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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE5731 it is the complementary color #51A8CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE5731. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE5731 shade: #B3572C, #C4693F, #D57B52, #E68D65 and #F79F78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE5731. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE5731 shade: #AE5731, #9D451E, #8C330B, #7B2100 and #6A0F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE5731 shade: #AF5731, #AF3531 and #AF3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE5731 shade: #AF5731, #AF7931, #AF9B31, #A0AF31 and #7EAF31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE5731 shade matches the following richer shades: #AF5731, #C1501F and #D3490D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE5731 shade: #AF5731, #9C5E43, #8A6555, #786C67 and #667479

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE5731 shade: #AF314E, #AF3531, #AF5731, #AF7831 and #AF9A31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE5731 shade: #6E371F, #8E4728, #AF5731, #C96A40 and #D28360

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE5731 shade: #AE5731, #70AF31 and #313DAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE5731 shade: #AE5731, #31AF57 and #5731AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE5731 shade: #AE5731, #70AF31, #3189AF and #7031AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE5731 shade: #AE5731, #4AAF31, #3189AF and #9531AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 72 / 32

HEX #AE5731

RGB 174 87 49

HSL 18.24, 0.56%, 0.44%

LAB 47.02, 32.61, 37.66

 

Complementary color

CMYK 61 / 18 / 0 / 19

HEX #51A8CE

RGB 81 168 206

HSL 198.24, 0.56%, 0.56%

LAB 65.13, -14.89, -27.21

 

CMYK 0 / 51 / 75 / 30

HEX #B3572C

RGB 179 87 44

HSL 19.11, 0.61%, 0.44%

LAB 47.73, 34.4, 41.24

 

CMYK 0 / 46 / 68 / 23

HEX #C4693F

RGB 196 105 63

HSL 18.95, 0.53%, 0.51%

LAB 54.24, 32.75, 39.21

 

CMYK 0 / 42 / 62 / 16

HEX #D57B52

RGB 213 123 82

HSL 18.78, 0.61%, 0.58%

LAB 60.71, 31.26, 37.27

 

CMYK 0 / 39 / 56 / 10

HEX #E68D65

RGB 230 141 101

HSL 18.6, 0.72%, 0.65%

LAB 67.14, 29.92, 35.49

 

CMYK 0 / 36 / 51 / 3

HEX #F79F78

RGB 247 159 120

HSL 18.43, 0.89%, 0.72%

LAB 73.5, 28.72, 33.86

 

CMYK 0 / 50 / 72 / 32

HEX #AE5731

RGB 174 87 49

HSL 18.24, 0.56%, 0.44%

LAB 47.02, 32.61, 37.66

 

CMYK 0 / 56 / 81 / 38

HEX #9D451E

RGB 157 69 30

HSL 18.43, 0.68%, 0.37%

LAB 40.44, 34.33, 39.76

 

CMYK 0 / 64 / 92 / 45

HEX #8C330B

RGB 140 51 11

HSL 18.6, 0.85%, 0.3%

LAB 33.91, 36.1, 41.32

 

CMYK 0 / 73 / 100 / 52

HEX #7B2100

RGB 123 33 0

HSL 16.1, 1%, 0.24%

LAB 27.57, 37.64, 39.47

 

CMYK 0 / 86 / 100 / 58

HEX #6A0F00

RGB 106 15 0

HSL 8.49, 1%, 0.21%

LAB 21.6, 38.27, 32.45

 

CMYK 0 / 50 / 72 / 31

HEX #AF5731

RGB 175 87 49

HSL 18.1, 0.56%, 0.44%

LAB 47.17, 33.02, 37.86

 

CMYK 0 / 70 / 72 / 31

HEX #AF3531

RGB 175 53 49

HSL 1.9, 0.56%, 0.44%

LAB 41.03, 49.12, 30.9

 

CMYK 0 / 72 / 72 / 31

HEX #AF3131

RGB 175 49 49

HSL 0, 0.56%, 0.44%

LAB 40.46, 50.67, 30.24

 

CMYK 0 / 50 / 72 / 31

HEX #AF5731

RGB 175 87 49

HSL 18.1, 0.56%, 0.44%

LAB 47.17, 33.02, 37.86

 

CMYK 0 / 31 / 72 / 31

HEX #AF7931

RGB 175 121 49

HSL 34.29, 0.56%, 0.44%

LAB 55.08, 14.27, 46.34

 

CMYK 0 / 11 / 72 / 31

HEX #AF9B31

RGB 175 155 49

HSL 50.48, 0.56%, 0.44%

LAB 63.98, -4.48, 55.36

 

CMYK 9 / 0 / 72 / 31

HEX #A0AF31

RGB 160 175 49

HSL 67.14, 0.56%, 0.44%

LAB 68.28, -21.41, 59.15

 

CMYK 28 / 0 / 72 / 31

HEX #7EAF31

RGB 126 175 49

HSL 83.33, 0.56%, 0.44%

LAB 65.99, -35.27, 56.12

 

CMYK 0 / 50 / 72 / 31

HEX #AF5731

RGB 175 87 49

HSL 18.1, 0.56%, 0.44%

LAB 47.17, 33.02, 37.86

 

CMYK 0 / 59 / 84 / 24

HEX #C1501F

RGB 193 80 31

HSL 18.15, 0.72%, 0.44%

LAB 48.48, 42.9, 48.89

 

CMYK 0 / 65 / 94 / 17

HEX #D3490D

RGB 211 73 13

HSL 18.18, 0.88%, 0.44%

LAB 50.27, 52.2, 57.91

 

CMYK 0 / 50 / 72 / 31

HEX #AF5731

RGB 175 87 49

HSL 18.1, 0.56%, 0.44%

LAB 47.17, 33.02, 37.86

 

