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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE4CD0 it is the complementary color #51B32F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE4CD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE4CD0 shade: #B34CCB, #C45EDE, #D570F1, #E682FF and #F794FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE4CD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE4CD0 shade: #AE4CD0, #9D3ABD, #8C28AA, #7B1697 and #6A0484

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE4CD0 shade: #AE4DCF, #CF4DCE, #CF4DAB, #CF4D88 and #CF4D64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE4CD0 shade: #AE4DCF, #8B4DCF, #684DCF and #4D4DCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE4CD0 shade matches the following richer shades: #AE4DCF, #B73BE2 and #BF29F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE4CD0 shade: #AE4DCF, #A55FBD, #9C72AB, #938499 and #8B9687

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE4CD0 shade: #674DCF, #8A4DCF, #AD4DCF, #CF4DCF and #CF4DAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE4CD0 shade: #822AA0, #9C33C1, #AE4DCF, #BD6ED8 and #CC8EE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE4CD0 shade: #AE4CD0, #CF4D56 and #4DCF79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE4CD0 shade: #AE4CD0, #CFAD4D and #4DCFAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE4CD0 shade: #AE4CD0, #CF4D56, #70CF4D and #4DCFC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE4CD0 shade: #AE4CD0, #CF6C4D, #70CF4D and #4DB1CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 63 / 0 / 18

HEX #AE4CD0

RGB 174 76 208

HSL 284.55, 0.58%, 0.56%

LAB 50.36, 59.71, -51.03

 

Complementary color

CMYK 55 / 0 / 74 / 30

HEX #51B32F

RGB 81 179 47

HSL 104.55, 0.58%, 0.44%

LAB 65.12, -52.12, 55.28

 

CMYK 12 / 63 / 0 / 20

HEX #B34CCB

RGB 179 76 203

HSL 288.66, 0.55%, 0.55%

LAB 50.76, 59.9, -47.48

 

CMYK 12 / 58 / 0 / 13

HEX #C45EDE

RGB 196 94 222

HSL 287.81, 0.66%, 0.62%

LAB 57.09, 59.5, -48.09

 

CMYK 12 / 54 / 0 / 5

HEX #D570F1

RGB 213 112 241

HSL 286.98, 0.82%, 0.69%

LAB 63.41, 58.92, -48.54

 

CMYK 10 / 49 / 0 / 0

HEX #E682FF

RGB 230 130 255

HSL 288, 1%, 0.75%

LAB 69.48, 57.29, -46.54

 

CMYK 3 / 42 / 0 / 0

HEX #F794FF

RGB 247 148 255

HSL 295.51, 1%, 0.79%

LAB 74.93, 53.02, -37.87

 

CMYK 16 / 63 / 0 / 18

HEX #AE4CD0

RGB 174 76 208

HSL 284.55, 0.58%, 0.56%

LAB 50.36, 59.71, -51.03

 

CMYK 17 / 69 / 0 / 26

HEX #9D3ABD

RGB 157 58 189

HSL 285.34, 0.53%, 0.48%

LAB 44.04, 59.85, -50.29

 

CMYK 18 / 76 / 0 / 33

HEX #8C28AA

RGB 140 40 170

HSL 286.15, 0.62%, 0.41%

LAB 37.83, 59.43, -49.18

 

CMYK 19 / 85 / 0 / 41

HEX #7B1697

RGB 123 22 151

HSL 286.98, 0.75%, 0.34%

LAB 31.85, 58.07, -47.49

 

CMYK 20 / 97 / 0 / 48

HEX #6A0484

RGB 106 4 132

HSL 287.81, 0.94%, 0.27%

LAB 26.21, 55.31, -44.99

 

CMYK 16 / 63 / 0 / 19

HEX #AE4DCF

RGB 174 77 207

HSL 284.77, 0.58%, 0.56%

LAB 50.47, 59.05, -50.29

 

CMYK 0 / 63 / 0 / 19

HEX #CF4DCE

RGB 207 77 206

HSL 300.46, 0.58%, 0.56%

LAB 55.1, 66.73, -42.06

 

