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Color name
HEX #AE5077

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE5077 it is the complementary color #51AF88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE5077. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE5077 shade: #B35072, #C46285, #D57498, #E686AB and #F798BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE5077. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE5077 shade: #AE5077, #9D3E64, #8C2C51, #7B1A3E and #6A082B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE5077 shade: #AE5077, #AE505E and #AE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE5077 shade: #AE5077, #AE5090, #AE50AA, #9950AE and #8050AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE5077 shade matches the following richer shades: #AE5077, #C33B73, #D72770 and #EC126C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE5077 shade: #AE5077, #9A647A, #85797E, #708E82 and #5CA285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE5077 shade: #AE50A9, #AE5090, #AE5077, #AE505E and #AE5B50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE5077 shade: #763650, #924364, #AE5077, #BB6C8D and #C888A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE5077 shade: #AE5077, #AE9A50 and #509DAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE5077 shade: #AE5077, #77AE50 and #5077AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE5077 shade: #AE5077, #AE9A50, #50AE87 and #5064AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE5077 shade: #AE5077, #A6AE50, #50AE87 and #5850AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 32 / 32

HEX #AE5077

RGB 174 80 119

HSL 335.11, 0.37%, 0.5%

LAB 47.06, 42.68, -3.63

 

Complementary color

CMYK 54 / 0 / 22 / 31

HEX #51AF88

RGB 81 175 136

HSL 155.11, 0.37%, 0.5%

LAB 65.11, -37.28, 11.66

 

CMYK 0 / 55 / 36 / 30

HEX #B35072

RGB 179 80 114

HSL 339.39, 0.39%, 0.51%

LAB 47.67, 43.75, 0.38

 

CMYK 0 / 50 / 32 / 23

HEX #C46285

RGB 196 98 133

HSL 338.57, 0.45%, 0.58%

LAB 54.2, 42.93, -1.13

 

CMYK 0 / 46 / 29 / 16

HEX #D57498

RGB 213 116 152

HSL 337.73, 0.54%, 0.65%

LAB 60.7, 42.08, -2.39

 

CMYK 0 / 42 / 26 / 10

HEX #E686AB

RGB 230 134 171

HSL 336.88, 0.66%, 0.71%

LAB 67.14, 41.23, -3.48

 

CMYK 0 / 38 / 23 / 3

HEX #F798BE

RGB 247 152 190

HSL 336, 0.86%, 0.78%

LAB 73.51, 40.41, -4.45

 

CMYK 0 / 54 / 32 / 32

HEX #AE5077

RGB 174 80 119

HSL 335.11, 0.37%, 0.5%

LAB 47.06, 42.68, -3.63

 

CMYK 0 / 61 / 36 / 38

HEX #9D3E64

RGB 157 62 100

HSL 336, 0.43%, 0.43%

LAB 40.46, 43.36, -1.98

 

CMYK 0 / 69 / 42 / 45

HEX #8C2C51

RGB 140 44 81

HSL 336.88, 0.52%, 0.36%

LAB 33.92, 43.76, 0.17

 

CMYK 0 / 79 / 50 / 52

HEX #7B1A3E

RGB 123 26 62

HSL 337.73, 0.65%, 0.29%

LAB 27.57, 43.5, 3.09

 

CMYK 0 / 92 / 59 / 58

HEX #6A082B

RGB 106 8 43

HSL 338.57, 0.86%, 0.22%

LAB 21.62, 41.95, 7.25

 

CMYK 0 / 54 / 32 / 32

HEX #AE5077

RGB 174 80 119

HSL 335.11, 0.37%, 0.5%

LAB 47.06, 42.68, -3.63

 

CMYK 0 / 54 / 46 / 32

HEX #AE505E

RGB 174 80 94

HSL 351.06, 0.37%, 0.5%

LAB 46.37, 39.75, 10.56

 

