK 11 / 0 / 9 / 49

HEX #738176

RGB 115 129 118

HSL 132.86, 0.06%, 0.48%

LAB 52.57, -7.41, 4.22

 

CMYK 36 / 0 / 27 / 42

HEX #5F946C

RGB 95 148 108

HSL 134.72, 0.22%, 0.48%

LAB 56.78, -26.48, 15.7

 

CMYK 18 / 61 / 0 / 31

HEX #8F45AF

RGB 143 69 175

HSL 281.89, 0.43%, 0.48%

LAB 43.05, 48.67, -43.76

 

CMYK 2 / 61 / 0 / 31

HEX #AB45AF

RGB 171 69 175

HSL 297.74, 0.43%, 0.48%

LAB 46.99, 55.81, -37.27

 

CMYK 0 / 61 / 14 / 31

HEX #AF4596

RGB 175 69 150

HSL 314.15, 0.43%, 0.48%

LAB 46.41, 52.69, -23.3

 

CMYK 0 / 61 / 30 / 31

HEX #AF457A

RGB 175 69 122

HSL 330, 0.43%, 0.48%

LAB 45.32, 48.69, -8.02

 

CMYK 0 / 61 / 46 / 31

HEX #AF455E

RGB 175 69 94

HSL 345.85, 0.43%, 0.48%

LAB 44.49, 45.47, 7.93

 

CMYK 0 / 60 / 15 / 55

HEX #742E63

RGB 116 46 99

HSL 314.57, 0.43%, 0.32%

LAB 30.8, 37.66, -16.57

 

CMYK 0 / 60 / 14 / 43

HEX #913A7C

RGB 145 58 124

HSL 314.48, 0.43%, 0.4%

LAB 38.73, 44.87, -19.73

 

CMYK 0 / 61 / 15 / 31

HEX #AF4595

RGB 175 69 149

HSL 314.72, 0.43%, 0.48%

LAB 46.37, 52.53, -22.76

 

CMYK 0 / 51 / 12 / 25

HEX #BF5EA8

RGB 191 94 168

HSL 314.23, 0.43%, 0.56%

LAB 53.93, 48.42, -22.14

 

CMYK 0 / 39 / 9 / 21

HEX #CA7CB8

RGB 202 124 184

HSL 313.85, 0.42%, 0.64%

LAB 62.03, 39.05, -18.84

 

CMYK 0 / 60 / 14 / 32

HEX #AE4695

RGB 174 70 149

HSL 314.42, 0.43%, 0.48%

LAB 46.38, 51.79, -22.76

 

CMYK 0 / 34 / 61 / 31

HEX #AF7345

RGB 175 115 69

HSL 26.04, 0.43%, 0.48%

LAB 53.82, 18.92, 34.81

 

CMYK 61 / 0 / 10 / 31

HEX #45AF9D

RGB 69 175 157

HSL 169.81, 0.43%, 0.48%

LAB 65.25, -34.74, 0.17

 

CMYK 0 / 60 / 14 / 32

HEX #AE4695

RGB 174 70 149

HSL 314.42, 0.43%, 0.48%

LAB 46.38, 51.79, -22.76

 

CMYK 14 / 0 / 61 / 31

HEX #96AF45

RGB 150 175 69

HSL 74.15, 0.43%, 0.48%

LAB 67.71, -24.26, 50.18

 

CMYK 61 / 14 / 0 / 31

HEX #4596AF

RGB 69 150 175

HSL 194.15, 0.43%, 0.48%

LAB 58.2, -17.09, -20.49

 

CMYK 0 / 60 / 14 / 32

HEX #AE4695

RGB 174 70 149

HSL 314.42, 0.43%, 0.48%

LAB 46.38, 51.79, -22.76

 

CMYK 0 / 34 / 61 / 31

HEX #AF7345

RGB 175 115 69

HSL 26.04, 0.43%, 0.48%

LAB 53.82, 18.92, 34.81

 

CMYK 61 / 0 / 46 / 31

HEX #45AF5E

RGB 69 175 94

HSL 134.15, 0.43%, 0.48%

LAB 63.94, -48.16, 32.6

 

CMYK 61 / 26 / 0 / 31

HEX #4581AF

RGB 69 129 175

HSL 206.04, 0.43%, 0.48%

LAB 51.91, -5.34, -30.2

 

CMYK 0 / 60 / 14 / 32

HEX #AE4695

RGB 174 70 149

HSL 314.42, 0.43%, 0.48%

LAB 46.38, 51.79, -22.76

 

CMYK 0 / 17 / 61 / 31

HEX #AF9245

RGB 175 146 69

HSL 43.58, 0.43%, 0.48%

LAB 61.74, 1.64, 44.07

 

CMYK 61 / 0 / 46 / 31

HEX #45AF5E

RGB 69 175 94

HSL 134.15, 0.43%, 0.48%

LAB 63.94, -48.16, 32.6

 

CMYK 61 / 45 / 0 / 31

HEX #4561AF

RGB 69 97 175

HSL 224.15, 0.43%, 0.48%

LAB 42.63, 14.26, -44.84

 

Description

Color code: HEX #AE4695 | qconv.com Color code: HEX #AE4695 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 70 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 70 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 14 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 14% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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