CMYK 0 / 63 / 17 / 19

HEX #CF4DAB

RGB 207 77 171

HSL 316.62, 0.58%, 0.56%

LAB 53.51, 61.28, -24.35

 

CMYK 0 / 63 / 34 / 19

HEX #CF4D88

RGB 207 77 136

HSL 332.77, 0.58%, 0.56%

LAB 52.23, 56.72, -5.62

 

CMYK 0 / 63 / 52 / 19

HEX #CF4D64

RGB 207 77 100

HSL 349.38, 0.58%, 0.56%

LAB 51.26, 53.1, 14.54

 

CMYK 16 / 63 / 0 / 19

HEX #AE4DCF

RGB 174 77 207

HSL 284.77, 0.58%, 0.56%

LAB 50.47, 59.05, -50.29

 

CMYK 33 / 63 / 0 / 19

HEX #8B4DCF

RGB 139 77 207

HSL 268.62, 0.58%, 0.56%

LAB 46.04, 51.05, -57.62

 

CMYK 50 / 63 / 0 / 19

HEX #684DCF

RGB 104 77 207

HSL 252.46, 0.58%, 0.56%

LAB 42.39, 43.83, -63.71

 

CMYK 63 / 63 / 0 / 19

HEX #4D4DCF

RGB 77 77 207

HSL 240, 0.58%, 0.56%

LAB 40.23, 39.21, -67.32

 

CMYK 16 / 63 / 0 / 19

HEX #AE4DCF

RGB 174 77 207

HSL 284.77, 0.58%, 0.56%

LAB 50.47, 59.05, -50.29

 

CMYK 19 / 74 / 0 / 11

HEX #B73BE2

RGB 183 59 226

HSL 284.55, 0.74%, 0.56%

LAB 50.32, 71.91, -61.28

 

CMYK 22 / 83 / 0 / 4

HEX #BF29F4

RGB 191 41 244

HSL 284.33, 0.9%, 0.56%

LAB 50.91, 81.88, -70.4

 

CMYK 16 / 63 / 0 / 19

HEX #AE4DCF

RGB 174 77 207

HSL 284.77, 0.58%, 0.56%

LAB 50.47, 59.05, -50.29

 

CMYK 13 / 50 / 0 / 26

HEX #A55FBD

RGB 165 95 189

HSL 284.68, 0.42%, 0.56%

LAB 51.68, 44.1, -38.09

 

CMYK 9 / 33 / 0 / 33

HEX #9C72AB

RGB 156 114 171

HSL 284.21, 0.25%, 0.56%

LAB 54.07, 26.97, -24.03

 

CMYK 4 / 14 / 0 / 40

HEX #938499

RGB 147 132 153

HSL 282.86, 0.09%, 0.56%

LAB 57.08, 9.71, -9.14

 

CMYK 7 / 0 / 10 / 41

HEX #8B9687

RGB 139 150 135

HSL 104, 0.07%, 0.56%

LAB 60.83, -6.88, 6.56

 

CMYK 50 / 63 / 0 / 19

HEX #674DCF

RGB 103 77 207

HSL 252, 0.58%, 0.56%

LAB 42.3, 43.64, -63.86

 

CMYK 33 / 63 / 0 / 19

HEX #8A4DCF

RGB 138 77 207

HSL 268.15, 0.58%, 0.56%

LAB 45.93, 50.83, -57.81

 

CMYK 16 / 63 / 0 / 19

HEX #AD4DCF

RGB 173 77 207

HSL 284.31, 0.58%, 0.56%

LAB 50.33, 58.82, -50.51

 

CMYK 0 / 63 / 0 / 19

HEX #CF4DCF

RGB 207 77 207

HSL 300, 0.58%, 0.56%

LAB 55.15, 66.9, -42.55

 

CMYK 0 / 63 / 16 / 19

HEX #CF4DAD

RGB 207 77 173

HSL 315.69, 0.58%, 0.56%

LAB 53.59, 61.57, -25.39

 