CMYK 0 / 54 / 54 / 32

HEX #AE5050

RGB 174 80 80

HSL 0, 0.37%, 0.5%

LAB 46.06, 38.42, 18.62

 

CMYK 0 / 54 / 32 / 32

HEX #AE5077

RGB 174 80 119

HSL 335.11, 0.37%, 0.5%

LAB 47.06, 42.68, -3.63

 

CMYK 0 / 54 / 17 / 32

HEX #AE5090

RGB 174 80 144

HSL 319.15, 0.37%, 0.5%

LAB 47.94, 46.27, -17.36

 

CMYK 0 / 54 / 2 / 32

HEX #AE50AA

RGB 174 80 170

HSL 302.55, 0.37%, 0.5%

LAB 49.05, 50.61, -31.05

 

CMYK 12 / 54 / 0 / 32

HEX #9950AE

RGB 153 80 174

HSL 286.6, 0.37%, 0.5%

LAB 46.4, 45.5, -37.77

 

CMYK 26 / 54 / 0 / 32

HEX #8050AE

RGB 128 80 174

HSL 270.64, 0.37%, 0.5%

LAB 43.33, 38.7, -42.83

 

CMYK 0 / 54 / 32 / 32

HEX #AE5077

RGB 174 80 119

HSL 335.11, 0.37%, 0.5%

LAB 47.06, 42.68, -3.63

 

CMYK 0 / 70 / 41 / 24

HEX #C33B73

RGB 195 59 115

HSL 335.29, 0.54%, 0.5%

LAB 46.93, 58.09, -1

 

CMYK 0 / 82 / 48 / 16

HEX #D72770

RGB 215 39 112

HSL 335.11, 0.69%, 0.5%

LAB 48.35, 69.3, 3.34

 

CMYK 0 / 92 / 54 / 7

HEX #EC126C

RGB 236 18 108

HSL 335.23, 0.86%, 0.5%

LAB 51.09, 77.58, 10.26

 

CMYK 0 / 54 / 32 / 32

HEX #AE5077

RGB 174 80 119

HSL 335.11, 0.37%, 0.5%

LAB 47.06, 42.68, -3.63

 

CMYK 0 / 35 / 21 / 40

HEX #9A647A

RGB 154 100 122

HSL 335.56, 0.21%, 0.5%

LAB 48.75, 25.08, -3.26

 

CMYK 0 / 9 / 5 / 48

HEX #85797E

RGB 133 121 126

HSL 335, 0.05%, 0.5%

LAB 52.03, 5.54, -1.06

 

CMYK 21 / 0 / 8 / 44

HEX #708E82

RGB 112 142 130

HSL 156, 0.12%, 0.5%

LAB 56.49, -13.16, 2.91

 

CMYK 43 / 0 / 18 / 36

HEX #5CA285

RGB 92 162 133

HSL 155.14, 0.28%, 0.5%

LAB 61.49, -29.04, 8.25

 

CMYK 0 / 54 / 3 / 32

HEX #AE50A9

RGB 174 80 169

HSL 303.19, 0.37%, 0.5%

LAB 49.01, 50.44, -30.54

 

CMYK 0 / 54 / 17 / 32

HEX #AE5090

RGB 174 80 144

HSL 319.15, 0.37%, 0.5%

LAB 47.94, 46.27, -17.36

 

CMYK 0 / 54 / 32 / 32

HEX #AE5077

RGB 174 80 119

HSL 335.11, 0.37%, 0.5%

LAB 47.06, 42.68, -3.63

 

CMYK 0 / 54 / 46 / 32

HEX #AE505E

RGB 174 80 94

HSL 351.06, 0.37%, 0.5%

LAB 46.37, 39.75, 10.56

 

CMYK 0 / 48 / 54 / 32

HEX #AE5B50

RGB 174 91 80

HSL 7.02, 0.37%, 0.5%

LAB 48.34, 32.66, 21.63

 