CMYK 0 / 40 / 57 / 39

HEX #9C5E43

RGB 156 94 67

HSL 18.2, 0.4%, 0.44%

LAB 46.28, 22.48, 26.09

 

CMYK 0 / 27 / 38 / 46

HEX #8A6555

RGB 138 101 85

HSL 18.11, 0.24%, 0.44%

LAB 46.13, 12.65, 14.9

 

CMYK 0 / 10 / 14 / 53

HEX #786C67

RGB 120 108 103

HSL 17.65, 0.08%, 0.44%

LAB 46.58, 3.78, 4.5

 

CMYK 16 / 4 / 0 / 53

HEX #667479

RGB 102 116 121

HSL 195.79, 0.09%, 0.44%

LAB 47.87, -4.07, -4.52

 

CMYK 0 / 72 / 55 / 31

HEX #AF314E

RGB 175 49 78

HSL 346.19, 0.56%, 0.44%

LAB 40.99, 52.49, 13.01

 

CMYK 0 / 70 / 72 / 31

HEX #AF3531

RGB 175 53 49

HSL 1.9, 0.56%, 0.44%

LAB 41.03, 49.12, 30.9

 

CMYK 0 / 50 / 72 / 31

HEX #AF5731

RGB 175 87 49

HSL 18.1, 0.56%, 0.44%

LAB 47.17, 33.02, 37.86

 

CMYK 0 / 31 / 72 / 31

HEX #AF7831

RGB 175 120 49

HSL 33.81, 0.56%, 0.44%

LAB 54.83, 14.83, 46.08

 

CMYK 0 / 12 / 72 / 31

HEX #AF9A31

RGB 175 154 49

HSL 50, 0.56%, 0.44%

LAB 63.71, -3.95, 55.09

 

CMYK 0 / 50 / 72 / 57

HEX #6E371F

RGB 110 55 31

HSL 18.23, 0.56%, 0.28%

LAB 29.78, 22.2, 25.65

 

CMYK 0 / 50 / 72 / 44

HEX #8E4728

RGB 142 71 40

HSL 18.24, 0.56%, 0.36%

LAB 38.57, 27.53, 31.79

 

CMYK 0 / 50 / 72 / 31

HEX #AF5731

RGB 175 87 49

HSL 18.1, 0.56%, 0.44%

LAB 47.17, 33.02, 37.86

 

CMYK 0 / 47 / 68 / 21

HEX #C96A40

RGB 201 106 64

HSL 18.39, 0.56%, 0.52%

LAB 55.17, 34.29, 39.94

 

CMYK 0 / 38 / 54 / 18

HEX #D28360

RGB 210 131 96

HSL 18.42, 0.56%, 0.6%

LAB 62.32, 26.86, 31.59

 

CMYK 0 / 50 / 72 / 32

HEX #AE5731

RGB 174 87 49

HSL 18.24, 0.56%, 0.44%

LAB 47.02, 32.61, 37.66

 

CMYK 36 / 0 / 72 / 31

HEX #70AF31

RGB 112 175 49

HSL 90, 0.56%, 0.44%

LAB 65.22, -40.48, 55.09

 

CMYK 72 / 65 / 0 / 31

HEX #313DAF

RGB 49 61 175

HSL 234.29, 0.56%, 0.44%

LAB 32, 34.32, -62.09

 

CMYK 0 / 50 / 72 / 32

HEX #AE5731

RGB 174 87 49

HSL 18.24, 0.56%, 0.44%

LAB 47.02, 32.61, 37.66

 

CMYK 72 / 0 / 50 / 31

HEX #31AF57

RGB 49 175 87

HSL 138.1, 0.56%, 0.44%

LAB 63.34, -53.19, 35.31

 

CMYK 50 / 72 / 0 / 31

HEX #5731AF

RGB 87 49 175

HSL 258.1, 0.56%, 0.44%

LAB 32.52, 46.93, -61.12

 

CMYK 0 / 50 / 72 / 32

HEX #AE5731

RGB 174 87 49

HSL 18.24, 0.56%, 0.44%

LAB 47.02, 32.61, 37.66

 

CMYK 36 / 0 / 72 / 31

HEX #70AF31

RGB 112 175 49

HSL 90, 0.56%, 0.44%

LAB 65.22, -40.48, 55.09

 

CMYK 72 / 22 / 0 / 31

HEX #3189AF

RGB 49 137 175

HSL 198.1, 0.56%, 0.44%

LAB 53.64, -13.32, -27.55

 

CMYK 36 / 72 / 0 / 31

HEX #7031AF

RGB 112 49 175

HSL 270, 0.56%, 0.44%

LAB 35.47, 51.42, -56.18

 

CMYK 0 / 50 / 72 / 32

HEX #AE5731

RGB 174 87 49

HSL 18.24, 0.56%, 0.44%

LAB 47.02, 32.61, 37.66

 

CMYK 58 / 0 / 72 / 31

HEX #4AAF31

RGB 74 175 49

HSL 108.1, 0.56%, 0.44%

LAB 63.62, -52.34, 52.95

 

CMYK 72 / 22 / 0 / 31

HEX #3189AF

RGB 49 137 175

HSL 198.1, 0.56%, 0.44%

LAB 53.64, -13.32, -27.55

 

CMYK 15 / 72 / 0 / 31

HEX #9531AF

RGB 149 49 175

HSL 287.62, 0.56%, 0.44%

LAB 40.71, 58.96, -47.47

 

Description

Color code: HEX #AE5731 | qconv.com Color code: HEX #AE5731 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 87 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 87 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 72 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 72% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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