CMYK 19 / 74 / 0 / 37

HEX #822AA0

RGB 130 42 160

HSL 284.75, 0.58%, 0.4%

LAB 35.87, 54.67, -46.42

 

CMYK 19 / 74 / 0 / 24

HEX #9C33C1

RGB 156 51 193

HSL 284.37, 0.58%, 0.48%

LAB 43.19, 63.16, -54

 

CMYK 16 / 63 / 0 / 19

HEX #AE4DCF

RGB 174 77 207

HSL 284.77, 0.58%, 0.56%

LAB 50.47, 59.05, -50.29

 

CMYK 13 / 49 / 0 / 15

HEX #BD6ED8

RGB 189 110 216

HSL 284.72, 0.58%, 0.64%

LAB 58.91, 48.53, -41.89

 

CMYK 9 / 37 / 0 / 12

HEX #CC8EE1

RGB 204 142 225

HSL 284.82, 0.58%, 0.72%

LAB 67.74, 37.68, -33

 

CMYK 16 / 63 / 0 / 18

HEX #AE4CD0

RGB 174 76 208

HSL 284.55, 0.58%, 0.56%

LAB 50.36, 59.71, -51.03

 

CMYK 0 / 63 / 58 / 19

HEX #CF4D56

RGB 207 77 86

HSL 355.85, 0.58%, 0.56%

LAB 50.97, 52.01, 22.51

 

CMYK 63 / 0 / 42 / 19

HEX #4DCF79

RGB 77 207 121

HSL 140.31, 0.58%, 0.56%

LAB 74.56, -54.43, 32.45

 

CMYK 16 / 63 / 0 / 18

HEX #AE4CD0

RGB 174 76 208

HSL 284.55, 0.58%, 0.56%

LAB 50.36, 59.71, -51.03

 

CMYK 0 / 16 / 63 / 19

HEX #CFAD4D

RGB 207 173 77

HSL 44.31, 0.58%, 0.56%

LAB 72.02, 1.49, 52.67

 

CMYK 63 / 0 / 16 / 19

HEX #4DCFAD

RGB 77 207 173

HSL 164.31, 0.58%, 0.56%

LAB 75.59, -43.65, 6.44

 

CMYK 16 / 63 / 0 / 18

HEX #AE4CD0

RGB 174 76 208

HSL 284.55, 0.58%, 0.56%

LAB 50.36, 59.71, -51.03

 

CMYK 0 / 63 / 58 / 19

HEX #CF4D56

RGB 207 77 86

HSL 355.85, 0.58%, 0.56%

LAB 50.97, 52.01, 22.51

 

CMYK 46 / 0 / 63 / 19

HEX #70CF4D

RGB 112 207 77

HSL 103.85, 0.58%, 0.56%

LAB 75.21, -51.44, 54.41

 

CMYK 63 / 0 / 4 / 19

HEX #4DCFC7

RGB 77 207 199

HSL 176.31, 0.58%, 0.56%

LAB 76.27, -37.02, -6.57

 

CMYK 16 / 63 / 0 / 18

HEX #AE4CD0

RGB 174 76 208

HSL 284.55, 0.58%, 0.56%

LAB 50.36, 59.71, -51.03

 

CMYK 0 / 48 / 63 / 19

HEX #CF6C4D

RGB 207 108 77

HSL 14.31, 0.58%, 0.56%

LAB 56.61, 36.42, 34.82

 

CMYK 46 / 0 / 63 / 19

HEX #70CF4D

RGB 112 207 77

HSL 103.85, 0.58%, 0.56%

LAB 75.21, -51.44, 54.41

 

CMYK 63 / 14 / 0 / 19

HEX #4DB1CF

RGB 77 177 207

HSL 193.85, 0.58%, 0.56%

LAB 67.67, -20.05, -23.88

 

Description

Color code: HEX #AE4CD0 | qconv.com Color code: HEX #AE4CD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 76 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 76 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 63 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 63% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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