CMYK 0 / 54 / 32 / 54

HEX #763650

RGB 118 54 80

HSL 335.63, 0.37%, 0.34%

LAB 31.96, 31.16, -2.49

 

CMYK 0 / 54 / 32 / 43

HEX #924364

RGB 146 67 100

HSL 334.94, 0.37%, 0.42%

LAB 39.66, 37.1, -3.37

 

CMYK 0 / 54 / 32 / 32

HEX #AE5077

RGB 174 80 119

HSL 335.11, 0.37%, 0.5%

LAB 47.06, 42.68, -3.63

 

CMYK 0 / 42 / 25 / 27

HEX #BB6C8D

RGB 187 108 141

HSL 334.94, 0.37%, 0.58%

LAB 55.29, 35.64, -4.36

 

CMYK 0 / 32 / 19 / 22

HEX #C888A3

RGB 200 136 163

HSL 334.69, 0.37%, 0.66%

LAB 63.78, 28.41, -4.32

 

CMYK 0 / 54 / 32 / 32

HEX #AE5077

RGB 174 80 119

HSL 335.11, 0.37%, 0.5%

LAB 47.06, 42.68, -3.63

 

CMYK 0 / 11 / 54 / 32

HEX #AE9A50

RGB 174 154 80

HSL 47.23, 0.37%, 0.5%

LAB 63.91, -2.27, 41.11

 

CMYK 54 / 10 / 0 / 32

HEX #509DAE

RGB 80 157 174

HSL 190.85, 0.37%, 0.5%

LAB 60.67, -18.88, -16.12

 

CMYK 0 / 54 / 32 / 32

HEX #AE5077

RGB 174 80 119

HSL 335.11, 0.37%, 0.5%

LAB 47.06, 42.68, -3.63

 

CMYK 32 / 0 / 54 / 32

HEX #77AE50

RGB 119 174 80

HSL 95.11, 0.37%, 0.5%

LAB 65.57, -34.73, 42.09

 

CMYK 54 / 32 / 0 / 32

HEX #5077AE

RGB 80 119 174

HSL 215.11, 0.37%, 0.5%

LAB 49.44, 2.62, -33.43

 

CMYK 0 / 54 / 32 / 32

HEX #AE5077

RGB 174 80 119

HSL 335.11, 0.37%, 0.5%

LAB 47.06, 42.68, -3.63

 

CMYK 0 / 11 / 54 / 32

HEX #AE9A50

RGB 174 154 80

HSL 47.23, 0.37%, 0.5%

LAB 63.91, -2.27, 41.11

 

CMYK 54 / 0 / 22 / 32

HEX #50AE87

RGB 80 174 135

HSL 155.11, 0.37%, 0.5%

LAB 64.75, -37.29, 11.69

 

CMYK 54 / 43 / 0 / 32

HEX #5064AE

RGB 80 100 174

HSL 227.23, 0.37%, 0.5%

LAB 44.05, 14.35, -41.94

 

CMYK 0 / 54 / 32 / 32

HEX #AE5077

RGB 174 80 119

HSL 335.11, 0.37%, 0.5%

LAB 47.06, 42.68, -3.63

 

CMYK 5 / 0 / 54 / 32

HEX #A6AE50

RGB 166 174 80

HSL 65.11, 0.37%, 0.5%

LAB 68.72, -16.22, 46.57

 

CMYK 54 / 0 / 22 / 32

HEX #50AE87

RGB 80 174 135

HSL 155.11, 0.37%, 0.5%

LAB 64.75, -37.29, 11.69

 

CMYK 49 / 54 / 0 / 32

HEX #5850AE

RGB 88 80 174

HSL 245.11, 0.37%, 0.5%

LAB 39.36, 28.76, -49.42

 

Description

Color code: HEX #AE5077 | qconv.com Color code: HEX #AE5077 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 80 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 80 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 32 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 32% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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